Shaivacintamani (analytical study)
by Swati Sucharita Pattanaik | 2022 | 84,311 words
This page relates ‘Syllable Om And The Five Syllables (Pancakshara)� of the English study on the Shaivacintamani—an unstudied text on Shaiva or Shiva worship by Lakshmidhara Mishra, written in the late 17th century and edited for the first time in 1994 by Shri Dukhisyam Pattanaik from the Orissa State Museum. The present research aims to offer a comprehensive study of the Saivacintamani, filling the knowledge gap by being the first to provide in-depth analysis and commentary.
Part 16 - The Syllable O� And The Five Syllables (Pañcākṣara)
The ritual of Ś temples in the South is greatly enriched through the incorporation into it of the worship of mortal devotees of Ś, who were more or less deified. The exclusive basis of this worship is a Tamil ʳܰṇa entitled ʱⲹܰṇa which is also noted for its literary merits, and contains the accounts of sixty-three saints, all of whom hail from the South. These ⲹԳ belonged to different castes-some of them even to the lowest. The life of each of these saints is depicted in the ʳܰṇa as having been distinguished by some deed characterized by great religious merit and deep devotion to Ś. The images of these saints are installed for worship in the places expressly assigned to them in the temples.
Reference may now be made to a few other ancillary deities of the Ś religion whose images are never installed for worship in the Ś temples, but who, all the same, have a distinctive place assigned to them in system of Ś ritual. These mostly comprise the 屹ṇa-𱹲, and their presence is always to be mentally assumed at the time of worship. Among them are Ananta, ūṣm, Śdzٳٲ, Ekanetra, Ekarudra, հūپ, Śī첹ṇṭ, Śṇḍ, Naindin, Ѳ, ṛṅ, վⲹ첹, ṛṣ, Skanda, ٱī, and 䲹ṇḍ. The eight 徱첹 (Indra, Agni, Yama, ṛt, ղṇa, , Kubera and ĪśԲ) also fall within this category.
Further, the weapons of these eight gods along with those of and վṣṇ are deified and included in the list of the 屹ṇa-𱹲. Whenever these deities are invoked over the course of the ritual, the Բśǰ첹 gives a detailed description of each to facilitate the worshipper’s ability to meditate on them, as they are not usually prominently depicted in sculptural representations.