Samkhya thoughts in the Mahabharata
by Shini M.V. | 2017 | 51,373 words
This page relates ‘Branches of Samkhya� of the study of Samkhya thought and philosophy as reflected in the Shanti-Parva of the Mahabharata. Samkhya represents one of the six orthodox schools of Indian Philosophy and primarily deals with metaphysical knowledge and explains the Universe without the need to introduce God. The Mahabharata is an ancient Sanskrit epic which includes many Sankhya theories while expounding twenty-five principles.
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Branches of ṃkⲹ
The four streams are designated as:
These are further subdivided in to sub branches. ǰٰ in four, in seven, Atri in five and twenty of the ʰԲ.
ǰٰ-ś
The first stream expounds its principle in terms of creation and dissolution termed as ǰٰ, the night referring to the stage when the ʰṛt is in equilibrium, whereas the day signifies the agitation of ʰṛt and the beginning of the process of creation or evolution.
(1) The first sub branch of this stream is found in the pariśiṣṭa in the Nirukta of 첹.[1]
(2) The second sub branch is represented by the ǰٰ yoga in the īٲ.[2]
(3) The third sub branch is expounded in the Durgāspataśati, in the Mārkaṇdeyapurāṇa in its section entitled Prādhānika rahasya.
(4) In the ѲԳܲṛt chapter one presents the principles of the fourth sub branch.
(5) In the Vāyu purāṇa the fifth sub branch is found.[3]
-ś
In the list of tattvas, kāla is included in the second stream. In the svetāśvataropaniṣad,[4] it is found in the earliest acceptance of kāla as a tattva.
(1) The first sub branch of this school as expounded in the Ѳٲ, names ʳܰṣa as վṣṇ and ʰṛt as kāla and without recognising Mahat, traces Manas and ṃk directly from Buddhi.[5]
(2) The second sub branch as expounded in the Ѳٲ mentions ʰṛt in the place of kāla, naming it as avyakta also. It describes kāla as the cause of the transformation of all the tattvas and objects. It believes in six Ѳūٲ, but does not name the sixth one.[6]
(3) Devala in the Ѳٲ is presented by the third sub branch. Here kāla is mentioned as distinct from both ʰṛt and ʳܰṣa. The teachers of this sub branch are named as ūٲ cintaka and Adhyٳ cintaka. This sub branch designates the tattvas as śī. it numbers the mahābhūtas as eight, adding the kāla, 屹 and a屹 to the well-known five, and parallel to them, numbers the jñānendriyas also as eight adding citta, Manas and Buddhi to the well-known five ones. It numbers the tattvas variously as sixteen, seventeen, eighteen, twenty and twenty five by adding new ones. In its scheme the inclusion of ūṣm as a tattva is very significant.[7]
(4) The fourth sub branch is described in the ūܰṇa. Its teachers are referred to as tattvacintaka and 徱. According to it, both kāla pradhāna and ʳܰṣa emanate from avyakta, kāla which represents the connection between two events, is described as anādi.[8]
(5) The fifth sub branch recorded in the վṣṇpurāṇa was expounded by ʲś and given to Maitreya. According to it, in the stage of equilibrium, ʰṛt ʳܰṣa remains aloof from it, and is termed as kāla.[9]
(6) The sixth sub branch is found in the 岵ٲܰṇa and is communicated by Kapila to Devāhuti. Here kāla is mentioned as the twenty fifth tattva, which causes stirrings in the ʰṛt in its stage of equilibrium.[10]
(7) The seventh sub branch is also found in the 岵ٲܰṇa, it accepts a number of new tattvas, such as dravya, karma, kāla, svabhāvya, ī and Brahma or ܻ𱹲.[11]
Atrisiddhāntīya-ś
The Atri siddhāntīya is the third stream. The functioning of the internal and external organs is investigated in the text on Ayurveda is mainly based in it. In the Ayurveda Atri was the earliest authority, and is included in the list of ṃkⲹ teachers.
(1) The first stream of this first branch is recorded in the Nirukta. According to it, by following the path of dharma, anybody can become Īś or become immortal, getting involved in passions a man suffers repeated births and deaths.
(2) The second sub branch made remarkable advancements in the area of ʲñ Ѳūٲ, physics and botany. It expounded the principle of life even in plants[12].
(3) The third sub branch finds a detailed exposition in the two ṃhٲ texts associated with the names of Caraka and Śuśruta.
Mukhyastambhīya-ś
Mukhya stambhīya, ʰԲ-stambhīya or Kāpilīya is termed as the main stream of ṃkⲹ. It covers all the important expressions of ṃkⲹ principles.
(1-3) The first three sub branches are indicated when Բٰܳ refers to the views mentioning the numbers of tattvas as twenty three or twenty four, where as he himself takes them to be twenty five.
(4) The fourth sub branch is represented by ñⲹ who mentions the tattvas to be twenty six.[13]
(5) The fifth sub branch mentions the order of creations as ṣa, �, , jyoti, jala, jagati and jagat.[14] Without assigning any place to ʳܰṣa brahma, Mahat or ṃk.
(6) The sixth sub branch presents three cycles of evolution and dissolution. Here we find four terms ṣa, ñԲ, 貹ñ ṛt and ūṣm, which are used in a special sense, not found elsewhere. In the third cycle the term ٳ signifies ʳܰṣa. This sub branch presents an elaborate order of tattvas.[15]
(7) The seventh sub branch is characterized by a special terminology about ʳܰṣa, Ѳܰṣa in its twenty fourth tattva, Ѳܰṣa ṛt or Ѳ𱹲 is the twenty fifth tattva, and Bhagavan is the twenty sixth tattva. The order of its evolution is also distinctive.
(8) The eighth sub branch designates the tattvas as 屹s and describes all of them as evolutes of sva屹.[16]
(9) Allied to this is the ninth sub branch which holds the order of evolution to be Ѳūٲ, Cetana, Ātma, Manas (ahaṃkāra) and Buddhi.[17]
(10) The tenth sub branch is also associated with the sva屹vādins. The order of evolution according to this sub branch is Indriyas, ʲñ ٲԳٰ, Manas and Buddhi. Buddhi is also described as ٳ in human beings.[18] In all these sub branches no place is assigned to ūṛt and ʳܰṣa.
(11) The eleventh sub branch was expounded by ղṣṭ. It speaks of two types of creations. ūٲsarga relating to ʲñ ٲԳٰ and ʲñ mahābhūtas, and Bhautika sarga concerning five Karmendriyas and five Jñānendriyas. It assigns the highest place to ᾱṇy, also designated as Buddhi, Mahat and Viriñji.[19]
(12) The twelfth branch resulted from the dressing up of ṃkⲹ in the garb of ղṣṇs�.[20] According to it, in the beginning there was only ñԲ, from which came out pradhāna ٰṇa 峾ⲹ or ղṣṇ ʰṛt which is also designated as sva屹.
(13) The thirteenth sub branch, as known from the ѲԳܲṛt[21] represents the most developed form of ṃkⲹ Yoga. According to it, in the beginning there was the state of equilibrium, first emerged the ⲹū, who created water, in which he sowed seeds which became the golden egg. From it emerged Brahma, who divided the egg in to two parts. The order of evolution is buddhi, manas, ahaṃkāra, ٲԳٰ, mahābhūta, jñānendriyas and karmendriyas.
(14) The fourteenth sub branch also represents a developed state and is found in the ܱܰṇa. The dark stage is termed as ʰԲ and ʰṛt. From it emerges mahat variously named as Manas, mahat, mati, brahma, ܰ�, Buddhi پ, īśvara, ṇa, citti, ṛt ṃv and vipuri. The three ṇa developed in it and are termed as linga, the ṣeٰñ resides in it. When the rajas ṇa is predominant ṃk is evolved, and when the tamas ṇa is predominant, ʲñ ٲԳٰ are evolved from which come out ʲñ Ѳūٲ[22].
(15) The fifteenth sub branch is recorded in the Brahma purāṇa. It represents a detailed account of the developed system. It is expounded by ղṣṭ and delivered to ᲹԲ첹. It mentions Buddhi tattva as the parama tattva and the ٳ tattva. All the tattvas are characterized by several ṇa and each has its own վ.[23]
(16) The sixteenth sub branch is found in the Devībhāgavatapurāṇa. Here also the ṃkⲹ Yoga system is superimposed by ղṣṇ terminology. Many names for ʰṛt is given by the ʳܰṇa. Tapas, tamas, jadata, ñԲ, ⲹ, pradhāna, prakṛti, śپ, aja, citta and saṃvitta. The creation is said to be automatic and natural. There was only citta in the beginning. The Devi claims to be citta and in conjunction with ʳܰṣa, produces ṃk and the subsequent evolutes. Avidya is also described as Māya and satvātmika. Īś when reflected in it, is called Jīva.
(17) The seventeenth sub branch, as traced in the Ѳٲ has a distinctive character. Here the ṇa of the ʲñmahābhūtas are said to be six, ūپ being the sixth, though in actual enumeration only four are named. The tattvas include four Ѳūٲ and six ṇa with citta as the eleventh and Buddhi as the twelfth. This sub branch omits ś as a tattva and salida as aṇa.[24]
(18) The eighteenth sub branch is found in the Kūrma purāṇa.[25] It is presented by Ś himself. The order of the tattvas in an ascending sequence is indrias, manas, ahaṃkāra, mahat, avyakta, puruṣa, ṇa, vyoma, agni.
(19) The nineteenth sub branch is found in the Buddhacarita of śṣa. It is presented by arā� (arāḍa). The ṃkⲹ philosophers are designated as ٳcintakas. ʳܰṣa or ٳ is termed as ṣeٰñ and also as vyakta, as distinguished from avyakta. AñԲ karma and tṛṣṇa are the three causes of birth. There are five causes of . Vipatyaya, ahaṃkāra, sandeha, abhisamplava, śṣa and anupāya and six effects of it; tama, moha, 峾dz, tāmiśra, avapāta and Ի峾ś. The system subscribes to the principles of ٰⲹ岹.[26]
(20) In the Ծܰṇa the twentieth sub branch is traced. According to it, Brahma entered ʳܰṣa and ʰṛt which was followed by an explosion in Mahat and ṃk appeared as evolutes. The creation which followed is of three types, 첹 taijasa and ū徱.[27]
Footnotes and references:
[3]:
[5]:
[7]:
Ѳٲ XII 275, 4-7.
[8]:
[9]:
kālasvarūparūpa� tad viṣṇormaitreya varttate |
kālasvarūpa� tad viṣṇormaitreya parivartate || վṣṇpurāṇa I.2.27.
[10]:
[11]:
ⲹ� karma ca kālaśca svabhāvo ī eva ca |
vāsudevatātparo brahma cānyo'rtho'sti tatvata� || 岵ٲܰṇa, II.5.14.
[12]:
Ѳٲ XII, 184, 10-18.
[13]:
te naitannābhinandanti 貹ñviṃśakamacyutam |
janmamṛtyubhayād bhītā yogā� ṃkhyāśca kāśyapa ||
ṣaḍviṃśamanupaśyanta� śucayastat貹yaṇāḥ || Śāntiparva 318. 79.
[14]:
XII, 200-10,13.
[15]:
Ѳٲ XII, 202-9, 10, 15, 23.
[16]:
Mbh.XII, 222-65, 66.
[17]:
Ibid 239, 6-16.
[18]:
[19]:
Śāntiparva , 302�18, 24 -27.
[20]:
Śāntiparva , 238, 17 -21.
[22]:
[23]:
[24]:
Ѳٲ XII, 219-12, 34.
[25]:
tasmādanādimadhyānta� vastveka� 貹� śivam |
sa īśvaro mahādevasta� vijñāya pramucyate || ūܰṇa, uttarārdham, 10, 12.
[26]:
Buddhacarita, XII, 17 -39.