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Rules of the 狈腻峁瓂补艣腻蝉迟谤补鈥�

1) According to the 狈腻峁瓂补艣腻蝉迟谤补 (XX.78-80), in the 莫丑腻尘峁沢补, the hero should be immortal or divine and a war should occur because of the divine (divya) woman. The plot should be well composed and there should be distrust.

2) There should be haughty male characters and the plot should consist of the anger of a woman. There should also be the agitation, flight and encounter.

3) The 莫丑腻尘峁沢补 should be constructed properly with the kidnapping, betraying and harassing of the woman and overall sentiment should be erotic (艣峁涐箙驳腻谤补).

4) The plot should consist of the hero, style and the sentiments as in the 痴测腻测辞驳补. The only difference is that there will be a divine female character in the 莫丑腻尘峁沢补.

5) In the case of the danger for the hero, the battle should be avoided by using any trick.

6) The 痴测腻测辞驳补 and the 莫丑腻尘峁沢补 should be constructed with three Junctures. There should not be the development and the pause Junctures. The 莫丑腻尘峁沢补 and the 痴测腻测辞驳补 should not use the gay style (办补颈艣颈办墨惫峁泃迟颈).

Rules of the Da艣ar奴paka鈥�

1) According to the Da艣ar奴paka (III.72b-75), the plot of the 莫丑腻尘峁沢补 should be a mixed one and there should be four acts and three Junctures.

2) The hero and the villain may be either human or divine beings; without any restriction. They should be well known, brave and haughty. At the end, the villain commits improper acts by mistake, 鈥�antyo (辫谤补迟颈苍腻测补办补) 惫颈辫补谤测腻蝉腻诲补测耻办迟补办峁泃.鈥�

3) There should be the reflection of the erotic (艣峁涐箙驳腻谤补) sentiment; and the villains should try to get the divine woman against her will, either by kidnapping or by some other way.

4) The plot should avoid battle; however, it can betray hostility. The death of the renowned person, though occurring, should not be shown on the stage.

Difference between the 狈腻峁瓂补艣腻蝉迟谤补 and those of the Da艣ar奴paka _鈥�

1) Bharata does not describe the nature of the plot. However, 顿丑补苍补帽箩补测补 states that the plot of the 莫丑腻尘峁沢补 should be a mixed one.

2) Bharata does not mention the number of acts in the 莫丑腻尘峁沢补, whereas 顿丑补苍补帽箩补测补 states that it should have four acts.

3) Bharata does not describe the nature of the villain of the story; whereas 顿丑补苍补帽箩补测补 states that the villain should be well known, vehement and he may be divine or human being.

4) Bharata does not mention that the 莫丑腻尘峁沢补 should contain the instance of love of the villain who kidnaps the divine woman against her will; whereas, 顿丑补苍补帽箩补测补 states that one should present the resemblance of love on the part of the hero or villain who tries to obtain a divine woman against her will, by kidnapping her or by any such means. Bharata states that Ih膩m峁沢a contains the sentiments, style and hero as in 痴测腻测辞驳补, whereas 顿丑补苍补帽箩补测补 is silent about it.

The application of the rule in the Drama

1) According to the rules of the 狈腻峁瓂补艣腻蝉迟谤补, the hero and heroine should be divine beings. In the 搁耻办尘颈峁嚹玥ara峁嘺, of 痴补迟蝉补谤腻箩补, the hero is 碍峁涐梗峁嘺 and the heroine is 搁耻办尘颈峁嚹玜nd both are divine beings. Again, the rule stipulates that the plot should be well composed and well arranged and also there should be scenes of fight and distrusts because of the divine woman. The 搁耻办尘颈峁嚹玥ara峁嘺, is well composed and well arranged by 痴补迟蝉补谤腻箩补. There are also scenes of fight between 艢颈艣耻辫腻濒补 and 碍峁涐梗峁嘺, for the divine woman 搁耻办尘颈峁嚹� and the plot contains distrust.

2) Further, the 莫丑腻尘峁沢补 should consist of haughty persons, anger of women, agitation, war, encounter and similar characteristics. The 搁耻办尘颈峁嚹玥ara峁嘺, consist of haughty persons, such as 艢颈艣耻辫腻濒补, Rukmi, 叠补濒补谤腻尘补. 搁耻办尘颈峁嚹� was worried for the behavior of 艢颈艣耻辫腻濒补 and she did not agree to marry him, although she did not express her anger anywhere in the drama. However, she was terrified by the story of 艢颈艣耻辫腻濒补鈥檚 birth. She was also agitated, when she came to know that she was supposed to marry 艢颈艣耻辫腻濒补, against her will. 艢颈艣耻辫腻濒补 was forcing 搁耻办尘颈峁嚹�, to marry him; but she wanted to marry 碍峁涐梗峁嘺and the dispute led to the war. The 搁耻办尘颈峁嚹玥ara峁嘺 has also employed 蝉补峁僰峁�o产丑补, vidrava and 蝉补峁僷丑别峁璦, which are the causes of the anger, war, encounter and typhoon like incidents. The drama also contains scenes of 叠补濒补谤腻尘补鈥檚 anger, encounter and war with 艢颈艣耻辫腻濒补 and Rukm墨and the agitation of 艢颈艣耻辫腻濒补, 搁耻办尘颈峁嚹玜nd 碍峁涐梗峁嘺.

3) According to the rules of the 狈腻峁瓂补艣腻蝉迟谤补, the 莫丑腻尘峁沢补 should contain kidnapping, betraying and harassing of women and the overall sentiment shall be erotic (艣峁涐箙驳腻谤补) sentiment. Further, the drama should be well composed and the plot should be properly arranged. The 搁耻办尘颈峁嚹玥ara峁嘺, is well composedand the plot is properly arranged and it consists of more than twenty characters. The story of the 搁耻办尘颈峁嚹玥ara峁嘺, is very short and the language is very simple. As per the rules, the heroine 搁耻办尘颈峁嚹� is kidnapped by 碍峁涐梗峁嘺. However, the 搁耻办尘颈峁嚹玥ara峁嘺 does not have erotic (艣峁涐箙驳腻谤补) as main sentiment. 痴补迟蝉补谤腻箩补 has employed heroic (惫墨谤补) sentiment, as the main sentiment and it looks like the overall sentiment in the 搁耻办尘颈峁嚹玥ara峁嘺 is heroic. Perhaps, 痴补迟蝉补谤腻箩补 has accepted the rule of 顿丑补苍补帽箩补测补, that in the 莫丑腻尘峁沢补, there should be the reflection of erotic (艣峁涐箙驳腻谤补) sentiment but it should not employ erotic (艣峁涐箙驳腻谤补) as the main sentiment. The 搁耻办尘颈峁嚹玥ara峁嘺 also consists of scenes like war, fights, anger, which are the characteristics of heroic (惫墨谤补) sentiment.

4) Bharata, further, states that the 莫丑腻尘峁沢补 is similar to 痴测腻测辞驳补, in the case of hero, sentiment and style, but, it differs from the 痴测腻测辞驳补 in that it has divine woman as heroine. Both hero and villain (碍峁涐梗峁嘺 and 艢颈艣耻辫腻濒补 respectively) and the plot are well known because they are taken from the epic, 鈥�惭补丑腻产丑腻谤补迟补鈥�. The 搁耻办尘颈峁嚹玥ara峁嘺 has used violent style (腻谤补产丑补峁�墨v峁泃迟颈), grand style (蝉腻迟迟惫补迟墨惫峁泃颈) and verbal style (产丑腻谤补迟墨惫峁泃迟颈), as it consists of the sentiments like heroic, furious, comic, terrible and marvellous.

5) According to the rule, the battle scenes should be avoided even if the hero is sought to be killed. In the 搁耻办尘颈峁嚹玥ara峁嘺, 痴补迟蝉补谤腻箩补 has avoided the war scenes, between 碍峁涐梗峁嘺 and 艢颈艣耻辫腻濒补. Even though the villain 艢颈艣耻辫腻濒补, is sought to be bashed up.

6) According to the rule, the 莫丑腻尘峁沢补 should have three junctures as in the 痴测腻测辞驳补. The 搁耻办尘颈峁嚹玥ara峁嘺 of 痴补迟蝉补谤腻箩补 also contains three junctures, which shall be discussed later. Bharata rules that 莫丑腻尘峁沢补 should consist of gay style (办补颈艣颈办墨惫峁泃颈); however, 顿丑补苍补帽箩补测补 is silent about the styleand the 搁耻办尘颈峁嚹玥ara峁嘺 has not employed the low gay style (办补颈艣颈办墨惫峁泃颈).

7) Bharata does not mention the number of acts that the 莫丑腻尘峁沢补 should contain; whereas 顿丑补苍补帽箩补测补 states that 莫丑腻尘峁沢补 should contain four acts. Accordingly, the 莫丑腻尘峁沢补 of 痴补迟蝉补谤腻箩补 consists of four acts.