Malatimadhava (study)
by Jintu Moni Dutta | 2017 | 52,468 words | ISBN-10: 8120813057 | ISBN-13: 9788120813052
This page relates ‘Metres Employed in the Malatimadhava� from the English study on the Malatimadhava of Bhavabhuti:—A Prakarana type of Drama in ten acts revolving around the love-story of Malati (from Padmāvatī) and Madhava (from Vidarbha). This study discusses the history of its author and the literary, social, religious, historical and cultural aspects of the Malatimadhava.
Go directly to: Footnotes.
Part 6.2 - Metres Employed in the ī
ūپ is very skilful in the handling of metres. This mastery is the radiant feature in the style of ūپ. He has employed 25 metres in this ʰ첹ṇa.
Here he has aptly [employed the following metres]:
- Գṣṭܱ,
- Ի,
- Ի,
- 貹پ,
- 鲹ٳǻ,
- Śī,
- վDzṇi,
- Aparavaktra,
- ܱ貹ṃd첹,
- Drautavilamvita,
- ղṃśaٳ,
- ʳṣp岵,
- ʰṣiṇi,
- Ѳñܲṣiṇ�,
- Vasantatilaka,
- ī,
- ṛtī,
- ѲԻԳ,
- 岹ṭa첹,
- Śṇ�,
- Ჹṇ�,
- Śūīḍiٲ,
- ,
- ٲṇḍ첹 and
- Ā.
He has taken care of the propriety in the use of metres in this play.
The aforesaid metres have been discussed briefly in the following way—�
(a) Գṣṭܱ:
The Գṣṭܱ metre belongs to ṣaṛtٲ where all the 岹 are constituted with different number of syllabic instances. According to Ҳṅg, in Գṣṭܱ metre the fifth syllable ought to be short and the sixth long in all quarters. The seventh should be short in the second and the fourth quarters only. Other syllables are governed by no rule. [1] In the ī fifteen examples of Գṣṭܱ metre are found. 256
As for example in [the following verse…]�
ٲٳ vinayanamrāpi mālatyupāyata� /
nītā katipayāhobhi� sakhīvisrambhasevyatām // [2] etc.
[...] the fifth syllable in all the quarters are short and the sixth syllable in all the quarters are long while the seventh syllable in the second and the fourth quarters are short. Hence, the verse is an example of Գṣṭܱ metre.
(b) Ի:
The Ի is preferred to be used in describing the beauty of a noble heroine or of spring like that of 貹پ metre. In the ī, ūپ has composed several verses by using this metre. This metre has eleven syllables in each 岹 or ṇa and it falls under the group of ٰṣṭܱ metre.
Ҳṅg defines Ի metre as�
Ի metre there should be two ٲṇa followed by a Ჹṇa and a pair of long syllables with a pause only at the end.�[3]
There are found altogether nine numbers of verses composing in Ի metre in this ʰ첹ṇa.[4]
As for instance in the verse�
bhūmnā rasānā� � prayogā� sohārdahṛdyāni viceṣṭitāni /
ܴǻⲹٲᾱٲ峾ūٰ� ٰ� 첹ٳ vāci vidagdhatā ca // [5] etc.
Two ٲṇa followed by a Ჹṇa and a pair of long syllable at the end of each ṇa are found. Hence, this verse is the suitable example of Ի metre.
(c) Ի:
The Ի metre belongs to ٰṣṭܱ class of metre. Where the ṇa in a quarter are Ჹṇa, ٲṇa, Ჹṇa and a pair of long syllable then the metre is called Ի metre.[6] This metre consists of eight syllables. Again, when the initial letter of each quarter of the Ի becomes short, it makes Ի. In the ī, Bhavabhuti has composed only one verse in Ի metre.
The [following verse…]�
apatyasambandhavidhipratijñā priyasya nītā ܳṛd� ṛt� ca /
alokasāmānyaguṇastanūja� praronārtha� prakaṭīkṛtaśca // [7] etc.
[...] bears ṇa like Ჹṇa, ٲṇa, Ჹṇa and a pair of long syllable in a quarter.
Hence this is an example of Ի metre.
(d) 貹پ:
The 貹پ metre belongs to the ٰṣṭܱ class of metre. when quarters in the metres Ի as well as Ի are combined in manifold ways in a single stanza, the metre is styled as 貹پ metre.[8] In the ī, ūپ has composed two verses in 貹پ metre.264
As for example [the following verse…]�
nikāma� kṣāmāṅgī sarasakadalīgarbhasubhagā /
첹śṣ� ūپ� śaśina iva netrosavakarī //
avasthāmāpannā madanadahanoddāhavidhuā /
mly� na� 첹ī ramayati mannnna� kampayati ca // etc.[9]
[...] is the combination of both metres Ի and Ի and hence this verse is an example of 貹پ metre.
(e) 鲹ٳǻ:
This metre belongs to the ٰṣṭܱ class of metre as it consists of eleven syllables in a foot. When the ṇa in a quarter ṇa, Բṇa, ṇa, a short nd a a long syllable exist then the metre is termed as 鲹ٳǻ metre.[10] The metrical pause of this metre exists at the end of each quarter.
ūپ has composed about three verses in 鲹ٳǻ metre.[11]
As for instance [the following verse…]�
ī īٲⲹ īٲ� dehi ītu suhṛdjanaśca te/
aṅgakaistuhinasaṅgaśītalai� putri mā� ⲹī� ca īya //[12] etc.
[...] contains are ṇa, Բṇa, ṇa, a short syllable and a long in a quarter. Hence the verse is a suitable example of 鲹ٳǻ metre.
(f) Śī:
This metre belongs to ٰṣṭܱ class. Where one ṇa followed by a pair of ٲṇa in succession, and two long syllables at the end then the metre is termed as Śī metre. There is a pause after the fourth the seventh syllable in each foot.[13] Whereas 첹ṇaܰ defines this metre as Śī is a metre where the ṇa in each quarter are ṇa, ṇa, ṇa and ṇa. Further the pause or yati exists at the fourth and seventh letter. In the ī, ūپ has composed two verses in Śī metre.
The employment of this metre is found in following verses of the ī�
preyo ٰ� bandhutā vā samagrā/
sarve 峾� śevadhirīٲ�//
strīṇāṃ bhartā dharmadārāśca puṃsā/
mityanyonya� vatsayaurjñātamastu //[14]
� kāyo īٲ� vajrakīlam /
ṣṭ� śūԲ niṣphalānīndriyāṇi //
첹ṣṭ� kālo mā� prati tvatprayāṇe /
śāntāloka� sarvato īloka� // [15]
(g) Aparavaktra:
The Aparavaktra metre falls under the ṛtٲ class of metre.When there are a pair of Բṇa, ṇa, a short and a long syllable in its odd quarters and Բṇa, a pair of Ჹṇa and ṇa in its even quarters then the metre is called the Aparavaktra metre.[16]
In [the following verse…]�
akaruṇa vitara smitojjvalām /
dṛśamatidāruṇa dehi me giram //
sahacaramanuraktacetasam /
priyamakaranda 첹ٳ� na manyase // etc.[17]
[...] a pair of Բṇa, ṇa, a short and a long syllable are found in the first and the third quarters, while in the second and the fourth quarters Բṇa, a pair of Ჹṇa and ṇa are found. Hence the verse is an example of Aparavaktra metre.
(h) Aupaccandasika:
Aupaccandasika is a variety of پ class. In this kind of metre each 岹 is regulated by a number of syllabic instance or measures i.e. matrās. That is ṛtٲ metre which has got a pair of ṇa, Ჹṇa and a pair of long syllable in its odd quarters, ṇa, ṇa, ṇa, ⲹṇa in its even quarters.This metre is a combination of eleven and twelve syllables in alternate feet. In the ī, ūپ has composed one metre in this metre.
[The following verse…]�
yadi tadviṣayonurāgavandha� /
ṭaٲ屹 � guṇajñatāyā� //
iti nanditamapyavyavasthayāsyā /
ṛdⲹ� dāruṇayā vidīryate me // [18] etc.
[...] is the example of Aupaccandasika metre. Here a pair of ṇa, Ჹṇa and a pair of long syllable are found in its odd quarters. While ṇa, ṇa, ṇa, ⲹṇa are found in its even quarters. Therefore, this verse is an example of Aupaccandasika metre.
(i) Drutavilambita:
Drutavilambita is a Ჹī class of metre. It has twelve syllables in a foot. This metre contains the ṇa of Բṇa, two bhaṇa and a ṇa with a metrical pause at the end of its foot.[19] In this metre the fourth, seventh, tenth, eleventh and twelve syllable are long and rest are short and its metrical pause exists at the end of each quarter of a stanza. In the ī, ūپ has composed four verses in this metre.[20]
For example [the following verse…]�
suhṛdiva prakaṭayya sukhapradada�/
ٳ첹峾Գܰū峾//
ܲԲṇḍٲԲūṇa�/
praviśinaṣṭi vidhirmanasau rūjam //[21] etc.
[...] contains Բṇa, two bhaṇa and a ṇa with a metrical pause at the end of its foot. Hence the verse is an example of Drutavilamvita metre.
(j) ղṃśaٳ:
This metre belongs to the Ჹī class of metre.When the ṇa in each quarter of a stanza are Ჹṇa, ٲṇa, Ჹṇa and ṇa then the metre is called ղṃśaٳ metre.[22] This metre has twelve syllables in each quarter. In the ī, ūپ has composed two number of verses in this metre.
[The following verse…]�
ⲹ� ٲٳ 峾 yathātha ki� vadā /
mya� tvakasmādvikala� 첹ٳntare /
kadamvagolākṛtimāśrita� katham/
viśuddhamugdhah kulakanyakājana� // [23] etc.
[...] bears suitable example of ղṃśaٳ metre. Here the ṇa like Ჹṇa, ٲṇa Ჹṇa and ṇa are found.
Similarly [the following verse…]�
ṇaԴdzԲԲ�...........[24] ..etc.
[...] holds the another example of ղṃśaٳ metre.
(k) ʳṣp岵:
ʳṣp岵 belongs to ṛtٲ class of metre. This metre contains a pair of Բṇa, ṇa, ⲹṇa in its odd quarters and Բṇa, a pair of Ჹṇa and ṇa followed by a long syllable in its even quarters.[25] In the ī, ūپ has enumerated six verses in this metre.[26]
For example in [the following verse…]�
jvalayati manobhavāgni� madayati ṛdⲹ� kṛtārthayati ṣu� /
parimṛditacampakāvalivilāsalalitālasa hai�// [27] etc.
[...] a pair of Բṇa, ṇa and ⲹṇa are displayed in its odd quarters whereas in its even quarters Բṇa, a pair of Ჹṇa, ṇa and a long syllable are found.
(l) ʰṣiṇ�:
This metre belongs to the atiᲹī class of metre. This ʰṣiṇ� metre consists of a ṇa, Բṇa, Ჹṇa, ṇa and ultimate long syllable.[28] It has a pause at the end of the third and tenth syllable in a foot. This metre contains thirteen syllables in a quarter of the stanza. Moreover, the definition of this metre is found in the ṛtٲ as when the ṇa in every quarter are ṇa, Բṇa, Ჹṇa,ṇa and ṇa and the pause or yati exists after the third and the tenth syllable, the metre is called ʰṣiṇ�.[29] ūپ has composed seven verses in this metre.[30]
For example [the following verse…]�
unmīlanamukulakarālakundakośa /
praścayotaddhanamakarandagandhavandho //
tāmīṣatpracalavilocanā� natāṅgī /
māliṅganpavan mama spṛśāṅgamaṅgam // [31] etc.
[...] contains respective ṇa viz., ṇa, Բṇa, Ჹṇa, ṇa and a long syllable at the end. So the verse is a suitable example of ʰṣiṇ� metre.
(m) Ѳñܲṣiṇ�:
Ѳñܲṣiṇ� belongs to atiᲹī class of metre. It is a favourite metre of poets as well as of playwrights. When there are ṇa like ṇa, Ჹṇa, ṇa, Ჹṇa and a long syllable at the end then the metre is styled as Ѳñܲṣiṇ� metre[32] . Hence this metre has thirteen syllables in each quarter and also the third, fifth, ninth, tenth, eleventh and thirteenth syllable of this metre are long with a pause which falls at the end of the foot. In the ī, ūپ has composed seven verses in this metre. [33]
As for example in [the following verse…]�
貹ṇḍܱṃsܱ첹DZԲԲ/
dadhati monoharataratvamāgatā //
ramaṇīyajanmani jane paribhrama/
lalito vidhirvijayate hi Գٳ� // [34] etc.
[...] ṇa, Ჹṇa, ṇa, Ჹṇa and a long syllable are found in each quarter of the verse. Hence the verse is an example of Ѳñܲṣiṇ�.
(n) Vasantatilaka:
Vasantatilaka is a well-known metre and it is most frequently used by the authors in their works. It belongs to ś첹ī class of metre. This metre contains ṇa like ٲṇa, ṇa, a pair of Ჹṇa and a pair of long syllables in each quarter of a stanza.[35] It has fourteen syllables in each quarter and it has a pause only at the close of its foot. In the ī, several verses are found in this metre.[36]
For instance [the following verse…]�
sā rāmaṇīyakanidheradhidevatā vā /
saundaryasārasamudāyaniketana� vā //
tasyā� sakhe niyatamindusudhāmṛṇāla /
jyotsnādi kāraṇamabhūnmadana � // etc.
[...] contains ٲṇa, ṇa, a pair of Ჹṇa and a pair of long syllables in each quarter.
So this verse is an example of Vasantatilaka metre.
(o) ī:
The ī metre falls under the class of atiś첹ī metre. In this metre the scheme of ṇa are a pair of Բṇa,ṇa and a pair of ⲹṇa remain in each quarter of the stanza and the metrical pause exists after the eighth and the seventh syllable.[37] In the ī, numerous verses are found in this metre.[38]
For example in the verse�
vyatiṣajati padārthānāntara� ko’api hetur/
na khalu bahirupādhīnprītaya� saṃśrayante//
vikasati hi pataṅgasyodaye ṇḍī첹� /
dravati ca himaraśmāvudgate ԻԳٲ� // [39] etc.
[...] the ṇa viz., a pair of Բṇa, ṇa and a pair of ⲹṇa are found. Hence the verse is an example of ī metre.
(p) ṛtī
The ṛtī metre belongs to the ٲⲹṣṭ class of metre. Whenever the ṇa in every quarter of a stanza are Ჹṇa, ṇa,Ჹṇa,ṇa, ⲹṇa, a short and a long syllable and the metrical pause lies after the eighth and ninth syllables then the metre is termed as ṛtī metre. This metre contains seventeen syllables.[40] In the ī, ūپ has composed four verses in this metre.[41]
For instance in [the following verse…]�
hareratulavikramapraṇayalālasa� sāhase /
sa eva bhavati 첹ṇaٰ첹ܳṇḍ� //
sphuṭatkaraṭakoṭaraskhalitadānasiktānan /
屹śśḥsٳ岹Բ첹ī� 첹� // [42] etc.
[...] the ṇa Ჹṇa, ṇa, Ჹṇa, ṇa, ⲹṇa, a short and a long syllable are present in each quarter. The verse is an example of ṛtī metre.
(q) ѲԻԳ:
The ѲԻԳ metre belongs to the ٲⲹṣṭ class of metre. It is the most popular metre among the classical Sanskrit authors. This metre contains seventeen syllables. When every quarter of a stanza contains the ṇa namely ṇa, ṇa, Բṇa, a pair of ٲṇa and a pair of long syllables then the metre is termed as ѲԻԳ. The metrical pause of this metre exists after the fourth, the sixth and the seventh syllable.[43] In the ī, employment of this metre is found in a good number verses.[44]
For example [the following verse…]�
kalyāṇānā� tvamsi mahsā� ᲹԲ� viśvamūrte /
dhūryā� lakṣīmatha mayi ṛśa� dhehi deva prasīda //
yadyatpāpa� pratijahi ᲹԲٳ namrasya tanme /
� � vitara bhagavanbhūyase maṅgalāya // [45] etc.
[...] is the suitable example of ѲԻԳ metre. Here respective ṇa are ṇa, ṇa, Բṇa, a pair of ٲṇa and a pair of long syllables.
(r) 岹ṭa첹:
The 岹ṭa첹 metre belongs to ٲⲹṣṭ class of metre. When there are ṇa like Բṇa, Ჹṇa, ṇa, a pair of Ჹṇa with a short and a long syllable successively found in each quarter then the metre is called as 岹ṭa첹 metre. The metrical pause of this metre exists after the seventh or tenth syllable. [46] It has seventeen syllables. In the ī, ūپ has composed two verses in this metre.[47]
As for instance [the following verse…]�
praṇayisakhīsalīlaparihāsarasādhigatair /
lalitaśirīṣapuṣpahanairapi tāmyati yat //
vapuṣi vadhāya tatra tava śastramupakṣipata� /
patatu śirasyakāṇḍyamadaṇḍa iveṣa Ჹ� // [48] etc.
[...] is a beautiful example of 岹ṭa첹 metre as the verse is consisted of Բṇa, Ჹṇa, ṇa, a pair of Ჹṇa with a short and a long syllable in each quarter.
(s) Śṇ�:
ṇī� belongs to the ٲⲹṣṭ class of metre. When the ṇa like ⲹṇa, ṇa, Բṇa, ṇa, ṇa, a short and a long syllable exists in every quarter and the pause exists after the sixth and the eleventh syllable then the metre is styled as Śṇ� metre.[49] It consists of seventeen syllables. In the ī, ūپ has composed a large number of verses in Śṇ� metre.[50]
As for example [the following verse…]�
manorāgastīvra� viṣamiva visarpatyaviratam /
ٳī nirdhūmo jvalati ܳٲ� 屹첹 iva //
hinasti ٲⲹṅg� jvara iva garīyānita ito /
na mā trātu� ٲ� prabhavati na cāmbā na ī // [51] etc.
[...] is a suitable example of Śṇ� metre as the verse contains ⲹṇa, ṇa, Բṇa, ṇa, ṇa, a short and a long syllable in its every quarter.
(t) Ჹṇ�:
The Ჹṇ� metre belongs to ٲⲹṣṭ class of metre. This metre contains Բṇa, ṇa, ṇa, ṇa, ṇa, a short and a long syllable in every quarter of a stanza and the metrical pause of this metre exists after the sixth, fourth and seventh syllable in a foot and it has seventeen syllables.[52] ūپ has composed altogether twelve verses in Ჹṇ� metre.[53]
(u) śūīḍiٲ:
The Śūīḍiٲ metre belongs to the پṛt class of metre. When there exists ṇa like ṇa, ṇa, Ჹṇa, ṇa, a pair of ٲṇa and a long syllable then the metre is termed as Śūīḍiٲ metre. This metre is constituted of nineteen syllables in a foot. The metrical pause of this metre lies after the twelfth and the seventeenth syllables.[54] In the ī, ūپ has composed a few verses in Śūīḍiٲ metre.[55]
As for instance in [the following verse…]�
yadvedādhyana� tathopaniṣadā� sāṃkhyasya yogasya ca /
jāñna� tatkathanena ki� nahi ٲٲ� kaścidguṇo nāṭake //
yatpauḍitvamudāratā ca vacasā� yaccārthato ܰ� /
taccedasti tatastadeva 첹� ṇḍٲⲹ岹ⲹ� //[56] etc.
[...] ṇa like ṇa, ṇa, Ჹṇa, ṇa, a pair of ٲṇa and a long syllable are found.
(v) :
The metre belongs to the ṛt class of metre. This metre contains ṇa, ṇa, ṇa, Բṇa and three yaṇa respectively. The metrical pause of this metre lies after the every seventh syllable in a quarter.This metre has twenty one syllables in a quarter.[57] In the ī, a few verses of this metre are found.[58]
For example in [the following verse…]�
viṣvagvṛttirjaṭānā� pracalati nibiḍagranthivadhoapi bhārah /
ṃs챹ṇaī� 貹ṭu raṭati kṛtāvṛttikhaṭvāṅgaghaṇṭā //
ū� dhūnoti vāyurvivṛtaśavaśiraḥśreṇikuñjeṣu ñᲹ /
nuttāla� kiṅkiṇī峾navarataraṇatkārahetu� 貹� // [59] etc.
[...] ṇa, ṇa, ṇa, Բṇa and three yaṇa occur. So this verse is an example of metre.
(w) ٲṇḍ첹:
ٲṇḍ첹 is a metre each quarter of which has two naṇa followed by sixteen raṇa thus consisting of 54 letters. ūپ has composed mere one verse in ٲṇḍ첹 metre.
[The following verse…]�
ٲ첹ṛtپ貹ⲹԳٲñԲԲٲԲԱԻܲԾḥsⲹԻ岹峾ṛtdzٲ-
ītkapālāvalīmuktacaṇḍāṭṭahāsatrasadbhūribhūtapravṛttastuti /
ś岹ٲᲹṅgDzṅg岵ԳٳԾṣpīḍaԲܱٱṇāpīṻԾ屹ṣa-
jyotirujjṛmbhaṇoḍḍāmaravyastavistāridoḥkhaṇḍaparyāsitakṣamādharam /
ᱹ岹Բ辱śṅkԱٰṭāsṭaīdzٳٲṅgٳܳٲūٲ-
digbhāgamuttuṅgakhaṭvāṅgakoṭdhvajodbhūtivikṣiptatārāṇam/
ܻ徱ٲ첹ṭaūٲԴdzٳṭa첹ṇaṃbԳٲܰīśṣa-
hṛṣyanmanatryambakānandivastāṇḍava� devi bhūyādabhīṣṭyai ca hṛṣṭayai ca na� //[60] etc.
[...] contains two naṇa followed by sixteen raṇa. Hence the verse is a suitable example of ٲṇḍ첹 metre.
(x) Ā:
The metre Ā is a variety of پ class where each 岹 is regulated by a number of syllabic instance or measures (ٰ). Here the first half of a stanza consists of seven ṇa and the long in the last position and the first, third, fifth and seventh of these seven ṇa must not have Ჹṇa respectively. In this metre the sixth ṇa becomes Ჹṇa in the second half of the said stanza. Sometimes Բṇa occurs with one short syllable in second half of the stanza. In the first half of a stanza, there are four short syllables in the sixth ṇa and the metrical pause exists before second short syllable. [61] In the ī, ūپ has composed altogether eleven verses in Ā metre.[62]
For example [the following verse…]�
tā� yācate narapaternamasuhṛdnandanau nṛpamukhena/
tatsākṣātpratiṣedha� kaupāya śivastvayamupāya� //[63] etc.
[...] is a beautiful example of Ā metre.
Footnotes and references:
[1]:
[2]:
ī, III.1
[4]:
I.4, 5, 33 III.4, 11 IV.5 VI.1 X.13
[5]:
ī,I.2
[6]:
upendravajrā prathame laghau sā /
ԻdzñᲹī,II.p.37 upendravajrā jatajāstato go /
[7]:
ī, I.10
[8]:
anantarodīritalakṣmabhājau 岹u yadīyāvupajātayastā� /
ԻdzñᲹī,II.38 264 II.33 IX.27
[9]:
ī,II.33
[10]:
rātaparairnaralagai rathoddhatā /
ԻdzñᲹī, II.p.43 rādatho maragā rathoddhatā /
ṛtٲ, 29
[11]:
VIII.3 IX. 21 X.18
[12]:
ī,X.18
[13]:
mātto gau cechālinī vedalokai� /
ԻdzñᲹī,II.p.41
[14]:
ī, Act VI.18
[15]:
Ibid.,IX.37
[17]:
ī, IX.23
[18]:
yadi tadviṣayonurāgavandha� /
ṭaٲ屹 � guṇajñatāyā� //
iti nanditamapyavyavasthayāsyā /
ṛdⲹ� dāruṇayā vidīryate me //
ī, III.13
[19]:
drutavilamvitamāha nabhau bharo /
ԻdzñᲹī, II. p. 55
[20]:
I.10 IV.7 VII.11 X.16
[21]:
ī, IV.7
[22]:
vadanti vamśasthavilam jatau jarau /
Ibid.,II.p.49
[23]:
ī,VII.1
[24]:
Ibid., X.6
[25]:
ayuji nayagarephato yakāro, yuji ca najau jaragasśca puṣpitāgrā /
ԻdzñᲹī, III. P.45
[26]:
II.6, 10 III.6,15 V.15 X. 2
[27]:
ī, III.6
[28]:
tryāśābhirmanajaragā� praharṣiṇīyam /
ԻdzñᲹī,II.p.63
[29]:
mno jro vastridasayati� praharṣiṇ� /
ṛtٲ,42
[30]:
I.37, 38 III.17 IV.1 V.3, 25 IX.14
[31]:
ī,I.38
[32]:
sajasā jagau ca yadi mañjubhāṣiṇ� /
ԻdzñᲹī,II.p.67
[33]:
I.39 II.4 III.7 V.8 IX.9, 43, 48
[34]:
ī, II.4
[36]:
I. 6, 9, 18,19, 20, 21, 23,25, 26, 29,32, 34, 40 II.8 III. 5 IV.8 V.27, 32
VI.4, 8, 9, 12, 13, 14, 17, 20 VII.2, 3, 4 VIII.4, 5, 8, 14
IX.1,2, 3, 13, 22, 31, 36, 40, 44, 47, 50, 54 X.1, 9, 20, 21
[37]:
nanamayayayuteya� mālinī bhogilokai� /
Ibid, II.p 80
[38]:
I.27, 28, 41 II.9 III.8, 14, 16 IV.10 V.1 VI.16 VII.1, 12, 13 IX. 5,6, 24, 28, 53 X.8
[39]:
ī,I.24
[40]:
jasau jasayalā vasugrahayatiśca pṛthvī ܰ� /
ԻdzñᲹī,II.p.16
[41]:
III.13 VIII.7 IX.35, 38
[42]:
ī,VIII. 7
[43]:
mandākrāntāambudhirasanagairmobhano tau gayugmam /
ԻdzñᲹī, II. p.98
[44]:
I.3,15, 35 II.5 III.12 IV.2 V.20 VI.2 VII.5 VIII.2 IX.20, 25, 26, 46 X. 5
[45]:
ī,I.3
[46]:
yadi bhavato najau bhajajalā guru nardaṭkam /
ԻdzñᲹī, II. P.100
[47]:
V.31 IX.18
[48]:
ī,V.31
[49]:
rasai rudraischinnā yamanasabhalā ga� śikharinī / Ibid., II.1
[50]:
I. 14, 16, 30, 31 II.3, 7, 11, 12, 13 III.9 IV.3, 4, 6, 9 V.30, 34 VI.7, 15
IX.8, 29, 45
[51]:
ī, II.1
[52]:
[53]:
I.17, 36 II.2 III.2 V.5, 26 VI.6 IX.10, 11, 12, 42 X.15
[54]:
sūryāśvairyadi ma� sajau satatagā� śārdūlavikrīḍītam /
Ibid.,II.p.115
[55]:
I. 2, 7 V.2, 7, 9, 10, 11, 13, 14, 18, 19, 22, 24, 28, 29 VI.3, 5, 19
VIII.6, 9, 10 IX.7, 15, 16, 17, 32, 33, 34, 39 X.23, 24, 25
[56]:
ī, I.7
[57]:
bhramnairyānā trayeṇa trimuniyatiyutā sragdharā kīrtiteyam /
Ibid.,II.p.123
[58]:
I.1 V.4,6, 16, 17 IX.30
[59]:
ī,V.4
[60]:
Ibid.,V.23
[61]:
lakṣamai tat sapta ṇa gopetā bhavati neha viṣame ja� /
ṣaṣṭho jaśa nalaghu va prathameardhe niyatamāryāyā� //
ṣaṣṭhe dvitīyalāt parake nale mukhalāśca sayatipadaniyama� /
carameardhe pañcake tasmādiha bhavati ṣaṣṭho la� //
ԻdzñᲹī,V.1-2
[62]:
III.6 VI.10 IX.4, 49 X.3, 10, 11, 12, 14, 17
[63]:
ī,I.11