Unmesha, 鲍苍尘别峁, Umesha, 鲍尘别艣补: 31 definitions
Introduction:
Unmesha means something in Hinduism, Sanskrit, Marathi, Hindi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit terms 鲍苍尘别峁 and 鲍尘别艣补 can be transliterated into English as Unmesa or Unmesha or Umesa or Umesha, using the IAST transliteration scheme (?).
Alternative spellings of this word include Unmesh.
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: N膩峁瓂a-艣膩stra鲍苍尘别峁 (啶夃え啷嵿ぎ啷囙し, 鈥渙pening鈥�) refers to a specific gesture (腻峁単颈办补) made with the eyelids (辫耻峁璦), according to the N膩峁瓂a艣膩stra chapter 8. These gestures of the eyelids (辫耻峁璦) are supposed to follow the corresponding movements of the eyeballs (迟腻谤腻). These gestures form a part of the histrionic representation (abhinaya).
: archive.org: Natya Shastra鲍苍尘别峁 (啶夃え啷嵿ぎ啷囙し, 鈥渙pening鈥�).鈥擜 type of gesture (腻峁単颈办补) made with the eyelids (辫耻峁璦);鈥擨nstructions: separating the eyelids. Uses: in anger (krodha).
Natyashastra (啶ㄠぞ啶熰啶ざ啶距じ啷嵿い啷嵿ぐ, 苍腻峁瓂补艣腻蝉迟谤补) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Shaivism (Shaiva philosophy)
: Google Books: Spanda Karikas (The Divine Creative Pulsation)鲍苍尘别峁 (啶夃え啷嵿ぎ啷囙し) refers to aunmukhya鈥斺�渋nclination towards manifestation鈥� (i.e., 鈥渞evelation of the essential nature of the Divine鈥�), according to (commentaries on) the Spanda K膩rik膩s section 1.鈥擝oth R膩maka峁囜弓ha and Utpala Bha峁弓a warn that pralaya and udaya are not to be taken as corresponding to 耻苍尘别峁 and 苍颈尘别峁 exactly in the order in which they are given in the text but rather in a different order i.e. udaya with 耻苍尘别峁, and pralaya with 苍颈尘别峁:鈥斺�淲hen there is 耻苍尘别峁 i.e., aunmukhya or inclination towards manifestation, there is the udaya or emergence of the world. When there is 苍颈尘别峁 or retraction of that inclination, there is submergence of the world鈥�. K峁mar膩ja takes pralaya and udaya both ways i.e. in a different order (bhinnakrama) as advocated by R膩maka峁囜弓ha and Utpalabha峁弓a, and also in the order as they appear in the text. When taken in a different order, the meaning would be as given above. When taken in the order in which they appear in the text, the meaning would be as given below:鈥斺�淲hen there is 耻苍尘别峁 or revelation of the essential nature of the Divine, there is the pralaya or disappearance of the world. When there is 苍颈尘别峁 or concealment of the essential nature of the Divine, there is the udaya or appearance of the world鈥�. Both these interpretations are correct. In the first interpretation, the words 耻苍尘别峁 and 苍颈尘别峁 are construed with reference to 艢akti of 艢iva. In the second interpretation, they are construed with reference to the 蝉惫补谤奴辫补 or essential nature of 艢iva.
: Google Books: Manthanabhairavatantram (shaivism)鲍苍尘别峁 (啶夃え啷嵿ぎ啷囙し) refers to the 鈥�(supreme) expansion (of consciousness)鈥�, according to the Mah膩nayaprak膩艣a by Ar峁嘺si峁僪a (Cf. verse 182-197).鈥擜ccordingly, 鈥淭he supreme arising of the Wheel of Emanation has (also) been explained from this, the aforementioned point of view, to be the supreme expansion (para-耻苍尘别峁) (of consciousness) that is incomparable and void of (phenomenal) existence. Those rays of consciousness that, luminous, free of phenomenal signs and limitations are the sole cause of the outpouring of the four levels of Speech, are the best of Siddhas, namely, Khagendra and the rest who, always free of the perception of duality, reside in the abode of the Void (of pure consciousness) in the form of the perceiving subject. [...]鈥�
: Shodhganga: Iconographical representations of 艢iva鲍尘别艣补 (啶夃ぎ啷囙ざ) is the name of a deity who received the Ajit膩gama from Su艣iva through the 尘补丑腻苍蝉补尘产补苍诲丑补 relation, according to the 辫谤补迟颈蝉补峁僪颈迟腻 theory of 膧gama origin and relationship (sambandha). The 补箩颈迟补-腻驳补尘补, being part of the ten 艢ivabhed膩gamas, refers to one of the twenty-eight Siddh膩nt膩gamas: a classification of the 艢aiva division of 艢aiv膩gamas. The 艢aiv膩gamas represent the wisdom that has come down from lord 艢iva, received by P膩rvat墨 and accepted by Vi峁ａ箛u.
鲍尘别艣补 obtained the Ajit膩gama from Su艣iva who in turn obtained it from 厂补诲腻艣颈惫补 through parasambandha. 鲍尘别艣补 in turn, transmitted it to Acyuta who then, through divya-sambandha, transmitted it to the Devas who, through 诲颈惫测腻诲颈惫测补-蝉补尘产补苍诲丑补, transmitted it to the 峁氠梗is who finally, through adivya-sambandha, revealed the Ajit膩gama to human beings (Manu峁a). (also see Ananta艣ambhu鈥檚 commentary on the Siddh膩ntas膩r膩vali of Trilocana艣iv膩c膩rya)
Shaiva (啶多啶�, 艣aiva) or Shaivism (艣aivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.
Ayurveda (science of life)
: gurumukhi.ru: Ayurveda glossary of terms鲍苍尘别峁 (啶夃え啷嵿ぎ啷囙し):鈥擮pening of eyelids
膧yurveda (啶嗋く啷佮ぐ啷嵿さ啷囙う, ayurveda) is a branch of Indian science dealing with medicine, herbalism, taxology, anatomy, surgery, alchemy and related topics. Traditional practice of 膧yurveda in ancient India dates back to at least the first millenium BC. Literature is commonly written in Sanskrit using various poetic metres.
Shaktism (Shakta philosophy)
: Google Books: Manthanabhairavatantram鲍苍尘别峁 (啶夃え啷嵿ぎ啷囙し) or 鲍苍尘别峁m膩rga refers to the 鈥減ath of opening鈥�, according to the Dev墨pa帽ca艣ataka, an important source of the K膩l墨krama that developed in Kashmir after the K膩l墨 Mata of the Jayadrathay膩mala.鈥擜ccordingly, 鈥淭he permutation (of the Transmental) is said to be the Light that precedes the mistress of the Wheel of Rays [i.e., 辫耻帽箩补肠补办谤补-墨艣墨] (of divine consciousness). [...] (That light) is not the moon, (or) the light of the stars; it is not the light of the rays of (the sun), the lord of the sky, nor is it the brilliance of lightning鈥攏or is it like the beautiful sun (of energy). That Light (产丑腻蝉腻) is seen in the belly (of consciousness) with the eye of knowledge, that is, in the eye on the path of opening [i.e., 耻苍尘别峁-m膩rga-cak峁s]. She is not seen otherwise. All (things) shine due to her: Fire, Moon, Sun and stars. As the division of Sun and Moon, she bestows the plane of oneness. Thus she is the aggregate (kula) of rays and, ferocious, she is the Supreme One (Par膩) who has reached the final end of Kula and devours duality with the Yoga of the Fire of (Universal) Destruction.鈥�.鈥�(Cf. 笔耻帽箩补肠补办谤补).
Shakta (啶多ぞ啶曕啶�, 艣膩kta) or Shaktism (艣膩ktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.
Yoga (school of philosophy)
: ORA: Amanaska (king of all yogas): A Critical Edition and Annotated Translation by Jason Birch1) 鲍苍尘别峁 (啶夃え啷嵿ぎ啷囙し) refers to the 鈥渙pening of one鈥檚 eyes鈥�, according to K峁mar膩ja鈥檚 Svacchandoddyota on verse 2.89c.鈥擜ccordingly, 鈥淲ide-eyed means, his [point of] focus is inwards, his gaze outwards and he does not open or close his eyes (n墨me峁-耻苍尘别峁-varjita). It concerns the wide [eyes] of the supreme 艢iva who has been described thus by our tradition鈥�.
2) 鲍苍尘别峁 (啶夃え啷嵿ぎ啷囙し) refers to the 鈥渇lashing light (of a star)鈥�, according to the South-Indian recension of the Amanaska Yoga treatise dealing with meditation, absorption, yogic powers and liberation.鈥擜ccordingly, as 莫艣vara says to V膩madeva: 鈥淸...] This is [called] T膩raka [yoga] because it causes the Guru and student to cross over the ocean of existence. It is also called T膩raka because its [practice] depends on the flashing [light] of a star (t膩raka-耻苍尘别峁). Having obtained such a guru and having settled in a beautiful place, he who is free from all worry should practice only Yoga鈥�.
Yoga is originally considered a branch of Hindu philosophy (astika), but both ancient and modern Yoga combine the physical, mental and spiritual. Yoga teaches various physical techniques also known as 膩sanas (postures), used for various purposes (eg., meditation, contemplation, relaxation).
Vedanta (school of philosophy)
: Wikisource: Ashtavakra Gita鲍苍尘别峁 (啶夃え啷嵿ぎ啷囙し) refers to the 鈥渙pening of one鈥檚 eyes鈥� (which those of self-realization considers an affliction), according to the A峁ａ弓膩vakrag墨t膩 (5th century BC), an ancient text on spirituality dealing with Advaita-Ved膩nta topics.鈥擜ccordingly, [as A峁ａ弓avakra says to Janaka]: 鈥淸...] It is because of effort that everyone is in pain, but no-one realises it. By just this simple instruction, the lucky one attains tranquility. Happiness belongs to no-one but that supremely lazy man for whom even opening (耻苍尘别峁) and closing his eyes is a bother. [vy膩p膩re khidyate yastu nime峁nme峁yorapi] [...]鈥�.
Vedanta (啶掂啶︵ぞ啶ㄠ啶�, ved膩nta) refers to a school of orthodox Hindu philosophy (astika), drawing its subject-matter from the Upanishads. There are a number of sub-schools of Vedanta, however all of them expound on the basic teaching of the ultimate reality (brahman) and liberation (moksha) of the individual soul (atman).
Languages of India and abroad
Marathi-English dictionary
: DDSA: The Molesworth Marathi and English Dictionary耻苍尘脓峁 (啶夃え啷嵿ぎ啷囙し).鈥攎 S Twinkling of eyelids; a blink or wink. 耻苍尘脓峁 as contrad. from 苍颈尘脓峁 is the movement upwards. 2 Opening (of eyes, a flower &c.) 3 fig. Opening of the mind; getting knowledge, or simply, knowledge (as acquired, pursued, desired).
: DDSA: The Aryabhusan school dictionary, Marathi-English耻苍尘脓峁 (啶夃え啷嵿ぎ啷囙し).鈥�m Twinkling of eyelids. Open- ing of the mind.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionary鲍苍尘别峁 (啶夃え啷嵿ぎ啷囙し).鈥�
1) Opening (of the eyes), winking' twinkling (of the eyes); 啶啶班い啷嵿く啶椸啶班啶ㄠ啶啶粪啶苦す啷嵿ぎ啶� (辫谤补迟测补驳谤辞苍尘别峁箩颈丑尘腻) Mu.3.21.
2) Blowing, opening, expansion; 啶夃え啷嵿ぎ啷囙し啶� 啶 啶ぎ 啶� 啶膏す啶む 啶溹ぞ啶むた啶掂啶班 啶ㄠた啶多ぞ啶ぞ啶 (耻苍尘别峁峁� yo mama na sahate j膩tivair墨 ni艣膩y膩m) K. P.1; 啶︵啶班啶樴た啶曕ぞ啶曕ぎ啶侧啶ㄠ啶啶粪 (诲墨谤驳丑颈办腻办补尘补濒辞苍尘别峁岣�) K耻尘腻rasambhava 2.33.
3) Light, flash, brilliancy; 啶膏い啶距 啶啶班啷嵿啷嬥え啷嵿ぎ啷囙し啶� (sat膩峁� praj帽onme峁岣�) 叠丑补谤迟峁沨补谤颈 2.114 light or flash; 啶掂た啶︵啶啶︵啶ㄠ啶啶粪う啷冟し啷嵿啶苦ぎ啷� (vidyud耻苍尘别峁d峁涐梗峁璱m) Meghad奴ta 83.
4) Awakening, rising, becoming visible, manifestation; 啶溹啶炧ぞ啶� (箩帽腻苍补掳) 艢腻苍迟颈.3.13.
5) The act of increasing, supporting, making strong; addition, expansion; 啶囙い啶苦す啶距じ啶啶班ぞ啶｀ぞ啶ㄠぞ啶啶ㄠ啶啶粪 啶ㄠた啶班啶た啶む 啶� 啶い啷� (itih膩sapur膩峁嚹乶膩m耻苍尘别峁峁� nirmita峁� ca yat) Mah膩bh膩rata (Bombay) 1.1.63.
Derivable forms: 耻苍尘别峁岣� (啶夃え啷嵿ぎ啷囙し啶�).
See also (synonyms): 耻苍尘别峁峁嘺.
: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary鲍苍尘别峁 (啶夃え啷嵿ぎ啷囙し).鈥攎.
(-峁岣�) 1. Winking, twinkling of the eyelids, the upward motion. 2. Opening the eye, looking at. E. ut up, 尘颈峁� to scatter, affix 驳丑补帽.
: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary鲍尘别艣补 (啶夃ぎ啷囙ざ).鈥攎.
(-艣补岣�) A title of Siva. E. 耻尘腻 and 墨艣补 a lord: see 耻尘腻pati.
: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English Dictionary鲍苍尘别峁 (啶夃え啷嵿ぎ啷囙し).鈥攊. e. ud-尘颈峁� + a, m. 1. Opening of the eye-lids, [搁腻尘腻测补峁嘺] 6, 102, 25. 2. Flashing (of lightning), [Meghad奴ta, (ed. Gildemeister.)] 79. 3. Opening (of buds), [K耻尘腻rasa峁僢hava, (ed. Stenzler.)] 2, 33. 4. Appearance, [Prabodhacandrodaya, (ed. Brockhaus.)] 118, 4.
: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionary鲍苍尘别峁 (啶夃え啷嵿ぎ啷囙し).鈥擺masculine] opening (of the eye), expanding, becoming visible, appearance.
: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionary鲍尘别艣补 (啶夃ぎ啷囙ざ).鈥擺masculine] the lord or husband of Um膩, i.e. 艢iva.
: Cologne Digital Sanskrit Dictionaries: Aufrecht Catalogus Catalogorum鲍尘别艣补 (啶夃ぎ啷囙ざ) as mentioned in Aufrecht鈥檚 Catalogus Catalogorum:鈥攆ather of Gop膩lavy膩sa (Navar膩tranir峁嘺ya). Bik. 425.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) 鲍苍尘别峁 (啶夃え啷嵿ぎ啷囙し):鈥擺=耻苍-尘别峁] [from un-尘颈峁�] a m. the act of opening the eyes, looking at
2) [v.s. ...] winking, twinkling or upward motion of the eyelids, [搁腻尘腻测补峁嘺; Mah膩bh膩rata]
3) [v.s. ...] flashing, [Meghad奴ta 84]
4) [v.s. ...] blowing or blossoming (of a flower), [K耻尘腻ra-sambhava]
5) [v.s. ...] coming forth, becoming visible, appearing, [艢膩nti艣ataka; Prabodha-candrodaya; 叠丑补谤迟峁沨补谤颈 etc.]
6) [=耻苍-尘别峁] b etc. See [column]2.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) 鲍尘别艣补 (啶夃ぎ啷囙ざ):鈥擺from 耻尘腻] m. 鈥楿m膩鈥檚 lord鈥�, Name of 艢iva
2) [v.s. ...] 鈥楿m膩 and 艢iva鈥�, Name of an idol (representing 艢iva joined with Um膩), [Matsya-pur膩峁嘺]
: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionary鲍苍尘别峁 (啶夃え啷嵿ぎ啷囙し):鈥�(峁岣�) 1. m. Winking.
: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionary鲍尘别艣补 (啶夃ぎ啷囙ざ):鈥擺耻尘别-艣补] (艣补岣�) 1. m. A title of Shiva.
: DDSA: Paia-sadda-mahannavo; a comprehensive Prakrit Hindi dictionary (S)鲍苍尘别峁 (啶夃え啷嵿ぎ啷囙し) in the Sanskrit language is related to the Prakrit word: Ummesa.
[Sanskrit to German]
Sanskrit, also spelled 啶膏啶膏啶曕啶むぎ啷� (蝉补峁僺办峁泃补尘), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Hindi dictionary
: DDSA: A practical Hindi-English dictionary鲍苍尘别峁 (啶夃え啷嵿ぎ啷囙し) [Also spelled unmesh]:鈥�(nm) opening; blooming.
...
Kannada-English dictionary
: Alar: Kannada-English corpusUnm膿峁 (嗖夃波喑嵿伯喑囙卜):鈥�
1) [noun] an opening of the eyes.
2) [noun] the act of blowing up; expansion (of a bud into flower).
: Alar: Kannada-English corpusUm膿艣a (嗖夃伯喑囙捕):鈥�
1) [noun] 艢iva, as the consort of Goddess Um膩.
2) [noun] a man having good name; a famous man; a celebrity.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
Nepali dictionary
: unoes: Nepali-English Dictionary鲍苍尘别峁 (啶夃え啷嵿ぎ啷囙し):鈥攏. 1. awakening; 2. opening/twinkling of the eyes; 3. blooming; 4. brightness;
Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.
See also (Relevant definitions)
Partial matches: Mesha, Ume, Un, Caya.
Starts with: Unmesham, Unmeshamarga, Unmeshana, Unmeshanimesha, Unmeshanimeshashunya, Unmeshashunya, Unmeshavarjita.
Full-text (+39): Dhvantonmesha, Vidyudunmesha, Unmesham, Nimeshonmesha, Unmeshana, Unmesh, Unmeshavarjita, Unmeshanimesha, Unmeshashunya, Turyonmesha, Svalponmesha, Pratibhonmesha, Tarakonmesha, Svonmesha, Umavara, Nimesha, Paronmesha, Umecan, Unmekha, Unmilana.
Relevant text
Search found 40 books and stories containing Unmesha, 鲍苍尘别峁, Unmesa, Unm膿峁, Umesha, 鲍尘别艣补, Umesa, 鲍尘别峁, Un-mesa, Un-mesha, Un-me峁, Ume-sha, Ume-艣a, Ume-sa, Um膿艣a; (plurals include: Unmeshas, 鲍苍尘别峁s, Unmesas, Unm膿峁s, Umeshas, 鲍尘别艣补s, Umesas, 鲍尘别峁s, mesas, meshas, me峁s, shas, 艣as, sas, Um膿艣as). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Kuntaka鈥檚 evaluation of Sanskrit literature (by Nikitha. M)
3.1. Purpose of poetry according to Kuntaka < [Chapter 1 - Vakroktij墨vita: A Synoptic Survey]
Review of literature < [Introduction]
Kuntaka and Vakroktij墨vita < [Introduction]
Alamkaras mentioned by Vamana (by Pratim Bhattacharya)
18: Ala峁僰膩ra-艣膩stra according to Vidy膩dhara (13th century) < [Chapter 2 - The concept of ala峁僰膩ra in Sanskrit Poetics]
9: Ala峁僰膩ra-艣膩stra according to Kuntaka (10th century) < [Chapter 2 - The concept of ala峁僰膩ra in Sanskrit Poetics]
A Descriptive Catalogue of the Sanskrit Manuscripts, Madras (by M. Seshagiri Sastri)
Prayogamanjari and Saivagamanibandhana (Study) (by R. Suthashi)
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Jnaneshwari (Bhavartha Dipika) (by Ramchandra Keshav Bhagwat)
Commentary introduction to Chapter 1 < [Chapter 1 - Arjuna鈥檚 Dolour]
Notices of Sanskrit Manuscripts (by Rajendralala Mitra)