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Mudrarakshasa (literary study)

by Antara Chakravarty | 2015 | 58,556 words

This page relates ‘Use of Shardulavikridita metre� of the English study on the Mudrarakshasa: an ancient Sanskrit dramatic play (Nataka) authored by Vishakhadatta which deals with the life of king Chandragupta. This study investigates the Mudra Rakshasa from a literary perspective, such as metrics, themes, rhetorics and other poetical elements. Chandragupta ruled the Mauryan Empire during the 4th century BCE, hence this text can also be studied as a historical textbook of ancient India.

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2.14. Use of Śārdulavikrīḍita metre

[Full title: The Chandas employed in ѳܻṣa (14). Śārdulavikrīḍita]

The definition of this meter has been given in the 󲹲ԻdzñᲹī as:

sūryāśvairmasajāstatā� sagurava� śārdulavikrīḍiٲ�/[1]

Śārdulavikrīḍita is a meter where the ṇa ma, sa, ja, sa, ta, ta and ga are found in every quarter; and the pauses occur after twelve (ūⲹ) syllables and then after seven (ś) syllables of a quarter. Thus the total number of syllables in a of this meter is 19. Our dramatist has made a good use of this meter in ѳܻṣa. He has included not less than 37 verses employing the Śārdulavikrīḍita meter. վś󲹻岹ٳٲ has used this meter to depict ī , ṇa, Śṛṅ and even Vibhatsarasa. ṣeԻ said that this meter should be used in eulogizing a king or such other person.[2] Though our dramatist has not used this meter in eulogizing any king but we have a verse in ѳܻṣa wherein ṇaⲹ eulogizes ṣa for his greatness.

Let us scan that very verse of act. I:

ma | sa | ja | sa | ta | ta | ga
- - - | � � - | � - � | � � - | - - � | - - � | -

aiśvaryā |danape|tamīśva|ramaya� � |loko’rtha|ta� seva ٱ�
ٲ� gaccha|ntyanu ye| vipatti|ṣu puna� |ste tatpra|tiṣṭhāśa ║|
bharturye | pralaye|’pi ū|ܰṛt� |saṅgena | Ծḥsṅg
bhaktyākā|ryadhurāṃ| bahanti| kṛtina║|ste durla |bhāstvādṛ|śā║||
[3]

After scanning we have got the ṇa ma, sa, ja, sa, ta, ta, and ga in every and the pauses after every twelve and seven syllables in a . Therefore the meter here is Śārdulavikrīḍita. The name of the meter means a tiger’s play. Just like a tiger indulges in some fierce play in a jungle, this meter plays a tiger’s play in this drama of ѳܻṣa.

Footnotes and references:

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[1]:

󲹲ԻdzñᲹī, II.198, p. 146

[2]:

śauryastave nṛpādinām śārdulavikriḍiٲ� maٲ�/ ܱṛtٲپ첹, III.22

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