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Vratas depicted in the Gangajala (study)

by Maitreyee Goswami | 2018 | 55,000 words

This page relates ‘study on the Yugadi-vrata� of the study dealing with the Vratas (vows) depicted in the Gangajala—a Smriti-Nibandha, i.e., a text belonging to the Kamarupa School of Dharma-shastra literature which deals with social topics, religious rites and local traditions. The term Vrata refers to ritual vows aimed at spiritual and moral purification. This essay explores its socio-religious implications reflecting medieval Assam.

Go directly to: Footnotes.

Part 2.7 - A study on the ۳ܲ徱-vrata

[Full title: Study on general Vratas in the ҲṅgᲹ II (G): ۳ܲ徱-vrata]

Bhatta, having referred to 鲹ٲԲ determined that, the first four tithis of the respective four yugas being observed in different months of the year are favorable for the purpose of performing ū, vrata, and ś.

Accordingly the 屹ⲹ (new moon) tithi of the month of , thirteenth black of Nabhasa (),[1] the third white of 󲹱 (ղś) and the ninth white of Urja (پ첹) are considered to be the first four tithis of the respective four Yugas viz., Satya, հ, ٱ貹 and Kali.

峾ǻ岹 Ѿś who adheres to the traditional chronology of the Yugas, speaks of it in the opening verse of the topic stating the same tithis, same months and purpose as that of 첹 Bhatta.[2]

Furthermore, while discussing Caturyugavrata, P.V. Kane, suggests this chronological prescript as to honour of the deities and to pay offerings to the manes.

Accordingly, the laid down providences are�

(i) on the third Śܰ of ղś (on the first day of the Satyayuga),
(ii) on the ninth Śܰپ첹 (the first day of հyuga) both Ś and Umā should be worshipped,
(iii) on the thirteenth ṛṣ (the first day of the ٱ貹) oblation be offered to manes and lastly
(iv) in the of (first day of Kaliyuga) with ⲹٰī should also be worshipped.[3]

It appears that 峾ǻ岹 Ѿś with a view to popularize these Vratas among the subjects of the king under whose patronage he was flourishing as the Rājuguru, gave much importance to the Ś aspects. So he emphatically says that, performance of 辱ṛkṛtⲹ and offering to manes in those auspicious tithis certainly produce immense results.[4] In ۳ܲ屹ٲ, if one tithi spreads for two consecutive days, then the performer has to select the next day (pare ahani) for performance, following all regulations pertaining to it. This is also found suggested in the پٳ󾱲Ծṇaⲹ of Bhattoji پṣhٲ.[5]

There are injunctions pertaining to the performance of Ś in both the ʲṣa i.e., white and black fortnights concerning ۳ܲī śs. In case of such ś, if it is due on śܰ貹ṣa (ś and پ첹) then the referrd tithi must touch ūԲ of the day of the tithi. On the other hand, in ṛṣ貹ṣa ( and ) 貹Բ will get preference. The ʲ峾ܰṇa, the ṇaⲹԻ also holds the same injunction.[6] Gobhila alerted the performers not to perform ղś󲹳ṛtī conjoint with 屹ī for the fear that the gods will not accept 󲹱ṣy, so also the manes will not take Kavyah.[7] Ramānath Vidyalaṅkāra in his gloss wanted to make the readers aware that according to the ṛt, 岵purṇimā should be the ۳ܲپٳ in place of 屹ī. This is found accepted in the Ѳٲⲹܰṇa where the meaning of �ʲñ岹śī 岵sya� is none other than 岵īܰṇi. The impact of Ѳٲⲹܰṇa in 峾ū貹 can not be ignored in respect of establishing ۳ܲ徱tithi.[8]

Footnotes and references:

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[1]:

māghe pañcadaśī kṛṣnā nabhasye ca ٰǻ岹śī/
ṛtī mādhave śuklā navamyurje yugā岹ⲹ�// ṇaⲹԻ, p. 134

[2]:

śuklā trtīya vaiśākhe bhādre kṛṣnā ٰǻ岹śī/
kārtike śuklā Բī tathā māghe'pyamāvaśī// ҲṅgᲹ II, p. 21

[3]:

Kane, P.V., History of ٳ󲹰śٰ,Vol.v, pt-1,pp. 298, 386

[4]:

yugādyā� kathitā śa etā� ptṛkṛtye 󲹱�//
tithidaivedheca 첹ٲⲹ� Բ� Բ� pare'hani// ҲṅgᲹ II,p.21

[5]:

Sastri, Visvanath, վٳ-ṇaⲹ, p.6

[6]:

pūrvāhne tu śܰ峾Գܲܲ 岹ⲹ� daive karmaṇi pitre ca kṛṣṇe caivāparāhnikā// ṇaⲹԻ, p. 135

[7]:

śsya ṛtī� ya� pūrvaviddhyā� karoti vai/
󲹱ⲹ� na gṛhnanti 첹ⲹ� ca pitarastathā//
Ibid., p. 135

[8]:

upāvṛttasya pāpebhyau yastu vasoguṇa� saha/
ܱ貹� savijñeya� sarvabhoga vivarjjita� // ҲṅgᲹ II, p. 23

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