Matangalila and Hastyayurveda (study)
by Chandrima Das | 2021 | 98,676 words
This page relates ‘Elephants in Epigraphic Records (Introduction)� of the study on the Matangalina and Hastyayurveda in the light of available epigraphic data on elephants in ancient India. Both the Matanga-Lila (by Nilakantha) and and the Hasti-Ayurveda (by Palakapya) represent technical Sanskrit works deal with the treatment of elephants. This thesis deals with their natural abode, capturing techniques, myths and metaphors, and other text related to elephants reflected from a historical and chronological cultural framework.
Go directly to: Footnotes.
Elephants in Epigraphic Records (Introduction)
This chapter deals mainly with epigraphic sources, other category of sources have only been used for a comparative study and for finding parallels to develop a better understanding. Elephants find mention in epigraphic data in three different contexts. Firstly as a part of myths and narratives, secondly the actual reference to elephants wherein their varied usages or functionalities are described and finally as metaphors and other miscellaneous usages. As far as data from epigraphic sources are concerned these are more reliable and provide us with a chronological contextuality. As the reference to elephants is concerned we find a geographical bias in the inscriptions, those from the regions surrounding Mysore, Central India, Odisha and Bengal are replete with reference to elephants in varied contexts.
The previous researches on elephants in the early Indian context have not explored the epigraphic data systematically. Here we have attempted a homogenous random sampling of epigraphic data. This data has been arranged both in chronological order and again in contextual mode and used for further analysis. The treatises on elephants i.e. the literary source available is unique but these are mostly instructive in nature.
The earliest inscriptions from the Indian subcontinent are from the Harappan civilization (c. 2500-1500 BCE). But these are yet to be deciphered. Elephants however form a part of the context of some Harappan seals thus the Harappans were aware or familiar with elephants. The most familiar among them is a steatite seal that was discovered from Mohenjodaro, depicting a three headed seated human figure in yogic posture wearing a horned headdress surrounded by four wild animals along with elephant, tiger, water buffalo and rhinoceros.
[1. Proto-Ś image on Harappan seal. ]
In the conclusive stage of the Harappan civilization some bronze animal figurines have been unearthed from Daimabad (Maharashtra) among them beautifully carved elephant with full muscular bodily strength has been found. Though elephats form a part of the theme yet it is quite difficult to conclude whether the animal was domesticated or was considered as a wild beast. Heinrich Zimmer mentions about a Harappan seal where an elephant is shown standing before a feed-trough. This has led the scholar to assume the domesticated position of the animal and its use in the human household[1].
Elephants formed as an essential element of warfare in India and gradually we find its demand outside the subcontinent as well. The Susa inscription[2] of Darius I of Persia (c. 522486 BCE) reveals that he was a great builder and the palace he built at Susa which bears this inscrciption mentions various objects brought by Darius’s subjects from different parts of the world for decorating the same.
It states:
“T ivory was wrought here, was brought from Ethiopia and from Sind and from Arachosia�[3].
Sind probably was famous for ivory at that time. But since there is no geographical evidence of that region providing a habitat for elephants� ivory for Sind market would have been procured from the neighboring regions of the Indian subcontinent. What may be deduced with certainty is that India was exporting ivory as early as the 6th Century BCE.[4] In this context corroborative data is available from numismatic sources. Coins of the Mecedonion king Alexander the Great (c. 326-323 BCE) bear the elephant motif. The obverse device of a silver decadrachm of Alexander shows a cavalryman identified as a Mecedonian by his Phrygian-style helmet and characteristic long lance, charging at an elephant with two wariors mouted on its back. The reverse shows another Mecedonian horseman, standing and being crowned by a winged Victory but still wearing his distinctive helmet. The coin is obviously a reference to the Mecedonian victory at the Hydaspes and it is just as clear that the Mecedonian figure is intended to be Alexander himself. And the standing figure mounted on the elephant and brandishing a spear on the obverse has been identified as Porus. Even the coins of the Bactrian king Demetrius I (c. 200-185 BCE) depict the king wearing an elephant scalp on the obverse. This is symbolic and bears a reference to his victory over Indian territories. Thus in the 2nd century BCE elephant almost represented India at least symbolically which reflect the importantce of this animal to the western world and its demand as well.
However in the Indian context after the Harappan records the earliest epigraphic data in the sub continent are the śǰ첹n inscriptions which have been found from Afghanistan in the north-west to Karnataka and Andhra Pradesh in the southern part of the subcontinent. As far as the records of śǰ첹 are concerned Major Rock Edict IV refers to celestial elephants[5] which shows the fantasy associated with the animal even in the 3rd century BCE. In the previous chapter we have already shown that ṭiⲹ’s ٳśٰ refers to the officials named Ჹٲⲹṣa the officer incharge of elephants whose primary duty was to give protection and look after the preservation of elephants. Killing of elephant was a punishable offence and the guilty was given capital punishment.[6]
This data is partially corroborated in the Pillar Edict V of śǰ첹 issued in his twenty seventh regnal year post coronation, wherein he ordered his subjects that on three seasonal full moon days and at the full moon day of the month of վṣy (ʲṣa), for three days, namely, the fourteenth and fifteenth days (of the particular fortnight) and the (next) first day (of the second fortnight) as constantly on every (upasatha or) fast day, along with other animals the elephants of elephant-forest are also not to be killed and this act is punishable�
�岵-vansi-kevaṭabhogasi yāni aṃnāni pi jīvanikayāni no haṃtaviyāni�[7].
The term 岵vana refers to an elephant preserve. This term is also found both in Pali and in Sanskrit languages. It occurs repeatedly in the Pali Culahatthipadopamasutta of the Majjhima ⲹ[8] and in Bāṇabhaṭṭa’s Ჹṣaٲ (Sanskrit).[9] This reference to 岵vana shows that taming of elephants in the Mauryan empire to some extent was a royal prerogative and the sale of elephants a royal monopoly. These 岵vanas were reserved forests exclusively for elephants and used for the upkeep, taming and breading of elephants. ṭiⲹ mentions an official named �dz� [dza] recruited for this purpose who was an expert elephant rider. This official is also metioned in Minor Rock
Edict II of śǰ첹 referring to a royal official post concerning elephants that is the �ٳdzԾ� or “the elephant riders� (l.19)[10] to whom his order should pass along with the scribe and the charioteer. So, it is clear that in the Mauryan period elephants not only played an important role in the army and were an integral part of the trasporation process but also the officials incharge of elephants i.e. elephant rider class were an integral part of the communication channel through which the imperial orders were communicated and implemented. Besides the written records bearing refernces to elephants it is worth mentioning here that at the Major Rock Edict site of Kalsi there is a sketch of a royal elephant with the inscription �Gajatame� and at ṅg the Major and Separate Rokc Edict site of Dhauli.
[2. Elephant motif on rock at Kalsi with inscription �Gajatame’]
The inscription is engraved on a flat surface of rock which has a sculpted firocks/rocks bear the figure of the fore part of an elephant in profile bearing the single word inscription �seto� i.e. “T White Elephant�. Depiction of elephant may indicate the Buddhist affilication of śǰ첹 however this may not be the case as these elephants are not engraved or sculpted in the Minor Rock Edict Sites which were Buddhist in context hence they may indicate the presence of a royal record and elephant being a royal indicator here.[11]
[3.Rock-cut elephant at Dhauli Courtesy: Basu Majumdar]
At other sites we do not get the scketch or sculpture of elephant but the association of the edicts with elephants is pronounced at few sites. For example at Erragudi another Minor and Major Rock Edict site the śǰ첹n records are incised on six large boulders. The hill containing the boulders is locally known as �۱ṇḍ� (i.e. “elephant hillock�) or �Բṇḍ� (i.e. �black elephant hillock�). It is difficult to determine whether this name was due to the existence of the figure of an elephant in the vicinity of the inscription as in the case of the Rock Edicts of śǰ첹 on the hills of Dhauli, Girnar and Kalsi. No representation of an elephant could be traced on the hill near Erragudi[12].
Among popularly used terms are gaja, hasti, kari (he-elephant), 첹ṇi (she-elephant), 岵, pilu (usually used in North India) along with Ա, 辱ḍi and 屹ī貹 (in South India). Terms like gajapati, Ჹ-ī or Ჹ-Ծ, ٲⲹṣa (North India), Աya-ṭa, gaja ṭa, 屹ī貹 ghaṭe (elephant squad), Աya-ṇi, Ჹ-ṇa-ḍe, 첹īś (officer or chief of elephant squad), ٲdz (elephant rider), hastipaka or hastivaka (keeper of elephant), kari-turgga ṇi (senior trainer of elephants and horses) (used in South India) and ܳ (elephant driver), hastidanta (ivory), hastibandha or 岹ṇḍ (tax on elephants) were also indicate the position of this bulky animal in the practical field of human day to day life.
[Table 1: Selective terms and their purposes used for elephants in epigraphs]
Terms (selective) | Purposes | Comments |
Gaja, hasti, kari, 岵, pilu, 첹ṇi | Point out to he-elephants and she-elephants | Variously used in North Indian inscriptions |
ĀԱ, 辱ḍi, 屹ī貹 | Point out to he-elephants and she-elephants | Variously used in South Indian inscriptions |
Hastipaka or hastivaka | Keeper of elephant | |
Hathiya ārohāni, ܳ | Elephant driver | |
Kari-turgga ṇi | Senior trainer of elephants and horses | Used in South India |
Hathiya ārohāni, ٲdz | Elephant rider | |
Gajapati, Ჹ-ī or ᲹԾ, ٲⲹṣa | Officer or chief of elephant squad | Used in North India |
ĀԱya-ṇi, Ჹ-ṇaḍe, 첹īś | Officer or chief of elephant squad | Used in South India |
ĀԱya-ṭa, gaja ṭa, 屹ī貹 ghaṭe | Elephant squad | |
Hastibandha or 岹ṇḍ | Tax on elephants | |
Hastidanta | Ivory | |
Gaja ṣāṇ, Աya-kere, Աya-suṇḍil etc. | Places, named after this animal | Grants mentioned many places of boundary of the land |
We have attempted a homogeneous random sampling of the epigraphic data using all the records published in Epigraphia Indica. These are homogenous in nature with no regional or geographical bias and neither are they time specific hence random in character. All the references to elephants and products and by products related to elephants have been considered as raw data. This data has been analysed using thorough sampling. From the collected samples we have eliminated the reference to elephant headed deity Ҳṇeś since it is a separate context and this data would not allow a homogenous meta-data analysis. In the religious aspect category references to Ҳṇeś or Ҳṇa貹پ have not been taken into consideration. Even the Բ have not been included in religious aspects. We have attempted both quantitative and qualitative methods to use the data for further analysis and interpretation. This data has been turned into meta-data as and where necessary. A total of 359 epigraphic records mention elephants and matters related to elephants. We have divided and classified this data thematically and what emerges from this thorough data analysis has been discussed below.
[Table 2: Analytical Chart from Epigraphic Sources: Themitical Analysis]
Sl.No. | Themes | Number of Records |
1 | Myths | 10 |
2 | Metaphors | 57 |
3 | Rutting elephants/ matta gaja/ mast elephant | 41 |
4 | Importance of rutting juice | 2 |
5 | Spirited rutting elephants along with their mates | 1 |
6 | King receiving blows of rutting elephants as a matter of praise | 3 |
7 | Capturing of elephants/ Capturing of opponent’s elephants/ King’s valour over enemy’s elephants/ Defeat of the troops of elephants of the enemy | 38 |
8 | Elephant power in battle/elephant squad/ war elephants/ role of elephants in warfare/ ٳܰṅg, 貹Գṅg | 75 |
9 | Religious aspect | 13 |
10 | Բ of Indra | 7 |
11 | Elephant as gift | 5 |
12 | 1000 elephants as gift | 3 |
13 | 1000s of female elephants as king’s possession | 1 |
14 | 1000s of rutting elephants in king’s possession | 1 |
15 | Elephants as war tribute | 2 |
16 | Epithets | 40 |
17 | Inspector of elephants | 2 |
18 | Elephant driver | 2 |
19 | King as a proficient elephant rider/ chief expert in elephant riding/ | 7 |
20 | Elephant keepers | 3 |
21 | Officer in charge of elephants | 5 |
22 | Chief of elephant troops | 3 |
23 | Enemy elephant troop | 7 |
24 | Master of elephants pilupati | 2 |
25 | Elephant preserve/ reserve forest | 1 |
26 | Elephants and their association with directions | 12 |
27 | Elephant hunting | 1 |
28 | Elephant boulders | 2 |
29 | Elephant mountain a pilgrimage place | 1 |
30 | Trampling of elephant (frontal lobe) by lion (king) | 10 |
31 | King’s valour | 4 |
32 | ṣe첹-ṣmī/ Gaja-ṣmī | 24 + 4 |
33 | Chronogram | 3 |
34 | Elephant emblem on seals | 20 |
35 | Insignia/ Elephant motif on royal flag | 1 |
36 | Elephant goad emblem | 18 |
37 | Elephant as ñԲ | 3+2 |
38 | Royal elephant and donation of land | 1 |
39 | Use of elephant in measurement of land/ boundary marking | 7 |
40 | Availability of best elephants and geographical information | 1 |
41 | Frontal lobe anointment with lead paste | 2 |
42 | Elephant contest 첹ṃkܱ | 1 |
43 | Four tusked elephants/ Four tusked war elephants | 4 |
44 | Water-elephants/ tusk of water elephants | 2 |
45 | Elephants as cargo in sea voyage | 1 |
46 | Elephant and horse stable | 1 |
47 | Elephant hide | 1 |
48 | Good breed of elephants or well bread elephants varavarana | 2 |
49 | Capture of elephants | |
50 | Elephant physician/ Expert in elephant science and medicine | 2 |
51 | Corporation of elephant riders | 1 |
52 | Ivory | 1 |
53 | Elephants in royal procession | 1 |
54 | Entrapping of elephant | 1 |
The thorough analysis of the records the data for which has been culled using a homogenous sampling method reflects that the most popular theme in the records are elephant power in battle, capturing opponent’s elephants, rutting elephants form another popular theme as far as epigraphic records are concerned and apart from them another often mentioned topic is myths and metaphors centring elephants. The pie-chart given below shows the quantitative analysis of these themes from inscriptions.
Myths and metaphors form a common theme of epigraphic records. We have taken into consideration all the myths and metaphors related to elephants and created a comparative chart showing myths and metaphors in epigraphic sources. This analysis reflects that compared to myths related to elephants the use of metaphors was a more common practice in early India. For using metaphors in epigraphic sources it is imperative for the masses or the specific intended audience/ reader of the record to know the code and decode it as per the usage of the metaphors. This directly reflects that elephants formed a very common subject of metaphors at least as far as royal records are concerned. Most of the records which use such metaphors are eulogies or some or the other form of royal records and the abundance of usage of such metaphorical knowledge indicate that the animal was quite important to the royalty.
Epigraphic source is replete with reference to �mada� or �matta� i.e. mast or rutting elephants. There are 41 such references that we have come across in the process of homogenous random sampling. It is interesting to note that the reference to elephants of good breed is in sharp contrast only two. Two inscriptions also mention the importance of the rutting juice. One of the records also mentions spirited rutting elephants along with their mates which is quite interesting. How such rutting elephants were beyond control is a well-known fact and the more the number of rutting elephants in the army the more the chances of winning the battle. As such elephants would cause more destruction. One of the records[13] also mentions 1000s of rutting elephants, though the number 1000 may be an exaggeration or a hyperbole yet it indicates a large number of such elephants in possession of the king. Similarly there is another such reference to 1000s of female elephants while describing a king’s possessions.[14] These female elephants were used for alluring the male elephants and this was also a process of catching of elephants. There are ten references to trampling of elephant (frontal lobe) by lion (king) which is an alternative way of expressing the presence of rutting elephants and king’s victory depended on the destruction of such madahastis. Epigraphic records also mention how the king had received blows of rutting elephants in the battle we have three such examples. The above expression is praise for the king and his valour. The mention of rutting elephants may be compared to the mention of capturing of elephants, especially capturing of opponent’s elephants or the reference to king’s valour over enemy’s elephants and his defeat of the troops of elephants of the enemy such references add up to 38. Whereas when it comes to army or elephant power in battle or a proper elephant squad, war elephants or role of elephants in warfare especially as a part of the ٳܰṅg or 貹ñṅg these count to 75, which is remarkable.
Chart showing the rutting elephants and associated comparative data:
We also have an interesting reference to corporation ṇa of 峾ٰ in the Nagardhan Plates of Svāmirāja.[15] The term 峾ٰ has been taken in the sense of a ܳ or elephant rider by Mirashi who has edited the record. Since this is a c. 7th century CE record and this term was not in much use in the sense of a royal officer as in the time of the Mauryas this has been considered as a ܳ. The president of this ṇa is designated as sthavira. There were twelve pramukhas in the executive committee. The assembly of the corporation was known as samuha. It is worth mentioning here that one of the elders of the committee was called pilupati i.e. the chief of elephant force and another is mentioned as a hasti-vaidya or an elephant physician. It seems that the corporation had no authority to make any grant, as they requested the ruling prince to make one on their behalf, but what is interesting is that the corporation was allowed to affix its own seal which contained their own goad emblem on it. The emblem consisting of goad which is used for catching and training elephants is noteworthy which also shows the strength of the corporation. It definitely wielded considerable power in the state. However it should be mentioned here that there is another such reference to corporation of 峾ٰ.
The records also reflect that chiefs and feudatories could demand for a supply of fodder for the animals of their retinue or animals which were accompanying them during their travel. Rutting elephants formed a very popular subject as far as inscriptions are concerned. Three inscriptions specifically mention the importance of rutting juice or the fluid secretion from the elephant’s frontal globe. We have discussed this in detail in our third chapter which focuses on the catching of elephants mainly on the basis of literary texts. Possession of rutting elephants is often highlighted and so is the campaign for capture of rutting elephants of the enemy. One inscription goes to the extent of stating the number of rutting elephants in possession of the ruler as 1000. Though this is an exaggeration yet the number would have been considerably high.
In this context it is worth mentioning that king ԻᲹ is said to have many marks of the stroke of the tusks of rutting elephants in war on his broad shoulders
�tasya prabhinn-첹ṭa-cyuta-Բ-danti-danta--rucir-ollikhit-ṃs-īṻ��,—v. 4
This is also an indirect reference to capture of rutting elephants of the opponent.
Kings are often eulogised as a lion to the elephants of his enemies�
This is a reference to a metaphor or a myth that if the rutting juice of the elephant falls on the ground that ruler will be victorious. Hence killing all the rutting elepahnts of the enemy of capturing them and bringing them to ones� own territory was considered lucrative. Elephants were associated with directions i.e. eight.
One of the records gives very interesting information, it states that �岹-ṭṭ� which was a black bee like ornament was tied to the frontal globe of elephants. This was probably done to make the elephants more hostile to enemies they were probably irritated by tying such toys created to give them the feel of honey bees, who have come to have the sweet flowing fluid.
In this case it is worth mentioning that one of the Kalacuri inscriptions, the Koni Stone Inscription of Pṛthvideva II, year 900 mentions sorrow as the flapping of elephant’s ear�
�Գṣy� karikarṇatālacapala� niḥsakhya (ṃkⲹ)ḥk貹岹�� (v. 29).[17]
Hence elephants got irritated by the bees and flies which were attracted or rather misled by the sweet flowing fluid as nectar.
Epigraphic records mention that lord of Kuntala bestowed crores of fine divinely elephants and horses to his son-in-law (�ūٲԲ-bhadr-ebh-ś-ṭi�).[18] The expression ūٲԲbhadra here is quite interesting as this would indicate that these were fresh captures of bhadra type of elephants. Such elephants were handsome, not over-stout and a good caravaneer and mainly indicates male elephants. This reflects that such terms like bhadra which were specific to the texts were also commonly used and masses knew these terminologies at least a few of them and could relate to them. Bhadra here probably is mentioned in the sense of a domesticated or trained elephant and has nothing to do with bhadra type of elephant which is an age indicator and a technical term from a ܳ� s or elephant doctor and catcher’s vocabulary.
Being able to ride an elephant or swiftly or easily climb on to it was considered as a quality of a king and his family members. In this context it may be mentioned that such references are found from eulogistic records. One of the records mentions this as a quality of a female. Jayakeśin’s senior queen Maiḷalamahādevī is praised in his record as a lady who was a good rider of elephants �Gandh-ebha-yԱ�.
Inscriptions especially in the forested zones bear multiple references to metaphors and comparison of rulers and their skills with elephants and rulers are portrayed as expert in elephant sport. In this context we may cite here the Arthuna Inscription of the ʲ 峾ṇḍᲹ: Vikrama Samvat 1136, i.e. 11th century CE Vairiṃh is said to destroy the elephants (�ܰ-vairi-ṇa�) of his foes like a lion.[19] He became the master of the earth by having the periphery of the frontal globes of the brilliant elephants of the four regions of the space.
Another member of this family Kakkadeva is described to have long and solid arms just like elephant’s trunk�
�첹-첹-ǻܰ-()-岹ṇḍ�� (v. 17).
He fought his last battle seating on the back of an elephant rider �ārūḍho gaja-ṛṣṻ�. Another king of this lineage ѲṇḍԲ𱹲, activity of Բ is considered as rutting juice (�-ܲ�) of elephants, his arms were like elephant-trunk (�첹-ǻܰ��), his race was described as bhadra, i.e. brilliant or a high-bred elephant and he was resplendent as the Elephant of the Gods �sura dvipa� (屹ٲ) (v. 27).
His weighty sword is considered to the tethering-post of the elephant of victory�
�Դ-vijaya-dvipasya� (v. 45).
The king 峾ṇḍᲹ is said to destoyed his foes like falling out of pearls from the string of the frontal globe of elephants–�ī ṇa�. He was also skilled in destroying the elephants of his enemies–�ⲹⲹ=پ-ṃb-sthala-dalana-貹ṭu��.
Footnotes and references:
[1]:
Heinrich Zimmer. Myths and Symbols in Indian Art and Civilization, Princeton: Princeton University Press, 1974, p. 95.
[2]:
R.Ghirshmann. Iran: From the Earliest Times to the Islamic Conquest, Penguin Books, 1954, p.165.
[3]:
V.P. Dwivedi. Indian Ivories (a survey of Indian Ivory and bone carvings from the earliest to the modern times), Delhi: Agam Prakashan, 1976, p. 16.
[4]:
Ibid.
[7]:
Ibid. p.101.
[8]:
Trenckner, ed. Majjhima ⲹ, p.178. �Seyyathā pi ṇa 岵vaniko 岵vanau paviseyya, so asseya 岵vane Գٲ� hatthipada� Dīghato ca ⲹٲ� tiriyañ ca vittha�,� etc., i.e. “Just as when, O Brāhmaṇa, the keeper of an elephant preserve, enters the elephant-preserve, he may see in the elephant-preserve large foot marks of elephants both long in length and broad in breadth, etc.�
[9]:
EI, Vol. II, p. 266.
[10]:
EI, Vol. XXXII, p.8.
[11]:
D.C. Sircar. Inscriptions of śǰ첹, Delhi: Publication Division, First Published 1957, Revised Edition 1967, p.19.
[12]:
EI, Vol. XXXII, p.1.
[13]:
EI, Vol. XIV, Haraha Inscription of the reign of Iśānavarman [Vikrama Samvat] 611, pp. 110-120.
[14]:
Ibid., Vol.VII, Sirūr Inscription of the Time of Amoghavarsh I, A.D. 866, pp. 202-208.
[15]:
EI, Vol. XXVIII, pp. 6-11.
[16]:
EI., Vol. XXVIII, Daikoni Plates of Prithvideva II: Year 890, �Aṣṭādaś=āri-kari-ṃb-ṅg-ṃh� ٰܳ�..� l. 7, p. 153.
[17]:
CII, Vol. IV, pt. II, p. 469.
[18]:
EI, Vol. XIII, Record of thetime of Vikramaditya VI and the Kadamba Jayakesin II: AD 1125, pp. 298-316.
[19]:
Ibid., Vol. XIV, pp. 295-310.