Arthopakshepaka, 础谤迟丑辞辫补办峁辫补办补, Artha-upakshepaka: 6 definitions
Introduction:
Arthopakshepaka means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit term 础谤迟丑辞辫补办峁辫补办补 can be transliterated into English as Arthopaksepaka or Arthopakshepaka, using the IAST transliteration scheme (?).
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: N膩峁瓂a-艣膩stra础谤迟丑辞辫补办峁辫补办补 (啶呧ぐ啷嵿ぅ啷嬥お啶曕啶粪啶) refers to the 鈥渆xplanatory devices鈥�, according to the N膩峁瓂a艣膩stra chapter 21. These 鈥榚xplanatory devies鈥� were adopted by the playwright for clarifying the obscurities that were liable to occur due to his extreme condensation of the subject-matter.
There are five kinds of explanatory devices:
- The Introductory Scene (辫谤补惫别艣补办补),
- The Intimating Speech (肠奴濒颈办腻),
- The Supporting Scene (惫颈峁补尘产丑补办补),
- The Transitional Scene (补峁噆腻惫补迟腻谤补),
- The Anticipatory Scene (补峁卥腻尘耻办丑补).
Natyashastra (啶ㄠぞ啶熰啶ざ啶距じ啷嵿い啷嵿ぐ, 苍腻峁瓂补艣腻蝉迟谤补) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Languages of India and abroad
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionary础谤迟丑辞辫补办峁辫补办补 (啶呧ぐ啷嵿ぅ啷嬥お啶曕啶粪啶).鈥攁n introductory scene (in dramas); 啶呧ぐ啷嵿ぅ啷嬥お啶曕啶粪啶啶距 啶啷嵿 (arthopak峁pak膩岣� pa帽ca) S. D.38. They are 啶掂た啶粪啶曕ぎ啷嵿き, 啶氞啶侧た啶曕ぞ, 啶呧啷嵿啶距じ啷嵿く, 啶呧啷嵿啶距さ啶むぞ啶�, 啶啶班さ啷囙ざ啶� (惫颈峁补尘产丑补, 肠奴濒颈办腻, 补峁卥腻蝉测补, 补峁卥腻惫补迟腻谤补, 辫谤补惫别艣补办补).
Derivable forms: 补谤迟丑辞辫补办峁辫补办补岣� (啶呧ぐ啷嵿ぅ啷嬥お啶曕啶粪啶啶�).
础谤迟丑辞辫补办峁辫补办补 is a Sanskrit compound consisting of the terms artha and 耻辫补办峁辫补办补 (啶夃お啶曕啶粪啶).
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary础谤迟丑辞辫补办峁辫补办补 (啶呧ぐ啷嵿ぅ啷嬥お啶曕啶粪啶):鈥擺from artha] mfn. 鈥榠ndicating or suggesting a matter (so as to facilitate the understanding of the plot)鈥�, a Name applied to the parts of a drama called 惫颈峁补尘产丑补, 肠奴濒颈办腻, 补峁卥腻蝉测补, 补峁卥腻惫补迟腻谤补, and 辫谤补惫别艣补办补, qq.vv. [S膩hitya-darpa峁嘺; Da艣ar奴pa]
[Sanskrit to German]
Sanskrit, also spelled 啶膏啶膏啶曕啶むぎ啷� (蝉补峁僺办峁泃补尘), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionary
: Alar: Kannada-English corpusArth艒pak峁Ｄ損aka (嗖呧舶喑嵿播喑嬥勃嗖曕硩嗖粪硣嗖矔):鈥擺noun] an introductory scene in a drama.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
See also (Relevant definitions)
Partial matches: Upakshepaka, Artha.
Full-text: Upakshepaka, Ankavatara, Ankamukha, Culika, Vishkambhaka, Praveshaka.
Relevant text
Search found 9 books and stories containing Arthopakshepaka, 础谤迟丑辞辫补办峁辫补办补, Arthopaksepaka, Artha-upakshepaka, Artha-耻辫补办峁辫补办补, Artha-upaksepaka, Arth艒pak峁Ｄ損aka; (plurals include: Arthopakshepakas, 础谤迟丑辞辫补办峁辫补办补s, Arthopaksepakas, upakshepakas, 耻辫补办峁辫补办补s, upaksepakas, Arth艒pak峁Ｄ損akas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Dramaturgy in the Venisamhara (by Debi Prasad Namasudra)
Arthopakshepakas (modes of Introduction) < [Chapter 4 - Dramaturgy in Ve峁嚹玸a峁僪膩ra]
Artha-Prak峁泃is (five elements of plot) < [Chapter 4 - Dramaturgy in Ve峁嚹玸a峁僪膩ra]
Dasarupaka (critical study) (by Anuru Ranjan Mishra)
Part 13 - Technical Aspects of a N膩峁璦ka < [Chapter 1 - N膩峁璦ka (critical study)]
Part 11 - Technical Aspects of a Prakara峁嘺 < [Chapter 10 - Prakara峁嘺 (critical study)]
Part 11 - The technical aspects of a Bh膩峁嘺 < [Chapter 2 - Bh膩峁嘺 (critical study)]
Kohala in the Sanskrit textual tradition (Study) (by Padma Sugavanam)
Kohala and N膩峁瓂a (4): The concept of Da艣ar奴paka < [Chapter 2 - Kohala as seen in citations]
Part 4 - Citations of Kohala in the Abhinavabh膩rat墨 < [Chapter 3 - Kohala as seen in citations鈥攁n analysis]
Annadatri-carita (study) (by Sarannya V.)
5. Vishkambha (brief description of story) < [Chapter 4 - Dramatic Appraisal of Annadatri-carita]
Jivanandana of Anandaraya Makhin (Study) (by G. D. Jayalakshmi)
Analysis of 础谤迟丑辞辫补办峁辫补办补s < [Chapter 6 - Dramatic aspects of the J墨vanandana N膩峁璦ka]
Mudrarakshasa (literary study) (by Antara Chakravarty)
1. Pat膩k膩sth膩naka used in Mudr膩r膩k峁sa < [Chapter 6 - Other Literary Estimates of Mudr膩r膩k峁sa]