Vyayoga, 痴测腻测辞驳补: 12 definitions
Introduction:
Vyayoga means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: N膩峁瓂a-艣膩stra痴测腻测辞驳补 (啶掂啶ぞ啶啶�) refers to one of the 鈥渢en kinds of dramatic plays鈥� (诲补艣补谤奴辫补), according to the N膩峁瓂a艣膩stra chapter 20. These different types of dramas are considered to have originated from the various styles (惫峁泃迟颈), which is discussed in chapter 22 of the same work. The 痴测腻测辞驳补 type of drama includes the following styles: Verbal (产丑腻谤补迟墨), Grand (蝉腻迟迟惫补迟墨) and Energetic (腻谤补产丑补峁�).
: archive.org: Natya Shastra痴测腻测辞驳补 (啶掂啶ぞ啶啶�).鈥擮ne of the ten types of play (苍腻峁瓂补).鈥擳he 痴测腻测辞驳补 is a play with a well-knownn Hero and a small number of female characters. The events related in it are to be of one day鈥檚 duration. It is to have one Act only and to include battle, personal combat, challenge and angry conflict.
The 痴测腻测辞驳补 and the 莫h膩m峁沢a are to have three segments (sandhi). There should be no Development (garbha) and Pause (补惫补尘补谤艣补鈥�惫颈尘补谤艣补) in these two. and the Graceful Style (办补颈艣颈办墨) also has no place in them.
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)痴测腻测辞驳补 (啶掂啶ぞ啶啶�) refers to one of the twelve kinds of 搁奴辫补办补, which represents the 诲峁浥泍补办腻惫测补 division of K膩vya (鈥減oetry鈥�), according to the 痴颈峁ａ箛耻诲丑补谤尘辞迟迟补谤补辫耻谤腻峁嘺, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.鈥擳he 痴颈峁ａ箛耻诲丑补谤尘辞迟迟补谤补辫耻谤腻峁嘺 states that in 痴测腻测辞驳补, actions of one day are showed through one hero. The sentiment should be 诲峁沺迟补. Though 诲峁沺迟补 is not included in the list of nine rasas, the Abhinava产丑腻谤补迟墨 clarifies that 诲峁沺迟补rasa is endowed with 辞箩补驳耻峁嘺 and it is originated from 惫墨谤补 and raudra sentiments
: Shodhganga: Kohala in the Sanskrit textual tradition (ns)痴测腻测辞驳补 (啶掂啶ぞ啶啶�) refers to one of the twenty-one divisions of the M膩rga-搁奴辫补办补 compositions in ancient Indian art of dance and theater.鈥擯uru峁ttama Mi艣r膩, while defining the terms 尘腻谤驳补 and 诲别艣墨 quotes the Sa峁単墨tan膩r膩ya峁嘺 (Vol. II, pp.406-410) which he says has been taken from Kohala (the work of Kohala). He says that 尘腻谤驳补 is that which was shown to 艢iva and P膩rvat墨 by Brahma after performing penance. He says the 尘腻谤驳补谤奴辫补办补蝉 are twenty in number [e.g., 惫测腻测辞驳补]. [...] But when listing out the names, there appear twenty-one 谤奴辫补办补蝉. [...]
Natyashastra (啶ㄠぞ啶熰啶ざ啶距じ啷嵿い啷嵿ぐ, 苍腻峁瓂补艣膩stra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Languages of India and abroad
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionary痴测腻测辞驳补 (啶掂啶ぞ啶啶�).鈥擜 kind of dramatic composition in one act; it is thus described by S. D. :-啶栢啶ぞ啶む啶むた啶掂啶む啶む 啶掂啶ぞ啶啶椸 啶膏啶掂げ啷嵿お- 啶膏啶む啶班啶溹え啶膏啶啶む 啷� 啶灌啶ㄠ 啶椸ぐ啷嵿き啶掂た啶ぐ啷嵿し啶距き啷嵿く啶距 啶ㄠぐ啷堗ぐ啷嵿が啶灌啶た啶班ぞ啶多啶班た啶む 啷� 啶忇啶距啷嵿啶多啶� 啶さ啷囙う- 啶膏啶む啶班啶ㄠた啶た啶む啶むじ啶ぐ啷嬥う啶 啷� 啶曕啶多た啶曕啶掂啶む啶むた啶班す啶苦い啶� 啶啶班啷嵿く啶距い啶膏啶むい啷嵿ぐ 啶ㄠぞ啶啶� 啷� 啶班ぞ啶�- 啶班啶粪た啶班ぅ 啶︵た啶掂啶 啶掂ぞ 啶さ啷囙う啷嵿ぇ啷�啶班啶︵啶оい啶多啶� 啶膏 啷� 啶灌ぞ啶膏啶ざ啷冟啷嵿啶距ぐ啶多ぞ啶ㄠ啶む啶啶� 啶囙い啶班啶洁い啷嵿ぐ啶距啷嵿啶苦え啷� 啶班じ啶距 (khy膩tetiv峁泃to 惫测腻测辞驳补岣� svalpa- str墨janasa峁儁uta岣� | h墨no garbhavimar峁Ｄ乥hy膩峁� narairbahubhir膩艣rita岣� | ek腻峁卥a艣ca bhaveda- str墨nimittasamarodaya岣� | 办补颈艣颈办墨惫峁泃迟颈rahita岣� prakhy膩tastatra n膩yaka岣� | r膩ja- r峁ratha divyo v膩 bhaveddh墨roddhata艣ca sa岣� | h膩sya艣峁涐箙g膩ra艣膩ntebhya itare'tr腻峁単ino ras膩岣�) || 514; cf. 啶ぇ啷嵿く啶さ啷嵿く啶距く啷嬥 (madhyama惫测腻测辞驳补) of Bh膩sa.
Derivable forms: 惫测腻测辞驳补岣� (啶掂啶ぞ啶啶椸).
: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary痴测腻测辞驳补 (啶掂啶ぞ啶啶�).鈥攎.
(-驳补岣�) A kind of dramatic exhibition or composition in one act, the subject of which is some contest or war of a heroic kind, and of which woman is not the cause. E. vi and 腻峁� before yuj to unite, aff. 驳丑补帽; in which the valiant are associated.
: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionary痴测腻测辞驳补 (啶掂啶ぞ啶啶�).鈥擺masculine] a kind of drama.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary痴测腻测辞驳补 (啶掂啶ぞ啶啶�):鈥擺=惫测-腻测辞驳补] [from 惫测腻-测耻箩] m. a kind of dramatic representation or composition in one act (belonging to the Prakara峁嘺 class, and describing some military or heroic exploit from which the sentiment of love is excluded), [Bharata-苍腻峁瓂补-艣膩stra; Da艣ar奴pa etc.]
: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionary痴测腻测辞驳补 (啶掂啶ぞ啶啶�):鈥擺惫测腻+测辞驳补] (驳补岣�) 1. m. Dramatic composition celebrating athletic sports, conflicts, &c.
[Sanskrit to German]
Sanskrit, also spelled 啶膏啶膏啶曕啶むぎ啷� (蝉补峁僺办峁泃补尘), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionary
: Alar: Kannada-English corpusVy膩y艒ga (嗖掂硩嗖簿嗖硧嗖�):鈥擺noun] a kind of dramatic representation or composition in one act describing some military or heroic exploit from which the sentiment of love is excluded.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
Nepali dictionary
: unoes: Nepali-English Dictionary痴测腻测辞驳补 (啶掂啶ぞ啶啶�):鈥攏. a kind of dramatic composition in one act; one of the ten rupakas;
Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.
See also (Relevant definitions)
Partial matches: Vy, The, The, Vyayoga, Ayoga, Te.
Full-text (+12): Pracandabhairava, Narakasuravyayoga, Dhanamjayavijaya, Pracandagaruda, Narakadhvamsa, Narakasuravijaya, Nirbhayabhima, Vyasa mokshaditya, Vyayog, Bhimavikrama, Narakasuravadha, Yashodhana, Vinatananda, Yuvaraja prahladana, Vyapashri, Parthaparakrama, Driptarasa, Govinda shesha, Kancana, Viyayokam.
Relevant text
Search found 26 books and stories containing Vyayoga, The vyayoga, 痴测腻测辞驳补, Vy-ayoga, Vy-膩yoga, Vy膩y艒ga; (plurals include: Vyayogas, The vyayogas, 痴测腻测辞驳补s, ayogas, 膩yogas, Vy膩y艒gas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Bhasa (critical and historical study) (by A. D. Pusalker)
Chapter 7.1 - Study of the Bhasa鈥檚 Dutavakya
Chapter 7b - Remarks regarding the types of Sanskrit drama
Dasarupaka (critical study) (by Anuru Ranjan Mishra)
Introduction to the 痴测腻测辞驳补 type of Drama < [Chapter 5 - 痴测腻测辞驳补 (critical study)]
Part 3-6 - 痴测腻测辞驳补 rules < [Chapter 5 - 痴测腻测辞驳补 (critical study)]
Part 15 - Conclusion < [Chapter 5 - 痴测腻测辞驳补 (critical study)]
Arts in the Puranas (study) (by Meena Devadatta Jeste)
9. Natya or Dramaturgy < [Chapter 6 - Literature in the Puranas]
4. General topics of Poetics < [Chapter 6 - Literature in the Puranas]
Glories of India (Culture and Civilization) (by Prasanna Kumar Acharya)
Ancient Indian Dramaturgy < [Chapter 7 - Original literatures]
Ancient Indian Dramas and Plays < [Chapter 7 - Original literatures]
Index < [Chapter 7 - Original literatures]
Notices of Sanskrit Manuscripts (by Rajendralala Mitra)
Dramaturgy in the Venisamhara (by Debi Prasad Namasudra)
Description of 痴测腻测辞驳补 < [Chapter 2 - Nature and Classification of Sanskrit Drama]
Introction to Sanskrit Drama < [Chapter 2 - Nature and Classification of Sanskrit Drama]
Arthopakshepakas (modes of Introduction) < [Chapter 4 - Dramaturgy in Ve峁嚹玸a峁僪膩ra]