365bet娱乐

The drama itself starts with a valourous statement of 颁腻峁嘺办测补 after the prologue when he says,

鈥淭ell me who is that, while I am living, dares to attack Candragupta? Look here, who is that dares to snatch away, with force, from the mouth of the lion, whose jaws have been opened by yawning, the colour of which is red with the blood of the elephant, just tasted by him, which appears like a digit of the moon tinted red by the twilight.鈥�^[1]

The 蝉补帽肠腻谤颈产丑腻惫补 named Garva (pride) is very clearly exhibited herein which leads to the 蝉迟丑腻测颈产丑腻惫补 鲍迟蝉腻丑补 of a winner in the speech of 颁腻峁嘺办测补.

There are some more examples of 痴墨谤补谤补蝉补 in the following鈥�

kaul奴ta艣citravarm膩 malayanarapati岣� si峁僪an膩do 苍峁泂颈峁僪补岣�
  办腻艣尘墨谤补岣� 辫耻峁�k补谤腻办峁�a岣� 办峁�a迟补谤颈辫耻尘补丑颈尘腻 蝉补颈苍诲丑补惫补岣� 蝉颈苍诲丑耻峁�e峁嘺岣�/
megh膩khya岣� pa帽camo'smin p峁泃huturagabala岣� p膩ras墨k膩dhirajo
  n膩m膩nye峁�a峁� likh膩mi dhruvamahamadhun膩 肠颈迟谤补驳耻辫迟补岣� 辫谤补尘腻谤峁ａ弓耻//^[2]

In this verse the sentiment of R膩jan墨tiv墨ra is very clearly delineated. Here, 颁腻峁嘺办测补 is the source of the 痴墨谤补谤补蝉补; opponents like 颁颈迟谤补惫补谤尘腻 etc. are 膧lambanavibh膩va; enmity of these above kings are Udd墨panavibh膩va; writing the names of these opponents to drive them into a false position is the 础苍耻产丑腻惫补 and 颁腻峁嘺办测补鈥檚 saying, that even Citragupta will not be able to save these kings, reflects pride of the same, so, the Sa帽c膩ribh膩va named Garva can be seen. Therefore, the 蝉迟丑腻测颈产丑腻惫补 鲍迟蝉腻丑补 for politics is clear herein.

Again, in the verse鈥�

ye y膩t膩岣� kimapi pradh膩rya h峁沝aye 辫奴谤惫补峁� gat膩 eva
  te ye tis峁環anti bhavantu te'pi gamane 办腻尘补峁� 辫谤补办腻尘辞诲测补尘腻岣�/
ek膩 kevalameva s膩dhanavidhau sen膩艣atebhyo'dhik膩
  nandonm奴lanad峁涐梗峁璦v墨ryamahim膩 buddhistu m膩 g膩nmama//^[3]

The sentiment of R膩jan墨tiv墨ra can be felt effortlessly. Here, the people who left 颁腻峁嘺办测补 are the 膧lambanavibh膩vas; negligence of 颁腻峁嘺办测补 towards them is the Udd墨panavibh膩va and the boasting of 颁腻峁嘺办测补 saying that his intellect which by itself is more than hundred armies for accomplishment of any task is 补苍耻产丑腻惫补; and this very sentence shows Garva as it鈥檚 蝉补帽肠腻谤颈产丑腻惫补, and all these together enrich the 蝉迟丑腻测颈产丑腻惫补 called 鲍迟蝉腻丑补 for political intrigues.

Like these, almost every speech of 颁腻峁嘺办测补 is furnished with the sentiment of R膩jan墨tiv墨ra. Here, 颁腻峁嘺办测补 is always seen trying to tame 搁腻办峁�a蝉补, who is his opponent, with his intellect, as a person catches and tames a wild elephant by some device.^[4]

Perhaps, looking at this only, 厂颈诲诲丑腻谤迟丑补办补, a spy of 颁腻峁嘺办测补 in the sixth act confesses that the diplomacy of 颁腻峁嘺办测补 alone is the destroyer of the party of enemy which may be gained by means of an army.

Cf.

...pratihataparapak峁Ｄ� 膩ryac膩峁嘺kyan墨ti岣� /^[5]

But we must admit this, that apart from R膩jan墨tiv墨ra, the other divisions of 痴墨谤补谤补蝉补 are also present in this drama. In the second act when Vir膩dhagupta, a spy of 搁腻办峁�a蝉补 describes the past happenings in front of 搁腻办峁�a蝉补, the sentiment of 驰耻诲诲丑补惫墨谤补 flashes in front of us in the speech of 搁腻办峁�a蝉补-

Cf.,

ayi mayi sthite ka岣� kusumapuramuparotsyati. 辫谤补惫墨谤补办补 辫谤补惫墨谤补办补, 办峁�i辫谤补尘颈诲腻苍墨尘.
辫谤腻办腻谤补峁� 辫补谤颈迟补岣� 艣补谤腻蝉补苍补诲丑补谤补颈岣� 办峁�i辫谤补峁� 辫补谤颈办谤补尘测补迟腻峁�
dv膩re峁�u dviradai岣� pratidvipagha峁�膩bhedak峁�amai岣� sth墨yat膩m/
迟测补办迟惫腻 尘峁泃测耻产丑补测补峁� prahartumanasa岣� 艣atrorbale durbale
te niry膩ntu 尘补测腻 sahaikamanaso ye峁Ｄ乵abh墨峁ａ弓a峁� 测补艣补岣�//^[6]

Again, in the fourth act when Malayaketu suggests 搁腻办峁�a蝉补 for attacking the enemies, one can easily smell the sentiment of 驰耻诲诲丑补惫墨谤补 while he says鈥�

uttu峁単膩stungak奴la峁� srutamadasalil膩岣� prasyandisalila峁�
  艣测腻尘腻岣� sy膩mopaka峁囜弓hadrumamatimukhar膩岣� kallolamukharam/
蝉谤辞迟补岣� 办丑腻迟腻惫补蝉墨诲补迟迟补峁璦尘耻谤耻诲补艣补苍补颈谤耻迟蝉腻诲颈迟补迟补峁�膩岣�
  艣辞峁嘺峁� sind奴ra艣o峁嚹� mama gajapataya岣� p膩syanti 艣ata艣a岣�//^[7]

Herein the source of 痴墨谤补谤补蝉补 is Malayaketu who conveys his valour to the audience in a symbolic way showing his 辫谤补迟腻辫补. Again he says鈥�

鈥淭he array of my elephants, the note of whose roar is deep, will invest the city emitting, like pouring down a rain of spray mixed with the water of their rut, as a row of clouds that is pouring and whose cry is its deep roar, does encircle the Vindhya mountain鈥�.... and so on.^[8]

Here, Malayaketu being the source of 痴墨谤补谤补蝉补, king of 笔腻峁璦濒颈辫耻迟谤补, i.e., Candragupta is the 膧lambanavibh膩va; the act of murder of Malayaketu鈥檚 father is the Udd墨panavibh膩va; the actions of the large herd of the elephants present in Malayaketu鈥檚 army is the 补苍耻产丑腻惫补; the courage to destroy the enemies is the Sth膩yibh膩va and Malayaketu鈥檚 厂尘峁泃颈 and Garva are the vyabhicaribh膩vas. This verse is one of the finest examples of 驰耻诲诲丑补惫墨谤补 here in this drama.

Moreover, the vow of 搁腻办峁�a蝉补 in the second act, not to wear a single piece of ornament unless he can destroy the enemies surrounding the throne;^[9] and the remembrance of the vow of Malayaketu in the fourth act^[10] increase excitements of 痴墨谤补谤补蝉补 in this drama.

Again, in the sixth act 搁腻办峁�a蝉补 is depicted as the 叠补濒补惫墨谤补 when he stands forward with the sword in his hand to free Candanad膩sa from 颁腻峁嘺办测补鈥檚 bondage and declares鈥�

鈥淭his sword now drives me to an act of daring, overpowered as I am through love of friend-The sword dark blue in appearance, like a water-charged-cloud and the sky, appears to be thrilling with its fondness for fight and with union secured with my hand, and the strength of which is consequence of its high temper has been seen by my enemies tested on the touch stone of battle.鈥�^[11]

On the other hand the character of Candanad膩sa, a friend of 搁腻办峁�a蝉补 is described as 顿腻苍补惫墨谤补. He doesn鈥檛 even care for his life and family while protecting the family of his bosom friend 搁腻办峁�a蝉补. He denies to handover the family of 搁腻办峁�a蝉补 to 颁腻峁嘺办测补 and says鈥�

...santamapi gehe am膩tyar膩k峁�asasya g峁沨ajana峁� na samarpay膩mi, ki峁� punarasantam^[12]

Hearing this answer 颁腻峁嘺办测补 himself compares Candanad膩sa to the great king 艢颈产颈 and appreciates him.

Cf.

sulabhe峁�varthal膩bhe峁�u parasa峁僾edane 箩补苍补岣�/
ka ida峁� 诲耻峁�k补谤补峁� kury膩did膩n墨峁� 艣ibin膩 惫颈苍腻//^[13]

搁腻办峁�a蝉补 too is portrayed as a 顿腻苍补惫墨谤补, because in the last act he also came to save Candanad膩sa to the execution ground without caring for even his own life and principle.

颁腻峁嘺办测补 was very much acquainted with this truth. Cf.

tyajatyan priyavat辫谤腻峁嚹乶 yath膩 tasy膩yam膩padi/
迟补迟丑补颈惫腻蝉测腻辫补诲颈 辫谤腻峁嚹� 苍奴苍补峁� tasy膩pi na 辫谤颈测腻岣�//^[14]

In the seventh act 搁腻办峁�a蝉补 is portrayed as 碍峁�a尘腻惫墨谤补 also, as he suggests Candragupta to free Malayaketu from bondage and saves his life even though once Malayaketu showed disrespect towards 搁腻办峁�a蝉补.^[15]

Thus it is seen that most of the divisions of 痴墨谤补谤补蝉补 is finely delineated by 痴颈艣腻办丑补诲补迟迟补, the descriptions of which keeps on lingering in the minds of the reader from the starting till the end. But, though 痴墨谤补谤补蝉补 is the principal sentiment of the drama, yet, there are some other sentiments also helping the principal one for smooth running of the story. Let us examine them one by one.

Footnotes and references:

[back to top]

[1]:

惭耻诲谤腻谤腻办峁�a蝉补, I.8

[2]:

Ibid., I.20

[3]:

Ibid., I.26

[4]:

svacchandamekacaramujjvalad膩na艣akti-mutsekin膩 madabalena big膩ham膩na峁�/ buddhy膩 nig峁沨ya, v峁涐梗alasya k峁泃e kriy膩y膩-m膩raya峁噛aka峁� gajamiva pragu峁噄karomi // Ibid, I. 27

[5]:

Ibid., VI. 1

[6]:

Ibid., II. 13

[7]:

Ibid., IV. 16

[8]:

Ibid., IV. 17

[9]:

惭耻诲谤腻谤腻办峁�a蝉补, II.10

[10]:

Ibid., IV. 5,6

[11]:

nistri峁兣沷鈥檡a峁� sajalajaladavyomasank膩艣am奴rti鈥搑yuddha艣raddh膩pulakita iva pr膩ptasakhya岣� kare峁嘺 / satvotkar峁Ｄ乼 samaranika峁�e d峁涐梗峁璦s膩ra岣� parairme mitrasneh膩dviva艣amadhun膩 s膩hase m膩峁� niyu峁卥te // Ibid., VI. 19

[12]:

Ibid., p. 88

[13]:

Ibid., I. 23

[14]:

Ibid., I.24

[15]:

Ibid., p. 477