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Kathasaritsagara (the Ocean of Story)

by Somadeva | 1924 | 1,023,469 words | ISBN-13: 9789350501351

This is the English translation of the Kathasaritsagara written by Somadeva around 1070. The principle story line revolves around prince Naravāhanadatta and his quest to become the emperor of the Vidhyādharas (‘celestial beings�). The work is one of the adoptations of the now lost Bṛhatkathā, a great Indian epic tale said to have been composed by ...

Appendix 1.1 - Mythical Beings

The mythical beings mentioned in the Ocean of Story are:

Apsaras Ҳṇa
Asura Gandharva ʾś峦
ūٲ Guhyaka ṣa
Daitya Kinnara Siddha
Բ ܳṇḍ ձ
Dasyus ṣmṇḍ վ󲹰 ۲ṣa


Of the above the great majority are mentioned in Book I, but Apsaras, Daitya and Բ occur for the first time in Book II, ձ in Book V, ܳṇḍ in Book VIII, Dasyus in Book IX, ūٲ in Book XII, and Kuṣmānda in Book XVII.

It is possible to classify them under four headings as follows: �

  1. Enemies of the gods, very rarely visiting the earth: Asura, Daitya, Բ.
  2. Servants of the gods, frequently connected with mortals: Gandharva, Apsaras, Ҳṇa, Kinnara, Guhyaka and ۲ṣa.
  3. Independent superhumans, often mixing with mortals: 岵, Siddha and վ󲹰.
  4. Demons, hostile to mankind: ṣa, ʾś峦, ձ, ūٲ, Dasyus, ܳṇḍ, ṣmṇḍ.

 

1. Enemies of the Gods

The origin of the terms Asura, Daitya and Բ is of the greatest importance in attempting to ascertain the exact position they hold in Indian mythology. It is not sufficient merely to say they are usually applied to the enemies of the gods.

Although many derivations of the word asura have been suggested, it seems very probable that the simplest is the most correct—namely, that it comes from asu, spirit, life-breath. (See Brugmann, Vergl. Gramm., ii, p. 189.) It means, therefore, “spiritual being,� and, as such, is applied to nearly all the greater Vedic gods.

Among the suggested derivations, however, mention may be made of that which is looked for in Mesopotamia. Attempts have been made to trace it thence to India. As the theory is attractive I will attempt to give the main lines of argument.

In the early Vedas, including the older hymns of the ṻ-ձ岹, the word asura is an alternative designation for “deity,� or “friendly gods,� besides being used as an epithet of the most important gods, such as ղṇa, Rudra, etc. In the later Vedas, and especially in the ʳܰṇa, asura is used to denote a formidable enemy of the gods (Devas). It is this strange contradiction of meanings that has led scholars to suspect some foreign origin of the word, and to attempt to trace its etymology.

Assur, Asur, Ashir, or Ashur was the national god of Assyria from whom both the country and its primitive capital took their names. The exact meaning of the word is not known; it has been interpreted as “arbiter,� “overseer,� or “lord,� but its original meaning is wrapped in mystery. The Persians borrowed the word, which became alnura, meaning “lord� or “god.� The Vedic Hindus did likewise, but gradually altered the meaning to the exact opposite. Various suggestions are put forward to account for this.

The discovery of a treaty in Asia Minor between the King of the Hittites and the King of Mitani (see Joum. Roy. Asiatic Soc., 1909, p. 721 et seq.) shows that the Vedic Aryans were neighbours of the Assyrians, so it may be that the progress of these Aryans into India was contested by their neighbours, the Asuras, just in the same way as later it was contested by the Dasyus in India itself.

Thus in time, when the religious system began to be fully developed, reminiscences of the human Asuras and their fights with the Aryans would be transformed into a myth of the enmity between the Devas (gods) and Asuras. (For details of this theory see Bhandarkar’s “The Aryans in the Land of the Assurs,� Joum. Bombay Br. Roy. As. Soc., vol. xxv, 1918, p. 76 et seq.)

We may, however, find further possibilities from Assyria’s other neighbours, the Iranians. As I have already mentioned, they used the word ahura to mean “lord� or “god,� but it is significant to note that 岹ë denoted evil spirits. The various nations of the Mesopotamian area had many gods in common, but their different interpretations of the speculative philosophy of life soon led them into different paths of religious thought and application. Zoroaster’s doctrine helped to widen this breach when he made the evil spirits appear in the Avesta as 岹ŧ. In India the conception of asura gradually became a god of reverence and fear with an awful divine character, while deva became more friendly in its meaning and kinder to humans. Zoroaster, however, looking upon the 岹ŧ as upstarts who were gradually ousting the original position of the Asuras, elevated the latter and added the epithet Mazdāo, the “wise,� to their name. Thus arose the Persian Ahurō Mazdāo, which in time became Ormazd, the “Wise Lord,� the “All-father.� The 𱹲, in inverse ratio, became enemies of the gods. In India, as we have seen, the exact opposite had taken place, and thus the curious difference of meaning is brought about.

It is often said that the word asura means “not-god,� the negative “a� being prefixed to sura, which means “god.� This, however, is incorrect, the exact opposite being the case. When the Asuras had become the enemies of the gods, the word sura was formed as meaning the opposite of asura.

Turning now to the terms Daitya and Բ, we find that Daitya means “descendant of Diti.� Diti is a female deity mentioned in the ṻ-Veda and Atharva-Veda, whose particular nature was apparently little known. She is usually regarded as the sister of Ā徱ٲⲹ, to whom she probably owes her existence (cf. the way in which sura was formed from asura). The name Ā徱ٲⲹ is used as a metronymic from Aditi to denote some of the most important deities; thus their enemies were named Daityas after Diti.

According to the Ѳٲ (i, 65) the Asura race was derived from five daughters of ٲṣa, son of 󳾲. Of these daughters two were Aditi and Diti. A third was Գ, from whom the name Բ is derived. Thus the close relationship of the three terms will be realised, although it is only the word asura that may have an ancient extraneous history.

In the Ocean of Story the Asuras, Daityas and Բs are, with few exceptions, represented as the enemies of the gods. In Book VIII, however, where the terms asura and Բ are used synonymously, we find one called Maya who comes to earth in order to teach the hero the magic sciences. To do this he takes the prince back to , which is the usual dwelling-place not only of the Asuras, but also of the 岵s, or snake-gods. is described as a place of great beauty, with magnificent castles and abundance of every kind of wealth. Some of the Asuras prefer to dwell outside , either in the air, in heaven, or even on earth itself.

The widely different legendary accounts of the history of the Asuras are to be found in the Ѳٲ and the ʳܰṇa. (See Wilson’s վṣṇ ʳܰṇa, i, 97; ii, 69.)

The power that Asuras can obtain is shown by the story of Jalandhara, an Asura who actually conquered վṣṇ, and whom neither Ś nor Indra could destroy.

In the Churning of the Ocean the gods found they could not get on without the help of the Asuras. Occasionally they have actually been held in respect and worshipped. In the Vāyu ʳܰṇa is the history of Gaya, an Asura who was so devout in the worship of վṣṇ that his accumulated merit alarmed the gods. (This legend is given in a note in Chapter XCIII of this work, when Gaya is actually referred to.)

should also be mentioned, who is the Asura causing the eclipses of the sun and moon.

Further details will be found in H. Jacobi’s article, under “Daitya,� in Hastings� Ency. Bel. Eth., vol. iv, p. 390 et seq.

It is interesting to note that the term ܰ is applied to marriage by capture. It forms with the 貹ś峦 variety the two kinds of marriage condemned by Manu as altogether improper. In modern days, however, the ܰ form is recognised even for the ղśⲹ and Sūdra castes.

 

2. Servants (or Attendants) of the Gods

Foremost among these are the Gandharvas and Apsa-rases.

In the early Vedas the Gandharvas occupy a minor position, which in later days became more prominent. They are trusted servants of the gods, having guard of the celestial soma, and so become heavenly physicians, as soma is a panacea. They also direct the sun’s horses and act as servants to Agni, God of Fire and Light, and to ղṇa, the divine judge. They dwell in the fathomless spaces of the air, and stand erect on the vault of heaven. They are also (especially in the Avesta) connected with the waters, and in the later Vedas have the Apsarases, who were originally water-nymphs, as wives or mistresses. It is at this period, too, that they become especially fond of and dangerous to women, but at the same time they are the tutelary deities of women and marriage. They are always represented as being gorgeously clad and carrying shining weapons.

In post-Vedic times they are the celestial singers and musicians at Indra’s Court, where they live in company with the Apsarases. They wander about the great spaces of air at random. Thus the term gandharvanagara means “mirage� � literally, the “city of the Gandharvas.�

They often visit humans, being attracted by beautiful women.

In number they vary greatly in different accounts. They are twelve, twenty-seven, or innumerable.

The վṣṇ ʳܰṇa says they are the offspring of , and recounts how 60,000,000 of them warred against the 岵s, or snake-gods, but they were destroyed with վṣṇ’s help.

Finally, they lend their name to a form of marriage. When two people desire mutual intercourse the resulting marriage is called Ի󲹰, because these spirits of the air are the only witnesses. Full details of the Ի󲹰 marriage have already been given in this volume (pp. 87, 88).

We now pass on to the Apsarases, who, as we have already seen, were originally water-nymphs. (Their very name means “moving in the waters.�) They are seldom mentioned in the Vedas, śī, who became the wife of King ʳܰū, being one of the most famous. (ṻ-ձ岹, x, 95, and Ocean of Story, Chapter XVIII.)

In the later Vedas they frequent trees, which continually resound with the music of their lutes and cymbals.

In the Epics they become the wives of the Gandharvas, whom they join as singers, dancers and musicians in Indra’s Court. They serve the gods in other capacities; for instance, if a pious devotee has acquired so much power by his austerities that the gods themselves are in danger of being subservient to him, a beautiful Apsaras is at once dispatched to distract him from his devotions (e.g. ѱԲ seduced վś峾ٰ and became the mother of ŚܲԳٲ).

The beauty and voluptuous nature of the Apsarases is always emphasised, and they are held out as the reward for fallen heroes in Indra’s paradise. In this they resemble the Mohammedan houris.

According to the 峾ⲹṇa and the վṣṇ ʳܰṇa they were produced at the Churning of the Ocean. When they first appeared in this way, neither the gods nor the Asuras would have them as their wives; consequently they became promiscuous in their affections. They have the power of changing their forms, and are most helpful and affectionate to mortals whom they favour.

They preside over the fortunes of the gaming-table, and it is here that their friendship is most desirable.

The estimate of their number varies, but it is usually put at 35,000,000, of which 1060 are the chief.

In the Ocean of Story they often fall in love with mortals, but are usually under some curse for past misbehaviour. In Chapter XXVIII King Sushena recognises his future Apsaras wife as divine, “since her feet do not touch the dust, and her eye does not wink.� As soon as she bears him a child she is forced to return to her abode in the heavens.

Ҳṇa is the name given to an attendant of Ś and ī. The chief is Ganeśa (“Lord of Ҳṇas�), who is a son of Ś and ī. He it was who ranked as chief of the followers of Ś, hence all the others are termed Ҳṇas. The position seems, however, to have been an honorary one as far as Ҳṇeś was concerned, for we find in actual practice that Nandi, Ś’s bull, was leader of the Ҳṇas. As we have seen in the Introduction to the Ocean of Story, both Ś and ī kept strict control over their Ҳṇas, and any breach of discipline was punished by banishment from � usually to the world of mortals, where they had to serve their time till some event or other brought the curse to an end.

Kinnaras, Guhyakas and ۲ṣas are all subjects to Kuvera, or ղśṇa, the God of Wealth and Lord of Treasures.

Kinnaras sing and play before Kuvera, and have human bodies and horses� heads. The ܰṣa, who have horses� bodies and human heads (like the centaurs), are also servants of Kuvera, but are not mentioned in the Ocean of Story.

The Guhyakas help to guard Kuvera’s treasure and dwell in caves. They are often (as in Chapter VI of the Ocean of Story) synonymous with ۲ṣas. The beings who assisted Kuvera in guarding treasures were originally called 鲹ṣa, but the name savoured too much of the demons, the ṣas, who were subject to 屹ṇa, the half-brother of Kuvera� so the name ۲ṣas was adopted. The word ⲹṣa means “being possessed of magical powers,� which, as we shall see later, is practically the same meaning as 󲹰.

It appears that both ۲ṣas and ṣas come under the heading of 鲹ṣa, the former being friendly to man and servants of Kuvera, the latter being demons and hostile to man.

 

3. Independent Superhumans

The 岵s are snake-gods dwelling in , the underworld, in a city called Dzī. Although snake-worship dates from the earliest times in India, there is but little mention of 岵s in the Vedas. In the Epics, however, they attain full recognition and figure largely in the Ѳٲ. Here their origin is traced to ū and śⲹ貹, and their destruction through the sacrifice of Janamejaya is related.

In some stories they retain their reptilian character throughout; in others they possess human heads, or are human as far as the waist. They are usually friendly to man unless ill-treated, when they have their revenge if not duly propitiated.

Ҳḍa, the sun-god, is their enemy (see the Ocean of Story, Chapter LXI), from whom they fly. As the snake is sometimes looked upon as representative of darkness, the idea has arisen that they are eaten by Ҳḍa, or the dawn, each morning (see pp. 103-105 of this volume).

The extent of serpent-worship in India can be imagined when we read in Crooke’s Folk-Lore of Northern India (vol. ii, p. 122) that in the North-West Provinces there are over 25,000 岵-worshippers, and in the census-returns 123 people recorded themselves as votaries of Gūga, the snake-god.

It would be out of place here to give details of the ceremonies, superstitions and archæological remains of snake-worship throughout India. I would merely refer readers to Cook’s article, “Serpent-Worship,� in the Ency. Brit., vol. xxiv, pp. 676-682, and that by Macculloch, Crooke and Welsford in Hastings� Ency. Rel. Eth., vol. xi, pp. 399-423. Both contain full bibliographical references.

Readers will remember the amazing story in the Nights (Burton, vol. v, p. 298 to the end of the volume) of “The Queen of the Serpents,� whose head alone is human, and the sub-story, “The Adventures of Bulukiya,� where Solomon and his ring are guarded by fiery serpents. The relationship of the 岵s to the ʾś峦s is discussed below, in section 4. Their origin, like that of the ʾś峦s, was probably a primitive hill tribe of North India.

Siddhas play a very unimportant part in Hindu mythology. They are described as kindly ghosts who always behave in a most friendly manner to mankind. They are usually mentioned in company with Ҳṇas and վ󲹰s, as at the commencement of the Ocean of Story. In the earlier mythology they were called (Manu, i, 22), where their great purity is emphasised.

վ󲹰s play a very important part in the Ocean of Story and require little explanation here, as their habits, abode and relations with mortals are fully detailed in the work itself.

Their government is similar to that in the great cities on earth; they have their kings, viziers, wives and families. They possess very great knowledge, especially in magical sciences, and can assume any form they wish. Their name means “possessing spells or witchcraft.�

 

4. Demons

The ṣas are the most prominent among malicious superhumans. From the ṻ-ձ岹 days they have delighted in disturbing sacrifices, worrying devout men when engaged in prayer, animating dead bodies and generally living up to the meaning of their name, “the harmers� or “destroyers.�

In appearance they are terrifying and monstrous. In the Atharva-Veda they are deformed, and blue, green or yellow in colour. Their eyes, like those of the Arabian jinn, are long slits up and down, their finger-nails are poisonous, and their touch most dangerous. They eat human flesh and also that of horses. ī gave them power to arrive at maturity at birth.

It is at night that their power is at its height, and it is then that they prowl about the burning-grounds in search of corpses or humans. They are, moreover, possessors of remarkable riches, which they bestow on those they favour.

Chief among ṣas is 屹ṇa, the great enemy of . Reference should be made to Crooke’s Folk-Lore of Northern India, vol. i, p. 246 et seq.

They have also given the name to one of the eight forms of marriage which Manu says is lawful only for men of the ṣaٰⲹ caste.

The ʾś峦s are rather similar to the ṣas, their chief activities being in leading people out of their way, haunting cemeteries, eating human flesh and indulging in every kind of wickedness. In Chapter XXVIII of the Ocean of Story they appear to possess healing power, and, after being duly propitiated, cure disease.

In the Vedas they are described as , “eaters of raw flesh,� which is perhaps the etymological sense of the word ʾś峦 itself. In the 峾yāṇa they appear occasionally as ghouls, but in the Ѳٲ besides being ghouls they are continually represented as human beings living in the north-west of India, the ᾱⲹ and Central Asia. This is one of the points which has led Sir George Grierson to believe in the human origin of the ʾś峦s. (See the numerous references given in my note on Paiśāchī, the ʾś峦’s language, on pp. 92, 93.)

Macdonell and Keith (Vedic Index, vol. i, p. 533) consider that when they appeared as human tribes, they were presumably thus designated in scorn. A science called ʾś峦-veda or ʾś峦- is known in the later Vedic period. (See Gopatha 󳾲ṇa, i, 1, 10, and ĀśⲹԲ Śrauta Sūtra, x, 7, 6.)

There is a form of marriage named 貹é峦, after the ʾś峦s, which consists of embracing a woman who is drugged, insane or asleep. This is mentioned by Manu as the last and most condemned form of marriage. It was, however, permissible to all castes except 󳾲ns. (See Manu, Sacred Books of the East, Bühler, vol. xxv, pp. 79-81 and 83.)

Finally there are the ʳܰṇa legends to be considered. They state that the valley of Kashmir was once a lake. Ś drained off the water and it was peopled by the ʰ貹پ śⲹ貹. He had numerous wives, but three in particular, from whom were born the 岵s, the ʾś峦s, the ۲ṣas and the ṣas. Thus the relationship of these various demons is understood.

Both Buddhist and non-Buddhist literature continually refers to them synonymously, and in modern Kashmiri the word yachh, for ⲹṣa, has taken the place of the old 辱ś峦.

There is also a rather similar legend in the īٲ, a legendary account of Kashmir dating (so Grierson says) from perhaps the sixth or seventh century. According to it śⲹ貹 first peopled the dried valley of Kashmir only with the 岵s. He then wished to introduce men, but the 岵s objected. śⲹ貹 cursed them, and for every six months of the year his other sons, the ʾś峦s, who came from an island in the sand ocean (an oasis in Central Asia, probably Khōtan), dwelt there.

Many similar stories are found in the Dard country, north and west of Kashmir.

ձs are also closely related to the above demons. They are almost entirely confined to cemeteries and burning-grounds, where they specialise in animating dead bodies.

The twenty-five tales of a ձ are included in the Ocean of Story, where their nature is fully described.

ūٲ is really a generic name given to ghosts of many kinds. They are often synonymous with both ṣas and ʾś峦s. (See E. Arbman, Rudra, p. 165 et seq.)

The ūٲ proper is the spirit of a man who has met a violent death, in consequence of which it assumes great malignity against the living.

The three tests of recognising a ūٲ are: (1) it has no shadow; (2) it cannot stand burning turmeric; (3) it always speaks with a nasal twang. It plays a very minor part in the Ocean of Story, being mentioned only once.

Crooke (op. cit.9 vol. i, p. 234 et seq.) has given very full details of the modern ūٲ, its veneration and the numerous superstitious rites connected with it.

Dasyus (or ) was originally the name given to the aboriginal tribes of India who resisted the gradual advance of the Aryans from the west. Owing to the legends which naturally sprang up about the bloody battles with these early foes, they have been introduced into fiction as demons of terrible and hideous appearance and are classed with ṣas and ʾś峦s.

They are described as having a black skin, being snubnosed, god-hating, devoid of rites, addicted to strange vows, and so forth.

They are mentioned only once in the Ocean of Story, and then in company with ṣas.

ܳṇḍs and ṣmṇḍs are also mentioned only once, and are merely a variety of demon, and of little importance.

The two words are probably synonymous, one being Sanskrit and the other Prakrit.

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