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Preksha meditation: History and Methods

by Samani Pratibha Pragya | 2016 | 111,074 words

This page relates ‘Absence of Modern Forms of Meditation in the Digambara Tradition� of study dealing with Preksha-Dhyana: a meditation technique created by Acharya Shri Mahapragya (Acarya Mahaprajna) in the late twentieth century. It synthesizes ancient Jain ascetic methods, ritualistic practices, and modern scientific insights, appealing to a global audience. The thesis explores its historical context, theoretical foundations, and the rise of contemporary Jain meditation systems.

Go directly to: Footnotes.

3. Absence of Modern Forms of Meditation in the Digambara Tradition

It is essential to address the question of why, apparently, only Ś峾 sects developed modern systems of meditation, and why these appeared primarily in the second half of the 20th century. The forms of meditation mentioned earlier in this chapter reveal that only the Ś峾 tradition developed some modern meditative techniques in its three main traditions: ūپūᲹ첹, ٳԲ첹ī and Terāpanthī. The question arises as to why no such developments occurred in the Digambara tradition. In order to address this question, various ancient sources such as Tattavārtha-ūٰ, ⲹ, Tattavānuśāsanam and the scholarly views of Cort, Flügel and the Digambar Jaina devotee Shugan, have been taken into account, as also field research undertaken.

The ղٳٱٳ-ūٰ1, a text that is accepted as authoritative by both Digambaras and Ś峾s, states that pure meditation (sukla-Բ) is unattainable in the current time-cycle. ղٳٱٳ-ūٰ1 (9.41�42) states that the first two types: multiple contemplation (ṛt󲹰ٱ-vitarka-) and unitary contemplation (첹ٱ-ٲ첹-Ծ) of pure meditation can only be achieved by monks who are well-versed in the knowledge of the ū,[1] known as śruta 𱹲īs[2]. It says that the last two types of pure meditation, subtle infallible physical activity (ūṣm--پپ) and irreversible stillness of the soul (vyuparata--Ծṛtپ) can be attained only by the omniscient ones (𱹲ī).444 The ū and kevali are both considered extinct and therefore, one can only perform dharma Բ, a form of self-study ()[3] in the current era. As we also observe the corelationship in Sthānāṅga-ūٰ (4.67) presenting four types of supports for meditation,[4] which are but the abridged categories of self-study.

This notion is accepted by both Ś峾s and Digambaras. Consequently, both Ś峾s and Digāmbaras went on to develop various meditative techniques in the medieval period, which took the form of virtuous meditation (dharma-Բ) rather than bright or pure meditation (śܰ-Բ). Among Digambaras, Rāmasena and Śܲ󲹳Ի were particularly prolific in assisting this development. Rāmasena (Tattvānuśāsana, 82, 86) specifically mentions that, ‘those who assert that this is not the appropriate temporal period to engage in meditation proclaim their ignorance of the Jain doctrine.� He queries why, even if today there is no one who can follow the advanced methods of ascetic conduct (ⲹٳãٲ-ٰ), ascetics do not practise meditation according to their ability[5] (tr, Dundas, 2014: 152). This is therefore a recommendation from Rāmasena advocating ascetics not to discontinue meditative practices simply because pure meditation is not available in this current era.

However, despite these developments in the medieval period, an emphasis on selfstudy () as a mode of meditation emerged from Kundakunda[6] (4thth c. CE) onwards, which remained strong in the medieval and modern periods. An example of this development is the emphasis on the practice of equanimity (峾⾱첹) within the 20th century Digambara sects, which incorporates . It is evident that 峾⾱첹 is closely connected to the obligatory (屹śⲹ첹) rituals as first part of it (Āvaśyaka-ūٰ, 2, ū峦, 51838). Thus, during my visit (2006) to Āⲹ Vidyānanda (b. 1925), a prominent Digambara monk, at Kundakunda ī, New Delhi, I observed a quote inscribed on the wall: ‘self-study [of scripture] is meditation� ( meva ṇa�). It was noted by the researcher during this visit that Digambara ascetics performed the practice of 峾⾱첹 for 48 minutes after eating, during which they also did various parts of .[7] In these and other Jain traditions, in 峾⾱첹 consists of self-study of the scriptures (śٰ) by repeating ūٰ that have been learnt by rote (貹ٲ), followed by the contemplation of the meaning (Գܱṣ�) of these verses of the text.

During my fieldwork in India in 2014, I observed that in the life of Digambara ascetics, such as Vidyānanda and Jñānamati (b. 1934) (), 峾⾱첹 is an ongoing daily practice. Considering the impossibility of pure meditation in this era and the development of ritualistic forms of meditation within the 峾⾱첹 practice, the researcher’s contention is that dharma centered on has resulted in little or no attention being directed towards the creation of modern forms of meditation. This view is also supported by Jaini, who states in the context of medieval development, ‘It is interesting to note that, although Jainas have developed such meditative exercise as ⾱첹 and the aforementioned types of dharama-dhyana, they have traditionally paid scant attention to the more magical paths of awakening so heavily preferred by other Indian schools� (Jaini, 2001: 254). Even today Jaini’s thoughts are relevant in the framework of other modern Jaina development.

In support of , Johnson (1995: 194) describes 峾⾱첹 in the Digambara context as a practice of meditation on the self, based on a section of the (Niyamvasāra) of Kundakunda called �parama-� (Niyamvasāra, 122�133). He mentions that parama is a state of meditation on the self through dharma-Բ and śܰ-Բ. Here the latter, śܰ-Բ, is relevant only to the early period of Jainism according to ղٳٱٳ-ūٰ1. Further, early Digambara texts on conduct, such as the ū峦 of Vaṭṭakera (2nd - 3rd c. CE), state that during the practice of 峾⾱첹, one should perform virtuous meditation (dharma-Բ) and pure meditation (śܰ-Բ), and avoid afflicted (ٳٲ) and wrathful (raudra) meditation.[8] It is evident from the above, that 峾⾱첹 and meditation are inseparable. It may, therefore, be the case that as 峾⾱첹 became increasingly ritualistic over time, its more meditative aspects, which may be considered closest to pure meditation, were lost and with this a possible source and impetus for the development of new forms of meditation.

Moreover, John Cort notes, ‘the development of popular forms of meditation for individual practice in modern Jainism is part of a transformation of the role of the Jaina monk in the 20th century, from an impersonal ritualized renouncer, with whom the laity interacted largely in terms of impersonal rituals of veneration (Ի岹) to a personalized guru, with whom the laity interacted personally in terms of personal, often times pastoral bhakti. In this way, many Jain monks have become analogues of the Hindu gurus.� Cort goes on to say, ‘the Digambara muni tradition has come to this transformation much later than the Ś峾 traditions. It is really only in the past 20-30 years that we see the rise of charismatic, personalised Digambara monks, who are concerned to reach out to a large lay audience.� (J. Cort, personal communication, 4 June 2015). It is in the context of these more personalised guru traditions by which Cort believes modern meditative techniques may have developed. Thus the late rise of the Digambara personalized muni traditions may be the main reason why, despite a rich medieval history of Digambara monastic and lay meditative practice, associated with Kundakunda, Rāmasena, Śܲ󲹳Ի and Āṣādhara, specifically modern systems of Digambara meditation have not emerged in 20th and 21st century. Cort’s understanding is one perspective on the lack of modern forms of Digambara meditation, though there may be many more reasons.

In addition, an alternative analysis is that of Flügel (2012c, 2015[9]), who believes that aniconic Svetāmbara sects may have developed modern forms of meditation as a consequence of their rejection of image worship. In contrast, Flügel believes that sects who focus on image-worship such as the Digambara and ūپūᲹ첹 Ś峾 traditions have not produced any modern forms of meditation. However, I would suggest that Flügel’s viewpoint could be refuted. Many iconic supporters of sects which focus on image-worship have also developed modern forms of meditation such as Citrabhānu’s Jaina Meditation, Bhadrankavijaya’s Sālambana-Բ and Candraprabhasāgara’s Sambodhi-Բ.

Furthermore, a devout lay scholar of the Digambara tradition, Shugan Jain, has suggested in a personal interview that it may be because of the extinction of pure meditation that Digambara 峦ⲹ have not paid attention to constructing modern forms of meditation.[10] He supported his argument with Jinasena’s Ѳܰṇa (8�th c. CE), which pronounced the inability to observe all the twelve austerities.[11] It is evident that meditation is a part of twelve austerities.

This is not to say that there may not be emerging forms of modern meditation in the traditions of individual Digambara munis. Perhaps there may be many modern personalised munis in Digambara tradition. Due to a lack of empirical data on forms of meditation in contemporary Digambara traditions, this view remains speculative yet plausible.

In conclusion, the researcher does not assert that there are no meditative practices within the Digambara tradition. The field work suggests that there are elements of various practices such as 峾⾱첹, which can be construed as forms of meditation, though there is no evidence to suggest that there has been a development of a systemized modern form of meditation which has been developed during the 20th and 21st century. This may account, in part, for the lack of development of modern meditative techniques in Digambara sects. Thus, this question deserves more research and can only be speculated about at the moment.

Footnotes and references:

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[1]:

ū are the ‘lost� collections of fourteen ancient texts mentioned in the Jaina canonical literature ().

[2]:

ղٳٱٳ-ūٰ1, 9. 40. ū�. 444 ղٳٱٳ-ūٰ1, 9.41. pare kevalina�.

[3]:

literally means self-study, but Jaina texts provide detailed descriptions of it. According to Sthānāṅga-ūٰ, 5.220, it contains five types: 1. imparting training in scripture and its meaning (), 2. inquiry about the word and meaning for clearing doubts (󲹲), 3. recapitulation of text learnt by rote (貹ٲ), 4. contemplation of the text and the meaning (Գܱṣ�), 5. Preaching the discipline through various disquisitions (󲹰DZ貹ś).

[4]:

Sthānāṅga-ūٰ, 4.67. Sthāṅāṅga mentions a list of four, which supports the virtues meditation. The list is the same as ⲹ but with exclusion of preaching, the discipline through various disquisitions (󲹰DZ貹ś).

[5]:

Tattvānuśāsana, 82, 86. ye’atrāhurna hi kālo’ya� Բsya dhyāyatāmiti, te’rhanmatānabhijñatva� khyāpayantyātmana� svayam. caritāro na cetsyanti yathākhyātsya samprati, tatkimanye yathāśaktimācarantu tapasvina�.

[6]:

The dating of Kundakunda is not fixed, yet some scholars [more precise] dated him as late as (2ndth c. CE).

[7]:

Uttarādhyayana-ūٰ, 30.34. learning one’s lesson (ⲹṇ�), questioning (ܳṇ�), repetition (貹ⲹṭṭṇ�), contemplation () and religious discourse (󲹳첹).

[8]:

ū峦, Gā. 7.28.

[9]:

Flügel (2015) presents an article which is interesting as an example of Digambara iconography of Jaina “meditation forest monks�. It has no use in supporting his argument of the development of modern meditation in the Digambar tradition.

[10]:

Researcher interviewed Shugan Jain on 21 May 2015, who completed his PhD in Jainism. He follows the Digambara Jaina tradition and he was president of Digambara association.

[11]:

It is noted that in the medieval period, Jinasena’s Ѳܰṇa (8�th c. CE) emphasises the impossibility of bright or pure meditation. It states that the inability to observe all twelve austerities, described in the context of the sixteen dreams of Bharata as explained by Ā徱ٳ, means that pure meditation is not possible now, given that it is itself a part of the twelve austerities themselves. (The list of these 12 austerities with their English translation has been explained in chapter 2 of the thesis.). The description of the third dream mentions: “A horse which is incapable of carrying the weight of an elephant on his back and is therefore seen with a hunch back implies that monks in the fifth epoch (貹ñ-) will be not be able to observe all the twelve austerities completely� (Ādipurāṇa, 41.66). This is an attitude which emphasises that, during the medieval and modern periods, full observance of penance, including pure meditation, is not possible. Jinasena’s statement does not indicate any particular type of austerity. It is also difficult to determine exactly which of the twelve austerities is possible to observe partially but not completely.

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