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Puranic encyclopaedia

by Vettam Mani | 1975 | 609,556 words | ISBN-10: 0842608222

This page describes the Story of Devapratishtha included the Puranic encyclopaedia by Vettam Mani that was translated into English in 1975. The Puranas have for centuries profoundly influenced Indian life and Culture and are defined by their characteristic features (panca-lakshana, literally, ‘the five characteristics of a Purana�).

Story of Devaپṣṭ

The sacred rite of installation of Devas (idols) in temples for which definite rules have been laid down by great 峦ⲹ. According to the rules Vāsudevamūrti is to be installed in the centre of the 貹ñⲹٲԲ. (the Śrī kovil—the sanctum sanctorium and the four paths used for the procession of the deity, around it). The ūپ 峾Բ, ṃh, Ჹⲹī and ղ are to be installed in the zones (corners) dominated by Agni, ṛt, and ĪśԲ respectively. Nārāyaṇamūrti should be installed at the centre of the . should be installed in Agni’s corner, Ā徱ٲⲹ in ṛt’s corner, in ’s corner and Śṅg in the ĪśԲ corner. ṅg in the form of Rudra should also be installed in the ĪśԲ corner; or it may be installed in all the nine corners or zones. In that case Vāsudevamūrti should be installed at the centre. All the Devas bearing the name must be installed to the east of the Prāsāda. Lokapālakas like Indra should be installed at the eight places starting with the east. In ʲñⲹٲԲ پṣṭ ʳܰṣoٳٲ should be installed at the centre. Ѳṣmī and ղśṇa are to be installed to the east of the Prāsāda, and the ṛs in the south. ܲ󳾲ṇy, Ҳṇa貹پ, ĪśԲ and the planets (graha�) like Sun should be installed in the west. Daśāvatāraūپ (ten incarnations of վṣṇ) should be installed in the North. 䲹ṇḍ should be installed in Agni’s zone, ī in ’s zone, Ambīkā in ṛt’s zone and Śrī 󲹲ī in ĪśԲ zone. In temples with thirteen Āⲹ վṣṇ should be installed at the centre. Mūrtis like ś should be in the east.

Devapratimās (idols) are of seven varieties like those made of earth, of wood, of metals, of gems, of sandal wood, of stone and of flowers. Of the above, idols made of earth, sandalwood and of flowers are meant only for temporary use, but they also grant all the desires of the devotees.

Stone for idols should be got from mountains. ṇḍܰ (white), ṇa (red), īٲ (yellow) and ṛṣṇa (black)rocks having any one of these four colours may be selected. If no such stone is available any other stone may be used, but by doing homa and reciting ṃh mantra the attributes of any of the specified ṇa should be transferred to it. It is best to have white markings on the stone selected for the idol. There are the three genders, masculine, feminine and neuter with reference to stones. Stone which produces the sound of bell metal on being hit and gives out sparks of fire on being cut is of the masculine gender. Stone which possesses these attributes to a lesser degree is of the feminine gender. Stone with no shape is of neuter gender. Beside these three varieties there are the sagarbha (pregnant) stones also, viz. stones with round markings on them, and they should not be used for making idols. Once it is decided to make an idol, Vanayajña should be performed first. To worship the forest from which the stone for the idol was to be obtained is vanayajña. A specified place in the forest should be dug up, the pit treated with cow-dung and a small platform raised and վṣṇ worshipped thereon. After sacrificial offerings etc. instruments for the construction of the idol like ṭaṅk (chisel) should be worshipped. To sprinkle on the stone śālitoya (water in which paddy grains are put) purified with the chanting of astramantra is the next step. After that ūٲ (offerings to the spirits of the stone) should be performed upon which the ūٲ residing inside the stone will quit. Then the 峦ⲹ should go to sleep repeating the svapna mantra.* If he dreams good dreams everything is quite right; if bad dreams are dreamt, the next morning narasiṃhahoma should be performed, the stone given offerings with chanting of astramantra. The edge of the instruments used for sculpturing the idol should be firstly smeared with ghee, honey etc. The architect should be one who has gained mastery over the senses. He should first cut the stone into a square, and then it should be placed on a chariot, covered with cloth and taken to his house. Then after performing a ū the work on the idol should be started. (Agni Purāṇa, Chapter 43).

*) Svapnamantra:

"� Բ� sakalalokāya viṣṇave prabhaviṣṇave / viśvāya viśvarūpāya svapnādhipataye Բ� // ācakṣva 𱹲𱹱ś prasuptosmi tavāntikam / svapne sarvāni kāryāṇi hṛdistāni tu yāni me // om om hum pha� viṣṇave ."

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