Vratas depicted in the Gangajala (study)
by Maitreyee Goswami | 2018 | 55,000 words
This page relates ‘Discussion on Manasapancami-vrata� of the study dealing with the Vratas (vows) depicted in the Gangajala—a Smriti-Nibandha, i.e., a text belonging to the Kamarupa School of Dharma-shastra literature which deals with social topics, religious rites and local traditions. The term Vrata refers to ritual vows aimed at spiritual and moral purification. This essay explores its socio-religious implications reflecting medieval Assam.
Go directly to: Footnotes.
Part 3.3 - Discussion on ѲԲpañcamī-vrata
[Full title: Discussion on certain important Vratas dealt with in the vrataviveka-pariccheda of the ҲṅgᲹ II (C): The ѲԲpañcamī-vrata]
Month of the vrata: ś屹ṇa.
Time of the festivity: 5th tithi of the black fortnight.
Name of the vrata | Month | Tithi | 貹ṣa | Result | |||
ѲԲ | Ś屹ṇa | ʲñī | ṛṣṇa | Long life welfare, attainment of progeny etc. |
In Indian mythology snakes play a vital role. To be freed from the awe-inspiring nature of the snakes, people the victims considering their limitations against the snakes, proceed to worship them as deities since past. Later on, the digest writers observing the popularity of the serpent-lore prevalent among the so called lower classes of the people have picked it up and gave it a sastric regulation appropriate to the local School of ٳśٰ
峾ǻ岹 Ѿś for the Kamarupa School of Dharmashastra selected ѲԲ to deal with as the serpent deity of prominence. His regulation to worship the goddess ѲԲ is the dark 貹ñīپٳ of the month of Ś屹ṇa. This tithi is found suggested in the Bengal School of ٳśٰ also. For example, Ჹ Ś said that, 岵貹ñī equivalent to ѲԲpañcamī should be observed on the dark 貹ñīپٳ that comes next to the full moon of Āṣāḍ.[1]
It is worth mentioning here that, according to tradition, the snake is the presiding deity of the 貹ñīپٳ irrespective of bright or dark fortnight. As such, it is due to this reason that ѲԲ or 岵 is found mentioned as being worshipped in the bright fifth also, in other schools of ٳśٰ in India except the two schools, i.e., 峾ū貹 and Bengal in particular.
This may be justified from one passage of ṇaⲹԻ where it was prescribed that 岵貹ñī should be performed on the bright fifth of the month of ś屹ṇa.[2] The ṛtǻ also holds the same view like that of ṇaⲹԻ in respect of tithi and 貹ṣa. Referring to Hemadri, it further added that on this occasion, the performer should draw pictures of snake on the panels of the doors with cow-dung. The serpent deity should be worshipped as per prescribed injunctions by offering curd, holy grass, flowers, fruits and perfumes etc. to receive blessings from him on the fifth bright fortnight of the month of ś屹ṇa.[3]
Bhattoji Dikṣita in his վٳԾṇaⲹ, a digest of the southern school, depicted ś屹ṇa bright 貹ñīپٳ besides śīṣa, as the prescribed period for the worship of serpent deity. In īⲹ-ٴdzٲ also its author although spoke in favour of bright fifth, yet has not discarded dark fifth if it is under the purview of local custom i.e., ǰ峦. In 峾ū貹 School, 峾ǻ岹 Ѿś suggests clear guidelines regarding the specific time for the performance of ѲԲū. Accordingly, Ś屹ṇa kṛṣṇāpañcamī is its proper time, when the Sun rests in Karkata, but that date should come next to the date of the occurrence of ṛṣṇa-貹 i.e., śⲹԲ which happens in the śܰ 岹śī of its preceding month, i.e., Āṣāḍ.
Besides ś屹ṇa, as he suggested, ṣāḍ is also the month for this vrata, provided it falls in the next 貹ṣa of the ṛṣṇa-貹.[4] For every adoration image of the concerning deity is an important factor. In the worship of goddess ѲԲ, her devotees should arrange a symbol appropriate to her magnanimity on an alter in the courtyard of their establishment. This symbol, as prescribed should be made of from a particular tree called �Գܳī� locally known as �siju� in 峾ū貹, where goddess ѲԲ and her family members are prayed to ascend and stay till the completion of the worship.[5]
Haridasa Sarma, quoting from ٱ𱹾ܰṇa, speaks of the significance of the selection of dark fifth tithi for the worship of goddess ѲԲ. His observation is that, as soon as 岹Բ with other gods goes for sleeping, at that juncture of time, on the dark fifth of ś屹ṇa, goddess ѲԲ awakes up as if for the welfare of the people and to accept ū from her devotees.[6] Today, the modern sculptors keeping the traditional symbol i.e., ܲԳī vitapa intact, have introduced a new image of goddess ѲԲ. This new idol carries four swans in its structure which are according to sastric order are the vehicles pertaining to goddess ѲԲ. The relevant ԲԳٰ may be the source of the above new structure.[7]
Footnotes and references:
[2]:
ś屹ṇe pañcamī śūklā saṃproktā nāgapañcamī// ṇaⲹԻ, p.164
[3]:
[4]:
[6]: