Mudrarakshasa (literary study)
by Antara Chakravarty | 2015 | 58,556 words
This page relates ‘Use of Shardulavikridita metre� of the English study on the Mudrarakshasa: an ancient Sanskrit dramatic play (Nataka) authored by Vishakhadatta which deals with the life of king Chandragupta. This study investigates the Mudra Rakshasa from a literary perspective, such as metrics, themes, rhetorics and other poetical elements. Chandragupta ruled the Mauryan Empire during the 4th century BCE, hence this text can also be studied as a historical textbook of ancient India.
Go directly to: Footnotes.
2.14. Use of Śārdulavikrīḍita metre
[Full title: The Chandas employed in ѳܻṣa (14). Śārdulavikrīḍita]
The definition of this meter has been given in the ԻdzñᲹī as:
sūryāśvairmasajāstatā� sagurava� śārdulavikrīḍiٲ�/[1]
Śārdulavikrīḍita is a meter where the ṇa ma, sa, ja, sa, ta, ta and ga are found in every quarter; and the pauses occur after twelve (ūⲹ) syllables and then after seven (ś) syllables of a quarter. Thus the total number of syllables in a 岹 of this meter is 19. Our dramatist has made a good use of this meter in ѳܻṣa. He has included not less than 37 verses employing the Śārdulavikrīḍita meter. վś岹ٳٲ has used this meter to depict ī , ṇa, Śṛṅ and even Vibhatsarasa. ṣeԻ said that this meter should be used in eulogizing a king or such other person.[2] Though our dramatist has not used this meter in eulogizing any king but we have a verse in ѳܻṣa wherein ṇaⲹ eulogizes ṣa for his greatness.
Let us scan that very verse of act. I:
ma | | | sa | | | ja | | | sa | | | ta | | | ta | | | ga |
- - - | | | � � - | | | � - � | | | � � - | | | - - � | | | - - � | | | - |
aiśvaryā |danape|tamīśva|ramaya� � |loko’rtha|ta� seva ٱ�
ٲ� gaccha|ntyanu ye| vipatti|ṣu puna� |ste tatpra|tiṣṭhāśa ║|
bharturye | pralaye|’pi ū|ܰṛt� |saṅgena | Ծḥsṅg�
bhaktyākā|ryadhurāṃ| bahanti| kṛtina║|ste durla |bhāstvādṛ|śā║||[3]
After scanning we have got the ṇa ma, sa, ja, sa, ta, ta, and ga in every 岹 and the pauses after every twelve and seven syllables in a 岹. Therefore the meter here is Śārdulavikrīḍita. The name of the meter means a tiger’s play. Just like a tiger indulges in some fierce play in a jungle, this meter plays a tiger’s play in this drama of ѳܻṣa.
Footnotes and references:
[1]:
ԻdzñᲹī, II.198, p. 146
[3]:
Mudraraksasa,I.14