Jivanandana of Anandaraya Makhin (Study)
by G. D. Jayalakshmi | 2019 | 58,344 words
This page relates ‘Advaitic Allegory: Nandi and Prastavana� of the study on the Jivanandana (in English) which is a dramatic play written by Anadaraya Makhin in the 18th century. The Jivanandana praises the excellence of Advaita Vedanta, Ayurveda (medical science) and Dramatic literature as the triple agency for obtaining everlasting bliss.
An Advaitic Allegory: Իī and ʰ屹
Իī
Ānandarāya Makhin in this allegorical play opens this Advaitic aspect of the drama in the second Իī verse.
The complete and normal health throughout the life of every human being is the first and foremost requirement not only for mundane day to day life, but also, for spiritual practice. Begetting a human body, and a healthy one itself is due to the meritorious deeds of yester births of the soul.
Therefore, protecting the physical health is the first and foremost concern of the human being; through a prayer to lord Ś the author establishes these ideas successfully thus (I.2):
岵ᲹԳīⲹٲ貹� � tanubhṛtā prāpyeta mānuṣyaka� tacca prāptavatā kimanyaducita� prāptu� ٰ� |
ٲٱٱ辱 Բ� prathamato deho rujāvarjitastenārogyamabhīpsita� diśatu vo devo paśūnā� 貹پ� ||
ʰ屹
Following the second Իī, in the ʰ屹 portion, during the course of conversation, a few basic requisites of understanding Advaita philosophy are given when the stage-manager extols the qualities of the learned audience who were to witness the play with such a unique theme.
The stage-manager declares that association with great people eradicates completely the ignorance from the mind and knowledge of ordinary men. As a result the mind gains multi-faceted intelligence by which happiness is automatically obtained by ordinary people.
By this mental strength people gain courage to withstand any untoward situation like the severe attacks in the form for various powerful diseases (I.14):
ḍy� bhinatti janayatyadhika� paṭutva� sārvajṣamāvahati saṃmadamātanoti |
屹ṣiᲹⲹ ṛt� vidhatte ki� ki� karoti na mahadbhajana� janasya ||
The body gets cleared of the diseases and becomes healthy. As the body becomes healthy, the mind is free to involve deeply towards the goal of total liberation for the soul which is mentioned here as happiness—�Bliss�.
To bring out successfully the Advaitic philosophy dealing with eternal Bliss/liberation, Ānandarāya Makhin aptly chooses the various concepts of Advaita as characters:�
(1) The kingdom is the human body; the hero, the king is ī (īٳ); his consort is queen-Buddhi (intellect of man); her attendant is ٳṇ� (one of the eight ṅg of yoga);
(2) The two ministers are վñԲ Ś (scientific knowledge)and ñԲ Ś (the Eternal knowledge);
(3) վūṣa첹 the hero’s friend is personification of ignorance;
(4) ʰṇa (Vital Air) is the door keeper of the hero’s palace, i.e. heart; (5) վ the analytical mind is the city (body) police man;
(6) Śbhakti–devotion to the Lord�(psychological oriented dedicated feeling of divine affection) is the helper to ī to rise himself up from ṃs towards ǰṣa;
(7) Ś (faith) and Śmṛti (remembrance) are her (Śbhakti’s) companions assisting her in the efforts in uplifting the ī;
(8) and Karma (Time and Action), important Advaitc concepts are witnesses;
(9) Finally ʲś and ʲśī, the Divine Couple who are the bestowers of Eternal Bliss.