Markandeya Purana (Study)
by Chandamita Bhattacharya | 2021 | 67,501 words
This page relates ‘Divisions of the Puranas� of the study on the Markandeya Purana, one of the oldest of the eigtheen Mahapuranas preserving the history, civilisation, culture and traditions of ancient India. The Markandeyapurana commences with the questions raised by Rishi Jaimini (a pupil of Vyasa), who approaches the sage Markandeya with doubts related to the Mahabharata. This study examines various social topics such as the status of women, modes of worship, yoga, etc.
Go directly to: Footnotes.
1.5: Divisions of the ʳܰṇa
The scholars classify the ʳܰṇa in different way. The modern scholars divide the ʳܰṇa into two classes, ancient and later. These divisions are based on the fivefold characteristics of the ʳܰṇa. Those ʳܰṇa which are faithful to the 貹ñṣaṇa definition are regarded as ancient and on the other hand, those which are not loyal to 貹ñṣaṇa definition are regarded as of later time.
The renowned Purāṇic scholar Dr. Harprasad Shastri divided the ʳܰṇa into six classes, viz.
- Encyclopaedic ʳܰṇa (Ҳḍa, Agni, 岹),
- Those mainly deal with tirthas and vartas (Padma, Skanda, ṣy),
- Those which apparently underwent two revisions (Brahma, 岵ٲ, Brahmavaivarta),
- The historical ʳܰṇa (ṇḍ and ),
- The sectarian ʳܰṇa (Linga, 峾Բ and 첹ṇḍⲹ),
- The old ʳܰṇa revised out of existence (ղ, ū and Matsya).[1]
Some ʳܰṇa give their classification in different way. ʳܰṇa themselves declare that, these are divided into three classes, viz. ٳٱ첹, Ჹ첹 and 峾첹 in accordance with the three ṇa namely satta, rajas and tamas found in the Indian philosophical system. In the Ѳٲⲹܰṇa, it is stated that the ʳܰṇa glorifying Hari are styled as ٳٱ첹s, those glorifying as Ჹ첹s and those glorifying Agni and Ś both as 峾첹s[2].
The eighteen ʳܰṇa, relating to those three ṇa are divided as follows[3]
- ٳٱ첹ܰṇa�վṣṇ, 岵ٲ, 岹, Ҳḍa, Padma, ղ,
- Ჹ첹ܰṇa�ṇḍ, Brahmavaivarta, 첹ṇḍⲹ, Brahma, 峾Բ, ṣy,
- 峾첹ܰṇa�Matsya, ū, ṅg, Ś, Agni, Skanda.
We notice some differences in the inclusion of the names of the ʳܰṇa of these three classes in some ʳܰṇa. The list of the Ҳḍapurāṇa is different from that of the ʲ峾ܰṇa. The Ҳḍapurāṇa inserts the Ѳٲⲹܰṇa, the ūpurāṇa and the purāṇa in place of the īⲹܰṇa, the ʲ峾ܰṇa and the ղpurāṇa in the list of ٳٱ첹purāṇa.[4] Similarly, the Ҳḍapurāṇa substitutes the ṅgpurāṇa and the Ā徱ٲⲹܰṇa in place of the 峾Բpurā� and the ṣypurāṇa.[5] The 첹Ի岹ܰṇa counts ten ʳܰṇa as describing the greatness of Ś, four of and two each of ٱī and Hari[6] However, these division of the ʳܰṇa according to the deities like վṣṇ, Ś etc. seems not to be appropriate. Because it is revealed from the study of the ʳܰṇa that վṣṇ or ṛṣṇa is the most prominent of all the deities of the ʳܰṇa. Even, lord վṣṇ is found to be eulogised in large portions of the Śaivite ʳܰṇa. Another noteworthy aspect of the ʳܰṇa is that the ten of վṣṇ appear in most of the ʳܰṇa. Again the or Ჹ첹ܰṇas are mostly of a miscellaneous character and extol different deities. Viewing from the ٱī-māhātmya portion of the 첹ṇḍⲹpurāṇa and the ṇḍ of the ٲܰṇa, H. H. Wilson remarks about the Ჹ첹ܰṇas that these ʳܰṇa actually lean to the śپ cult.[7]
Again the ʳܰṇa are classified into five groups, connecting these with the five gods like , ūⲹ, Agni, Ś, վṣṇ thus-
- �Brahma and Padma,
- ūⲹ�Brahmavaivarta,
- Ծ�Agni ,
- Ś�Ś, Skanda, ṅg, ū, 峾Բ, ղ, ṣy, Matsya, 첹ṇḍⲹ and ṇḍ,
- վṣṇ�岹, 岵ٲ, Ҳḍa.[8]
Footnotes and references:
[2]:
[3]:
ٲⲹ� 첹ܰ� ٲٳ ṅg� ś� Ի岹� tathaiva ca /
岵Աⲹ� ca saḍetāni tāmasāni nibodha me //
ṣṇ� īⲹ� ca ٲٳ 岵ٲ� śubham /
ḍa� ca ٲٳ 貹峾� � śubhadarśane //
sāttvikāni purāṇāni vijñeyāśubhāni vai /
ṇḍ� ٲ� 첹ṇḍⲹ� tathaiva ca //
ṣy� 峾Բ� � rājasāni nibodha me / ʲ峾ܰṇa, Uttarakhaṇḍa, 263.18-21; The վṣṇpurāṇa, preface, p.XII
[4]:
Ҳḍapurāṇa, 3.1.43-51
[5]:
brahmāṇḍa laingye brahma-vaivartaka� vai 첹ṇḍⲹ� brāhmamādityaka� ca /
etānyāhustāmasānīti viprāstatraikadeśa� sāttviko rājasaś ca // Ibid., 3.1.55
[6]:
[7]:
H. H.Wilson, The վṣṇpurāṇa, Preface, p.XII
[8]:
A. D. Pusalker, Studies in Epics and ʳܰṇa, p.XIIX