Ihamriga, 莫丑腻尘峁沢补, Iha-mriga: 11 definitions
Introduction:
Ihamriga means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit term 莫丑腻尘峁沢补 can be transliterated into English as Ihamrga or Ihamriga, using the IAST transliteration scheme (?).
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: N膩峁瓂a-艣膩stra莫丑腻尘峁沢补 (啶堗す啶距ぎ啷冟) refers to one of the 鈥渢en kinds of dramatic plays鈥� (诲补艣补谤奴辫补), according to the N膩峁瓂a艣膩stra chapter 20. These different types of dramas are considered to have originated from the various styles (惫峁泃迟颈), which is discussed in chapter 22 of the same work. The 莫丑腻尘峁沢补 type of drama includes the following styles: Verbal (产丑腻谤补迟墨), Grand (蝉腻迟迟惫补迟墨) and Energetic (腻谤补产丑补峁�).
: archive.org: Natya Shastra莫丑腻尘峁沢补 (啶堗す啶距ぎ啷冟).鈥擮ne of the ten types of play (苍腻峁瓂补).鈥擳he 莫丑腻尘峁沢补 is a play of four Acts in which divine males are implicated in a fight over divine females. It should be a play with well-ordered construction in which the Plot of love is to be based on causing discord among females, carrying them off and oppressing [the enemies], and when persons intent on killing are on the point of starting a fight, the inpending battle should be avoided by some artifice.
The Vy膩yoga and the 莫丑腻尘峁沢补 are to have three segments (sandhi). There should be no Development (garbha) and Pause (补惫补尘补谤艣补鈥�惫颈尘补谤艣补) in these two. and the Graceful Style (办补颈艣颈办墨) also has no place in them.
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)莫丑腻尘峁沢补 (啶堗す啶距ぎ啷冟) refers to one of the twelve kinds of 搁奴辫补办补, which represents the 诲峁浥泍补办腻惫测补 division of K膩vya (鈥減oetry鈥�), according to the 痴颈峁ａ箛耻诲丑补谤尘辞迟迟补谤补辫耻谤腻峁嘺, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.鈥擜ccording to the 痴颈峁ａ箛耻诲丑补谤尘辞迟迟补谤补辫耻谤腻峁嘺, 墨丑腻尘峁沢补 consists of many acts. But the 厂腻丑颈迟测补诲补谤辫补峁嘺 fixes it in four acts. The 痴颈峁ａ箛耻诲丑补谤尘辞迟迟补谤补辫耻谤腻峁嘺 states that in 墨丑腻尘峁沢补 a gandharva i.e., a demigod should be the hero and 艣峁涐箛驳腻谤补 should be the predominant sentiment which arises from the unsatisfaction of sexual enjoyment.
: Shodhganga: Kohala in the Sanskrit textual tradition (ns)莫丑腻尘峁沢补 (啶堗す啶距ぎ啷冟) refers to one of the twenty-one divisions of the M膩rga-搁奴辫补办补 compositions in ancient Indian art of dance and theater.鈥擯uru峁ttama Mi艣r膩, while defining the terms 尘腻谤驳补 and 诲别艣墨 quotes the Sa峁単墨tan膩r膩ya峁嘺 (Vol. II, pp.406-410) which he says has been taken from Kohala (the work of Kohala). He says that 尘腻谤驳补 is that which was shown to 艢iva and P膩rvat墨 by Brahma after performing penance. He says the 尘腻谤驳补谤奴辫补办补蝉 are twenty in number [e.g., 墨丑腻尘峁沢补]. [...] But when listing out the names, there appear twenty-one 谤奴辫补办补蝉. [...]
Natyashastra (啶ㄠぞ啶熰啶ざ啶距じ啷嵿い啷嵿ぐ, 苍腻峁瓂补艣膩stra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Languages of India and abroad
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionary莫丑腻尘峁沢补 (啶堗す啶距ぎ啷冟).鈥擺墨丑腻pradh膩no 尘峁沢补岣�]
1) a wolf; 啶膏啶曕啶む啶灌ぞ啶啶椸ぞ啶曕啶班啶｀ぎ啷� (蝉耻办峁泃别丑腻尘峁沢腻办墨谤峁嘺尘) 搁腻尘.2.15.35.
2) an artificial deer.
3) a division
Derivable forms: 墨丑腻尘峁沢补岣� (啶堗す啶距ぎ啷冟啶�).
莫丑腻尘峁沢补 is a Sanskrit compound consisting of the terms 墨丑腻 and 尘峁沢补 (啶啶�).
: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary莫丑腻尘峁沢补 (啶堗す啶距ぎ啷冟).鈥攎.
(-驳补岣�) 1. A wolf. 2. A division of the drama. E. 墨丑腻 wish, and 尘峁沢补 a deer.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) 莫丑腻尘峁沢补 (啶堗す啶距ぎ啷冟):鈥擺from 墨ha > 墨h] m. a wolf, [Mah膩bh膩rata; R膩m膩ya峁嘺]
2) [v.s. ...] a kind of drama, [S膩hitya-darpa峁嘺]
: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionary莫丑腻尘峁沢补 (啶堗す啶距ぎ啷冟):鈥擺墨丑腻-尘峁沢补] (ga岣�) m. A wolf.
[Sanskrit to German]
Sanskrit, also spelled 啶膏啶膏啶曕啶むぎ啷� (蝉补峁僺办峁泃补尘), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionary
: Alar: Kannada-English corpus莫丑腻尘峁沢补 (嗖堗补嗖距伯喑冟矖):鈥�
1) [noun] any of various wild canine carnivores (genus Canis); a wolf.
2) [noun] a division of the drama consisting of four acts.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
See also (Relevant definitions)
Partial matches: Mriga, Iha, The, The, Ihamriga, Te.
Full-text: Yamirukam, Viravijaya, Kusumashekharavijaya, Aviddha, Dasharupa, Ikamirukam, Krishnamishra, Samkshobha, Vyayoga, Bhana, Rupa, Ugghatita, Marga.
Relevant text
Search found 25 books and stories containing Ihamriga, 莫丑腻尘峁沢补, Ihamrga, Iha-mriga, 莫h膩-尘峁沢补, Iha-mrga, Ihamrigas, The ihamriga; (plurals include: Ihamrigas, 莫丑腻尘峁沢补s, Ihamrgas, mrigas, 尘峁沢补s, mrgas, Ihamrigases, The ihamrigas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Glories of India (Culture and Civilization) (by Prasanna Kumar Acharya)
Ancient Indian Dramaturgy < [Chapter 7 - Original literatures]
Index < [Chapter 7 - Original literatures]
Ancient Indian Dramas and Plays < [Chapter 7 - Original literatures]
Dasarupaka (critical study) (by Anuru Ranjan Mishra)
Part 3-6 - 莫丑腻尘峁沢补 rules < [Chapter 9 - 莫丑腻尘峁沢补 (critical study)]
Introduction to the 莫丑腻尘峁沢补 type of Drama < [Chapter 9 - 莫丑腻尘峁沢补 (critical study)]
Part 14 - Conclusion < [Chapter 9 - 莫丑腻尘峁沢补 (critical study)]
Dramaturgy in the Venisamhara (by Debi Prasad Namasudra)
Description of 莫丑腻尘峁沢补 < [Chapter 2 - Nature and Classification of Sanskrit Drama]
Sandhi (the combination of different phases) < [Chapter 4 - Dramaturgy in Ve峁嚹玸a峁僪膩ra]
Animal Kingdom (Tiryak) in Epics (by Saranya P.S)
Bhasa (critical and historical study) (by A. D. Pusalker)
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