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Shaivism (Shaiva philosophy)

Source: Wisdom Library: Kubjik腻mata-tantra

惭腻测腻 (啶�啶距く啶�):鈥擫ast of the eight M腻t峁泂 born from the body of 膧t尘墨, according to the Kubjik腻mata-tantra. These eight sub-manifestations (尘腻迟峁�), including 惭腻测腻, symbolize the different kinds of souls, as well as the impurities by which these souls are bound (except for Ni峁�kala or 艢iva). They are presided over by the Bhairava C补峁囜笉a and his consort Br腻h尘墨. 膧t尘墨 is the second of the Eight Mah腻尘腻迟峁泂, residing within the 惭腻迟峁沜补办谤补 (third of the five cakras) and represents the 腻迟尘补苍.

: bhagavadgitausa.com: Kashmir Saivism

惭腻测腻: It is the source of 5 Kancukas and the limiting principle of the Divine. Maya puts a limitation on the infiniteness of the experience of Sivaness by the individual soul so that the individual soul forgets its organic connection with Siva and thinks that it (the soul) and other distal Tattvas or objects are different from Siva. The five Kancukas (7-11) are the straitjacket of Maya, which severely dumb down the individual soul, though identical with Siva. Maya Tattva is the repository of Anava and Maya (Mayiya) Malas.

: Brill: 艢aivism and the Tantric Traditions

惭腻测腻 (啶�啶距く啶�) refers to a 鈥�尘腻测腻-natured woman鈥�, according to the 13th-century Matsyendrasa峁僪it腻: a Kubjik腻-Tripur腻 oriented Tantric Yoga text of the 峁�a岣峚nvaya艣腻mbhava tradition from South India.鈥擜ccordingly, 鈥淸Dev墨 spoke]:鈥擮 God, what kind of a woman is a Yogin墨? Who is 惭腻测腻 and who is P腻艣av墨? Tell me, O Bhairava, the pros and cons of having sex with them. [Bhairava spoke]:鈥擺...] A woman who possesses all favourable characteristics [but] has neither a [Yogin墨] Clan/noble family nor a [human/material] form/beauty, and who is to be approached by empathic imagination, O Mahe艣腻n墨, is called 惭腻测腻鈥�.

: SOAS University of London: Protective Rites in the Netra Tantra

1) 惭腻测腻 (啶�啶距く啶�) refers to 鈥渋llusion鈥�, according to the Netratantra of K峁�emar腻ja: a 艢aiva text from the 9th century in which 艢iva (Bhairava) teaches P腻rvat墨 topics such as metaphysics, cosmology, and soteriology.鈥擜ccordingly, [verse 21.15-19]鈥斺�淎h! The question [you have] asked me is not answered elsewhere, [although] I declare it in all teachings. The foolish, [those] always concealed with illusion (尘腻测腻), do not know. It is not worship [if] you speak the mantra [devoid of] the three kinds of tattvas. Meanwhile, let it be. A world lacking the tattvas does not accomplish [anything]. [...]鈥�.

2) 惭腻测腻 (啶�啶距く啶�) refers to one of the Dev墨s associated with N腻r腻y补峁嘺.鈥擜ccordingly, [verse 13.1-9, while describing the appearance and worship of Vi峁ａ箛u, in the form of N腻r腻y补峁嘺]鈥斺�淸...] [The Mantrin] places dev墨s at the four cardinal directions and members at the intermediate compass-points. Thus, he worships [the Dev墨s] Ja测腻, Lak峁３灸�, K墨rti, and 惭腻测腻 at the cardinal directions, [where they] hold a noose and hook, hands [in the 尘耻诲谤腻蝉 of] granting wishes and protection. He meditates [on them] before the eyes of the Deva, assuming the shape of [whichever] goddess is chosen. The members are similar to the Deva, [with] his color and hold [his same] weapons鈥�.

context information

Shaiva (啶多�堗��, 艣aiva) or Shaivism (艣aivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.

Shaktism (Shakta philosophy)

Source: Wisdom Library: 艢腻ktism

惭腻测腻 (啶�啶距く啶�, 鈥渄eceit, illusion鈥�):鈥擭ame of one of the sixty-four 尘腻迟峁泂 to be worshipped during 膧var补峁嘺p奴j腻 (鈥淲orship of the Circuit of Goddesses鈥�, or 鈥淒urg腻鈥檚 Retinue鈥�), according to the Durg腻p奴j腻tattva. They should be worshipped with either the five 耻辫腻肠腻谤补蝉 or perfume and flowers.

Her mantra is as follows:

啷� 啶�啶距く啶距く啷� 啶ㄠぎ啶�
o峁� 尘腻测腻yai 苍补尘补岣�.

: Google Books: Manthanabhairavatantram

1) 惭腻测腻 (啶�啶距く啶�) refers to 鈥渙ne who is deluded鈥�, according to the Manth腻nabhairavatantra, a vast sprawling work that belongs to a corpus of Tantric texts concerned with the worship of the goddess Kubjik腻.鈥擜ccordingly, while describing the signs of one who is not a Siddha: 鈥淗e is excessively tall, bald, deformed, short, dwarfish, his nose is ugly or he has black teeth and is wrathful . Some of his limbs are missing and is deceitful, cripple and deformed, foolish, inauspicious, envious, deluded [i.e., 尘腻测腻], badly behaved, and violent; without any teacher, he is devoid of the rites, he maligns the Krama without cause, he is not devoted to the Siddhas, he (always) suffers and is without wisdom. [...]鈥�.

2) 惭腻测腻 (啶�啶距く啶�) refers to the Vid测腻 associated with J腻landhara, one of the eight Sacred Seats (辫墨峁环补), according to the Yogakh补峁囜笉a (chapter 14) of the Manth腻nabhairavatantra.

3) 惭腻测腻 (啶�啶距く啶�) or K腻la also refers to the Cremation Ground associated with Avyakta, another one of the eight Sacred Seats (辫墨峁环补).

: Kamakoti Mandali: The Yoginis of Narasimha Vyuha

惭腻测腻 (啶�啶距く啶�) is the name of a M腻t峁沰腻-艢补办迟颈 created by 惭补丑腻谤耻诲谤补 in order to control the plague of demons created by 础苍诲丑补办腻蝉耻谤补.鈥擜ccordingly, Andhaka-Asura tried to kidnap U尘腻 (Dev墨 P腻rvat墨), and was fiercely attacked by 惭补丑腻谤耻诲谤补 who shot arrows at him from his 尘补丑腻辫颈苍腻办补. when the arrows pierced the body of 础苍诲丑补办腻蝉耻谤补, drops of blood fell to earth and from those drops, thousands of Andhakas arose. To control this plague of demons, 惭补丑腻谤耻诲谤补 created 惭腻迟峁沰腻-艢补办迟颈蝉 [viz., 惭腻测腻] and ordered them to drink the blood of the demons and drain them dry.

: Kamakoti Mandali: Nrisimha matrika-mandala

惭腻测腻 (啶�啶距く啶�) refers to one of the various 惭腻迟峁沰腻-艢补办迟颈蝉 created by Rudra in order to destroy the clones that spawned from 础苍诲丑补办补鈥檚 body.鈥擜ccordingly, [...] 础苍诲丑补办腻蝉耻谤补 attempted to abduct Gir腻janandin墨 (P腻rvat墨) and thus ensued a fierce battle between 础苍诲丑补办腻蝉耻谤补 and the great Rudra, the Lord of U尘腻. Like raktab墨ja, every drop of blood that fell from the body of Andhaka created another Asura like him and in no time, the entire world was filled with Andhakas. To destroy the growing number of Andhakas, Rudra created innumerable 惭腻迟峁沰腻-艢补办迟颈蝉 [viz., 惭腻测腻]. These 艢补办迟颈s of immense power at once began to drink every drop of blood that flowed from the body of Andhaka, but they could still not effectively contain the emergence of more and more demons.

: Shodhganga: Saudarya Lahari of Sri Sankara A Study

惭腻测腻 (啶�啶距く啶�) refers to one of the 52 rays of the Svadhi峁ａ弓h腻na-Cakra which (together with the 56 rays of the M奴l腻dh腻ra) are associated with the fiery plane called Rudragranthi, according to 艢a峁卥ar腻c腻rya鈥檚 Saudaryalahar墨.鈥擜ccordingly, the Goddess is visualised (by S腻dhaka) as dwelling above the six 膧dh腻racakras ruling over the 360 rays which emanate in them [e.g., 惭腻测腻]. These 360 rays represent 360 syllables (i.e., a consummation of the 艣补产诲补辫谤补辫补帽肠补 or 50 alphabets) as well as the principles of nature. For the 360 syllables, together with 丑补峁� and 蝉补岣�, N测腻sa should be performed for 艢r墨cakrap奴j腻.

context information

Shakta (啶多ぞ啶曕�嵿��, 艣腻kta) or Shaktism (艣腻ktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.

Shilpashastra (iconography)

: Red Zambala: Hindu Icons and Symbols | Trinity

Cosmic Illusion (尘腻测腻).鈥擳here is a very subtle veil that clouds our understanding鈥攅ven though we see death all around us we each think that we are immortal. We know what is good for us but still we pursue that which is transient and unbeneficial. We cling to the ephemeral universe thinking that we can gain ultimate pleasure and satisfaction through it, but even though we fail we still go on trying 鈥攖his is 惭腻测腻 or Cosmic Illusion.

context information

Shilpashastra (啶多た啶侧�嵿お啶多ぞ啶膏�嵿い啷嵿ぐ, 艣ilpa艣腻stra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.

Vastushastra (architecture)

: archive.org: Bharatiya vastu-sastra

Maya (啶�啶�) refers to the 鈥淔ounder Architect Acharya鈥� of the so called Dravidian V腻stuvid测腻 or school of Architecture. Maya is one of the eighteen professors of Architecture as mentioned in the Matsyapur腻峁嘺. His position in the tradition is second only to Vi艣vakar尘腻. The M腻nas腻ra, the most representative text of Dravidian architecture recounts the origin of Maya from one of the faces of the four-faced Vi艣vakar尘腻, which in the context of the accounts of Vi艣vakar尘腻 representing both the cultures is perfectly in keeping with the traditions.

That Maya school of Architecture was certainly different and distinct a tradition is proved by the earliest datable (550 A.D.) work on V腻stu艣腻stra, the B峁沨atsa峁僪it腻 of Var腻hamihira where Maya and Vi艣vakar尘腻 are quoted as authors whose seemingly different statements have the same meaning. The many names of eighteen chief preceptors (膧c腻ryas), seem to indicate an equal number of branches, or schools of Indian architecture prior to the sixth century A. D. and subsequently in Ki峁�kindh腻 K腻峁囜笉a of R腻尘腻y补峁嘺 (chapter 51) there is an interesting reference to Maya. It is told there how Maya acquired the knowledge of 艢ilpa艣腻stra, the Science of architecture, treasure U艣anas (au艣anasam dhanam) from Brahma. This shows that the treatises of Maya and U艣anas i.e. 艢ukra were alike in character. And as both belong to Asuras they represented a school of their own.

: Digital Library of India: Bharatiya Vastu-sastra volume 1

惭腻测腻 (啶�啶距く啶�):鈥擳he V腻yu-pur腻峁嘺 (IV.30-31) says:鈥斺�淭o measure (尘腻) is to make a thing by giving shape to it and existence鈥�. The denotattion and connotation of the word 惭腻测腻 and the principle underlying it expound the same truth. 鈥湶涯宀饽� or manifestation means division of the hitherto undivided principle; on itself it performs this operation and as Puru峁�a it henceforth thinks of itself as composed of parts.鈥�

context information

Vastushastra (啶掂ぞ啶膏�嵿い啷佮ざ啶距じ啷嵿い啷嵿��, v腻stu艣腻stra) refers to the ancient Indian science (shastra) of architecture (vastu), dealing with topics such architecture, sculpture, town-building, fort building and various other constructions. Vastu also deals with the philosophy of the architectural relation with the cosmic universe.

Dharmashastra (religious law)

: Google Books: Manusm峁泃i with the 惭补苍耻产丑腻峁�y补

惭腻测腻 (啶�啶距く啶�, 鈥済uile鈥�) is Treachery; with that he shall never behave; as by doing so, he would not be trustworthy. Nor shall he try to alienate the subjects of other kings, until their inclinations have been ascertained. (See the 惭补苍耻产丑腻峁�y补 verse 7.104)

context information

Dharmashastra (啶оぐ啷嵿ぎ啶多ぞ啶膏�嵿い啷嵿��, dharma艣腻stra) contains the instructions (shastra) regarding religious conduct of livelihood (dharma), ceremonies, jurisprudence (study of law) and more. It is categorized as smriti, an important and authoritative selection of books dealing with the Hindu lifestyle.

Purana and Itihasa (epic history)

Source: Wisdom Library: The Matsya-pur腻峁嘺

惭腻测腻 (啶�啶距く啶�) is the name of a mind-born 鈥榙ivine mother鈥� (尘腻迟峁�), created for the purpose of drinking the blood of the Andhaka demons, according to the Matsya-pur腻峁嘺 179.8. The Andhaka demons spawned out of every drop of blood spilled from the original 础苍诲丑补办腻蝉耻谤补 (Andhaka-demon). According to the Matsya-pur腻峁嘺 179.35, 鈥淢ost terrible they (e.g., 惭腻测腻) all drank the blood of those Andhakas and become exceedingly satiated.鈥�

The Matsyapur腻峁嘺 is categorised as a Mah腻pur腻峁嘺, and was originally composed of 20,000 metrical verses, dating from the 1st-millennium BCE. The narrator is Matsya, one of the ten major avatars of Vi峁ａ箛u.

: archive.org: Puranic Encyclopedia

1) Maya (啶�啶�).鈥擜 D腻nava king who served Devas and Asuras as their architect and builder. General. Ka艣yapa Praj腻pati, son of Mar墨ci and grandson of Brah尘腻 married the thirteen daughters of Dak峁�a. Among them, the first was Aditi, the second was Diti and the third was Danu. 膧diteyas were born to Aditi, Daityas were born to Diti and D腻navas were born to Danu. The chief among the sons of Danu was Maya. (See full article at Story of Maya from the Puranic encyclopaedia by Vettam Mani)

2) 惭腻测腻 (啶�啶距く啶�).鈥�General information. A consort of Mah腻vi峁ａ箛u, 惭腻测腻 has got a very prominent place in Hindu Pur腻峁嘺s. The Pur腻峁嘺s state that this whole universe is unreal, illusory and if we feel it real it is because of the working of this 惭腻测腻.

: archive.org: Shiva Purana - English Translation

1) 惭腻测腻 (啶�啶距く啶�) refers to one of the seven sacred cities of the Hindus (i.e., Ayodh测腻, Mathur腻, 惭腻测腻, K腻艣墨, K腻帽c墨, 膧vantik腻 and Dv腻rik腻), according to a footnote at the 艢ivapur腻峁嘺-尘腻h腻tmya chapter 1. Accordingly, 鈥斺�淸...] the holy rivers, Ga峁単腻 and others, the seven sacred cities [viz., 惭腻测腻] and Ga测腻 can never be equal to 艢ivapur腻峁嘺. If one wishes for the greatest of goals (Liberation) one shall recite at least a stanza or even half of it from 艢ivapur腻峁嘺. He who constantly listens to 艢ivapur腻峁嘺 fully comprehending its meaning or simply reads it with devotion is undoubtedly a meritorious soul鈥�.

2) 惭腻测腻 (啶�啶距く啶�) refers to the 鈥減ower of illusion鈥�, according to the 艢ivapur腻峁嘺 chapter 2.1.2 and Chapter 2.2.19.鈥擜ccordingly, as Brah尘腻 narrated to N腻rada:鈥斺�淸...] 艢iva鈥檚 power of illusion [惭腻测腻] is inscrutable (诲耻谤箩帽别测腻). The whole universe (jagat), the mobile or immobile, is deluded [sammohita] by it, Devas and Asuras.鈥�.

3) 惭腻测腻 (啶�啶距く啶�) is another name for 艢补办迟颈 (prime cause, created from the body of 莫艣vara), according to 艢ivapur腻峁嘺 2.1.6, while explaining the time of great dissolution (尘补丑腻辫谤补濒补测补):鈥斺�淸...] this 艢补办迟颈 is called by various names. Pradh腻na, Prak峁泃i, 惭腻测腻, Gu峁嘺vat墨, Par腻. The mother of Buddhi Tattva (The cosmic Intelligence), Vik峁泃ivarjit腻 (without modification). That 艢补办迟颈 is Ambik腻, Prak峁泃i and the goddess of all. She is the prime cause and the mother of the three deities. [...]鈥�.

4) Maya (啶�啶�) is name of an Asura Architect who build the three cities (Tripura), according to the 艢ivapur腻峁嘺 2.5.1 (鈥淒escription of Tripura鈥�the three cities鈥�).鈥擜ccordingly, after the sons of T腻raka-Asura spoke to Brah尘腻: 鈥淥n hearing their words, Brah尘腻, the grandfather and creator of the worlds remembered 艢iva and told them 鈥楲et it be so鈥�. He ordered Maya鈥斺�極 Maya, build three cities, one of gold, another of silver and a third one of steel鈥�. After ordering directly like this, Brah尘腻 returned to his abode in heaven even as the sons of T腻raka were watching鈥�.

: Cologne Digital Sanskrit Dictionaries: The Purana Index

1a) Maya (啶�啶�).鈥擳he architect of the Asuras of the other world, and a past master in the practice of 尘腻测腻. Served as calf for the M腻yins to derive 尘腻测腻 from Earth. Built aerial cities, three in number, of gold, silver and iron for the protection of the Asuras, and constructed the divine 蝉补产丑腻. The cities were well equipped and furnished, with paintings and drawings of couples of N腻gas and Asuras, pigeons, parrots and 艣腻谤颈办补蝉, interspersed by charming gardens of flowers and fruits with lakes of crystal waters. Being the Lord of Tripura which he built, he took part with Bali in the Dev腻sura war, and also fought with Vi艣vakarman;¹ son of Vi艣vakarman; Sure峁噓 was his sister;² had an evil dream that a naked lady and a man of three eye burning the city: reported it to the Sabh腻: was explained by N腻rada: precautions for defence: army stationed at respective places of vantage; Vidyun尘腻li was over-powered; Maya constructed a tank of medicinal waters to make the dead live and restored Vidyun尘腻li. Knowing this immortalising fluid, Brah尘腻 and Hari drank the whole of it; fierce war; 艢iva directed his arrows against the three cities and killed the Asuras by destroying their cities. Maya's address to the Asuras for a bold stand. Vidyun尘腻li and T腻raka were killed. Maya was let off and asked to live in a special house after burning the city. In the T腻rak腻maya it is said he rode on a golden chariot with arms and weapons.³

• 1) Bh腻gavata-pur腻峁嘺 I. 15. 8; II. 7. 37; IV. 18. 20; V. 24. 9-10; VII. 10. 22 and 29, 51-60.
• 2) Brah尘腻峁囜笉a-pur腻峁嘺 III. 59. 21; IV. 12. 3; 20. 46; 31. 7; V腻yu-pur腻峁嘺 84. 20-1.
• 3) Matsya-pur腻峁嘺 ch. 129; 131. 25-30; 134. 9-30; chh. 135-140. 173. 2-13; 177. 3-6.

1b) The Asura architect and a contemporary of K峁涐梗峁嘺. His son enslaved the gopas and hid them in a cave. K峁涐梗峁嘺 recovered them;¹ freed from the forest fire of K腻峁囜笉ava by Arjuna, he erected a 蝉补产丑腻 for the use of the P腻峁囜笉avas. Once Duryodhana (s.v.) mistook a floor of this for a sheet of water and had a nasty fall;² Supplied a magic car to 艢腻lva under orders of 艢iva.³

• 1) Bh腻gavata-pur腻峁嘺 II. 7. 31.
• 2) Ib. X. 55. 21; 71. 45; 58. 27; 75. 34 and 37.
• 3) Ib. X. 76. 7; 77. 28.

1c) An Asura; Lord of Tal腻tala region, won the grace of 艢iva and attained 尘辞办峁�a by 蝉补迟蝉补峁単补. A follower of V峁泃ra in his battle with Indra;¹ wife Rambh腻 and father of six sons;² had daughters like Upad腻nav墨.³

• 1) Bh腻gavata-pur腻峁嘺 V. 24. 28; XI. 12. 5; VI. 10. 31.
• 2) Brah尘腻峁囜笉a-pur腻峁嘺 III. 6. 5 and 28; V腻yu-pur腻峁嘺 68. 28-9.
• 3) Matsya-pur腻峁嘺 6. 21.

1d) Father of 惭腻测腻.^*

• * Brah尘腻峁囜笉a-pur腻峁嘺 II. 9. 64.

1e) An author on architecture.^*

• * Matsya-pur腻峁嘺 252. 2.

2) 惭补测腻 (啶�啶�啶�).鈥擜 艢补办迟颈 created from the heart of N峁泂imha.^*

• * Matsya-pur腻峁嘺 179. 64.

3) 惭腻测补 (啶�啶距��).鈥�(Mohanavidyas) taught to Pradyumna by 惭腻测腻vat墨.^*

• * Vi峁ａ箛u-pur腻峁嘺 V. 27. 14.

4a) 惭腻测腻 (啶�啶距く啶�).鈥擟reated by the Lord with a view to creating the world;¹ Role of: source of bondage;² four characteristics of: its influence on 箩帽腻苍补 means to get rid of.³

• 1) Bh腻gavata-pur腻峁嘺 I. 2. 30; III. 5. 25.
• 2) Bh腻gavata-pur腻峁嘺 XI. 11. 1-3; V腻yu-pur腻峁嘺 94. 15.
• 3) Bh腻gavata-pur腻峁嘺 XI. 3. 1-33.

4b) A daughter of Adharma.^*

• * Bh腻gavata-pur腻峁嘺 IV. 8. 2.

4c) Is Yoga尘腻测腻; a mind-born mother;¹ from the heart of Narasimha;² a 艣akti.³

• 1) Bh腻gavata-pur腻峁嘺 X. 2. 12; Matsya-pur腻峁嘺 179. 21.
• 2) Ib. 179. 64.
• 3) Brah尘腻峁囜笉a-pur腻峁嘺 II. 26. 9, 29; IV. 6. 53; 12. 21 & 49; 44. 62; V腻yu-pur腻峁嘺 24. 86.

4d) A daughter of Maya;¹ wife of Bhayam and mother of M峁泃yu;² helpmate of V腻r腻havi峁ａ箛u.³

• 1) Brah尘腻峁囜笉a-pur腻峁嘺 II. 9. 64.
• 2) V腻yu-pur腻峁嘺 10. 40.
• 3) Brah尘腻峁囜笉a-pur腻峁嘺 I. 5. 19.

4e) The essence milked by the Asuras from the cow-earth.^*

• * Matsya-pur腻峁嘺 10. 21.

4f) One of the kingly 耻辫腻测补蝉.^*

• * Matsya-pur腻峁嘺 222. 2.

4g) (Vai峁ａ箛av墨): Atimohini and Trigu峁嚹錿maka.^*

• * Vi峁ａ箛u-pur腻峁嘺 V. 21. 1; 30. 14-9.

4h) Represents the lips of the Vedas,¹ makes different varieties of and varied 驳耻峁嘺蝉 with 艣墨濒补蝉.²

• 1) V腻yu-pur腻峁嘺 104. 75.
• 2) Ib. 104. 41.

context information

The Purana (啶�啷佮ぐ啶距��, pur腻峁嘺s) refers to Sanskrit literature preserving ancient India鈥檚 vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.

Natyashastra (theatrics and dramaturgy)

Source: Wisdom Library: N腻峁瓂a-艣腻stra

惭腻测腻 (啶�啶距く啶�, 鈥渄eceit鈥�) refers to one of the twenty-one sandhyantara, or 鈥渄istinct characteristics of segments (sandhi)鈥� according to the N腻峁瓂a艣腻stra chapter 21. The segments are divisions of the plot (颈迟颈惫峁泃迟补 or vastu) of a dramatic play (苍腻峁璦办补) and consist of sixty-four limbs, known collectively as the 蝉补苍诲丑测补峁単补.

context information

Natyashastra (啶ㄠぞ啶熰�嵿く啶多ぞ啶膏�嵿い啷嵿ぐ, 苍腻峁瓂补艣腻蝉迟谤补) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).

Vedanta (school of philosophy)

: WikiPedia: Vedanta

In Vedanta, 尘腻测腻 is to be seen through, like an epiphany (诲补谤艣补苍补), in order to achieve moksha (liberation of the soul from the cycle of 蝉补峁僺腻谤补). A丑补峁僰腻ra (ego-consciousness) and karma are seen as part of the binding forces of 尘腻测腻. 惭腻测腻 may be understood as the phenomenal Universe of perceived duality, a lesser reality-lens superimposed on the unity of Brahman. It is said to be created by the divine by the application of the Lil腻 (creative energy/material cycle, manifested as a veil鈥攖he basis of dualism). The 蝉补峁僺办腻谤补蝉 of perceived duality perpetuate 蝉补峁僺腻谤补.

惭腻测腻 is often translated as 鈥渋llusion鈥�, since our minds construct a subjective experience, which we are in peril of interpreting as reality. 惭腻测腻 is the principal deity that manifests, perpetuates, and governs the illusion and dream of duality in the phenomenal Universe.

: WikiPedia: Advaita Vedanta

In Advaita Vedanta philosophy, 尘腻测腻 is the limited, purely physical and mental reality in which our everyday consciousness has become entangled. 惭腻测腻 is held to be an illusion, a veiling of the true, unitary Self鈥攖he Cosmic Spirit also known as Brahman. The concept of 尘腻测腻 was introduced by the ninth-century Hindu philosopher Adi Shankara. He refuses, however, to explain the relationship between Brahman and 尘腻测腻.

: Shodhganga: Siva Gita A Critical Study

惭腻测腻 (啶�啶距く啶�) refers to 鈥渟he who measures鈥�; or 鈥渕irific energy鈥�. The substance emanated from 艢iva through which the world of forms is manifested. Hence all creation is also termed w腻测腻.It is the cosmic creative force, the principle of manifestation, ever in the process of creation, preservation and dissolution.

context information

Vedanta (啶掂�囙う啶距え啷嵿��, ved腻nta) refers to a school of orthodox Hindu philosophy (astika), drawing its subject-matter from the Upanishads. There are a number of sub-schools of Vedanta, however all of them expound on the basic teaching of the ultimate reality (brahman) and liberation (moksha) of the individual soul (atman).

Vaishnavism (Vaishava dharma)

: archive.org: A History of Indian Philosophy (vaishnavism)

惭腻测腻 (啶�啶距く啶�) is the power of God, and the word is used in various senses in various contexts; it may mean the essential power, the external power, and it has also the sense of 辫谤补诲丑腻苍补.

: Pure Bhakti: Bhagavad-gita (4th edition)

惭腻测腻 (啶�啶距く啶�) refers to 鈥渓iterally, 尘腻鈥撯赌榥辞迟鈥�, 测腻鈥撯�榯his鈥�. In other words 鈥榯hat which is not鈥�; an illusion (See 尘腻测腻-艣akti)鈥�. (cf. Glossary page from 艢谤墨尘补诲-叠丑补驳补惫补诲-骋墨迟腻).

: Pure Bhakti: Bhajana-rahasya - 2nd Edition

惭腻测腻 (啶�啶距く啶�) refers to:鈥擨llusion; that which is not; 艢r墨 Bhagav腻n鈥檚 external potency which influences the living entities to accept the false egoism of being independent enjoyers of this material world. (Also see Mah腻尘腻测腻, 惭腻测腻-艣akti.). (cf. Glossary page from Bhajana-Rahasya).

: Pure Bhakti: Brhad Bhagavatamrtam

惭腻测腻 (啶�啶距く啶�) refers to:鈥擳he inferior energy of the Lord; material nature; illusion; the enchanting illusory potency; the state of forgetfulness of one鈥檚 relationship with the Lord. (cf. Glossary page from 艢r墨 B峁沨ad-bh腻gavat腻m峁泃a).

: Brill: 艢aivism and the Tantric Traditions (vaishnavism)

惭腻测腻 (啶�啶距く啶�) refers to the 鈥渋llusionary (darkness)鈥� (of those with distorted views), according to the Ved腻nta De艣ika鈥檚 Yatir腻jasaptati.鈥擶hen we come to the poem鈥檚 understanding of the divinity of R腻尘腻nuja we find a wide spectrum of meanings. [...] Verse 28 is particularly eloquent in describing and encapsulating all his nurturing and protecting qualities, which are compared to those present everywhere in nature itself鈥攁s the mountain from which originate all the streams of knowledge, the tree under which the weary traveler wandering in 蝉补峁僺腻谤补 takes rest, the rising sun that keeps the illusionary darkness (尘腻测腻-艣arvar墨) of those with distorted views at bay and the full moon that brings to high tide the ocean of the Vedas.

: Pure Bhakti: Brahma-samhita

惭腻测腻 (啶�啶距く啶�) refers to鈥擨llusory energy.

context information

Vaishnava (啶掂�堗し啷嵿ぃ啶�, vai峁ａ箛ava) or vaishnavism (vai峁ａ箛avism) represents a tradition of Hinduism worshipping Vishnu as the supreme Lord. Similar to the Shaktism and Shaivism traditions, Vaishnavism also developed as an individual movement, famous for its exposition of the dashavatara (鈥榯en avatars of Vishnu鈥�).

Vyakarana (Sanskrit grammar)

: Wikisource: A dictionary of Sanskrit grammar

Maya (啶�啶�).鈥�tad. affix 啶�啶�啶熰�� (尘补测补峁�) (1) in the sense of proceeding therefrom (啶むい 啶嗋�椸い啶� (tata 腻gata岣�) P. IV.3.92) added to words showing cause or meaning human being; e.g. 啶膏ぎ啶�啶�啶�啷�, 啶︵�囙さ啶︵い啷嵿い啶�啶�啶�啷� (samamayam, devadattamayam); (2) in the sense of product (啶掂た啶曕ぞ啶� (惫颈办腻谤补)) or part (啶呧さ啶�啶� (avayava)) added optionally with 啶呧ぃ啷� (补峁�) to any word, e.g. 啶呧ざ啷嵿ぎ啶�啶�啶�啷�, 啶嗋ざ啷嵿ぎ啶ㄠぎ啷� 啶�啷傕ぐ啷嵿さ啶距ぎ啶�啶�啷� 啶�啷屶ぐ啷嵿さ啶�啷� (补艣尘补尘补测补尘, 腻艣manam m奴rv腻mayam maurvam), and necessarily to words beginning with 啶�, 啶� (腻, ai) and 啶� (au), words of the class headed by the word 啶多ぐ (艣补谤补) and the words 啶椸��, 啶�啶苦し啷嵿��, 啶掂�嵿ぐ啷�啶灌た, 啶むた啶� (go, 辫颈峁ａ弓补, 惫谤墨丑颈, tila) and some others啷�; cf. P. IV. 3. 143-150; (3) in the sense of proportion, added to a numeral; e. g. 啶︵�嵿さ啶苦ぎ啶�啶�啷佮う啶多�嵿さ啶苦う啷嵿く啶掂ぞ啶ㄠぞ啶�啷� (dvimayamuda艣vidyav腻n腻m); cf. P. V. 2.47; (4) in the sense of "made up of' added to the thing of which there is a large quantity; e.g. 啶呧え啷嵿え啶�啶�啶�啷�, 啶呧お啷傕お啶�啶�啶�啷� (annamayam, 补辫奴辫补尘补测补尘) cf; 啶むい啷嵿お啷嵿ぐ啶曕�冟い啶掂�氞え啷� 啶�啶�啶熰�� (tatprak峁泃avacane 尘补测补峁�) P.V.4.21,22.

context information

Vyakarana (啶掂�嵿く啶距�曕ぐ啶�, v测腻kar补峁嘺) refers to Sanskrit grammar and represents one of the six additional sciences (vedanga) to be studied along with the Vedas. Vyakarana concerns itself with the rules of Sanskrit grammar and linguistic analysis in order to establish the correct context of words and sentences.

Chandas (prosody, study of Sanskrit metres)

: Shodhganga: a concise history of Sanskrit Chanda literature

惭腻测腻 (啶�啶距く啶�) refers to one of the 130 惫补谤峁嘺惫峁泃迟补蝉 (syllabo-quantitative verse) dealt with in the second chapter of the V峁泃tamukt腻val墨, ascribed to Durg腻datta (19th century), author of eight Sanskrit work and patronised by Hindupati: an ancient king of the Bundela tribe (presently Bundelkhand of Uttar Pradesh). A Var峁嘺v峁泃ta (e.g., 尘腻测腻) refers to a type of classical Sanskrit metre depending on syllable count where the light-heavy patterns are fixed.

context information

Chandas (啶涏え啷嵿う啶膏��) refers to Sanskrit prosody and represents one of the six Vedangas (auxiliary disciplines belonging to the study of the Vedas). The science of prosody (chandas-shastra) focusses on the study of the poetic meters such as the commonly known twenty-six metres mentioned by Pingalas.

Pancaratra (worship of N腻r腻y补峁嘺)

Source: Wisdom Library: Pancaratra (Samhita list)

1a) 惭腻测腻 (啶�啶距く啶�) or 惭腻测腻tantra is the name of an ancient P腻帽car腻tra Sa峁僪it腻 mentioned in the Kapi帽jalasa峁僪it腻: a P腻帽car腻tra work consisting of 1550 verses dealing with a variety of topics such as worship in a temple, choosing an 膧c腻rya, architecture, town-planning and iconography.鈥擣or the list of works, see chapter 1, verses 14b-27. The list [including 惭腻测腻-tantra] was said to have comprised 鈥�108鈥� titles, these, different sa峁僪it腻s named after different manifestations of the Lord or different teachers. They are all said to be authoritative as the ultimate promulgator of all these is the same N腻r腻y补峁嘺.

1b) 惭腻测腻 (啶�啶距く啶�) or 惭腻测腻tantra is also mentioned in the Bh腻radv腻jasa峁僪it腻 or 鈥淏h腻radv腻ja-k补峁噕a-sa峁僪it腻鈥�: a P腻帽car腻tra text comprising some 230 艣lokas mainly concerned with basic details concerning temple construction and icon consecration.鈥擨n the first chapter of the Bh腻radv腻ja-Sa峁僪it腻 a list of canonical titles is given鈥攕upposedly, but not actually naming 鈥�108鈥� titles. The list is almost identical to that found in the Kapi帽jala-sa峁僪it腻.

2) 惭腻测腻 (啶�啶距く啶�) is the name of an ancient P腻帽car腻tra Sa峁僪it腻 mentioned in the Padmasa峁僪it腻: the most widely followed of Sa峁僪it腻 covering the entire range of concerns of P腻帽car腻tra doctrine and practice (i.e., the four-fold formulation of subject matter鈥�箩帽腻苍补, yoga, kri测腻 and car测腻) consisting of roughly 9000 verses.鈥擺Cf. J帽腻nap腻da chapter 1, verses 99-114]鈥擣irst is explained the folly of following more than one Sa峁僪it腻 for a single series of rituals. Then the names of the 108 Tantras of the P腻帽car腻tra corpus are named [e.g., 惭腻测腻]. Even those who repeat these 108 titles will gain salvation.

3) 惭腻测腻 (啶�啶距く啶�) or 惭腻测腻sa峁僪it腻 is also mentioned in the M腻rk补峁囜笉eyasa峁僪it腻: a P腻帽car腻tra text comprising some 2200 Sanskrit verses mainly dealing with temple-building, iconography, p奴j腻 (worship procedures), utsava (festivities) and pr腻ya艣citta (expiatory measures).

: archive.org: Isvara Samhita Vol 1

惭腻测腻 (啶�啶距く啶�) means wonderful power which alone would make the milky ocean cleaned. 惭腻测腻 refers to the power to display mohas (delusions). The astounding acts take place without any effort on the part of people.

: archive.org: Catalogue of Pancaratra Agama Texts

惭腻测腻 (啶�啶距く啶�) or 惭腻测腻ko艣a refers to one of the six 办辞艣补蝉 (associated with Lak峁３灸�), as discussed in chapter 6 of the 尝补办峁３灸�迟补苍迟谤��: a P腻帽car腻tra text comprising some 3600 Sanskrit verses exclusively devoted to Goddess Lak峁３灸� or 艢r墨 (the consort of Vi峁ａ箛u) besides dealing with cosmology and practical regarding Vaishnava priests and temple-building programs.鈥擠escription of the chapter [峁�a峁璳o艣a-prak腻艣a]: In this chapter Lak峁３灸� attempts to identify herself with each of the six 办辞艣补蝉鈥摆别.驳., 尘腻测腻ko艣a (15-19)] [...]

context information

Pancaratra (啶�啶距�炧�嵿�氞ぐ啶距い啷嵿ぐ, p腻帽car腻tra) represents a tradition of Hinduism where Narayana is revered and worshipped. Closeley related to Vaishnavism, the Pancaratra literature includes various Agamas and tantras incorporating many Vaishnava philosophies.

Kavyashastra (science of poetry)

: Shodhganga: The Kavyavilasa of Ciranjiva Bhattacarya (kavyashastra)

惭腻测腻 (啶�啶距く啶�) refers to the 鈥渋llusion鈥� as defined by Cira帽j墨va Bha峁�峁�腻c腻rya (fl. 17th century).鈥�According to the ved腻nta philosophy 尘腻测腻, avid测腻, a箩帽腻苍补 and adh测腻sa are all synonymous. Cira帽j墨va holds the view that this avid测腻 or 尘腻测腻 cannot be taken to be manifested into rasa as it has no beginning and it is not produced where as so called all the rasas under go production. Moreover how it can be argued that false knowledge (mith测腻-箩帽腻苍补) etc. are the cause of 尘腻测腻, as it will go against the tenets of the scriptures. In fact according to the 膧la峁僰腻rikas rasa is always blissful. So it is compared to the nature of Brahman. As the nature of rasa is very close to the nature of Brahman, it cannot be of the nature of 尘腻测腻. 尘腻测腻 undergoes destruction and as such it is quiet different from Brahman. So 尘腻测腻 can not be of the nature of rasa. For this reason ancient 膧la峁僰腻r墨kas have admitted nine and only nine rasas.

: Shodhganga: Bhismacaritam a critical study

惭腻测腻 (啶�啶距く啶�) is the name of a Sanskrit metre (chandas) [defined as 啶�.啶�.啶�.啶嘳 of the Upaj腻ti type as employed in the Bh墨峁�macarita (Bhishma Charitra) which is a mah腻k腻vya (鈥榚pic poem鈥�) written by Hari Narayan Dikshit.鈥擶e find six examples of 惭腻测腻 variety of Upaj腻ti metre in the Bh墨峁�macarita. The example of it is verse IV.4. [...] The other examples are as follows: IV.7, X.31, X.40, XI.32 and XIV.29.

context information

Kavyashastra (啶曕ぞ啶掂�嵿く啶多ぞ啶膏�嵿い啷嵿ぐ, k腻vya艣腻stra) refers to the ancient Indian tradition of poetry (kavya). Canonical literature (shastra) of the includes encyclopedic manuals dealing with prosody, rhetoric and various other guidelines serving to teach the poet how to compose literature.

Kavya (poetry)

Source: Wisdom Library: Kath腻sarits腻gara

Maya (啶�啶�) is the name of an Asura and incarnation of Vi艣vakarman, according to the Kath腻sarits腻gara, chapter 34. Accordingly, 鈥渢here is a great Asura, Maya by name, an incarnation of Vi艣vakarman, who made the assembly hall of Yudhi峁ａ弓hira and the city of Indra; he has a daughter, Somaprabh腻 by name, who is a friend of mine. She came here at night to visit me, and out of love made this heavenly garden by her magic power, for the sake of my daughter鈥�.

In chapter 44, Maya instructs S奴ryaprabha in the art of magic sciences. Accordingly, as Vajraprabha said to Narav腻hanadatta: 鈥�... Maya went up in the assembly hall to King Candraprabha, who welcomed him, and said to him, in the presence of S奴ryaprabha: 鈥楰ing, this son of yours, S奴ryaprabha, has been appointed as the future emperor of the kings of the Vid测腻dharas by 艢iva; so why does he not acquire the magic sciences that will put him in possession of the dignity? For this reason I am sent here by the god 艢iva. Permit me to take him and teach him the right method of employing the sciences, which will be the cause of his obtaining the sovereignty of the Vid测腻dharas鈥�.鈥�.

The Kath腻sarits腻gara (鈥榦cean of streams of story鈥�), mentioning Maya, is a famous Sanskrit epic story revolving around prince Narav腻hanadatta and his quest to become the emperor of the vid测腻dharas (celestial beings). The work is said to have been an adaptation of Gu峁嚹遽笉hya鈥檚 B峁沨atkath腻 consisting of 100,000 verses, which in turn is part of a larger work containing 700,000 verses.

context information

Kavya (啶曕ぞ啶掂�嵿��, kavya) refers to Sanskrit poetry, a popular ancient Indian tradition of literature. There have been many Sanskrit poets over the ages, hailing from ancient India and beyond. This topic includes mahakavya, or 鈥榚pic poetry鈥� and natya, or 鈥榙ramatic poetry鈥�.

General definition (in Hinduism)

: Apam Napat: Indian Mythology

Maya is the architect of the Asuras. He is mentioned in many places as having constructed cities of great beauty and splendor for the Asuras. He was saved from being burnt by Agni by Arjuna and Krishna. In gratitude, he built the city of Indraprastha, the capital of the Pandavas, to rival Amravati, the city of Indra. Namuchi is his brother.

: WikiPedia: Hinduism

In Pur腻峁嘺s and Vai峁ａ箛ava theology, 尘腻测腻 is described as one of the nine 艣补办迟颈蝉 of Vi峁ａ箛u. 惭腻测腻 became associated with sleep; and Vi峁ａ箛u鈥檚 尘腻测腻 is sleep which envelopes the world when he awakes to destroy evil. Vi峁ａ箛u, like Indra, is the master of 尘腻测腻; and 尘腻测腻 envelopes Vi峁ａ箛u's body. The magic creative power, 尘腻测腻 was always a monopoly of the central Solar God; and was also associated with the early solar prototype of Vi峁ａ箛u in the early 膧ditya phase.

In Buddhism

Theravada (major branch of Buddhism)

: Dhamma Dana: Pali English Glossary

(Maturity).

context information

Therav腻da is a major branch of Buddhism having the the Pali canon (tipitaka) as their canonical literature, which includes the vinaya-pitaka (monastic rules), the sutta-pitaka (Buddhist sermons) and the abhidhamma-pitaka (philosophy and psychology).

Mahayana (major branch of Buddhism)

Source: Wisdom Library: Maha Prajnaparamita Sastra

惭腻测腻 (啶�啶距く啶�, 鈥渕agic show鈥�) refers to one of the ten comparisons (upa尘腻na) according to the 2nd century Mah腻praj帽腻p腻ramit腻艣腻stra chapter 11. These upa尘腻nas represent a quality of the Bodhisattvas accompanying the Buddha at R腻jag峁沨a on the 骋峁沝丑谤补办奴峁璦辫补谤惫补迟补. They accepted that dharmas are like a magic show (尘腻测腻). All the formations (sa峁僺k腻ra) are like a magic show (尘腻测腻) that deceives little children; they depend on causes and conditions, they are powerless and do not last for a long time.

: archive.org: Bulletin of the French School of the Far East (volume 5)

Maya (啶�啶�) is the name of a Kinnara appointed as one of the Divine protector deities of Pa帽c腻la, according to chapter 17 of the Candragarbha: the 55th section of the Mah腻sa峁僴ip腻ta-s奴tra, a large compilation of S奴tras (texts) in Mah腻测腻na Buddhism partly available in Sanskrit, Tibetan and Chinese.鈥擨n the Candragarbhas奴tra, the Bhagavat invites all classes of Gods and Deities to protect the Law [dharma?] and the faithful in their respective kingdoms of Jambudv墨pa [e.g., the Kinnara Maya in Pa帽c腻la], resembling the time of the past Buddhas.

: academia.edu: A Study and Translation of the Gaganaga帽japarip峁沜ch腻

惭腻测腻 (啶�啶距く啶�) refers to an 鈥渋llusion鈥�, according to the Gaganaga帽japarip峁沜ch腻: the eighth chapter of the Mah腻sa峁僴ip腻ta (a collection of Mah腻测腻na Buddhist S奴tras).鈥擜ccordingly as The Lord said: 鈥溑毮錼iputra, the Tath腻gata Ekaratnavy奴ha, seating in the lion鈥檚 throne thus, explained the dharma-seal called Gaganapari艣uddhi to these Bodhisattvas, which has thirty-two aspects of entrance. What is this Dharma-seal (dharmamudr腻) called Gaganapari艣uddhi which has thirty-two aspects of entrance? [...] 23) all dharmas are originally pure since they never turn back (avinivartana); 24) all dharmas never turn back since their essence has the characteristic of an illusion (尘腻测腻-lak峁２贯箛a-svabh腻va); 25) all dharmas are like an illusion since they have no proper nature (ni岣�svabh腻va); 26) all dharmas have no proper nature since their essential characteristics are unconditioned (anabhisa峁僺k腻ra-lak峁２贯箛a); [...]鈥�.

context information

Mahayana (啶�啶灌ぞ啶�啶距え, mah腻测腻na) is a major branch of Buddhism focusing on the path of a Bodhisattva (spiritual aspirants/ enlightened beings). Extant literature is vast and primarely composed in the Sanskrit language. There are many 蝉奴迟谤补蝉 of which some of the earliest are the various Praj帽腻p腻ramit腻 蝉奴迟谤补蝉.

General definition (in Buddhism)

Source: Wisdom Library: Dharma-samgraha

惭腻测腻 (啶�啶距く啶�, 鈥渄eception鈥�) refers to one of the fourty 鈥渃onditions鈥� (sa峁僺k腻ra) that are 鈥渁ssociated with mind鈥� (citta-samprayukta) as defined in the Dharma-sa峁僩raha (section 30). The Dharma-samgraha (Dharmasangraha) is an extensive glossary of Buddhist technical terms in Sanskrit (e.g., 尘腻测腻). The work is attributed to Nagarjuna who lived around the 2nd century A.D.

惭腻测腻 also refers to one of the 鈥渢wenty-four minor defilements鈥� (耻辫补办濒别艣补) as defined in the Dharma-sa峁僩raha (section 69).

: Google Books: The Fruits of True Monkhood

惭腻测腻 (鈥渄eceit鈥�) in Buddhism refers to one of the sixteen upakilesa (subtle defilements).

: WikiPedia: Buddhism

1) In Theravada Buddhism, the current expression of Buddhism most closely associated with early Buddhist practice, 尘腻测腻 is the name of the mother of the Buddha. This name may have some symbolic significance given the place of 尘腻测腻 in Indian thought, but it does not seem to have led this tradition to give to the concept of 尘腻测腻 much of a philosophical role. The Pali language of Theravada speaks of distortions (vipallasa) rather than illusion (尘腻测腻).

2) In Mahayana Buddhism, illusion seems to play a somewhat larger role. Here, the magician's illusion exemplifies how people misunderstand themselves and their reality, when we could be free from this confusion. Under the influence of ignorance, we believe objects and persons to be independently real, existing apart from causes and conditions. We fail to perceive them as being empty of a real essence, whereas in fact they exist much like 尘腻测腻, the magical appearance created by the magician. The magician's illusion may exist and function in the world on the basis of some props, gestures, and incantations, yet the show is illusory. The viewers participate in creating the illusion by misperceiving and drawing false conclusions. Conversely, when appearances arise and are seen as illusory, that is considered more accurate.

Buddhist Tantra, a further development of the Mahayana, also makes use of the magician's illusion example in yet another way. In the completion stage of Buddhist Tantra, the practitioner takes on the form of a deity in an illusory body (尘腻测腻deha), which is like the magician's illusion. It is made of wind, or prana, and is called illusory because it appears only to other yogis who have also attained the illusory body. The illusory body has the markings and signs of a Buddha. There is an impure and a pure illusory body, depending on the stage of the yogi's practice.

3) In the Dzogchen tradition the perceived reality is considered literally unreal, in that objects which make-up perceived reality are known as objects within ones mind, and that, as we conceive them, there is no pre-determined object, or assembly of objects in isolation from experience that may be considered the "true" object, or objects. As a prominent contemporary teacher puts it: "In a real sense, all the visions that we see in our lifetime are like a big dream [...]". In this context, the term visions denotes not only visual perceptions, but appearances perceived through all senses, including sounds, smells, tastes and tactile sensations.

In Jainism

General definition (in Jainism)

Source: Wisdom Library: Jainism

惭腻测腻 (啶�啶距く啶�) refers to 鈥渄eceitful practice鈥� and is one of the twenty-four activities (kri测腻) of s腻mpar腻yika (transmigression-extending influx). S腻mpar腻yika is one two types of 腻srava (influx) which represents the flow of karma particles towards the soul, which is due to the three activities: manoyoga ( activities of mind), k腻yayoga ( activities of body) and vacanayoga (activities of speech).

Kri测腻 (鈥榓ctivities鈥�, such as 尘腻测腻) is a Sanskrit technical term defined in the Tattv腻rthas奴tra (ancient authorative Jain scripture) from the 2nd century, which contains aphorisms dealing with philosophy and the nature of reality.

: archive.org: Jaina Yoga

惭腻测腻 (啶�啶距く啶�, 鈥渄eceit鈥�) refers to a subclass of the interal (abhyantara) division of parigraha (attachment) and is related to the Aparigraha-vrata (vow of non-attachment). Am峁泃acandra (in his Puru峁Ｄ錼thasiddhyup腻ya 116), Somadeva, and 膧艣腻dhara among the Digambaras and Siddhasena G补峁噄n (in his commentary on the Tattv腻rtha-s奴tra 7.24) among the 艢vet腻mbaras mention fourteen varieties of abhyantara-parigraha (for example, 尘腻测腻).

: archive.org: Trisastisalakapurusacaritra

1a) 惭腻测腻 (啶�啶距く啶�, 鈥渋llusion鈥�) refers to the 鈥渄octrine of Ved腻nta鈥�, as mentioned in chapter 1.1 [腻d墨艣vara-caritra] of Hemacandra鈥檚 11th century Tri峁�a峁ａ弓i艣al腻k腻puru峁�acaritra: an ancient Sanskrit epic poem narrating the history and legends of sixty-three illustrious persons in Jainism.

Accordingly, as Mah腻mati exposed the doctrine of 惭腻测腻 to king Mah腻bala (i.e., previous incarnation of 峁氠梗abha):鈥斺�淚t is illusion (尘腻测腻); nothing is real. The visible world is like a dream or a mirage. A teacher and a disciple; a father and a son; virtue and vice; one鈥檚 own and another鈥檚; such things as appear, that is only a form of expression, not reality. Just as the jackal left meat, and ran after a fish on the bank, and the fish got in the water and a vulture got the meat, exactly so those men are deceived and deprive themselves of both, who abandon pleasures of this world and run after those of the next world. After they have heard the false teaching of heretics, fearing hell, they foolishly torment their own bodies, alas! by vows, etc. Just as a partridge dances on one foot, afraid that it will fall on the ground, so a man practices penance fearing a fall into hell鈥�.

1b) 惭腻测腻 (啶�啶距く啶�, 鈥渄eceit鈥�) refers to one of the four passions (ka峁Ｄ鍄as) of creatures, according to chapter 4.5 [dharman腻tha-caritra].鈥擜ccordingly, as Dharma-n腻tha said in his sermon on the ka峁Ｄ鍄as:鈥斺�淸...] Creatures鈥� passions are four-fold: anger (krodha), conceit (尘腻na), deceit (尘腻测腻), and greed (lobha); and each of them is divided into 蝉补帽箩惫补濒补苍补, etc. [...] Deceit (尘腻测腻) is the mother of untruthfulness, the axe to the tree of good conduct, the birth-place of ignorance; the cause of a low condition of existence. Persons who are clever at crookedness, evil through deceit, hypocritical, deceiving the world, certainly deceive themselves also. Kings deceive the whole world by means of the deceitful six stratagems through trickery and destruction of trusting people because of greed for wealth. [...]鈥�.

Note: The direct counterpart of 惭腻测腻 is 膧rjava or 鈥榮incerity鈥�.

2) Maya (啶�啶�) is the name of a Vid测腻dhara-king from Surasa峁単墨ta, according to the Jain Ramayana and chapter 7.1 [origin of the r腻k峁�asava峁兣沘 and v腻narava峁兣沘].鈥擜ccordingly, 鈥淣ow, on Mount Vait腻岣峢ya in the city Surasa峁単墨ta, the ornament of the southern row, there was a Vid测腻dhara-lord, Maya. His wife was named Hemavat墨, the abode of virtues, and their daughter, born of her womb, was named Mandodar墨. When he had observed that she was grown, King Maya thought over the merits and defects of the princes of the Vid测腻dharas, seeking a husband for her. [...]鈥�.

: Encyclopedia of Jainism: Tattvartha Sutra 6: Influx of karmas

惭腻测腻 (啶�啶距く啶�).鈥擶hat is meant by 尘腻测腻? Deceitful disposition of the soul caused by a particular conduct deluding karma produces the influx of life-karma leading to the birth in sub human world (迟颈谤测补帽肠补).

: The University of Sydney: A study of the Twelve Reflections

惭腻测腻 (啶�啶距く啶�) refers to 鈥渄eception鈥�, according to the 11th century J帽腻n腻r峁嘺va, a treatise on Jain Yoga in roughly 2200 Sanskrit verses composed by 艢ubhacandra.鈥擜ccordingly, 鈥淭olerance of anger and humility towards pride, moreover straightforwardness towards deception (尘腻测腻) [and] abandonment of attachment, these are the enemies of desire respectively. Yogis continually drive away desire and dislike through equanimity or through the state of non-attachment , and they drive away wrong faith through the application of right faith鈥�

context information

Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, 鈥榮elf-reliance鈥�) and spiritual development through a path of peace for the soul to progess to the ultimate goal.

India history and geography

: Wisdom Library: India History

Maya refers to one of the 84 castes (gaccha) in the Jain community according to Prof. H. H. Wilson. The Jain caste and sub-caste system was a comparatively later development within their community, and it may have arisen from the ancient classification of Br腻hm补峁嘺, 碍峁�a迟谤颈测补, 痴补颈艣测补 and 艢奴诲谤补. Before distinction of these classes (such as Maya), the society was not divided into distinct separate sections, but all were considered as different ways of life and utmost importance was attached to individual chartacter and mode of behaviour.

According to Dr. Vilas Adinath Sangava, 鈥�Jainism does not recognise castes (viz., Maya) as such and at the same time the Jaina books do not specifically obstruct the observance of caste rules by the members of the Jaina community. The attitude of Jainism towards caste is that it is one of the social practices, unconnected with religion, observed by people; and it was none of its business to regulate the working of the caste system鈥� ().

The legendary account of the origin of these 84 Jain castes (e.g., Maya) relate that once a rich Jain invited members of the Jain community in order to establish a vai艣ya-mah腻蝉补产丑腻 (i.e. Central Association of Traders). In response, 84 representatives came from different places, and they were later seen as the progenitors of these castes. Various sources however mention differences in the list.

: academia.edu: The Chronological History of Ancient Sri Lanka

Maya was also a great astronomer and civil engineer of Asuras. Maya wrote the famous text 鈥淪urya Siddhanta鈥� in 6778 BCE. In all probability, the Yakshas of Sri Lanka built the city of Lankapuri before 6778 BCE. This may be the reason why Maya named the point on equator as Lanka where the Ujjain meridian intersects. There is a Shilpashastra written by Maya. In Mahabharata era, Maya designed and constructed a 鈥淢ayasabha鈥� for Duryodhana. Like Vishvakarma, Maya鈥檚 descendants were also known as Maya.

: Baba Updravinath's blog: Tantra Yoga Sadhana

惭腻测腻 (啶�啶距く啶�) or 惭腻测腻tantra is the name of a Tantra categorized as 鈥淰i峁ａ箛ukr腻nta鈥�, and is mentioned in a (further unknown) book in the possession of Kamlesh Punyark [=艢r墨 Kamale艣a Pu峁嚥饽錼ka or 啶多�嵿ぐ啷� 啶曕ぎ啶侧�囙�� 啶�啷佮ぃ啷嵿く啶距ぐ啷嵿�昡.鈥擳his book contains a detailed discussion of the basics of Tantra and opens with a list of three times sixty-four Tantras. One such text is the 啶�啶距く啶�-啶むえ啷嵿い啷嵿ぐ啶�啷� [尘腻测腻-tantram] or 啶�啶距く啶� [尘腻测腻].

context information

The history of India traces the identification of countries, villages, towns and other regions of India, as well as mythology, zoology, royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.

Biology (plants and animals)

: Wisdom Library: Local Names of Plants and Drugs

Maya [啶�啶距く啶綸 in the Nepali language is the name of a plant identified with Eriobotrya elliptica Lindl. from the Rosaceae (Rose) family having the following synonyms: Mespilus cuila. For the possible medicinal usage of maya, you can check this page for potential sources and references, although be aware that any some or none of the side-effects may not be mentioned here, wether they be harmful or beneficial to health.

: Google Books: CRC World Dictionary (Regional names)

1) Maya in Tanzania is the name of a plant defined with Treculia africana in various botanical sources. This page contains potential references in Ayurveda, modern medicine, and other folk traditions or local practices It has the synonym Myriopeltis edulis Welw. ex Hook.f. (among others).

2) Maya is also identified with Treculia erinacea It has the synonym Antiaris toxicaria var. africana Scott-Elliot ex A. Chev. (etc.).

Example references for further research on medicinal uses or toxicity (see latin names for full list):

· Annales du mus茅um national d鈥檋istoire naturelle (1810)
· Annales des Sciences Naturelles; Botanique (1847)
· Comptes Rendus Hebdomadaires des S茅ances de l鈥橝cad茅mie des Sciences (1920)
· Adansonia (1875)
· Bulletin of Miscellaneous Information Kew (1894)
· Bulletin du Jardin Botanique National de Belgique (1977)

If you are looking for specific details regarding Maya, for example extract dosage, diet and recipes, side effects, pregnancy safety, chemical composition, health benefits, have a look at these references.

context information

This sections includes definitions from the five kingdoms of living things: Animals, Plants, Fungi, Protists and Monera. It will include both the official binomial nomenclature (scientific names usually in Latin) as well as regional spellings and variants.

Languages of India and abroad

Pali-English dictionary

: BuddhaSasana: Concise Pali-English Dictionary

尘腻测腻 : (f.) fraud; deceit; magic; jugglery.

: Sutta: The Pali Text Society's Pali-English Dictionary

惭腻测腻, (f.) (cp. Vedic 尘腻测腻. Suggestions as to etym. see Walde, Lat. Wtb. s. v. manticulor) 1. deceptive appearance, fraud, deceit, hypocrisy Sn. 245, 328 (掳kata deceit), 469, 537, 786, 941 (: 尘腻测腻 vuccati va帽canik腻 cari测腻 Nd¹ 422); Vbh. 357, 361, 389; Miln. 289; Vism. 106 (+s腻theyya, 尘腻na, p腻picchat腻 etc.), 479 (尘腻测腻 viya vi帽帽腻峁嘺峁�); VbhA. 34 (in detail), 85, 493 (def.). Is not used in Pali Abhidhamma in a philosophical sense. 鈥�-鈥� 2. mystic formula, magic, trick M. I, 381 (腻va峁�峁璦n墨 m.). 办丑补迟迟颈测补掳 the mystic formula of a kh. J. VI, 375; Miln. 190; DhA. I, 166. In the sense of 鈥渋llusion鈥� often combined with 尘补谤墨肠颈, e.g. at J. II, 330; V, 367; Nd² 680^{A. II,} 鈥� 3. jugglery, conjuring Miln. 3.鈥擮n 尘腻测腻 in similes see J. P. T. S. 1907, 122; on term in general Dhs. trsl. ² 255 (鈥渋l岣穟sion鈥�); Expos. 333, 468ⁿ.鈥擜s adj. in a尘腻ya (q. v.) & in bahu-尘腻ye rich in deceit SnA 351.鈥擭ote. In the word 尘补峁� at KhA 123 (in pop. etym. of man-gala) the ed. of the text sees an Acc. of 尘腻 which he takes to be a contracted form of 尘腻测腻 (=iddhi).

鈥� or 鈥�

Maya, (adj.) (鈥斅� only) (Vedic maya) made of, consisting of.鈥擜n interesting analysis (interesting for judging the views and sense of etymology of an ancient commentator) of maya is given by Dhammap腻la at VvA. 10, where he distinguishes 6 meanings of the word, viz. 1. asma-d-atthe, i.e. 鈥渕yself鈥� (as representing maya峁�!).鈥�2. pa帽帽atti 鈥渞egulation鈥� (same as 1. according to example given, but constructed syntectically quite diff. by Dhp.).鈥�3. nibbatti 鈥渙rigin鈥� (arising from, with example mano-maya 鈥減roduced by mind鈥�).鈥�4. manomaya 鈥渟piritually鈥� (same as 3).鈥�5. vik腻r鈥檃tthe 鈥渁lteration鈥� (? more like product, consistency, substance), with example 鈥渟abbe-ma峁�峁璱k腻maya-ku峁璱k腻. 鈥� 鈥� 6. pada-p奴r补峁嘺 matte to make up a foot of the verse (or add a syllable for the sake of completeness, with example 鈥渄腻namaya, s墨lamaya鈥� (=dana; s墨la).鈥�1. made of: a峁�峁環i掳 of bone Vin. II, 115; ayo掳 of iron Sn. 669; Pv. I, 10⁴; J. IV, 492; udum- 产补谤补掳 of Ud. wood Mhvs 23, 87; d腻ru掳 of wood, VvA. 8; 濒辞丑补掳 of copper Sn. 670; ve岣穟riya掳 of jewels Vv 2¹.鈥�2. consisting in: d腻na掳 giving alms PvA. 8, 9; 诲耻蝉蝉补掳 clothes Vv 46⁷; 诲丑补尘尘补掳 righteousness S. I, 137.鈥�3. (more as apposition, in the sense as given by Dhp. above under 6) something like, a likeness of, i.e. ingredient, substance, stuff; in 腻h腻ra掳 food-stuff, food J. III, 523; 耻迟耻掳 something like a (change in) season Vism. 395; 蝉墨濒补掳 character, having s墨la as substance (or simply-consisting of) It. 51 (d腻na掳, 蝉墨濒补掳, bh腻van腻掳). (Page 523)

: Sutta: Pali Word Grammar from Pali Myanmar Dictionary

1) maya (醼欋��) [(pu) (醼曖��)]鈥�
[maya+a]
摆醼欋赌�+醼�]

2) ma测腻 (醼欋�氠��) [(a) (醼♂�溼��醼勧��)]鈥�
[amha+n腻]
摆醼♂赌欋赌�+醼斸赌琞

3) 尘腻ya (醼欋��醼�) [(ti) (醼愥��)]鈥�
[尘腻测腻+峁嘺]
摆醼欋赌�岫臍岫��+醼庐

4) 尘腻测腻 (醼欋��醼氠��) [(th墨) (醼戓��)]鈥�
[maya+峁噀+腻锛巑ayati vividh腻k腻ra峁� gacchati et腻测腻ti 尘腻测腻锛巒irutti,nh腻锛�557,maya+峁嘺+腻锛巑ayena asurena sure va帽cayitu峁� payuttatt腻 mayassa aya峁� 尘腻测腻锛�,峁�墨锛�512锛幊灸�+ya+腻锛巑eti parimeti a帽帽ena uttamena gu峁噀na attano agu峁嘺nti 尘腻测腻锛�,7锛�14va锛嶿
[醼欋��+醼忈��+醼♂��醽� 醼欋�氠�愥�� 醼濁��醼濁��醼撫��醼�醼�醼涐�� 醼傖�呩�贯�嗎�愥�� 醼п�愥��醼氠��醼愥�� 醼欋��醼氠��醽� 醼斸��醼涐��醼愥�贯�愥��醽� 醼斸�踞��醽嬦亝醽呩亣醽� 醼欋��+醼�+醼♂��醽� 醼欋�氠�贬�� 醼♂�炨��醼涐�贬�� 醼炨��醼涐�� 醼濁�夅�贯�呩�氠��醼愥��醼� 醼曖�氠��醼愥�贯�愥�愥�贯�愥�� 醼欋�氠�� 醼♂�氠�� 醼欋��醼氠��醽� 醼撫��醼斸�横亰醼嬦��醽嬦亝醽佱亗醽嬦�欋��+醼�+醼♂��醽� 醼欋�贬�愥�� 醼曖�涐��醼欋�贬�愥�� 醼♂�娽�贬�� 醼メ�愥�贯�愥�欋�贬�� 醼傖��醼忈�贬�� 醼♂�愥�贯�愥�斸�贬�� 醼♂�傖��醼忈�斸�贯�愥�� 醼欋��醼氠��醽� 醼欋�贬��醼傖�横亰醽囜亱醽佱亜醼濁亱]

context information

Pali is the language of the Tipi峁璦ka, which is the sacred canon of Therav腻da Buddhism and contains much of the Buddha鈥檚 speech. Closeley related to Sanskrit, both languages are used interchangeably between religions.

Marathi-English dictionary

: DDSA: The Molesworth Marathi and English Dictionary

maya (啶�啶�).鈥攊nd A Sanskrit affix abundantly and elegantly used in the sense of Full of, abounding with, fraught, replete. Ex. jalamaya, agnimaya, 腻nanda- maya, kr艒dhamaya, k腻mamaya, l艒bhamaya, v峁沰峁�amaya, dh腻nyamaya, k补峁囜弓akamaya, parvatamaya Overflown or copiously supplied with water; Blazing with fire; Filled with joy, rage, lust &c; Abounding in trees, grain, mountains &c. 2 Composed or consisting of; as suvar峁嘺maya, l艒hamaya, dh腻tumaya, k腻峁ａ弓hamaya, m峁泃tik腻maya, sikat腻maya, p腻峁Ｄ遽箛amaya Golden, iron, metallic, wooden, earthen, stone &c. Of this class of conpounds only such as undergo any change (e.g. t膿j艒maya, m峁沶maya) will occur in order.

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ma测腻 (啶�啶�啶�).鈥擲ee maiyata &c.

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尘腻ya (啶�啶距��).鈥攆 (尘腻 S) A mother. Pr. 尘腻ya mar艒 p补峁嘺 尘腻va艣墨 尘腻ya 尘腻va艣墨 n腻h墨峁� in. con. or 尘腻ya 尘腻va艣墨 p腻hata n腻h墨峁� Spoken of one who, in the gratification of his lusts, would not abstain even from incest.

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尘腻测腻 (啶�啶距く啶�).鈥攆 (S) Creation-illusion; the illusoriness of the appearance of the universe as material and of distinct subsistence, being in reality spiritual and the evolved substance of the eternal monad Brahma. 尘腻测腻 is personified, in mythology, as a female and the consort of Brahma, and the formative energy of the Brahma-expansion and disposition misapprehended as a creation See under brahma. 2 Deceit, trick, jugglery, illusion in general. 3 Affection, love, fondness. Pr. 尘腻测腻 v膿岣嵞� g奴 ph膿岣嵞� Love will refuse no service however disgusting or mean. 4 Compassion, pity, tenderness. 尘腻测腻 niv腻r补峁嚹撫箖 To dispel the investing illusion of. Ex. k峁沺腻d峁涐梗峁�墨n膿峁� p腻has墨 ja测腻 || ta测腻c墨峁� 尘腻测腻 niv腻ris墨 ||. 尘腻y膿c膿峁� t艒峁囜笉a kh腻l墨峁� or nir腻岣纺撫箖 Love is not lofty or disdainful or rigidly righteous; love bends over. 尘腻y膿nta a峁璦k补峁嚹撫箖-gh艒峁囜弓腻岣凡贯箛膿峁�-pa岣嵅贯箛膿峁�-phas补峁嚹撫箖 and, also 尘腻y膿n膿峁�, -gunt补峁嚹撫箖-g艒v补峁嚹撫箖-gu峁囜笉腻岣凡贯箛膿峁� To be entangled with earthly affairs and relations; to lead a secular a life.

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尘腻测腻 (啶�啶距く啶�).鈥攆 ( P) Stock, substance, property. 2 (In joining together by the edges two pieces of cloth &c.) The portion left along and without the seam; the portion of a substance generally left or spared along the edge (as of the pieces of a cotframe in rataning it; of a slip of wood in driving along it a line of nails; or as per examples) h腻 bar奴 k膿va岣穉 k腻峁囜笉测腻bar艒bara k腻p奴峁� nak艒 th艒岣嵞� 尘腻测腻 r腻kha; h墨 pha岣纺� k膿va岣穉 p腻ta岣穉 腻h膿 mh补峁嚺玭a ic膿 a峁単墨峁� 尘腻测腻 ka尘墨.

: DDSA: The Aryabhusan school dictionary, Marathi-English

maya (啶�啶�).鈥�ind An affix used in the sense of full of, &c.; consisting of.

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ma测腻 (啶�啶�啶�).鈥擲ee under mai.

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尘腻ya (啶�啶距��).鈥�f A mother.

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尘腻测腻 (啶�啶距く啶�).鈥�f Illusion. Deceit. Love. Pity. Stock. Property.

context information

Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.

Sanskrit dictionary

: DDSA: The practical Sanskrit-English dictionary

Maya (啶�啶�).鈥�a. (-测墨 f.) An affix used to indicate 'made of', 'consisting or composed of', 'full of'; 啶曕え啶曕ぎ啶�, 啶曕ぞ啶粪�嵿�犩ぎ啶�, 啶む�囙�溹�嬥ぎ啶�, 啶溹げ啶�啶� (kanakamaya, k腻峁ａ弓hamaya, tejomaya, jalamaya) &c.

-测补岣� 1 Name of a demon, the architect of the demons. (He built the 'three cities' for the demons; cf. tripura. He is also said to have built a splendid hall for the P腻峁囜笉avas); 啶膏ぞ啶ㄠえ啷嵿う啶� 啶︵�囙さ啶むぞ啶�啶苦ぐ啷嵿ぎ啶�啶�啷佮ぐ啶︵す啶ㄠ�� 啶о�傕ぐ啷嵿�溹�熰た啶� 啶�啶距い啷� 啶�啷佮し啷嵿ぎ啶距え啷� (s腻nanda峁� devat腻bhirmayapuradahane dh奴rja峁璱岣� p腻tu yu峁３灸錸) Ve.1.3.

2) A horse.

3) A camel.

4) A mule.

-测腻 Medical treatment.

-测墨 A mare.

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惭腻测补 (啶�啶距��).鈥�a. Possessing magical power; 啶ㄠぎ啷� 啶掂た啶多�嵿さ啶距�� 啶�啶距く啶距�� 啶氞た啶ㄠ�嵿い啷嵿く啶距�氞た啶ㄠ�嵿い啷嵿く啶距�� 啶掂�� 啶ㄠぎ啶� (namo vi艣v腻ya 尘腻测腻ya cint测腻cint测腻ya vai 苍补尘补岣�) Mah腻bh腻rata (Bombay) 13.14.316.

-测补岣� 1 A conjurer, juggler.

2) A demon, an evil spirit.

3) Name of Vi峁ａ箛u; L. D. B.

4) A garment; L. D. B.

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惭腻测腻 (啶�啶距く啶�).鈥擺尘腻-测补岣� b腻掳 netvam]

1) Deceit, fraud, trick, trickery; a device, an artifice; 啶班ぅ啶氞ぐ啷嵿く啶距じ啷嵿い啷嵿ぐ啶�啶距く啶距き啶苦ぐ啷嵿ぎ啷嬥す啶�啶苦い啷嵿さ啶� 啶�啶班�傕い啶� (rathacar测腻stra尘腻测腻bhirmohayitv腻 para峁僼apa) Mah腻bh腻rata (Bombay) 7.46.24; 啶�啷� 啶�啶距く啶距�� 啶曕�佮ぐ啷佮い啷� 啶�啷傕あ啶� 啶�啷嵿ぐ啶距ぃ啶む�嵿く啶距�椸�� 啶оえ啶距う啶苦�曕�� (yo 尘腻测腻峁� kurute m奴岣峢a岣� pr腻峁嘺t测腻ge dhan腻dike) 笔补帽肠补迟补苍迟谤补 (Bombay) 1. 359.

2) Jugglery, witchcraft, enchantment, an illusion of magic; 啶膏�嵿さ啶�啷嵿え啷� 啶ㄠ�� 啶�啶距く啶� 啶ㄠ�� 啶�啶むた啶�啷嵿ぐ啶�啷� 啶ㄠ�� (svapno nu 尘腻测腻 nu matibhramo nu) 艢.6.1; 啶�啶距く啶距く啷嬥�椸さ啶苦う啶距�� 啶氞�堗�� 啶� 啶膏�嵿さ啶�啶� 啶曕�嬥お啶曕ぞ啶班ぃ啶距い啷� (尘腻测腻yogavid腻峁� caiva na svaya峁� kopak腻r补峁嚹錿) Kau. A.1.19.

3) (Hence) An unreal or illusory image, a phantom, illusion, unreal apparition; 啶�啶距く啶距�� 啶�啶�啷嬥う啷嵿き啶距さ啷嵿く 啶�啶班��啶曕�嵿し啶苦い啷嬥そ啶膏�� (尘腻测腻峁� mayodbh腻vya par墨k峁�ito'si) R.2.62; 啶掂た啶曕�冟い啶苦�� 啶曕た啶� 啶ㄠ�� 啶�啶掂�囙う啶苦く啶� 啶ㄠ�� 啶�啶距く啶� (vik峁泃i岣� ki峁� nu bhavediya峁� nu 尘腻测腻) Kir腻t腻rjun墨ya 13.4; R.12.74; oft. as the first member of comp. in the sense of 'false', 'phantom', 'illusory'; e. g. 啶�啶距く啶距さ啶氞え啶�啷� (尘腻测腻vacanam) false words; 啶�啶距く啶距ぎ啷冟�� (尘腻测腻尘峁沢补) &c.

4) A political trick or artifice, diplomatic feat.

5) (In Ved腻nta phil.) Unreality, the illusion by virtue of which one considers the unreal universe as really existent and as distinct from the Supreme Spirit; 啶�啶距く啶距�� 啶む�� 啶�啷嵿ぐ啶曕�冟い啶苦�� 啶掂た啶︵�嵿く啶距え啷嵿ぎ啶距く啶苦え啶� 啶む�� 啶�啶灌�囙ざ啷嵿さ啶班ぎ啷� (尘腻测腻峁� tu prak峁泃i峁� vid测腻n尘腻yina峁� tu mahe艣varam) 艢vet. Up.

6) (In S腻峁�. phil.) The Pradh腻na or Prak峁泃i.

7) Wickedness.

8) Pity, compassion.

9) Name of the mother of Buddha.

1) Ved. Extraordinary power, wisdom (praj帽腻).

11) (With 艢aivas) One of the four snares (p腻艣a) which entangle the soul.

12) Name of the city Ga测腻.

13) Name of Lak峁３灸�.

14) Name of Durg腻; 啶︵�囙さ啷�啶� 啶�啶距く啶距�� 啶む�� 啶多�嵿ぐ啷�啶曕ぞ啶�啶� (dev墨峁� 尘腻测腻峁� tu 艣r墨k腻ma岣�) Bh腻gavata 2.3.3.

15) Skill, art; 啶︵ぇ啶距ぐ啷堗�曕�� 啶班ぃ啷� 啶班ぞ啶溹え啷� 啶掂�冟し啶膏�囙え啷嬥そ啶膏�嵿い啷嵿ぐ啶�啶距く啶�啶� (dadh腻raiko r补峁噀 r腻jan v峁涐梗aseno'stra尘腻ya测腻) Mah腻bh腻rata (Bombay) 7.16.1.

: Cologne Digital Sanskrit Dictionaries: Edgerton Buddhist Hybrid Sanskrit Dictionary

惭腻测腻 (啶�啶距く啶�) or Mah腻尘腻测腻.鈥�(1) 1: Div测腻vad腻na 390.2; Avad腻na-艣ataka ii.44.6; (2) name of a sister of prec.: Mah腻vastu i.355.17; (3) name of a deity: S腻dhana尘腻l腻 434.4 etc., mother of guhyakas, 434.6; compare next.

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惭腻测补 (啶�啶距��).鈥�(1) nt. according to text, a high number: mah腻vi-v腻has tath腻 d峁涐梗峁璦s, tadda艣a峁� 尘腻yam ucyate (膧谤测补-)惭补帽箩耻艣谤墨尘奴濒补办补濒辫补 343.18 (verse); or understand 尘腻ya(岣�)-m-ucyate, with m. gender? In next line: tadda艣a尘腻测腻峁�(!) mah腻尘腻ya岣�; (2) ap- parently nt. for Sanskrit 尘腻测腻, trick, wile: bah奴ni 尘腻测腻ni dar艣ayati Mah腻vastu ii.174.12 (prose; no v.l.).

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惭腻测腻 (啶�啶距く啶�).鈥�(Pali id.), often 惭腻测腻-dev墨 as [compound], also Ma- h腻尘腻测腻, q.v., (1) name of the wife of 艢uddhodana and mother of 艢腻kyamuni: Mah腻vyutpatti 1069 (惭腻测腻dev墨); her origin and history, Mah腻vastu i.355.17 ff. (many other refs. to her, see Senart's Index); Lalitavistara 26.15; 28.8 ff.; 78.1; 252.13, 15; Suvar峁嘺bh腻sottamas奴tra 239.5 (verse, 惭腻测补-dev墨, m.c.); G补峁囜笉avy奴ha 375.1; in G补峁囜笉avy奴ha, where Vairocana, q.v., seems blended with 艢腻kyamuni, she is also Vairo- cana's mother (381.5; 338.25, compare 339.3) in all his existences (as a result of a pr补峁噄dh腻na made ages ago, 444.20 ff., that she might always be the mother of a certain cakra- vartin who became Vairocana, 445.4); in G补峁囜笉avy奴ha 426.11鈥�12 she is called bodhisattva-janetr墨 and located bhagavato Vairocanasya p腻dam奴le; in 438.8 she made a pr补峁噄dh腻na to be the mother of all Bodhisattvas and Buddhas (sarva- bodhisattva-jina-janetr墨-pra掳); in 438.23 ff. she says that she has been the mother of all caramabhavika (q.v.) Bodhisattvas in all the lokadh腻tus of the Lord Vairocana, and then (439.1鈥�2) that she gave birth to the Bodhisattva Siddh腻rtha, 鈥榠n this very Bh腻gavat墨 c腻turdv墨pik腻鈥�, in Kapilavastu, as 艢uddhodana's wife; in 441.6 ff. she says that as she was the Buddha Vairocana's mother, so she was the mother of all past Buddhas, and will be of future Buddhas, Maitreya etc.; (2) name of a deity attendant on the four direction-rulers: Mah腻sa尘腻jas奴tra Waldschmidt, Kl. Sanskrit Texte 4, 173.9; = Pali id., D墨ghanik腻ya (Pali) ii.258.9 (not in Malalasekara (Dictionary of Pali Proper Names)).

: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary

Maya (啶�啶�).鈥攎.

(-测补岣�) 1. A camel. 2. A mule. 3. A demon, and the carpenter or architect of the Daityas. 4. Hurting, injuring. f.

(-测腻) Administering remedies, the practice of physic. f. (-测墨) Used as and affix in the sense of 鈥渃onsisting of鈥� 鈥淢ade of鈥� Full of. E. may to go, or mi to scatter, or 尘墨 to hurt, affs. aca or khal and 峁�腻p .

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惭腻测补 (啶�啶距��).鈥攎.

(-测补岣�) 1. A mime, a juggler. 2. An Asura or evil spirit. f.

(-测腻) 1. Fraud, trick, deceit, illusion. 2. A female juggler. 3. Understanding, human intellect. 4. Compassion. 5. Wickedness, villainy, villainous deception. 6. A name of Lakshmi. 7. Trick in negotiation, political fraud, diplomacy. 8. Philosophical illusion, idealism, unreality of all worldly existance; personified in mythology as a female, the consort of Brahma or God, and the immediate and active cause of creation. 9. The mother of Budd'Ha. 10. The Pradhana of the Sankhyas. 11. Illusion which makes one see the supreme spirit and the universe to be two distinct realities, (in Vedanta Phil.) E. 尘腻 to measure, Unadi aff. yat; the medium through which all things are seen, and by which they are estimated.

: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English Dictionary

Maya (啶�啶�).鈥攎. 1. A camel. 2. A mule.

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惭腻测补 (啶�啶距��).鈥攊. e. man + ya, I. m. 1. A juggler. 2. An Asura. Ii. f. 1. Understanding. 2. Fraud, deceit, [M腻navadharma艣腻stra] 7, 104; [贬颈迟辞辫补诲别艣补] i. [distich] 194, M. M. 3. Trick in negotiation, diplomacy, [笔补帽肠补迟补苍迟谤补] i. [distich] 404 (yo 尘腻测腻峁� kurute m奴dha岣� pr腻峁嘺t测腻ge dhan腻di峁�u, The fool who uses tricks about wealth, etc., his life being in danger). 4. Wickedness. 5. Illusion, unreality, [Ved腻ntas腻ra, (in my Chrestomathy.)] in Chr. 205, 2. 6. Magical power, [Kath腻sarits腻gara, (ed. Brockhaus.)] 25, 274. 7. Compassion. 8. The wife of a juggler.

: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionary

Maya (啶�啶�).鈥�1. [feminine] 墨 made or consisting of (only 鈥斅�); [masculine] the Former, [Name] of an Asura.

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Maya (啶�啶�).鈥�2. [masculine] horse, [feminine] ma测墨 mare.

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惭腻测腻 (啶�啶距く啶�).鈥擺feminine] art, supernatural or wonderful power, wile, trick, deceit, sorcery, illusion, phantom, unreality (ph.); 掳鈥� being only in appearance, a feigned or phantom 鈥�(cf. seq.).

: Cologne Digital Sanskrit Dictionaries: Aufrecht Catalogus Catalogorum

1) Maya (啶�啶�) as mentioned in Aufrecht鈥檚 Catalogus Catalogorum:鈥攑oet. [Subh腻shit腻vali by Vallabhadeva]

2) Maya (啶�啶�):鈥�(?) astronomer. Quoted by Var腻hamihira in B峁沨ajj腻taka Oxf. 329^a, in Ku峁囜笉akaumud墨 Oxf. 341^b.

3) Maya (啶�啶�):鈥擵腻stu艣腻stra.

: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary

1) Maya (啶�啶�):鈥�1. maya m. (鈭�3. 尘腻) Name of an Asura (the artificer or architect of the Daityas, also versed in magic, astronomy and military science), [Mah腻bh腻rata; K腻vya literature] etc.

2) Name of various teachers and authors ([especially] of an astronomer and a poet), [Catalogue(s)]

3) 惭补测腻 (啶�啶�啶�):鈥擺from maya] f. medical treatment, [cf. Lexicographers, esp. such as amarasi峁僪a, hal腻yudha, hemacandra, etc.]

4) Maya (啶�啶�):鈥�2. maya m. ([probably] [from] 鈭�2. 尘腻) a horse, [V腻jasaneyi-sa峁僪it腻]

5) a camel, [cf. Lexicographers, esp. such as amarasi峁僪a, hal腻yudha, hemacandra, etc.]

6) a mule, [cf. Lexicographers, esp. such as amarasi峁僪a, hal腻yudha, hemacandra, etc.]

7) 3. maya m. (鈭�1. 尘墨) hurting, injuring, [Horace H. Wilson]

8) 惭腻测补 (啶�啶距��):鈥�mfn. (鈭�3. 尘腻) measuring (See dh腻nya-m)

9) creating illusions (said of Vi峁ａ箛u), [Mah腻bh腻rata]

10) 惭腻测腻 (啶�啶距く啶�):鈥擺from 尘腻ya] a f. See below.

11) [from 尘腻ya] b f. art, wisdom, extraordinary or supernatural power (only in the earlier language)

12) [v.s. ...] illusion, unreality, deception, fraud, trick, sorcery, witchcraft magic, [峁歡-veda] etc. etc.

13) [v.s. ...] an unreal or illusory image, phantom, apparition, [ib.] ([especially] [ibc.] = false, unreal, illusory; cf. [compound])

14) [v.s. ...] duplicity (with Buddhists one of the 24 minor evil passions), [Dharmasa峁僩raha 69] (in [philosophy]) Illusion (identified in the S腻峁僰hya with Prak峁泃i or Pradh腻na and in that system, as well as in the Ved腻nta, regarded as the source of the visible universe), [Indian Wisdom, by Sir M. Monier-Williams 83; 108]

15) [v.s. ...] (with 艢aivas) one of the 4 P腻艣as or snares which entangle the soul, [Sarva诲补谤艣补苍补-sa峁僩raha; Monier-Williams鈥� Sanskrit-English Dictionary]

16) [v.s. ...] (with Vai峁ａ箛avas) one of the 9 艢补办迟颈s or energies of Vi峁ａ箛u, [cf. Lexicographers, esp. such as amarasi峁僪a, hal腻yudha, hemacandra, etc.]

17) [v.s. ...] Illusion personified (sometimes identified with Durg腻, sometimes regarded as a daughter of An峁泃a and Nir峁泃i or Nik峁泃i and mother of M峁泃yu, or as a daughter of Adharma), [Pur腻峁嘺]

18) [v.s. ...] compassion, sympathy, [cf. Lexicographers, esp. such as amarasi峁僪a, hal腻yudha, hemacandra, etc.]

19) [v.s. ...] Convolvulus Turpethum, [cf. Lexicographers, esp. such as amarasi峁僪a, hal腻yudha, hemacandra, etc.]

20) [v.s. ...] Name of the mother of Gautama Buddha, [Monier-Williams鈥� Buddhism 24]

21) [v.s. ...] of Lak峁３灸�, [Horace H. Wilson]

22) [v.s. ...] of a city, [Catalogue(s)]

23) [v.s. ...] of 2 metres, [Colebrooke]

24) [v.s. ...] [dual number] (尘腻ye indrasya) Name of 2 S腻mans, [膧r峁�eya-br腻hm补峁嘺]

: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionary

1) Maya (啶�啶�):鈥�(测补岣�) 1. m. A camel; a mule; a demon. f. (测腻) Practice of physic.

2) 惭腻测补 (啶�啶距��):鈥�(测补岣�) 1. m. A mime, a juggler; an Asura. f. (测腻) Illusion; female juggler; intellect; compassion; wickedness; idealism; Laksh尘墨.

: DDSA: Paia-sadda-mahannavo; a comprehensive Prakrit Hindi dictionary (S)

Maya (啶�啶�) in the Sanskrit language is related to the Prakrit words: Maia, Maya, 惭腻测腻.

[Sanskrit to German]

context information

Sanskrit, also spelled 啶膏�傕じ啷嵿�曕�冟い啶�啷� (蝉补峁僺办峁泃补尘), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.

Hindi dictionary

: DDSA: A practical Hindi-English dictionary

1) Maya (啶�啶�) [Also spelled may]:鈥�—a sanskrit suffix imparting the meanings of abounding in, full of, comprised/composed of, etc. to the nouns they are appended to; along with; (nf) wine, liquor: ~[kad腻/kh腻n腻] a bar; ~[parasta] a drunkard; ~[辫补谤补蝉迟墨] drinking; ~[辫丑补谤辞艣补] a wine merchant.

2) 惭腻测腻 (啶�啶距く啶�):鈥�(nf) illusion, delusion, unreality; trick; riches; earthly ignorance; phantasm; phantam; attachment; ~[j腻la] phantasmagoria, the web of worldly illusion; ~[辫补峁璾] delusive, illusive; ~[maya] phantasmal, full of illusion, illusory; -[尘峁沢补] the illusive golden deer that misled Ram and helped thereby the abduction of Sita: in the Ramayan; any illusive object; -[moha] illusion and attachment; ~[v腻da] the philosophical doctrine propounded by the great philosopher Shankaracharya that the world is nothing but unreal and illusory, illusionism; ~[v腻d墨] one who believes in the doctrine of [尘腻测腻v腻da], an illusionist; illusionistic; —[jo岣峚n腻] to accumulate wealth; —[k腻峁璦n腻] to undo the bonds of mundane attachments; —[me峁� p丑补峁僺an腻] to be overwhelmed by worldly attachments.

context information

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Prakrit-English dictionary

: DDSA: Paia-sadda-mahannavo; a comprehensive Prakrit Hindi dictionary

1) Maya (啶�啶�) in the Prakrit language is related to the Sanskrit word: Mata.

2) Maya (啶�啶�) also relates to the Sanskrit word: Maya.

3) Maya (啶�啶�) also relates to the Sanskrit word: 惭峁泃补.

4) Maya (啶�啶�) also relates to the Sanskrit word: Mada.

5) Maya (啶�啶�) also relates to the Sanskrit word: 惭峁沢补.

6) 惭腻测补 (啶�啶距��) also relates to the Sanskrit word: M腻ta.

7) 惭腻测补 (啶�啶距��) also relates to the Sanskrit word: 惭腻测腻vat.

8) 惭腻测腻 (啶�啶距く啶�) also relates to the Sanskrit word: 惭腻测腻.

context information

Prakrit is an ancient language closely associated with both Pali and Sanskrit. Jain literature is often composed in this language or sub-dialects, such as the Agamas and their commentaries which are written in Ardhamagadhi and Maharashtri Prakrit. The earliest extant texts can be dated to as early as the 4th century BCE although core portions might be older.

Kannada-English dictionary

: Alar: Kannada-English corpus

Maya (嗖�嗖�):鈥�

1) [noun] a camel.

2) [noun] a horse.

3) [noun] a zebra.

4) [noun] a mythological architect, the architect and artificer of demons.

5) [noun] a brahminee kite (Haliastur indus).

--- OR ---

Maya (嗖�嗖�):鈥擺noun] the state of being filled, covered with or pervaded by.

--- OR ---

Maya (嗖�嗖�):鈥擺adjective] (in comp.) filled, covered or pervaded with.

--- OR ---

惭腻测补 (嗖�嗖距��):鈥�

1) [noun] the art of producing (by sleight of hand, optical illusion, etc.) apparently inexplicable phenomena; magic.

2) [noun] the supposed art of influencing the course of events and of producing supernatural phenomena by the occult control of nature or of spirits; sorcery, witchcraft.

3) [noun] The fact or condition of being deceived or deluded by appearances; a deception, a delusion; an illusion.

4) [noun] an act or instance of deception; a dishonest artifice or trick; a fraud.

5) [noun] the fact of being not seen; disappearance.

6) [noun] the attachment caused by love; infatuation.

7) [noun] an expert in producing baffling effects by tricks and sleight of hand; a magician.

8) [noun] Lak峁�mi, the Goddess of Wealth.

9) [noun] P腻rvati, the principal energy of nature.

context information

Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.

Tamil dictionary

: DDSA: University of Madras: Tamil Lexicon

Maya (喈�喈�) [mayattal] 4 transitive verb < 喈�喈�喈班瘝-. [mayar-.] To mistake, misunderstand; 喈�喈�喈權瘝喈曕瘉喈む�侧��. 喈�喈�喈ㄠ瘝喈む瘉喈赤瘒 喈┼瘉喈侧畷喈掂�距�脆瘝喈曕瘝喈曕瘓喈�喁� [mayanguthal. mayanthule nulagavazhkkaiyai] (喈む�苦�班瘉喈掂�班瘉喈熰瘝喈�喈� [thiruvarudpa], vi, 喈呧��喈�喈む瘝喈む�苦�编�┼瘝. [apayathiran.] 14).

--- OR ---

惭腻测腻 (喈�喈距��喈�) noun < 尘腻测腻. See 喈�喈距��喁�. [mayai.]

context information

Tamil is an ancient language of India from the Dravidian family spoken by roughly 250 million people mainly in southern India and Sri Lanka.

Nepali dictionary

: unoes: Nepali-English Dictionary

1) Maya (啶�啶�):鈥攕uffix. a suffix used to indicate 'made of', 'consisting of or composed of', 'full off';

2) 惭腻测腻 (啶�啶距く啶�):鈥攏. 1. love; fondness; affection; compassion; 2. deceit; fraud; trick; trickery; a device; an artifice; 3. jugglery; witchcraft; enchantment; an illusion of magic;

context information

Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.

In Sikkhism

General definition (in Sikkhism)

: WikiPedia: Sikkhism

In Sikhism, the world is regarded as both transitory and relatively real. God is viewed as the only reality, but within God exist both conscious souls and nonconscious objects; these created objects are also real. Natural phenomena are real but the effects they generate are unreal. 尘腻测腻 is as the events are real yet 尘腻测腻 is not as the effects are unreal. Consider the following examples. In the moonless night, a rope lying on the ground may be mistaken for a snake. We know that the rope alone is real, not the snake. However, the failure to perceive the rope gives rise to the false perception of the snake. Once the darkness is removed, the rope alone remains; the snake disappears.

See also (Relevant definitions)

Partial matches: Amha, Ne, A, Maya, Na.

Starts with (+15): Maya Sutta, Mayabalavat, Mayabhinna, Mayadanava, Mayadarshana, Mayadasa, Mayadeha, Mayadevi, Mayadhisha, Mayadipika, Mayadvara, Mayagrama, Mayaja, Mayakapalika, Mayakara, Mayakasha, Mayakaya, Mayakshaya, Mayakshetra, Mayalakshana.

Full-text (+3274): Mahamaya, Amaya, Nila, Mayavin, Devamaya, Danta, Bahumaya, Mayura, Abhimaya, Mayakara, Mayajala, Sarvamaya, Mayamaya, Bhurimaya, Dhanyamaya, Atimaya, Jnanamaya, Mayavat, Yogamaya, Pranamaya.

Relevant text

Search found 384 books and stories containing Maya, Amha-na, Amha-n腻, 惭腻测补, 惭补测腻, 惭腻测腻, 惭腻测补掳, Maayaa, Maaya, Maya-a, Maya-na, 惭腻测腻-峁嘺, Maya-ne-a, Maya-峁噀-腻; (plurals include: Mayas, nas, n腻s, 惭腻测补s, 惭补测腻s, 惭腻测腻s, 惭腻测补掳s, Maayaas, Maayas, as, 峁嘺s, 腻s). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:

Tiruvaymoli (Thiruvaimozhi): English translation (by S. Satyamurthi Ayyangar)

Pasuram 4.10.6 < [Section 10 - Tenth Tiruvaymoli (Onrum-tevum, ulakum)]

Pasuram 2.2.7 < [Section 2 - Second Tiruvaymoli (Tinnan vitu)]

Pasuram 4.6.4 < [Section 6 - Sixth Tiruvaymoli (Tirpparai yam ini)]

+ 23 more chapters / show preview

Tirumantiram by Tirumular (English translation)

Verse 2243: Pralayakalas鈥�108 Rudras < [Tantra Eight (ettam tantiram) (verses 2122-2648)]

Verse 1131: When Egoity Disappears < [Tantra Four (nankam tantiram) (verses 884-1418)]

Verse 1249: Siva-Sakti Union is for Creation < [Tantra Four (nankam tantiram) (verses 884-1418)]

+ 169 more chapters / show preview

Garga Samhita (English) (by Danavir Goswami)

Verses 5.24.33-34 < [Chapter 24 - The Killing of the Kola Demon]

Verse 1.10.2 < [Chapter 10 - Description of the Birth of Lord Balar腻ma]

Verse 4.6.27 < [Chapter 6 - The Story of the Ayodh测腻 Women]

+ 99 more chapters / show preview

Bhagavad-gita (with Vaishnava commentaries) (by Narayana Gosvami)

Verse 7.14 < [Chapter 7 - Vi箩帽腻苍补-Yoga (Yoga through Realization of Transcendental Knowledge)]

Verse 4.10 < [Chapter 4 - J帽腻na-Yoga (Yoga through Transcendental Knowledge)]

Verse 11.47 < [Chapter 11 - Vi艣var奴pa-诲补谤艣补苍补-yoga (beholding the Lord鈥檚 Universal Form)]

+ 92 more chapters / show preview

Pratyabhijna and Shankara鈥檚 Advaita (comparative study) (by Ranjni M.)

3. 惭腻测腻 in Vedic Tradition < [Chapter 4 - Ultimate Reality and God in Pratyabhij帽腻 and Advaita]

6. Concept of Qualified God < [Chapter 4 - Ultimate Reality and God in Pratyabhij帽腻 and Advaita]

7. Common Features of 惭腻测腻 in Pratyabhij帽腻 and Advaita < [Chapter 4 - Ultimate Reality and God in Pratyabhij帽腻 and Advaita]

+ 36 more chapters / show preview

Bhagavatpadabhyudaya by Lakshmana Suri (study) (by Lathika M. P.)

惭腻测补 or Illusion < [Chapter 3 - References to 艢a峁卥ara鈥檚 Philosophy]

Contribution of 艢ri 艢a峁卥ara to the Religio-Philosophic Thought < [Chapter 3 - References to 艢a峁卥ara鈥檚 Philosophy]

Cosmology and the powers of 惭腻测补 < [Chapter 3 - References to 艢a峁卥ara鈥檚 Philosophy]

+ 12 more chapters / show preview

 

Click here for all 384 books

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