Simhamukha, ³§¾±á¹ƒh²¹³¾³Ü°ì³ó²¹, SiṃhamukhÄ, Simha-mukha: 11 definitions
Introduction:
Simhamukha means something in Buddhism, Pali, Hinduism, Sanskrit, Jainism, Prakrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Natyashastra (theatrics and dramaturgy)
: archive.org: The mirror of gesture (abhinaya-darpana)³§¾±á¹ƒh²¹³¾³Ü°ì³ó²¹ (सिंहमà¥à¤�).—One of the Twenty-eight Single Hands (hasta):—Siṃha-mukha (lion-face): the tips of the middle and third fingersare applied to the thumb, the rest extended. Usage: coral, pearl, fragrance, stroking the hair, a drop of water, salvation (³¾´Ç°ìá¹£a) when placed on the heart, homa, hare, elephant, waving kusa grass, lotus garland, lion-face, testing the preparationof medicine.
: Shodhganga: Kohala in the Sanskrit textual tradition (ns)³§¾±á¹ƒh²¹³¾³Ü°ì³ó²¹ (सिंहमà¥à¤�) refers to one of the twenty-four ³Õ²¹°ù³Ù²¹²ÔÄå²õ (“movements of the armâ€�), discussed in KallinÄtha’s commentary on Saá¹…gistaratnÄkara of ÅšÄrá¹…gadeva (1953: Vol. IV: p.105).—KallinÄtha says that in spite of ÅšÄrá¹…gadeva not having mentioned these, he will describe the ±¹²¹°ù³Ù²¹²ÔÄå²õ which have been expounded by Kohala. He proceeds to give a quotation of Kohala from the work Saá¹…gÄ«tameru which gives the definitions of twenty four kara-±¹²¹°ù³Ù²¹²ÔÄå²õ. In addition to these ±¹²¹°ù³Ù²¹²ÔÄå²õ another set of seven have also been mentioned. These are [for example, ³§¾±á¹ƒh²¹³¾³Ü°ì³ó²¹] [...] Kohala says that in the case of these ±¹²¹°ù³Ù²¹²ÔÄå²õ, their names themselves make their ±ô²¹°ìá¹£aṇa clear and therefore he has mentioned only their names.

Natyashastra (नाटà¥à¤¯à¤¶à¤¾à¤¸à¥à¤¤à¥à¤°, ²ÔÄåá¹y²¹Å›Äå²õ³Ù°ù²¹) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Dhanurveda (science of warfare)
Source: Wisdom Library: Dhanurveda³§¾±á¹ƒh²¹³¾³Ü°ì³ó²¹ (सिंहमà¥à¤�) refers to a kind of weapon (lion-mouth-shaped missile). It is a Sanskrit word defined in the Dhanurveda-saṃhitÄ, which contains a list of no less than 117 weapons. The Dhanurveda-saṃhitÄ is said to have been composed by the sage Vasiá¹£á¹ha, who in turn transmitted it trough a tradition of sages, which can eventually be traced to Åšiva and BrahmÄ.

Dhanurveda (धनà¥à¤°à¥à¤µà¥‡à¤¦) refers to the “knowledge of warfareâ€� and, as an upaveda, is associated with the Ṛgveda. It contains instructions on warfare, archery and ancient Indian martial arts, dating back to the 2nd-3rd millennium BCE.
Kavya (poetry)
: Brill: Åšaivism and the Tantric Traditions (kavya)³§¾±á¹ƒh²¹³¾³Ü°ì³ó²¹ (सिंहमà¥à¤�) refers to “lion headsâ€�, according to BÄṇa’s KÄdambarÄ« (p. 225).—Accordingly, while describing the shire of the Goddess Caṇá¸ikÄ, “[Then the portal to the sanctum sanctorum, a riot of colour and form:] She was being illuminated by the entrance, on which there were hanging cloths reddened by lamp-smoke, a row of bracelets made of peacock-throats festooned [over it], a garland of bells closely-set and pale with powdered flour-cakes, which supported two door-panels, [studded] with tin lion heads (³Ù°ùÄå±è³Üá¹£a-²õ¾±á¹ƒh²¹³¾³Ü°ì³ó²¹) with thick, iron pins in their centres, barricaded with an ivory-rod bolt, carrying [what seemed to be] a necklace of sparkling bubbles that were mirrors oozing yellow, blue and red [light]â€�.

Kavya (कावà¥à¤�, kavya) refers to Sanskrit poetry, a popular ancient Indian tradition of literature. There have been many Sanskrit poets over the ages, hailing from ancient India and beyond. This topic includes mahakavya, or ‘epic poetryâ€� and natya, or ‘dramatic poetryâ€�.
In Buddhism
Mahayana (major branch of Buddhism)
Source: Wisdom Library: Maha Prajnaparamita Sastra³§¾±á¹ƒh²¹³¾³Ü°ì³ó²¹ (सिंहमà¥à¤�) is the name of a ‘river mouthâ€� (mukha) into which the lake Anavatapta flows from its northern corner, according to the 2nd century MahÄprajñÄpÄramitÄÅ›Ästra (chapter XIV). Accordingly, At the northern boundaries (of ´³²¹³¾²ú³Ü»å±¹Ä«±è²¹), in the Snowy Mountains (Himavat), there is lake called Anavatapta. At the four corners of the lake there are four mouths from which the water flows out: at the north, the Lion’s Mouth (Che tseu t’eou = ²õ¾±á¹ƒh²¹mukha). In the north, the Lion’s Mouth empties into the Sseu t’o (SÄ«tÄ). Its bed also consists of golden sand (²õ³Ü±¹²¹°ùÄå²Ô²¹±¹Äå±ô³Ü°ìÄå). The SÄ«tÄ comes from the mountain in the north and empties into the northern ocean (uttarasamudra).

Mahayana (महायान, mahÄyÄna) is a major branch of Buddhism focusing on the path of a Bodhisattva (spiritual aspirants/ enlightened beings). Extant literature is vast and primarely composed in the Sanskrit language. There are many ²õÅ«³Ù°ù²¹²õ of which some of the earliest are the various PrajñÄpÄramitÄ ²õÅ«³Ù°ù²¹²õ.
Tibetan Buddhism (Vajrayana or tantric Buddhism)
Source: Wisdom Library: Tibetan Buddhist Teachers, Deities and other Spiritual beings1) SiṃhamukhÄ (सिंहमà¥à¤–ा) is another name for Sphoá¹Ä—one of the â€�Forty-two Peaceful Deitiesâ€� (Tibetan: zhi ba'i lha zhe gnyis) according to various sources such as the Guhyagarbha Tantra and the Tibetan Book of the Dead.—They feature in Tantric teachings and practices which focus on purifying elements of the body and mind. These deities [e.g., SiṃhamukhÄ] form part part of the the Hundred Peaceful and Wrathful Deities who manifest to a deceased person following the dissolution of the body and consciousness whilst they are in the intermediate state (bardo) between death and rebirth.
SiṃhamukhÄ is also known as SiṃhavaktrÄ, SiṃhÄsyÄ, Sphoá¹Ä� or ŚṛṅkhalÄ. She is known in Tibetan as: Senge Dongma [seng gdong ma]. She is the consort of HayagrÄ«va and is part of the “Four Female Gatekeepersâ€�.
2) SiṃhamukhÄ (सिंहमà¥à¤–ा) is another name for ³§¾±á¹ƒh²¹³¾³Ü°ì³óī—one of the â€�Fifty-eight Wrathful Deitiesâ€� (Tibetan: khro bo lha nga brgyad).â€� ³§¾±á¹ƒh²¹³¾³Ü°ì³óÄ« is also known as SiṃhamukhÄ, SiṃhÄsyÄ, Siṃhavaktra and is part of the “eight tramenâ€�. She is also known in Tibetan as (1) seng gdong ma (2) seng ge'i gdong ma (3) sing+ha mu kha.
3) SiṃhamukhÄ (सिंहमà¥à¤–ा) refers to one of the â€�Fourteen Golden Dharmasâ€� (of Lupa/Luipa) (Tibetan klu pa'i gser chos bcu bzhi) as well as one of the â€�Thirteen Golden Dharmasâ€� (of the Tsar-system Lamdré) (Tibetan: tshar lugs kyi lam 'bras gser chos bcu gsum). They represent Tantric practioners that were transmitted to the Sakya lineage from India and Nepal.
: Wisdom Experience: Core Teachings of the Sakya Lamdré Tradition³§¾±á¹ƒh²¹³¾³Ü°ì³ó²¹ (सिंहमà¥à¤�) (Sanskrit; in Tibetan: seng gdong ma) is part of the â€�Thirteen Golden Dharmasâ€� (Tibetan: gser chos bcu gsum) of the Sakya tradition.

Tibetan Buddhism includes schools such as Nyingma, Kadampa, Kagyu and Gelug. Their primary canon of literature is divided in two broad categories: The Kangyur, which consists of Buddha’s words, and the Tengyur, which includes commentaries from various sources. Esotericism and tantra techniques (±¹²¹Âá°ù²¹²âÄå²Ô²¹) are collected indepently.
In Jainism
General definition (in Jainism)
: archive.org: Trisastisalakapurusacaritra³§¾±á¹ƒh²¹³¾³Ü°ì³ó²¹ (सिंहमà¥à¤�) is the name of an AntaradvÄ«pa, situated in the “middle worldâ€� (madhyaloka), according to chapter 2.3 [²¹Âá¾±³Ù²¹²ÔÄå³Ù³ó²¹-³¦²¹°ù¾±³Ù°ù²¹] of Hemacandra’s 11th century Triá¹£aá¹£á¹iÅ›alÄkÄpuruá¹£acaritra: an ancient Sanskrit epic poem narrating the history and legends of sixty-three illustrious persons in Jainism.
Accordingly:—“The Mlecchas are free from (knowledge of) virtue and vice, and also those born in the AntaradvÄ«pas. The 56 AntaradvÄ«pas are as follows: Half of them are to the east and west of Ká¹£udrahimavat in the four intermediate directions, beginning with northeast. [...] Beyond them (i.e., after Ä€darÅ›amukha, Meá¹£amukha, Hayamukha, and Gajamukha) come AÅ›vamukha, Hastimukha, ³§¾±á¹ƒh²¹³¾³Ü°ì³ó²¹, VyÄghramukha, 600 yojanas in distance, length, and widthâ€�.

Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, ‘self-reliance�) and spiritual development through a path of peace for the soul to progess to the ultimate goal.
Languages of India and abroad
Sanskrit dictionary
: Cologne Digital Sanskrit Dictionaries: Edgerton Buddhist Hybrid Sanskrit Dictionary³§¾±á¹ƒh²¹³¾³Ü°ì³ó²¹ (सिंहमà¥à¤�).â€�(nt.), lit. lion's mouth, (1) a spout or opening thru which water was conducted into or out of a pond: aá¹£á¹ottaraá¹� ca °kha-Å›ataá¹� yena gandhodakaá¹� praviÅ›ati tasyÄḥ…puá¹£kiriṇyÄá¸� (ms., ed. em. puá¹£ka°), aá¹£á¹aÅ›atam eva °khÄnÄá¹� yena punar eva tad vÄri nirvahati ¸éÄåṣṰù²¹±èÄå±ô²¹±è²¹°ù¾±±èá¹›c³¦³óÄå 40.15 f.; (2) an instrument of torture (compare ulkÄmukha 1 and Pali rÄhumukha, MajjhimanikÄya (Pali) i.87.13 with commentary ii.58.28): °khaá¹� vÄ hriyamÄṇasya Åš¾±°ìá¹£Äs²¹³¾³Ü³¦³¦²¹²â²¹ 182.4.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) ³§¾±á¹ƒh²¹³¾³Ü°ì³ó²¹ (सिंहमà¥à¤�):—[=²õ¾±á¹ƒh²¹-³¾³Ü°ì³ó²¹] [from ²õ¾±á¹ƒh²¹] mfn. ±ô°-´Ú²¹³¦±ð»å
2) [v.s. ...] m. Name of one of Śiva’s attendants, [Harivaṃśa]
3) [v.s. ...] of a scholar, [Buddhist literature]
[Sanskrit to German]
Sanskrit, also spelled संसà¥à¤•ृतमà¥� (²õ²¹á¹ƒs°ìá¹›t²¹³¾), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Partial matches: Mukha, Simha.
Starts with: Simhamukhavartana.
Full-text (+13): Seng gdong ma, Simhamukhi, Narasimha, Krishnaveri, Thirteen golden dharmas, Simhamukhavartana, Arjuna, Fourteen golden dharmas, Simhavaktra, Simhasya, Hasta, Dharmapala, Senge dongma, Simhakarna, Vyaghramukha, Hastimukha, Ashvakarna, Ashvamukha, Trapusa, Hastikarna.
Relevant text
Search found 17 books and stories containing Simhamukha, Siṃha-mukhÄ, ³§¾±á¹ƒh²¹³¾³Ü°ì³ó²¹, Siṃha-mukha, SiṃhamukhÄ, Simha-mukha; (plurals include: Simhamukhas, mukhÄs, ³§¾±á¹ƒh²¹³¾³Ü°ì³ó²¹s, mukhas, SiṃhamukhÄs). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
The Sculptures of Madan-Kamdev (Study) (by Kamal Nayan Patowary)
Part 15 - Iconographic details of Kirtimukha < [Chapter 3 - Iconographic-sculptural study]
Abhinaya-darpana (English) (by Ananda Coomaraswamy)
Chapter 26 - Hands denoting Animals
Plate XIII - Combined Hands < [Plates]
Early Chola Temples (by S. R. Balasubrahmanyam)
Bronze, group 3: Age of Parantaka I (a.d. 907 - 950) < [Chapter XI - Sculpture]
Later Chola Temples (by S. R. Balasubrahmanyam)
Appendix: The Kudu Ornamentation
Temples in Solapuram < [Chapter II - Temples of Kulottunga I’s Time]
Temples in Melaperumballam < [Chapter IV - Temples of Vikrama Chola’s Time]
Middle Chola Temples (by S. R. Balasubrahmanyam)
Temples in Sitibeta < [Chapter IV - Temples of Rajendra I’s Time]
Temples in Tiruvorriyur < [Chapter IV - Temples of Rajendra I’s Time]
Temples in Tiruvalisvaram < [Chapter II - Temples of Rajaraja I’s Time]
Trishashti Shalaka Purusha Caritra (by Helen M. Johnson)
Part 31: The Antaradvīpas < [Chapter III - The initiation and omniscience of Ajita]