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Dramatic style is generally referred to by the word 惫峁泃迟颈 in the 痴颈峁ａ箛耻诲丑补谤尘辞迟迟补谤补辫耻谤腻峁嘺. There are four kinds of 惫峁泃迟颈s i.e., dramatic styles accepted in the 痴颈峁ａ箛耻诲丑补谤尘辞迟迟补谤补辫耻谤腻峁嘺.

These are,

1. 叠丑腻谤补迟墨,
2. 厂腻迟迟惫补迟墨,
3. 碍补耻艣颈办墨 and
4. 膧谤补产丑补峁���.^[1]

The way or style of delivering speech or dialogues in a Drama is regarded as 叠丑腻谤补迟墨-惫峁泃迟颈.^[2] The 厂腻丑颈迟测补诲补谤辫补峁嘺 also agrees on it.^[3] According to the 痴颈峁ａ箛耻诲丑补谤尘辞迟迟补谤补辫耻谤腻峁嘺, 厂腻迟迟惫补迟墨-惫峁泃迟颈 mainly displays 惫墨谤补谤补蝉补 and 膧谤补产丑补峁�墨惫峁泃迟颈 exhibits raudrarasa.^[4] The 厂腻丑颈迟测补诲补谤辫补峁嘺 agrees on it.^[5] Because, according to the 厂腻丑颈迟测补诲补谤辫补峁嘺, 厂腻迟迟惫补迟墨-惫峁泃迟颈 is associated with the qualities of power, heroism, leaving, forgiveness and straightness^[6] and the 惫墨谤补谤补蝉补 is seen to be delineated by these qualities.^[7] Abhinavagupta states that 厂腻迟迟惫补迟墨-惫峁泃迟颈 is the action of mind and 膧谤补产丑补峁���-惫峁泃迟颈 is the action of body.^[8] The state of 耻迟蝉腻丑补 is the 蝉迟丑腻测墨产丑腻惫补 of 惫墨谤补谤补蝉补.^[9]

It increases energy and excitement to mind and projects the heroic sentiment through the 蝉补帽肠腻谤颈产丑腻惫补蝉 i.e., transitory feelings of mind like:

1. 诲丑峁泃颈 i.e., firmness^[10] ,
2. mati i.e., intellect^[11] ,
3. garva i.e., pride^[12] ,
4. 蝉尘峁泃颈 i.e., memory^[13] ,
5. tarka i.e., speculation^[14] and
6. 谤辞尘腻帽肠补 i.e., horripilation^[15] .^[16]

On the other hand, krodha is the 蝉迟丑腻测墨产丑腻惫补 of raudrarasa and it is all about the actions of body.^[17] So if the view points of the 痴颈峁ａ箛耻诲丑补谤尘辞迟迟补谤补辫耻谤腻峁嘺 and Abhinavagupta are compared, it can be noticed that 厂腻迟迟惫补迟墨-惫峁泃迟颈 which exhibits 惫墨谤补谤补蝉补 remains as the action of mind and 膧谤补产丑补峁���-惫峁泃迟颈 which exhibits raudrarasa remains as the action of limb. 碍补耻艣颈办墨-惫峁泃迟颈 is associated with the sentiment of love i.e., 艣峁涐箙驳腻谤补.^[18]

Footnotes and references:

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[1]:

bh膩rat墨 蝉腻迟惫补迟墨 caiva kau艣iky膩rabha峁��� tath膩/ catastro v峁泃taya岣� prokt膩鈥�.// 痴颈峁ａ箛耻诲丑补谤尘辞迟迟补谤补辫耻谤腻峁嘺, 3.20. 56

[2]:

v膩kyapradh膩n膩 tu bh膩rat墨/ Ibid., 3.20.56

[3]:

bh膩rat墨 sa峁僺k峁泃apr膩yo v膩gvy膩p膩ro na峁�膩艣raya岣�/ 厂腻丑颈迟测补诲补谤辫补峁嘺, 6.21

[4]:

tath膩 v墨arasapr膩y膩 vij帽ey膩 蝉腻迟惫补迟墨 苍峁沺补/ tath膩 raudraprac膩r膩 ca bhavaty膩rabha峁��� 蝉补诲腻// 痴颈峁ａ箛耻诲丑补谤尘辞迟迟补谤补辫耻谤腻峁嘺, 3.20.57

[5]:

鈥︹��..v墨re s膩ttvaty膩rabha峁��� puna岣�/rase raudre ca鈥︹��.// 厂腻丑颈迟测补诲补谤辫补峁嘺, 6.122

[6]:

蝉腻迟惫补迟墨 产补丑耻濒腻 蝉补迟迟惫补艣补耻谤测补迟测腻驳补诲补测腻谤箩补惫补颈岣�/ Ibid., 6.128

[7]:

atha 惫墨谤辞 苍腻尘补 耻迟迟补尘补辫谤补办峁泃颈谤耻迟蝉腻丑腻迟尘补办补岣モ赌�s迟丑补颈谤测补艣补耻谤测补诲丑补颈谤测补迟测腻驳补惫补颈艣腻谤补诲测腻诲鈥�/ 狈腻峁瓂补艣腻蝉迟谤补, p.262

[8]:

manovy膩p膩rar奴p膩 s膩tvik墨 s膩ttvat墨/ te峁Ｄ乵iyam膩rabha峁��� k膩ya惫峁泃迟颈岣�/ 础产丑颈苍补惫补产丑腻谤补迟墨, p.16

[9]:

uttamaprak峁泃irv墨ra 耻迟蝉腻丑补sth膩yibh膩vaka岣�/ 厂腻丑颈迟测补诲补谤辫补峁嘺, 3.232

[10]:

V.S Apte, The Student鈥檚 Sanskrit English Dictionary, p.275

[11]:

Ibid., p.418

[12]:

Ibid., p.184

[13]:

Ibid., p.629

[14]:

Ibid., p.231

[15]:

Ibid., p.472

[16]:

sa帽c膩ri峁嘺stu 诲丑峁泃颈matigarva蝉尘峁泃颈tarka谤辞尘腻帽肠补/ 厂腻丑颈迟测补诲补谤辫补峁嘺, 3.234

[17]:

mu峁ａ弓iprah膩rap膩tanabik峁泃acched膩vad膩ra峁噀艣caiva/ sa峁僩r膩masa峁僢hram膩dyairasyodd墨ptibhavet prau岣嵞�// Ibid., 3.228

[18]:

艣峁涐箙驳腻谤别 kau艣ik墨鈥︹��/ Ibid., 6.122