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Mayamata and Building Construction (study)

by Ripan Ghosh | 2024 | 61,593 words

This page relates ‘Entablature (Prastarakarana)—Introduction� of the study dealing with Mayamata—an ancient Indian architectural treatise dealing with building construction (bhavana-nirmana). It forms part of “Vastuvidya�: a stream of Sanskrit technical literature encompassing village and town planning, temple architecture and other aspects like site selection, orientation, and structural arrangements aimed at promoting harmony and prosperity.

Go directly to: Footnotes.

Part 6 - The Entablature (Prastara첹ṇa)—Introduction

The term ٲ첹ṇa refers to a horizontal structure resting on top of pillars and serving as the upper part of a building's facade or as the horizontal division between stories. The word prastara primarily means stone. The Ś岹첹貹ܳ records the word as: �prastṛṇāti ācchādayati ya� (�+�+賦ⲹ) ś�. (Ś岹첹貹ܳ, part. 3. P. 302). B. Dagens used the word entablature to denote prastara-첹ṇa. He also interprets the word as follows: ‘the term is applied to the entablature as well as to the ceiling which is at the same level�. Since, in ancient time the pillars were typically made of stone (prastara). The word ٲ첹ṇa indicates the activities generally associated to the stone pillars. 

According to A Dictionary of Hindu Architecture, prastara means-

[“It comprises the parts of an order above a column. The assemblage is divided into three parts in the European architecture, namely the architrave which rest immediately on the column, the frieze next over the architrave being the middle number, and the cornice which is the uppermost part. These three parts are again variously subdivided.”][1]

Several architectural treatises, such as the Բ, Ś貹ٲԲ, and 峾岵, made some minute discourse on this topic. The text Բ entitles this topic as ٲԲ, which P.K. Acharya translates as ‘The Entablatures and Roof�. In the text Բ, various synonymous terms are found for the entablature. It mentions-

kapota� prastara� caiva ñ� pracchādana� tathā ||
gopāna� ca ktitāna� ca ī ٳٲṇa� | (Բ 16.9-10)

kapota, ñ, pracchādana, gopāna, Բ, valabhi, matta-ṇa, Բ, and ū貹 are the only epithets to indicates the entablature. 

The 峾岵 mentions several elements of the entablature in the following verses.

atha vakṣye viśeṣeṇa prastarasya vidhikrama� |
ܳٳٲ� ᲹԲñcaiva muṣṭhibandha� mṛnālika� ||
岹ṇḍvalayakṣudragopānācchādanāni ca |
aliṅgāntaritā caiva pratyaṅga� ᲹԲ� || (峾岵, 1.54.1-2)

As per Indian پśٰ, ٲ첹ṇa comprises several components such as uttara (architrave), ᲹԲ (one of the small mouldings situated at the top of the uttara), (braces), 岹ṇḍ (console), and others.

Maya states that prastara-첹ṇa, the essential aspect of all kinds of buildings should be done starting from the uttara (architrave) and extending up to the ṛt (frieze). 

This indicates the height of the entablature.

uttarādivṛteranta� prastarāvayava� |
saṃvekṣye ksipya sarveṣāṃ harmyāṇāmatha yoghyaka� || (Mayamata 16.1)

In this regards Բ 𳦴ǰ�

uttarādipradeśānta� sarveṣāṃ prastarodaya� | (Բ 16.6)

[“…the height of all these varities of entablature should extend to the region of the crowing fillet (uttara)”][2]

Earlier, several components of the entablature were mentioned. Now, these components will be described along with their specific characteristics.

Footnotes and references:

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[1]:

P.K.Acharya, A Dictionary of Hindu Architecture, series.1. p.376

[2]:

P.K. Acharya, Բ, series. 4, p.175

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