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Alternative spellings of this word include Swarup.

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In Hinduism

Samkhya (school of philosophy)

: Wisdom Library: S腻峁僰hya philosophy

厂惫补谤奴辫补 (啶膏�嵿さ啶班�傕お, 鈥渉omogeneous鈥�) refers to one of the two types of 辫补谤颈峁嚹錷补 (change) according to the S腻峁僰hya theory of evolution. It is also known as 蝉补诲峁浥沘. 厂惫补谤奴辫补-辫补谤颈峁嚹錷补 occurs during pralaya (dissolution), when each 驳耻峁嘺 goes on transforming in itself without establishing dominance over the other 驳耻峁嘺s. Pari峁嚹錷a refers to the 鈥榗hange鈥� or 鈥榝lux鈥� occurring in 辫谤补办峁泃颈 (matter), but which is absent in 辫耻谤耻峁�a (consciousness).

context information

Samkhya (啶膏ぞ啶傕�栢�嵿く, S腻峁僰hya) is a dualistic school of Hindu philosophy (astika) and is closeley related to the Yoga school. Samkhya philosophy accepts three pramanas (鈥榩roofs鈥�) only as valid means of gaining knowledge. Another important concept is their theory of evolution, revolving around prakriti (matter) and purusha (consciousness).

Natyashastra (theatrics and dramaturgy)

Source: Wisdom Library: N腻峁瓂a-艣腻stra

厂惫补谤奴辫补 (啶膏�嵿さ啶班�傕お) refers to one of the twenty 辫谤补办腻谤补蝉: rules used in the playing of drums (辫耻峁�k补谤补) [with reference to M峁沝a峁単a, Pa峁嘺va and Dardura] according to the N腻峁瓂a艣腻stra chapter 33. Accordingly, 鈥渨hen the playing has a simple nature and is done by 蝉补尘补-辫腻峁噄, and follows its own fixed pattern, it is called 厂惫补谤奴辫补鈥�.

context information

Natyashastra (啶ㄠぞ啶熰�嵿く啶多ぞ啶膏�嵿い啷嵿ぐ, 苍腻峁瓂补艣腻蝉迟谤补) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).

Purana and Itihasa (epic history)

: archive.org: Puranic Encyclopedia

厂惫补谤奴辫补 (啶膏�嵿さ啶班�傕お).鈥擜n asura. This asura remains in the palace of Varu峁嘺 and serves him. (Sabh腻 Parva, Chapter 9, Verse 14).

: archive.org: Shiva Purana - English Translation

厂惫补谤奴辫补 (啶膏�嵿さ啶班�傕お) refers to 鈥渙ne鈥檚 own real form鈥�, according to the 艢ivapur腻峁嘺 2.3.10.鈥擜ccordingly, as Brahm腻 narrated to N腻rada:鈥斺�淸...] Returning to His mountain, 艢iva in his excitement caused by his separation from his beloved, remembered Sat墨, who was dearer to Him than his very life. [...] Abandoning the polished manners of a householder, He cast off his dress and roamed about all the worlds, clever in divine sports that He was. Not seeing her anywhere, the pangs of his separation from Sat墨 increasing, 艢iva, the benefactor of His devotees, returned to His mountain and entered into trance for the destruction of misery. Thereupon He saw His imperishable real form [i.e., 蝉惫补谤奴辫补]. [...]鈥�.

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The Purana (啶�啷佮ぐ啶距��, pur腻峁嘺s) refers to Sanskrit literature preserving ancient India鈥檚 vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.

Vaishnavism (Vaishava dharma)

: Pure Bhakti: Bhagavad-gita (4th edition)

厂惫补谤奴辫补 (啶膏�嵿さ啶班�傕お) refers to 鈥渢he eternal nature and iden-tity of the self; one鈥檚 transcendental form鈥�. (cf. Glossary page from 艢谤墨尘补诲-叠丑补驳补惫补诲-骋墨迟腻).

: Pure Bhakti: Bhajana-rahasya - 2nd Edition

厂惫补谤奴辫补 (啶膏�嵿さ啶班�傕お) refers to:鈥擟onstitutional nature, inherent identity; the eternal constitutional nature and identity of the self which is realised at the stage of 产丑腻惫补. (cf. Glossary page from Bhajana-Rahasya).

: Pure Bhakti: Brhad Bhagavatamrtam

厂惫补谤奴辫补 (啶膏�嵿さ啶班�傕お) refers to:鈥擨ntrinsic form and nature; true nature; natural position. (cf. Glossary page from 艢r墨 B峁沨ad-bh腻gavat腻m峁泃a).

: Pure Bhakti: Brahma-samhita

厂惫补谤奴辫补 (啶膏�嵿さ啶班�傕お) refers to鈥擨ntrinsic form and nature.

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Vaishnava (啶掂�堗し啷嵿ぃ啶�, vai峁ａ箛ava) or vaishnavism (vai峁ａ箛avism) represents a tradition of Hinduism worshipping Vishnu as the supreme Lord. Similar to the Shaktism and Shaivism traditions, Vaishnavism also developed as an individual movement, famous for its exposition of the dashavatara (鈥榯en avatars of Vishnu鈥�).

Shaktism (Shakta philosophy)

: Google Books: Manthanabhairavatantram

厂惫补谤奴辫补 (啶膏�嵿さ啶班�傕お) refers to one鈥檚 鈥渆ssential nature鈥�, according to the second recension of the Yogakha峁囜笉a of the Manth腻nabhairavatantra, a vast sprawling work that belongs to a corpus of Tantric texts concerned with the worship of the goddess Kubjik腻.鈥擜ccordingly, as 艢r墨ka峁囜弓ha said to the Goddess: 鈥淗aving abandoned this Vai峁ａ箛av墨 M腻y腻, reveal (your) essential nature (蝉惫补谤奴辫补). Tell me the Kula liturgy (krama) and (give me) the Kaulika consecration. O mistress of the gods, you are my saviour. There is no other (true) Vidy腻 at all. (I am) devoid of the Command and have fallen from (my) austerities. O mistress of the gods, tell (me) the knowledge (that will liberate me)鈥�.

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Shakta (啶多ぞ啶曕�嵿��, 艣腻kta) or Shaktism (艣腻ktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.

Shaivism (Shaiva philosophy)

: Brill: 艢aivism and the Tantric Traditions

1) 厂惫补谤奴辫补 (啶膏�嵿さ啶班�傕お) refers to 鈥渙ne鈥檚 (true) nature鈥�, according to the 莫艣varapratyabhij帽腻viv峁泃ivimar艣in墨 (KSTS vol. 65, 327鈥�331).鈥擜ccordingly, 鈥淸Utpala teaches that] the 鈥榙istinguishing mark of 蝉补尘腻惫别艣补鈥� is 鈥榠nsight,鈥� since it is opposed to the Impurity that is ignorance, being characterized by a perfect, that is to say complete (鈥�腻 samant腻t鈥�), entry into one鈥檚 true nature (satya-蝉惫补谤奴辫补), obtaining which one becomes a gnostic, and practicing which, on the levels of body, pr腻峁嘺, etc., one becomes a Yog墨, due to attaining the glory that is an intrinsic quality of infinite Consciousness.鈥�.

2) 厂惫补谤奴辫补 (啶膏�嵿さ啶班�傕お) refers to 鈥渙ne鈥檚 own form鈥�, according to the M腻lin墨vijayottaratantra, chapter 18 (鈥渁ppropriate conduct of the accomplished Yogin鈥�) verses 18.74-81 (as quoted in the Tantr腻loka verse 4.213-221ab).鈥擜ccordingly, 鈥淸...] And as regards the performance or non-performance of vows, etc., and entrance into sacred places, etc. [i.e., 办峁�e迟谤补蝉, 辫墨峁环补s, and upa辫墨峁环补s], the observance of rules of action, and (those rules associated with) initiatory name, initiatory lineage, or the like [i.e., according to the lodge and the like of the initiate], whether the form, sectarian marks, and so on be one鈥檚 own or another鈥檚 [i.e., 蝉惫补谤奴辫补鈥�para蝉惫补谤奴辫补li峁単腻di]鈥攏othing is prescribed here regarding these, nor, contrariwise, prohibited. [...]鈥�.

: SOAS University of London: Protective Rites in the Netra Tantra

厂惫补谤奴辫补 (啶膏�嵿さ啶班�傕お) refers to the 鈥渃haracteristics (of mantras)鈥�, according to the Netratantra of K峁�emar腻ja: a 艢aiva text from the 9th century in which 艢iva (Bhairava) teaches P腻rvat墨 topics such as metaphysics, cosmology, and soteriology.鈥擜ccordingly, [verse 21.1]鈥斺�淥 Deva, what are mantras composed of? What are their characteristics (蝉惫补谤奴辫补鈥�mantr腻岣� ... ki峁僺var奴p腻艣)? What do they look like? What power [do they] possess? What makes them powerful? How are they able [to be effective] and who impels them [to be productive]?鈥�.

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Shaiva (啶多�堗��, 艣aiva) or Shaivism (艣aivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.

Kavyashastra (science of poetry)

: DASH: The Theology of Literary Emotions in Medieval Kashmir

厂惫补谤奴辫补 (啶膏�嵿さ啶班�傕お) refers to the 鈥渢rue nature鈥� (of poetic manifestation), according to the 膧nandavardhana鈥檚 9th century Dhvany腻loka, an important philosophical work on the theory of poetic manifestation (dhvani) or 鈥榯he soul of poetry鈥�.鈥擜ccordingly, 鈥淚n view of such disagreements [over the existence and nature of poetic manifestation], we shall state its true nature (蝉惫补谤奴辫补) in order to delight the hearts of sensitive readers. For the nature of this [poetic manifestation], which is the secret of all good poets' poetry, which, moreover, is clearly seen to be at work in such great poems as the R腻m腻ya峁嘺 and the Mah腻bh腻rata, will here be revealed so that the bliss [which arises] in the hearts of sensitive readers. . . may take firm hold in their hearts鈥�.

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Kavyashastra (啶曕ぞ啶掂�嵿く啶多ぞ啶膏�嵿い啷嵿ぐ, 办腻惫测补艣腻蝉迟谤补) refers to the ancient Indian tradition of poetry (kavya). Canonical literature (shastra) of the includes encyclopedic manuals dealing with prosody, rhetoric and various other guidelines serving to teach the poet how to compose literature.

Yoga (school of philosophy)

: ORA: Amanaska (king of all yogas): A Critical Edition and Annotated Translation by Jason Birch

厂惫补谤奴辫补 (啶膏�嵿さ啶班�傕お) refers to the 鈥渆ssential nature (of supreme bliss)鈥�, according to the Vij帽腻nabhairavatantra (74).鈥擜ccordingly, 鈥淲herever there is satisfaction of mind, one should hold the mind right there, [because] wherever [the mind is,] its essential nature of supreme bliss (par腻nanda-蝉惫补谤奴辫补) is present鈥�.

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Yoga is originally considered a branch of Hindu philosophy (astika), but both ancient and modern Yoga combine the physical, mental and spiritual. Yoga teaches various physical techniques also known as 腻sanas (postures), used for various purposes (eg., meditation, contemplation, relaxation).

Vedanta (school of philosophy)

: Wikisource: Ashtavakra Gita

厂惫补谤奴辫补 (啶膏�嵿さ啶班�傕お) refers to 鈥渙ne鈥檚 own nature鈥�, according to the A峁ａ弓腻vakrag墨t腻 (5th century BC), an ancient text on spirituality dealing with Advaita-Ved腻nta topics.鈥擜ccordingly, [as A峁ａ弓avakra says to Janaka]: 鈥淸...] Is he not a Guru who, endowed with dispassion and equanimity, achieves full knowledge of the nature of consciousness, and leads others out of 蝉补峁僺腻谤补? If you would just see the transformations of the elements as nothing more than the elements, then you would immediately be freed from all bonds and established in your own nature (蝉惫补-谤奴辫补蝉迟丑补) [tatk峁�a峁嚹錮bandhanirmukta岣� 蝉惫补谤奴辫补stho bhavi峁�yasi]. One鈥檚 inclinations are 蝉补峁僺腻谤补. Knowing this, abandon them. The renunciation of them is the renunciation of it. Now you can remain as you are鈥�.

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Vedanta (啶掂�囙う啶距え啷嵿��, ved腻nta) refers to a school of orthodox Hindu philosophy (astika), drawing its subject-matter from the Upanishads. There are a number of sub-schools of Vedanta, however all of them expound on the basic teaching of the ultimate reality (brahman) and liberation (moksha) of the individual soul (atman).

General definition (in Hinduism)

: JQ's Likhita Japa Journal: Hinduism

厂惫补谤奴辫补 in Sanskrit this means 鈥渓over of beauty鈥�. This is one of the 108 names of Lord Ganesha.

: Ashtanga Yoga: Yoga Sutrani Patanjali

蝉惫补谤奴辫补 = own form; true nature; true form

In Jainism

General definition (in Jainism)

Source: Wisdom Library: Jainism

厂惫补谤奴辫补 (啶膏�嵿さ啶班�傕お) refers to a class of 产丑奴迟补 deities according to the Digambara tradition of Jainism, while 艢vet腻mbara does not recognize this class. The 产丑奴迟补s refer to a category of vyantaras gods which represents one of the four classes of celestial beings (devas).

The deities such as the 厂惫补谤奴辫补s are defined in ancient Jain cosmological texts such as the Sa峁僩raha峁嚹玶atna in the 艢vet腻mbara tradition or the Tiloyapa峁囜箛ati by Yativ峁涐梗abha (5th century) in the Digambara tradition.

: archive.org: Trisastisalakapurusacaritra

厂惫补谤奴辫补 (啶膏�嵿さ啶班�傕お) and Prati谤奴辫补 are the two Indras (i.e., lords or kings) of the 叠丑奴迟补s who came to the peak of Meru for partaking in the birth-ceremonies of 峁氠梗abha, according to chapter 1.2 [腻诲墨艣惫补谤补-肠补谤颈迟谤补] of Hemacandra鈥檚 11th century Tri峁�a峁ａ弓i艣al腻k腻辫耻谤耻峁�acaritra: an ancient Sanskrit epic poem narrating the history and legends of sixty-three illustrious persons in Jainism.

: Encyclopedia of Jainism: Tattvartha Sutra 4: The celestial beings (deva)

Svarupa (啶膏�嵿さ啶班�佮お) refers to one of the two Indras (lords) of the 叠丑奴迟补 class of 鈥減eripatetic celestial beings鈥� (vyantara), itself a main division of devas (celestial beings) according to the 2nd-century Tattv腻rthas奴tra 4.6. Pratirupa and Svarupa are the two lords in the class 鈥榙evil鈥� peripatetic celestial beings.

: The University of Sydney: A study of the Twelve Reflections

厂惫补谤奴辫补 (啶膏�嵿さ啶班�傕お) refers to the 鈥渢rue nature鈥�, according to the 11th century J帽腻n腻r峁嘺va, a treatise on Jain Yoga in roughly 2200 Sanskrit verses composed by 艢ubhacandra.鈥擜ccordingly, 鈥淭his [self], which is master of the three worlds, omniscient [and] possessed of infinite power, does not recognise itself and has deviated from its own true nature (sva-蝉惫补谤奴辫补). Tarnished by awful stains arising from eternity, it grasps objects according to its own desire which are very different from itself鈥�.

context information

Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, 鈥榮elf-reliance鈥�) and spiritual development through a path of peace for the soul to progess to the ultimate goal.

India history and geography

: Cologne Digital Sanskrit Dictionaries: Indian Epigraphical Glossary

厂惫补谤奴辫补.鈥�(SITI), an estate of the Namb奴dris, royal per- sonages, etc., of Malai-n腻岣島. Note: 蝉惫补谤奴辫补 is defined in the 鈥淚ndian epigraphical glossary鈥� as it can be found on ancient inscriptions commonly written in Sanskrit, Prakrit or Dravidian languages.

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The history of India traces the identification of countries, villages, towns and other regions of India, as well as mythology, zoology, royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.

Biology (plants and animals)

: Google Books: CRC World Dictionary (Regional names)

Svarupa in India is the name of a plant defined with Rotheca serrata in various botanical sources. This page contains potential references in Ayurveda, modern medicine, and other folk traditions or local practices It has the synonym Cyclonema serratum (L.) Hochst. (among others).

Example references for further research on medicinal uses or toxicity (see latin names for full list):

· Journal of the Linnean Society, Botany (1883)
· Flora Yunnanica (1977)
· Rev. Revised Handbook to the Flora of Ceylon (1983)
· Prodr. (1847)
· Nova Genera et Species Plantarum (1818)
· Phytologia (1952)

If you are looking for specific details regarding Svarupa, for example diet and recipes, side effects, health benefits, chemical composition, pregnancy safety, extract dosage, have a look at these references.

context information

This sections includes definitions from the five kingdoms of living things: Animals, Plants, Fungi, Protists and Monera. It will include both the official binomial nomenclature (scientific names usually in Latin) as well as regional spellings and variants.

Languages of India and abroad

Marathi-English dictionary

: DDSA: The Molesworth Marathi and English Dictionary

蝉惫补谤奴辫补 (啶膏�嵿さ啶班�傕お).鈥攏 (S) One's own proper figure or form; the natural and real figure and general appearance. 2 One's countenance, visage, look, features. 3 The natural constitution, quality, or condition, nature. 4 The native or appropriate form, mode, or character of being.

: DDSA: The Aryabhusan school dictionary, Marathi-English

svarupa (啶膏�嵿さ啶班�佮お).鈥�n One's own form; one's visage. Nature.

context information

Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.

Sanskrit dictionary

: DDSA: The practical Sanskrit-English dictionary

厂惫补谤奴辫补 (啶膏�嵿さ啶班�傕お).鈥�a.

1) similar, like.

2) handsome, pleasing, lovely.

3) learned, wise. (-pam) 1 one's own form or shape, natural state or condition; 啶むい啷嵿ぐ啶距え啷嵿く啶膏�嵿�� 啶曕ぅ啶� 啶� 啶�啶距さ啶� 啶溹�椸い啷� 啶�啶膏�嵿ぎ啶距い啷� 啶膏�嵿さ啶班�傕お啶� 啶灌た 啶むい啷� (tatr腻nyasya katha峁� na bh腻vi jagato yasm腻t 蝉惫补谤奴辫补峁� hi tat) 笔补帽肠补迟补苍迟谤补 (Bombay) 1.159.

2) natural character or form, true constitution.

3) nature.

4) peculiar aim.

5) kind, sort, species. 掳啶呧じ啶苦う啷嵿ぇ啶� (asiddhi) f. one of the three forms of fallacy called 啶呧じ啶苦う啷嵿ぇ (asiddha) q. v.

厂惫补谤奴辫补 is a Sanskrit compound consisting of the terms sva and 谤奴辫补 (啶班�傕��).

: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary

厂惫补谤奴辫补 (啶膏�嵿さ啶班�傕お).鈥攎fn.

(-辫补岣�-辫腻 or -辫墨-辫补峁�) 1. Wise, learned. 2. Pleasing, handsome. 3. Similar, like. 4. Of like purport or character. n.

(-辫补峁�) 1. Natural state or condition, nature. 2. Natural and obvious purpose or conclusion. 3. True constitution, natural character. 4. One's own form or shape. 5. Peculiar aim. 6. Kind, sort. E. sva own, 谤奴辫补 form.

: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English Dictionary

厂惫补谤奴辫补 (啶膏�嵿さ啶班�傕お).鈥擨. n. 1. one鈥檚 own shape, Chr. 62, 51. 2. natural condition, nature, [笔补帽肠补迟补苍迟谤补] 145, 16. 3. natural and obvious purpose. 4. kind. Ii. adj. 1. of like character, [Ved腻ntas腻ra, (in my Chrestomathy.)] in Chr. 217, 5. 2. like, similar, suitable, [Lassen, Anthologia Sanskritica.] 35, 12. 3. pleasing, [Lassen, Anthologia Sanskritica.] 20, 11. 4. wise. 膧tmasra谤奴辫补, i. e.

厂惫补谤奴辫补 is a Sanskrit compound consisting of the terms sva and 谤奴辫补 (啶班�傕��).

: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionary

厂惫补谤奴辫补 (啶膏�嵿さ啶班�傕お).鈥擺neuter] (one鈥檚 own) form or shape, true nature, p. 蝉惫补谤奴辫补vant & 蝉惫补谤奴辫颈苍; (卤艣补产诲补 or 艣补产诲补蝉测补) the word in its peculiar form, the word itself ([grammar]); 掳鈥� & tas by nature, of one鈥檚 self, really.

: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary

1) 厂惫补谤奴辫补 (啶膏�嵿さ啶班�傕お):鈥擺=sva-谤奴辫补] [from sva] a n. (ifc. f(腻). ) o掳鈥檚 own form or shape, the f掳 or sh掳 of ([genitive case] or [compound]; with or without 艣补产诲补蝉测补 or 艣补产诲补-蝉惫补-谤, 鈥榓 word itself or in its own form鈥� opp. to its synonyms or varieties; with n腻mn腻m = 鈥榥ames themselves鈥�), [Mah腻bh腻rata; 笔补帽肠补迟补苍迟谤补; Bh腻gavata-pur腻峁嘺] etc.

2) [v.s. ...] own condition, peculiarity, character, nature (别峁嘺 or [in the beginning of a compound], 鈥榖y nature鈥�, 鈥榠n reality鈥� 鈥榖y itself鈥�), [峁歡veda-pr腻ti艣腻khya; N峁泂i峁僪a-t腻pan墨ya-upani峁�ad; Manu-sm峁泃i] etc.

3) [v.s. ...] peculiar aim, [Horace H. Wilson]

4) [v.s. ...] kind, sort, [ib.]

5) [v.s. ...] a [particular] relation (in [philosophy] See under sambandha), [Monier-Williams鈥� Sanskrit-English Dictionary]

6) [v.s. ...] occurrence, event, [Campaka-艣re峁ａ弓hi-kath腻naka; Uttamacaritra-kath腻naka, prose version; Si峁僪腻sana-dv腻tri峁兣沬k腻 or vikram腻ditya-caritra, jaina recension]

7) [v.s. ...] mfn. having o掳鈥檚 own peculiar form or character, [Monier-Williams鈥� Sanskrit-English Dictionary]

8) [v.s. ...] having a like nature or char掳, similar, like, [S腻峁僰hyak腻rik腻] ([wrong reading] for sa-r)

9) [v.s. ...] pleasing, handsome (for sa-r), [cf. Lexicographers, esp. such as amarasi峁僪a, hal腻yudha, hemacandra, etc.]

10) [v.s. ...] wise, learned, [cf. Lexicographers, esp. such as amarasi峁僪a, hal腻yudha, hemacandra, etc.]

11) [v.s. ...] m. Name of a Daitya, [Mah腻bh腻rata]

12) [v.s. ...] of a son of Su-nand腻, [M腻rka峁囜笉eya-pur腻峁嘺]

13) [v.s. ...] of a pupil of Caitanya, [Horace H. Wilson]

14) [v.s. ...] m. or n. Name of a place, [Catalogue(s)]

15) 厂惫补谤奴辫腻 (啶膏�嵿さ啶班�傕お啶�):鈥擺=sva-r奴p腻] [from sva-谤奴辫补 > sva] f. Name of a place, [Monier-Williams鈥� Sanskrit-English Dictionary]

16) 厂惫补谤奴辫补 (啶膏�嵿さ啶班�傕お):鈥擺=sva-谤奴辫补] b etc. See p. 1276, col. 2.

17) 厂惫腻谤奴辫腻 (啶膏�嵿さ啶距ぐ啷傕お啶�):鈥�f. ([from] sva-谤奴辫补 q.v.) Name of a place, [Catalogue(s)]

: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionary

厂惫补谤奴辫补 (啶膏�嵿さ啶班�傕お):鈥擺sva-谤奴辫补] (辫补峁�) 1. n. Natural state or condition; nature; natural conclusion; kind, sort. a. Similar in character; beautiful; wise.

[Sanskrit to German]

context information

Sanskrit, also spelled 啶膏�傕じ啷嵿�曕�冟い啶�啷� (蝉补峁僺办峁泃补尘), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.

Hindi dictionary

: DDSA: A practical Hindi-English dictionary

厂惫补谤奴辫补 (啶膏�嵿さ啶班�傕お) [Also spelled swarup]:鈥�(nm) shape, form; appearance; character; nature; ~[gata/paraka] natural; characteristic; formal; ~[v腻na] beautiful, handsome.

context information

...

Kannada-English dictionary

: Alar: Kannada-English corpus

厂惫补谤奴辫补 (嗖膏硩嗖掂舶喑傕勃):鈥�

1) [adjective] of pleasing form; handsome; beautiful.

2) [adjective] being alike; similar; matching in form or shape.

--- OR ---

厂惫补谤奴辫补 (嗖膏硩嗖掂舶喑傕勃):鈥�

1) [noun] one鈥檚 own form or shape.

2) [noun] innate or inherent disposition, nature, impulse, etc.

3) [noun] natural state or constitution.

4) [noun] a manner, way, kind or sort.

5) [noun] that which is in accordance with nature, natural order, and free from affected character, behaviour, etc.

6) [noun] a strange or extraordinary aim or purpose.

7) [noun] a very learned and wise man.

8) [noun] a man having so and so form.

context information

Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.

Nepali dictionary

: unoes: Nepali-English Dictionary

厂惫补谤奴辫补 (啶膏�嵿さ啶班�傕お):鈥攏. 1. shape; form; appearance; 2. essential properties; character; nature; 3. kind; type; 4. the true form of a deity;

context information

Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.

See also (Relevant definitions)

Partial matches: Shva, Rupa.

Starts with (+8): Shvarupadharin, Svarupa acarya, Svarupabhava, Svarupabhutashakti, Svarupacarya, Svarupadeha, Svarupagata, Svarupaguna, Svarupajnana, Svarupakhyastotra, Svarupalakshana, Svarupanirnaya, Svarupanirupana, Svarupanusamdhana, Svarupanusamdhanastotra, Svarupaprakasha, Svarupasambodhana, Svarupashakti, Svarupasiddhi, Svarupastha.

Full-text (+318): Brahmasvarupa, Svasvarupa, Svarupata, Svarupasiddhi, Citsvarupa, Svarupanirupana, Kalasvarupa, Svarupagata, Svarupopanishad, Svarupanirnaya, Svarupaprakasha, Svarupatva, Nilasvarupa, Svarupashakti, Tirthasvarupa, Svarupasambodhana, Bhagavatsvarupa, Sarvadharasvarupa, Shrisvarupa, Mantrasvarupa.

Relevant text

Search found 173 books and stories containing Svarupa, 厂惫补谤奴辫补, Sva-rupa, Sva-谤奴辫补, 厂惫补谤奴辫腻, Sva-r奴p腻, 厂惫腻谤奴辫腻; (plurals include: Svarupas, 厂惫补谤奴辫补s, rupas, 谤奴辫补s, 厂惫补谤奴辫腻s, r奴p腻s, 厂惫腻谤奴辫腻s). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:

Bhakti-rasamrta-sindhu (by 艢r墨la R奴pa Gosv腻m墨)

Verse 2.1.19 < [Part 1 - Ecstatic Excitants (vi产丑腻惫补)]

Verse 2.1.180 < [Part 1 - Ecstatic Excitants (vi产丑腻惫补)]

Verse 2.1.305 < [Part 1 - Ecstatic Excitants (vi产丑腻惫补)]

+ 13 more chapters / show preview

Brahma Samhita (Jiva Goswami commentary) (by Srila Narayana Maharaja)

Verse 38

Verse 3-4

Verse 39

+ 20 more chapters / show preview

Bhagavad-gita (with Vaishnava commentaries) (by Narayana Gosvami)

Verse 10.37 < [Chapter 10 - Vibh奴ti-yoga (appreciating the opulences of the Supreme Lord)]

Verse 13.5 < [Chapter 13 - Prak峁泃i-辫耻谤耻峁�a-vibh腻ga-yoga]

Verse 4.6 < [Chapter 4 - J帽腻na-Yoga (Yoga through Transcendental Knowledge)]

+ 80 more chapters / show preview

Advayavajra-samgraha (Sanskrit text and English introduction) (by Mahamahopadhyaya Haraprasad Shastri)

Chapter 7 - Sekatanvaya-samgraha < [Sanskrit texts of the Advayavajra-samgraha]

Chapter 8 - Pancakara < [Sanskrit texts of the Advayavajra-samgraha]

Chapter 6 - Caturmudra < [Sanskrit texts of the Advayavajra-samgraha]

show preview

Garga Samhita (English) (by Danavir Goswami)

Verse 6.2.22 < [Chapter 2 - Residence in 艢r墨 Dv腻rak腻]

Verse 6.21.33 < [Chapter 21 - In the Description of the Third Fort, the Glories of Pi峁囜笉腻raka-t墨rtha]

Verses 5.24.71-73 < [Chapter 24 - The Killing of the Kola Demon]

+ 1 more chapters / show preview

Brihad Bhagavatamrita (commentary) (by 艢r墨 艢r墨mad Bhaktived腻nta N腻r腻yana Gosv腻m墨 Mah腻r腻ja)

Verse 2.2.189 < [Chapter 2 - J帽腻na (knowledge)]

Verse 2.2.176 < [Chapter 2 - J帽腻na (knowledge)]

Verse 1.1.9 < [Chapter 1 - Bhauma (the earthly plane)]

+ 47 more chapters / show preview

 

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