Rakshasarakshasa, 搁腻办峁蝉补谤腻办峁蝉补, Rakshasa-rakshasa: 1 definition
Introduction:
Rakshasarakshasa means something in Jainism, Prakrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit term 搁腻办峁蝉补谤腻办峁蝉补 can be transliterated into English as Raksasaraksasa or Rakshasarakshasa, using the IAST transliteration scheme (?).
In Jainism
General definition (in Jainism)
Source: Wisdom Library: Jainism搁腻办峁蝉补谤腻办峁蝉补 (啶班ぞ啶曕啶粪じ啶班ぞ啶曕啶粪じ) is the name of a class of 谤腻办峁蝉补蝉 according to both the Digambara and the 艢vet膩mbara traditions. The 谤腻办峁蝉补蝉 refer to a category of vyantaras gods which represents one of the four classes of celestial beings (devas). The 谤腻办峁蝉补蝉 are black and their caitya-v峁沰峁s (sacred-tree) is Ka峁囜弓aka according to the Digambara They are white and have a fierce appearance according to 艢vet膩mbara.
The deities such as the 搁腻办峁蝉补谤腻办峁蝉补s are defined in ancient Jain cosmological texts such as the Sa峁僩raha峁嚹玶atna in the 艢vet膩mbara tradition or the Tiloyapa峁囜箛ati by Yativ峁涐梗abha (5th century) in the Digambara tradition.
Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, 鈥榮elf-reliance鈥�) and spiritual development through a path of peace for the soul to progess to the ultimate goal.
See also (Relevant definitions)
Partial matches: Rakshasa.
Full-text: Rakshasa.
Relevant text
Search found 3 books and stories containing Rakshasarakshasa, 搁腻办峁蝉补谤腻办峁蝉补, Rakshasa-rakshasa, R膩k峁sa-r膩k峁sa, Raksasaraksasa, Raksasa-raksasa; (plurals include: Rakshasarakshasas, 搁腻办峁蝉补谤腻办峁蝉补s, rakshasas, 谤腻办峁蝉补蝉, Raksasaraksasas, raksasas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Mudrarakshasa (literary study) (by Antara Chakravarty)
3.3. Use of Raudrarasa (furious sentiment) < [Chapter 2 - Delineation of Rasa in Mudr膩r膩k峁sa]
6.4. The character of R膩k峁sa < [Chapter 6 - Other Literary Estimates of Mudr膩r膩k峁sa]
6.3. Character of Candragupta < [Chapter 6 - Other Literary Estimates of Mudr膩r膩k峁sa]
Dasarupaka (critical study) (by Anuru Ranjan Mishra)
Part 2 - Summary of the drama (Mudr膩r膩k峁sa) < [Chapter 1 - N膩峁璦ka (critical study)]
Glories of India (Culture and Civilization) (by Prasanna Kumar Acharya)
Ancient Indian Dramas and Plays < [Chapter 7 - Original literatures]