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[Full title: The Chandas employed in 惭耻诲谤腻谤腻办峁�a蝉补 (13). 惭补苍诲腻办谤腻苍迟腻]

The famous 惭补苍诲腻办谤腻苍迟腻 meter has been defined by 骋补峁単腻诲腻蝉补 as:

尘补苍诲腻办谤腻苍迟腻尘产耻诲丑颈谤补蝉补苍补驳补颈谤尘辞产丑补苍补耻驳补耻测补测耻驳尘补峁�/^[1]

In the meter, where the 辫腻诲补蝉 are made of ma, bha, na, ga, ga, ya and ya 驳补峁嘺蝉 and the yatis come after the first four (ambudhi) syllables, then after six(rasa) syllables and finally after next seven (naga) syllables, that is 惭补苍诲腻办谤腻苍迟腻 meter. This meter has also been included in this drama but once. According to the canons of dramaturgy, this meter is best suited for Vipralambha 艢峁涐箙g膩ra (as used by 碍腻濒颈诲腻蝉补 in his 惭别驳丑补诲奴迟补) or in depicting 碍补谤耻峁嘺谤补蝉补. Though our dramatist has used this verse in depicting the heroic sentiment of 搁腻办峁�a蝉补, but an in-depth observation reveals that in this verse there is a tint of Karu峁嘺 rasa also. This is because 搁腻办峁�a蝉补 had uttered this verse when he was completely broken down by 颁腻峁嘺办测补鈥檚 intrigues. The statement 尘颈迟谤补蝉苍别丑腻诲惫颈惫补艣补 included in the verse supports this idea more precisely. Therefore it can be said that though our dramatist has used this meter only once the mastery over the same can be felt from this only.

Let us scan the verse to examine the meter:

ma

|

bha

|

na

|

ga

|

ga

|

ya

|

ya

- - -

|

- 鈴� 鈴�

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鈴� 鈴� 鈴�

|

-

|

-

|

鈴� - -

|

鈴� - -

nistri峁兣沷 |鈥檡a峁冣晳 saja |lajala |da|鈺憊yo |masa峁卥膩 |艣am奴rti-
ryuddha艣ra |ddh膩鈺�pula |kita i |va|鈺� pr膩 |ptasakhya岣�| kare峁嘺|
sattvotka |r峁Ｄ乼 鈺� sama |ranika|峁�e|鈺� d峁� |峁ａ弓as膩ra岣� |parairme
mitrasne |h膩 鈺慸viva |艣amadhu|n膩|鈺� s膩|hase m膩峁億 niyu峁卥te||^[2]

The scan leads us to the fact that the verse has got the 驳补峁嘺蝉 ma, bha, na, ga, ga, ya and ya having the pauses after the fourth, sixth and seventh syllables in every 辫腻诲补. Therefore it is an instance of 惭补苍诲腻办谤腻苍迟腻 meter having 17 syllables in a 辫腻诲补.

Footnotes and references:

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[1]:

颁丑补苍诲辞尘补帽箩补谤墨, II.166,p.124

[2]:

惭耻诲谤腻谤腻办峁�a蝉补, VI.19