365bet娱乐

Images (photo gallery)

(+49 more images available)

In Hinduism

Pancaratra (worship of N膩r膩ya峁嘺)

: archive.org: Catalogue of Pancaratra Agama Texts

惭奴谤迟颈 (啶�啷傕ぐ啷嵿い啶�) refers to the 鈥渧arious aspects (of God)鈥�, discussed in the twenty-fourth chapter of the 莫艣varasa峁僪it膩 (printed edition), a P膩帽car膩tra work in 8200 verses and 24 chapters dealing with topics such as routines of temple worship, major and minor festivals, temple-building and initiation.鈥擠escription of the chapter [尘耻诲谤腻-濒补办峁�a峁嘺-产丑补驳补惫补诲诲丑测腻苍补-腻诲颈-辫谤补办腻谤补]: [...] N膩rada then turns to the fourth question posed by the sages, this concerning the disciplined state of mind [诲丑测腻苍补] to be achieved while uttering mantras to various aspects [尘奴谤迟颈] of God. He answers that the single, eka尘奴谤迟颈-aspects require one particular type of 诲丑测腻苍补-contemplation with the appropriate mantras being employed (73-84a); dv墨tiya尘奴谤迟颈 etc. (84b. ff.) others. In addition, the 蝉耻峁�u辫迟颈惫测奴丑补-aspects require still other kinds of mental appreciation in contemplating God and His activities; 蝉惫补辫苍补惫测奴丑补-forms of God, yet others; and 箩腻驳谤补诲惫测奴丑补-forms of God yet again others (up to 129).

: SriMatham: Vai峁ａ箛ava Iconology based on Pa帽car膩tra 膧gama

尘奴谤迟颈–Anything which has definite shape and physical limits, an embodiment orincarnation. This is a Sanskrit term used in hindu iconology (e.g. the 膧gamas).

context information

Pancaratra (啶�啶距�炧�嵿�氞ぐ啶距い啷嵿ぐ, p膩帽car膩tra) represents a tradition of Hinduism where Narayana is revered and worshipped. Closeley related to Vaishnavism, the Pancaratra literature includes various Agamas and tantras incorporating many Vaishnava philosophies.

Shilpashastra (iconography)

: Red Zambala: Hindu Icons and Symbols | Introduction

惭奴谤迟颈 (啶�啷傕ぐ啷嵿い啶�).鈥攁nything which has definite shape and physical limits, an embodiment or incarnation.

: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (shilpa)

惭奴谤迟颈 (啶�啷傕ぐ啷嵿い啶�) refers to one of the synonyms for 鈥渋mage鈥� or 鈥渋dol鈥�, according to the Vi峁ａ箛udharmottarapur膩峁嘺, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.鈥擳he 艢ilpa艣膩stras viz., the B峁沨atsa峁僪it膩, M膩nas膩ra, 艢ilparatna, Devat膩murtiprakara峁嘺 etc. have the discussion on Iconography. Thus it can be assumed that in later period the practice of image worship came forward and still the practice of image worship is prevailing in Indian society. In Sanskrit, different words like 尘奴谤迟颈, 辫谤补迟颈尘腻, 诲别惫补迟腻谤奴辫补 etc. are used to denote image or idol.

context information

Shilpashastra (啶多た啶侧�嵿お啶多ぞ啶膏�嵿い啷嵿ぐ, 艣ilpa艣膩stra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.

Purana and Itihasa (epic history)

: archive.org: Puranic Encyclopedia

惭奴谤迟颈 (啶�啷傕ぐ啷嵿い啶�).鈥擮ne of the thirteen daughters of Dak峁�apraj膩pati. This girl was married to Dharma. Nara and N膩r膩ya峁嘺 are the sons born to 惭奴谤迟颈 of Dharma. (4th Skandha, Bh膩gavata).

: Cologne Digital Sanskrit Dictionaries: The Purana Index

1a) 惭奴谤迟颈 (啶�啷傕ぐ啷嵿い啶�).鈥擜 sage of the epoch of the Tenth Manu.^*

• * Bh膩gavata-pur膩峁嘺 VIII. 13. 22.

1b) A son of Vasi峁ａ弓ha and a Praj膩pati of the Sv膩roci峁�a epoch.^*

• * Matsya-pur膩峁嘺 9. 9.

2) 惭奴谤迟墨 (啶�啷傕ぐ啷嵿い啷�).鈥擜 daughter of Dak峁�a, and a wife of Dharma; mother of Nara and N膩r膩ya峁嘺.^*

• * Bh膩gavata-pur膩峁嘺 IX. 4. 6; II. 7. 6; IV. 1. 50 and 52.

context information

The Purana (啶�啷佮ぐ啶距��, pur膩峁嘺s) refers to Sanskrit literature preserving ancient India鈥檚 vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.

Ganapatya (worship of Ganesha)

: Google Books: Ganapati: Song of the Self

惭奴谤迟颈 (啶�啷傕ぐ啷嵿い啶�) refers to 鈥減hysical objects consecrated for worship鈥� (associated with the worship of a deity).鈥敳雅�谤迟�� (or pratima or arca) refers to 鈥渋mage鈥� or 鈥減icture鈥� and are physical objects consecrated for worship. They may be movable (cala) or immovable (acala). The latter are fixed on pedestals and cannot be moved once they are installed, and thus there is neither invocation nor dismissal for them. [...] For any external worship of Ga峁噀艣a, the first requirement that is absolutely necessary is a 尘奴谤迟颈, an image (or photo) of Ga峁噀艣a. Not only should this image be a source of happiness, it should also invoke feelings of serenity within one. Second, his trunk should turn toward his left side, and his eyes should be looking directly at you.

: archive.org: Shiva Purana - (Ganesha)

惭奴谤迟颈 (啶�啷傕ぐ啷嵿い啶�) refers to the 鈥渋mage (of Ga峁噀艣a)鈥�, according to the 艢ivapur膩峁嘺 2.4.18 (鈥淕a峁噀艣a crowned as the chief of Ga峁嘺s鈥�).鈥擜ccordingly, as 艢iva said to Ga峁噀艣a: 鈥淸...] Then the rites shall formally be dismissed. Then he shall remember Ga峁噀艣a. Thus the Vrata shall be concluded auspiciously. When thus the Vrata is duly completed in a year, the devotee shall perform the rite of formal dismissal for the completion of the Vrata. At my bidding twelve brahmins shall be fed. After placing a jar your image (尘奴谤迟颈) shall be worshipped [p奴jy膩 尘奴谤迟颈stvad墨yik膩]. [...闭鈥�.

context information

Ganapatya (啶椸ぞ啶｀お啶む�嵿��, 驳腻峁嘺辫补迟测补) represents a tradition of Hinduism where Ganesha is revered and worshipped as the prime deity (ishta-devata). Being a minor though influential movement, Ganapatya evovled, llike Shaktism and Shaivism, as a separate movement leaving behind a large body of literature.

Vaishnavism (Vaishava dharma)

: Pure Bhakti: Brhad Bhagavatamrtam

惭奴谤迟颈 (啶�啷傕ぐ啷嵿い啶�) refers to:鈥擜 form; Deity. (cf. Glossary page from 艢r墨 B峁沨ad-bh膩gavat膩m峁泃a).

context information

Vaishnava (啶掂�堗し啷嵿ぃ啶�, vai峁ａ箛ava) or vaishnavism (vai峁ａ箛avism) represents a tradition of Hinduism worshipping Vishnu as the supreme Lord. Similar to the Shaktism and Shaivism traditions, Vaishnavism also developed as an individual movement, famous for its exposition of the dashavatara (鈥榯en avatars of Vishnu鈥�).

Shaktism (Shakta philosophy)

: Google Books: Manthanabhairavatantram

1) 惭奴谤迟颈 (啶�啷傕ぐ啷嵿い啶�) refers to 鈥渋conic鈥� (e.g., 尘奴谤迟颈r奴p膩鈥攐ne who abides in an iconic form), according to the 艢r墨matottara-tantra, an expansion of the Kubjik膩matatantra: the earliest popular and most authoritative Tantra of the Kubjik膩 cult.鈥擱eferring to the inner space within the triangular Yoni, the 艢r墨matottara says: 鈥淥 fair lady, thus 艢r墨n膩tha sports in the Circle of the Void (艣奴苍测补尘补峁囜笉补濒补) and (so does) Kubjik膩, the mother of Kula who is Ku峁囜笉al墨 by name. [...] Applied on the plane of mantra and visualization, she who is undifferentiated (苍颈峁�k补濒腻) is differentiated (蝉补办补濒腻). When she abides in the differentiated (aspect), she abides as mantra. Undifferentiated, she is devoid of mantra. When she abides in an iconic form [i.e., 尘奴谤迟颈-r奴p膩], she is gross; she is subtle when present in the aniconic (a尘奴谤迟颈) (aspect). Linked to the planes of mantra and iconic she is action impelled on the plane of visualization (诲丑测腻苍补)鈥�.

2) 惭奴谤迟颈 (啶�啷傕ぐ啷嵿い啶�) refers to the 鈥渄ivine effigy鈥�, according to Abhinava鈥檚 Tantr膩loka verse 6.2-4.鈥擜ccordingly, 鈥淭he places are said to be of three kinds: in the vital breath, in the body and outside (the body). The breath is five-fold in the body. (Thus, place) is of two kinds, according to whether it is outside (the body) or within (it). The external (places) are the 尘补峁囜笉补濒补, the sacrificial ground (蝉迟丑补峁囜笉颈濒补), the (sacrificial) vessel (辫腻迟谤补), the rosary (补办峁�a蝉奴迟谤补), the book (pustaka), the Li峁単a, the skull (迟奴谤补), the cloth (辫补峁璦), the image (made of papier-m芒ch茅) (pusta), the idol (辫谤补迟颈尘腻), and the divine effigy (尘奴谤迟颈). Thus the outer (place) is of eleven kinds (each which are of) countless varieties. 鈥�.

context information

Shakta (啶多ぞ啶曕�嵿��, 艣膩kta) or Shaktism (艣膩ktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.

Shaivism (Shaiva philosophy)

: Brill: 艢aivism and the Tantric Traditions

惭奴谤迟颈 (啶�啷傕ぐ啷嵿い啶�) refers to the 鈥渆mbodiment (of the P膩艣upata teaching)鈥�, according to the 贬补濒腻测耻诲丑补蝉迟辞迟谤补 verse 3.鈥擜ccordingly, 鈥淰ictorious is the One God, 艢iva, the embodiment (尘奴谤迟颈) of the Kevalaj帽膩na [i.e., kevalaj帽膩na尘奴谤迟颈r闭鈥�.

context information

Shaiva (啶多�堗��, 艣aiva) or Shaivism (艣aivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.

Vedanta (school of philosophy)

: Wikisource: Ashtavakra Gita

惭奴谤迟颈 (啶�啷傕ぐ啷嵿い啶�) refers to the 鈥渘ature (of consciousness)鈥�, according to the A峁ａ弓膩vakrag墨t膩 (5th century BC), an ancient text on spirituality dealing with Advaita-Ved膩nta topics.鈥擜ccordingly, [as A峁ａ弓avakra says to Janaka]: 鈥淸...] Who does not end up with indifference to such things and attain peace when he has seen the differences of opinions among the great sages, saints and Yog墨s? Is he not a Guru who, endowed with dispassion and equanimity, achieves full knowledge of the nature (尘奴谤迟颈-parij帽膩na) of consciousness [k峁泃v膩 尘奴谤迟颈parij帽膩na峁� caitanyasya na ki峁� guru岣�], and leads others out of 蝉补峁僺腻谤补? [...闭鈥�.

context information

Vedanta (啶掂�囙う啶距え啷嵿��, ved膩nta) refers to a school of orthodox Hindu philosophy (astika), drawing its subject-matter from the Upanishads. There are a number of sub-schools of Vedanta, however all of them expound on the basic teaching of the ultimate reality (brahman) and liberation (moksha) of the individual soul (atman).

Gitashastra (science of music)

: Shodhganga: Kohala in the Sanskrit textual tradition (gita)

惭奴谤迟颈 (啶�啷傕ぐ啷嵿い啶�) refers to the 鈥渋mages鈥� (e.g., of the 峁⒛佱笉ava-r膩gas) according to the Sa峁単墨tan膩r膩ya峁嘺, Vol. I, p.88.鈥擺Cf. gau岣峚sya dvaividhya峁� kohal墨ye鈥�... 尘奴谤迟颈stu nibandh膩ntare].

context information

Gitashastra (啶椸��啶むざ啶距じ啷嵿い啷嵿ぐ, 驳墨迟补艣腻蝉迟谤补) refers to the ancient Indian science of Music (gita or samgita), which is traditionally divided in Vocal music, Instrumental music and Dance (under the jurisdiction of music). The different elements and technical terms are explained in a wide range of (often Sanskrit) literature.

General definition (in Hinduism)

: Google Books: Understanding Mantras

Deities have three forms (尘奴谤迟颈):

1. as personifications (devat膩尘奴谤迟颈);
2. as symbolic diagrams (yantra尘奴谤迟颈);
3. and as sound (mantra尘奴谤迟颈).

In Buddhism

Tibetan Buddhism (Vajrayana or tantric Buddhism)

: Brill: 艢aivism and the Tantric Traditions (tantric Buddhism)

惭奴谤迟颈 (啶�啷傕ぐ啷嵿い啶�) refers to the 鈥渂ody鈥�, according to Kuladatta鈥檚 Kriy膩蝉补峁僩谤补丑补pa帽jik膩, a text within Tantric Buddhism representing a construction manual for monasteries.鈥擜ccordingly, [惫补苍补测腻迟谤腻 in chapter 5]鈥斺�淲hen the wood [to be used for the construction of a monastery] or the stones [to be used for the construction of a caitya] are brought into the city, [the 膧c膩rya] should send a message [that these materials are being brought into the city] to the king or the citizens. He should make people with joyful minds whose bodies quiver with excitement (madana-sph奴rti-尘奴谤迟颈) carry [these materials闭鈥�.

context information

Tibetan Buddhism includes schools such as Nyingma, Kadampa, Kagyu and Gelug. Their primary canon of literature is divided in two broad categories: The Kangyur, which consists of Buddha鈥檚 words, and the Tengyur, which includes commentaries from various sources. Esotericism and tantra techniques (惫补箩谤补测腻苍补) are collected indepently.

In Jainism

General definition (in Jainism)

: The University of Sydney: A study of the Twelve Reflections

惭奴谤迟颈 (啶�啷傕ぐ啷嵿い啶�) refers to 鈥渇orm鈥� (of an object), according to the 11th century J帽膩n膩r峁嘺va, a treatise on Jain Yoga in roughly 2200 Sanskrit verses composed by 艢ubhacandra.鈥擜ccordingly, 鈥淭hose objects having a pleasant form (pu峁噛a-尘奴谤迟颈), which are seen in the morning and not at midday, vanish for the embodied souls in this world鈥�.

context information

Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, 鈥榮elf-reliance鈥�) and spiritual development through a path of peace for the soul to progess to the ultimate goal.

India history and geography

: Cologne Digital Sanskrit Dictionaries: Indian Epigraphical Glossary

惭奴谤迟颈.鈥�(IE 7-1-2), 鈥榯hree鈥�; rarely used to indicate 鈥榚ight鈥�; but cf. r奴pa used in the sense of 鈥榦ne鈥�. Note: 尘奴谤迟颈 is defined in the 鈥淚ndian epigraphical glossary鈥� as it can be found on ancient inscriptions commonly written in Sanskrit, Prakrit or Dravidian languages.

context information

The history of India traces the identification of countries, villages, towns and other regions of India, as well as mythology, zoology, royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.

Languages of India and abroad

Marathi-English dictionary

: DDSA: The Molesworth Marathi and English Dictionary

惭奴谤迟迟颈 (啶�啷傕ぐ啷嵿い啷嵿い啶�).鈥攆 (S) A statue, an idol, an image, any figure or definite shape. 2 The body. 3 (Freely.) A person, a man, an individual. Ex. 膩mh墨 c膩ra 尘奴谤迟迟颈 膩h艒nta.

: DDSA: The Aryabhusan school dictionary, Marathi-English

尘奴谤迟颈 (啶�啷傕ぐ啷嵿い啶�).鈥�f A statue, an idol. The body. A person.

context information

Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.

Sanskrit dictionary

: DDSA: The practical Sanskrit-English dictionary

惭奴谤迟颈 (啶�啷傕ぐ啷嵿い啶�).鈥�f. [尘奴谤肠肠丑-办迟颈苍]

1) Anything which has definite shape and limits, material element, matter, substance; 啶忇い啶む�� 啶膏ぐ啷嵿さ啶� 啶�啶ㄠ�嵿ぎ啷傕ぐ啷嵿い啶� 啶氞ぞ啶�啷傕ぐ啷嵿い啶� 啶� 啶むじ啷嵿ぎ啶距え啷嵿ぎ啷傕ぐ啷嵿い啶苦ぐ啷囙さ 啶班く啶苦�� (etat sarva峁� yanm奴rta峁� c膩m奴rta峁� ca tasm膩n尘奴谤迟颈reva rayi岣�) Pra艣na Up.1.5.

2) A form, visible shape, body, figure; 啶曕�屶�熰た啶侧�嵿く啶о��啶班�溹�嵿�溹��- 啶ㄠた啶�啶︵�嵿ぇ啶�啷傕ぐ啷嵿い啶苦�� 啶�啶ㄠ�嵿く啷� 啶膏�嵿ぅ啶苦ぐ啶距�� 啶�啷屶ぐ啷嵿く啶ㄠ�冟お啶膏�嵿�� 啶侧�曕�嵿し啷嵿ぎ啷�啶�啷� (kau峁璱lyadh墨rajju- nibaddha尘奴谤迟颈峁� manye sthir膩峁� mauryan峁沺asya lak峁�m墨m) Mu.2.2; R.3.27; 14.54.

3) An embodiment, incarnation, personification, manifestation; 啶曕ぐ啷佮ぃ啶膏�嵿�� 啶�啷傕ぐ啷嵿い啶苦�� (karu峁嘺sya 尘奴谤迟颈岣�) Uttarar膩macarita 3.4; 笔补帽肠补迟补苍迟谤补 (Bombay) 2.159.

4) An image, idol, a statue.

5) Beauty.

6) Solidity, hardness.

7) Body (kalevara); 啶掂た啶多た啶栢じ啶傕す啶むた啶むぞ啶�啶苦い啶�啷傕ぐ啷嵿い啶苦き啶苦�� (vi艣ikhasa峁僪atit膩pita尘奴谤迟颈bhi岣�) Kir膩t膩rjun墨ya 14.64; Manusm峁泃i 1.17,19.

8) A limb of the body (艣补谤墨谤腻惫补测补惫补); 啶ㄠす啶� 啶�啷� 啶むお啷嵿く啶�啶距え啶膏�嵿く 啶曕�嵿し啶�啶� 啶�啶距じ啷嵿く啶ㄠ�嵿い啶� 啶�啷傕ぐ啷嵿い啶�啶� (nahi me tapyam膩nasya k峁�aya峁� y膩syanti m奴rtaya岣�) R膩m.1. 64.2.

9) (In phil.) The mind and the four elements earth, air, fire and water.

Derivable forms: 尘奴谤迟颈岣� (啶�啷傕ぐ啷嵿い啶苦��).

: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary

惭奴谤迟迟颈 (啶�啷傕ぐ啷嵿い啷嵿い啶�).鈥攆.

(-谤迟迟颈岣�) 1. Matter, substance, solidity. 2. The body. 3. Figure, form, body in general, or any definite shape or image. 4. Manifestation. 5. Beauty. 6. Hardness. E. 尘奴谤肠肠丑 to faint, to become insensible, aff. ktin, form irr.

: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English Dictionary

惭奴谤迟颈 (啶�啷傕ぐ啷嵿い啶�).鈥攑robably better 尘奴谤迟迟颈, i. e. m峁沝 + ti, cf. [惭腻苍补惫补诲丑补谤尘补艣腻蝉迟谤补] 12, 120. 1. Matter, substance, [惭腻苍补惫补诲丑补谤尘补艣腻蝉迟谤补] 1, 17; hard substances, [惭腻苍补惫补诲丑补谤尘补艣腻蝉迟谤补] 12, 120 (Jones: the terrene parts of the human body). 2. Figure, form, [Bhart峁沨ari, (ed. Bohlen.)] 2, 1; [笔补帽肠补迟补苍迟谤补] ii. [distich] 169. 3. Body, [搁腻箩补迟补谤补峁単颈峁嚹�] 5, 364. 4. Incarnation, [惭腻苍补惫补诲丑补谤尘补艣腻蝉迟谤补] 1, 98. 5. Image, [惭腻苍补惫补诲丑补谤尘补艣腻蝉迟谤补] 2, 225. 6. Beauty, [笔补帽肠补迟补苍迟谤补] ii. [distich] 107.

: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionary

惭奴谤迟颈 (啶�啷傕ぐ啷嵿い啶�).鈥擺feminine] (firm) body, embodiment, form, shape, image, person, adj. 鈥斅� formed of; [plural] the solid parts of the body.

: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary

1) 惭奴谤迟颈 (啶�啷傕ぐ啷嵿い啶�):鈥擺from 尘奴谤肠丑] f. any solid body or material form, ([plural] material elements, solid particles; ifc. = consisting or formed of), [Upani峁�ad; Manu-sm峁泃i; Mah膩bh膩rata] etc.

2) [v.s. ...] embodiment, manifestation, incarnation, personification, [Taittir墨ya-br膩hma峁嘺; Manu-sm峁泃i; Mah膩bh膩rata] etc. ([especially] of 艢iva, [Hem膩dri鈥檚 Caturvarga-cint膩ma峁噄])

3) [v.s. ...] anything which has definite shape or limits (in [philosophy] as mind and the 4 elements earth, air, fire, water, but not 腻办腻艣补, ether, [Indian Wisdom, by Sir M. Monier-Williams 52 n. 1]), a person, form, figure, appearance, [Mah膩bh膩rata; K膩vya literature] etc.

4) [v.s. ...] an image, idol, statue, [K膩vya literature]

5) [v.s. ...] beauty, [笔补帽肠补迟补苍迟谤补]

6) [v.s. ...] Name of the first astrological house, [Var膩ha-mihira鈥檚 B峁沨at-sa峁僪it膩]

7) [v.s. ...] of a daughter of Dak峁�a and wife of Dharma, [Bh膩gavata-pur膩峁嘺]

8) [v.s. ...] m. Name of a 峁氠梗i under the 10th Manu, [ib.]

9) [v.s. ...] of a son of Vasi峁ａ弓ha, [Vi峁ａ箛u-pur膩峁嘺]

: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionary

惭奴谤迟迟颈 (啶�啷傕ぐ啷嵿い啷嵿い啶�):鈥�(迟迟颈岣�) 2. f. Matter; form, figure; the body; an image.

: DDSA: Paia-sadda-mahannavo; a comprehensive Prakrit Hindi dictionary (S)

惭奴谤迟迟颈 (啶�啷傕ぐ啷嵿い啷嵿い啶�) in the Sanskrit language is related to the Prakrit word: Mutti.

[Sanskrit to German]

context information

Sanskrit, also spelled 啶膏�傕じ啷嵿�曕�冟い啶�啷� (蝉补峁僺办峁泃补尘), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.

Hindi dictionary

: DDSA: A practical Hindi-English dictionary

惭奴谤迟颈 (啶�啷傕ぐ啷嵿い啶�):鈥�(nf) an idol, statue; image; -[办补濒腻] sculpture; statuary; ~[办腻谤补] sculptor; statuary; ~[辫奴箩补办补] an idolater; -[辫奴箩补苍补/辫奴箩腻] idolatry; ~[产丑补峁僯补办补] an iconoclast; -[产丑补峁僯补苍补] iconoclasm; ~[惫颈箩帽腻苍补] iconography; -[蝉补峁僩谤补丑补] statuary; —, [laghu] statuette; —[迟辞岣峚苍腻] to indulge in iconoclasm; to shatter a statue/an image.

context information

...

Kannada-English dictionary

: Alar: Kannada-English corpus

惭奴谤迟颈 (嗖�喑傕舶喑嵿菠嗖�):鈥�

1) [noun] the shape, outline or configuration of anything; the form; any solid body; a material form.

2) [noun] the physical structure of a human being; the body.

3) [noun] an idol of a deity, human being etc.; a statue.

4) [noun] an assuming of a physical form (as by an abstract principle); manifestation; embodiment; personification.

5) [noun] the quality of being hard, rigid or solid.

6) [noun] the quality of being beautiful; beauty.

7) [noun] a crow.

8) [noun] (math.) a symbol for the number three.

context information

Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.

Tamil dictionary

: DDSA: University of Madras: Tamil Lexicon

惭奴谤迟迟颈 (喈�喁傕�班瘝喈む瘝喈む��) noun < 尘奴谤迟颈.

1. Body; embodiment; 喈夃疅喈侧瘝. 喈掄�む瘝喈む瘖喈赤�苦�班�� 喈�喁傕�班瘝喈む瘝喈む�苦��喈距�班瘝 [udal. otholiru murthiyar] (喈氞疯喈赤�距��喈｀�� 喈曕瘉喈�喈距��. [sulamani kumara.] 1).

2. Form; figure; 喈掂疅喈苦�掂��喁�. 喈呧�┼瘝喈�喁嗋�┼�� 喈�喁傕�班瘝喈む瘝喈む�苦��喈距�班瘝 [vadivam. anpenu murthiyar] (喈�喁嗋�班�苦��喈�喁佮�班�距�｀��喁� 喈�喁傕�班瘝喈む瘝喈む��. [periyapuranam murthi.] 9).

3. God; 喈曕疅喈掂瘉喈赤瘝. 喈む�苦�班�苦��喁傕�班瘝喈む瘝喈む��. [kadavul. thirimurthi.]

4. Arhat; 喈呧�班瘉喈曕�┼瘝. (喈む�苦�掂��.) [arugan. (thiva.)]

5. The Buddha; 喈�喁佮�む瘝喈む�┼��. (喈む�苦�掂��.) [puthan. (thiva.)]

6. 艢iva; 喈氞�苦�掂�┼��. (喈�喈距�脆瘝喈�喁嵿��喈距�｀�む瘝喈む�� 喈�喈距�┼�苦��喁嵿��喈距��喈曕�班�距�む��) [sivan. (yazhppanathu manippayagarathi)]

7. The 艢akti of 肠补迟迟颈测艒肠腻迟补尘; 喈氞�む瘝喈む�苦��喁� 喈氞�距�む�む瘝喈む�苦�┼�� 喈氞�む瘝喈む��. (喈氞�む�距畾喈苦��.) [sathiyo sathathin sathi. (sathasiva.)]

8. Ascetic; one who performs penance; 喈む�掂��喁囙疅喈�喁佮疅喁堗��喈掂�┼��. [thavamedamudaiyavan.] (喈氞瘈喈掂畷喈氞�苦�ㄠ瘝喈む�距��喈｀�� [sivagasindamani] 3071.)

9. Saint, sage, great personage, a term of reverence; 喈�喁嗋�班�苦��.喈距�班��. 喈撪�む瘉喈掂�距�班瘝喈�喁傕�班瘝喈む瘝喈む��. [periyar. othuvarmurthi.]

10. Lord; 喈む�侧瘓喈掂�┼瘝. (喈�喈距�脆瘝喈�喁嵿��喈距�｀�む瘝喈む�� 喈�喈距�┼�苦��喁嵿��喈距��喈曕�班�距�む��) [thalaivan. (yazhppanathu manippayagarathi)]

11. Matter; substance; 喈�喁娻�班瘉喈赤瘝. (喈�喈距�脆瘝喈�喁嵿��喈距�｀�む瘝喈む�� 喈�喈距�┼�苦��喁嵿��喈距��喈曕�班�距�む��) [porul. (yazhppanathu manippayagarathi)]

12. Style; fashion; 喈�喈距�む�苦�班��. (喈�喈距�脆瘝喈�喁嵿��喈距�｀�む瘝喈む�� 喈�喈距�┼�苦��喁嵿��喈距��喈曕�班�距�む��) [mathiri. (yazhppanathu manippayagarathi)]

context information

Tamil is an ancient language of India from the Dravidian family spoken by roughly 250 million people mainly in southern India and Sri Lanka.

Nepali dictionary

: unoes: Nepali-English Dictionary

1) Murti (啶�啷佮ぐ啷嵿い啶�):鈥攏. 鈫� 啶�啷傕ぐ啷嵿い啶� [尘奴谤迟颈]

2) 惭奴谤迟颈 (啶�啷傕ぐ啷嵿い啶�):鈥攏. 1. form; manifestation; embodiment; personification; the image and representation of deity in temple; shrine or in the home; 2. free standing sculpture; effigy;

context information

Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.

See also (Relevant definitions)

Starts with (+9): Murtibala, Murtibhamjaka, Murtibhamjakate, Murtibhamjaki, Murtibhamjane, Murtibhavisu, Murtibheda, Murtidharin, Murtidharini, Murtigol, Murtigollu, Murtilakshana, Murtilinga, Murtimamta, Murtimatra, Murtimaya, Murtipada, Murtiparijnana, Murtipratishtha, Murtipratishthapana.

Full-text (+840): Ashtamurti, Dakshinamurti, Trimurti, Tejomurti, Mantramurti, Sahasramurti, Tapomurti, Pratimurti, Kshemamurti, Caturmurti, Mahamurti, Vishvamurti, Murtilakshana, Murtimat, Atmamurti, Murtidhara, Murtipa, Shrimurti, Khalamurti, Acyutamurti.

Relevant text

Search found 169 books and stories containing Murti, 惭奴谤迟颈, 惭奴谤迟墨, 惭奴谤迟迟颈, Murtti, Murthi, Moorthi; (plurals include: Murtis, 惭奴谤迟颈s, 惭奴谤迟墨s, 惭奴谤迟迟颈s, Murttis, Murthis, Moorthis). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:

Tirumantiram by Tirumular (English translation)

Verse 2985: He Entered in Me < [Tantra Nine (onpatam tantiram) (verses 2649-3047)]

Verse 3030: Jiva Becomes a Flaming Light < [Tantra Nine (onpatam tantiram) (verses 2649-3047)]

Verse 1087: She is Supreme Cause < [Tantra Four (nankam tantiram) (verses 884-1418)]

+ 7 more chapters / show preview

Brihad Bhagavatamrita (commentary) (by 艢r墨 艢r墨mad Bhaktived膩nta N膩r膩yana Gosv膩m墨 Mah膩r膩ja)

Verse 2.2.49 < [Chapter 2 - J帽膩na (knowledge)]

Verse 2.3.66 < [Chapter 3 - Bhajana (loving service)]

Verse 2.3.25 < [Chapter 3 - Bhajana (loving service)]

+ 17 more chapters / show preview

Abhijnana Sakuntalam (with translation and notes) (by Bidhubhusan Goswami)

Prastavana (prologue): Translation and notes < [Abhijnana Sakuntalam, text and notes]

Chapter 7: Translation and notes < [Abhijnana Sakuntalam, text and notes]

Chapter 1 - Prathama-anka (prathamo'nkah) < [Abhijnana Sakuntalam, text and notes]

+ 1 more chapters / show preview

Shiva Purana (by J. L. Shastri)

Chapter 3 - Upamanyu鈥檚 advice to lord K峁涐梗峁嘺 < [Section 7.2 - V膩yav墨ya-sa峁僪it膩 (2)]

Chapter 31 - The Hymn of lord 艢iva < [Section 7.2 - V膩yav墨ya-sa峁僪it膩 (2)]

Chapter 4 - The exalted magnificence of Gaur墨 and 艢iva < [Section 7.2 - V膩yav墨ya-sa峁僪it膩 (2)]

+ 8 more chapters / show preview

Brahma Samhita (Jiva Goswami commentary) (by Srila Narayana Maharaja)

Verse 47

Verse 52

Verse 27

+ 1 more chapters / show preview

Sahitya-kaumudi by Baladeva Vidyabhushana (by Gaurapada D膩sa)

Text 11.18 < [Chapter 11 - Additional Ornaments]

Text 4.65 < [Chapter 4 - First-rate Poetry]

Text 1.14 < [Chapter 1 - The Purpose of Poetry]

+ 1 more chapters / show preview

 

Click here for all 169 books

Related products

Shiva-Parvati (Iconography)

Info

A Concise Encyclopaedia of Hinduism

Info

Critique of Indian Realism

Info