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In a poetic composition where is substantial identity between two 艣濒辞办补蝉, but the diction is difference thus it is known as 笔补谤补辫耻谤补辫谤补惫别艣补蝉补诲峁浥沘 丑补谤补峁嘺.

C.f.

鈥�尘奴濒补颈办测补峁� yatra bhaveratparikarabandhastu d奴rato'neka岣�|
迟补迟辫补谤补辫耻谤补辫谤补惫别艣补辫谤补迟颈尘补峁� 办腻惫测补峁� 蝉耻办补惫颈产丑腻惫测补尘 || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XII, Pp- 64

It is the 搁腻箩补艣别办丑补谤补鈥檚 pure concepts which are added by old divisions. He we can seems that it may be developed the concepts 膧苍补苍诲补惫补谤诲丑补苍补鈥檚 classification of poetic theme.

C.f.

鈥�yasy膩r膩tinitambin墨bhirabhito v墨k峁�y膩mbara峁� pr膩v峁涐梗i
  sphu rjadgarjitanirjit膩mbudhiravasph膩r膩bhrav峁沶d膩kulam |
耻迟蝉峁涐梗峁璦辫谤补蝉补产丑腻产丑颈峁�e峁嘺苍补产丑补测补蝉辫补峁ａ弓补辫谤补尘辞诲腻艣谤耻产丑颈岣�
  ki帽citku 帽citalocan膩bhirasak峁沝ghr膩t膩岣� kadamb膩nil膩岣� ||

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XII, Pp- 64

Another example with same meaning as:

鈥�腻肠肠丑颈诲测补 辫谤颈测补迟补岣� kadambaku 蝉耻尘补峁� 测补蝉测腻谤颈诲腻谤补颈谤苍补惫补峁�
  y膩tr膩bha峁単avidh膩yino jalamuc膩峁� k膩lasya cihna峁� mahat |
h峁涐梗yadbhi岣� paricumvita峁� nayanayornsast峁涐箖hadi sth膩pita峁�
  s墨mante 苍颈丑颈迟补峁� 办补迟丑补帽肠补苍补 迟补迟补岣� 办补谤峁嚹乿补迟补峁僺墨办峁泃补尘 || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XII, Pp- 64

Here in the first 艣濒辞办补 described the queens are very happy to seeing the blooming of Kadamba flowers and the coming of rainy season. Because they believe that the king will not go for war during this time and will remain at home. The same idea also expressed in the second 艣濒辞办补 and it excels the first 艣濒辞办补 in diction. So it is an example for 笔补谤补辫耻谤补辫谤补惫别艣补蝉补诲峁浥沘 丑补谤补峁嘺.

搁腻箩补艣别办丑补谤补 also divided it into eight ways i.e.

1. 贬耻岣峚测耻诲诲丑补 [丑耻峁囜笉补测耻诲诲丑补?],
2. 笔谤补迟颈办补帽肠耻办补,
3. 痴补蝉迟耻蝉补帽肠腻谤补 [痴补蝉迟耻蝉补峁僣腻谤补],
4. 顿丑腻迟耻惫腻诲补,
5. 厂补迟办腻谤补,
6. 闯墨惫补帽箩墨惫补办补 [闯墨惫补帽肠墨惫补办补?],
7. 叠丑腻惫补尘耻诲谤腻 and
8. 罢补诲惫颈谤辞诲丑墨 [tadvirodhin].

a) 贬耻岣峚测耻诲诲丑补 :

鈥�upanibaddhasya vastuno yuktimat墨 pariv峁泃tirhu岣峚yuddham 触鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 75

Means:

鈥淚n a poetic composition where an earlier idea based on certain resoning is transformitted into another with sufficient counter balances reasons. 鈥�

For an example:

鈥�kathamasau na bhajatya艣ar墨rat膩峁� hatabivekapado hatamanmatha岣� |
praharata岣� kadal墨dalakomale bhavati yasya 诲补测腻 na vadh奴jane || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 75

Another example with same meaning:

鈥�kathamasau madano na namasyat膩峁� sthitavivekapado 尘补办补谤补诲丑惫补箩补岣� |
m峁沢ad峁浥浤佱箖 kadal墨lalita峁� vapuryadabhihanti 艣arai岣� ku sumodbhavai岣� || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 75

Here in the first 艣濒辞办补 substantiated the non-corporeal form of 办腻尘补 by saying that he is cruel towards the sweet ladies by sending his arrows. Thus he deserves censure. In the second 艣濒辞办补, 办腻尘补 is described to be adorable for he is striking the sweet ladies only with soft flowery arrow. There the idea expressed in the first 艣濒辞办补 is reversed in the second one with substantial reason. Thus it is an example for 贬耻岣峚测耻诲诲丑补 丑补谤补峁嘺.

b) 笔谤补迟颈办补帽肠耻办补:

鈥�prak膩r膩ntare 峁嘺 惫颈蝉补诲峁浥沘峁� yadvastu tasya 苍颈产补苍诲丑补岣� 辫谤补迟颈办补帽肠耻办补尘 触鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 75

Means:

鈥淚n a poetic composition when an earlier idea present in a 艣濒辞办补 appears different due to a different mode of expression thus it is called 笔谤补迟颈办补帽肠耻办补 丑补谤补峁嘺.鈥�

C.f.

鈥�m膩dya帽cakore k峁�a峁嘺tulyadh膩mno 诲丑腻谤腻峁� dadh膩n膩 madhuna岣� patant墨m |
ca帽cvagrada峁ａ弓otpalan膩lah峁沝y膩 ha峁僺墨va reje y膩艣iratnap膩r墨 [艣补艣颈谤补迟苍补辫腻谤墨?] || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 75

Another example with same meaning:

鈥�mas膩rap膩re 峁嘺 babhau dad膩n膩 k膩cityur膩峁� vidruman膩lake na |
vall奴ravall墨峁� dadhatevaca帽cv膩 ke l墨艣uke n膩帽jalin膩 dh峁泃ena || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 75-76

Here in the both the 艣濒辞办补蝉 liquor pots are described. They are compared to swan and parrot due to its difference in colour; the first one is made of 颁补苍诲谤补办腻苍迟补 and the other with Indranila respectively. This is an example for 笔谤补迟颈办补帽肠耻办补 types of 丑补谤补峁嘺.

c) 痴补蝉迟耻蝉补帽肠腻谤补:

鈥�耻辫补尘腻苍补蝉测辞辫补尘腻苍腻苍迟补谤补辫补谤颈惫峁泃迟颈谤惫补蝉迟耻蝉补峁僣腻谤补岣� 触鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 76

Means: when the standard of comparison used in the original 艣濒辞办补 in changed and other standers are used thus it is called 痴补蝉迟耻蝉补帽肠腻谤补 丑补谤补峁嘺. For an example:

鈥�aviralamiva d膩mn膩 pau峁囜笉ar墨ke 峁嘺 产补诲诲丑补岣� snapita iva ca dugdhastrotas膩 nirbhare 峁嘺 |
kavalita iva k峁泃sna艣cak峁�u峁Ｄ� sph膩ritena prasabhamam峁泃amegheneva s膩ndre峁嘺 sikta岣� || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 76

Another example with same meaning:

鈥�mukt膩n膩miva rajjavo himarucerm膩l膩岣� kal膩n膩miva
  k峁Ｄ玶膩bdhoriva v墨caya岣� klamamu峁�a p墨y奴峁�adh膩r膩 iva |
d墨rgh膩p膩峁単anad墨峁� vila峁卍haca 蝉补丑补蝉腻 濒墨濒腻苍耻产丑腻惫腻帽肠颈迟腻岣�
  sadya岣� premabharollas膩 m峁沢ad峁浥沷 m膩mabhya峁�i帽cand峁浥沘岣� || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 76

Here, in the both 艣濒辞办补蝉 the comparison is of eyes but in the first 艣濒辞办补 the eyes are compared with the lotuses and the second 艣濒辞办补 it is shifted to the Jasmine. Thus it is an example of 痴补蝉迟耻蝉补帽肠腻谤补 types of 丑补谤补峁嘺.

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d) 顿丑腻迟耻惫腻诲补:

鈥�艣avd膩la峁卥膩rasy膩rth膩la峁卥膩re 峁嚹乶yath膩tva峁� 诲丑腻迟耻惫腻诲补岣� 触鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 76

Means:

鈥淚n a poetic composition when transformation of a 艢补产诲腻濒补峁僰腻谤补 (figure of speech of word) into an 础谤迟丑腻濒补峁僰腻谤补 (figure of speech of sense) is called 顿丑腻迟耻惫腻诲补 丑补谤补峁嘺.鈥�

For an example:

鈥�jayanti b膩峁嚹乻uramaulil膩lit膩岣� da艣膩syac奴岣嵞乵a峁噄cakracumbina岣� |
sur膩sur膩dh墨艣a艣ikh膩nta艣膩yino bhavacchidastryambakap膩dap膩峁僺ava岣� || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 76

Another example with same meaning:

鈥�蝉补苍尘腻谤驳腻濒辞办补苍补辫谤补耻岣峢颈苍颈谤补箩墨办峁泃补箩补苍迟补惫补岣� |
jayantya辫奴谤惫补vy膩p膩r膩岣� pur膩re岣� p膩dap膩峁僺ava岣� || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 76

Here in the first 艣濒辞办补 艢补产诲腻濒补峁僰腻谤补 Anupr膩艣a is shifted to the second 艣濒辞办补 as 础谤迟丑腻濒补峁僰腻谤补 础迟颈艣补测辞办迟颈. But the idea remains in same. Thus it is an example of 顿丑腻迟耻惫腻诲补 丑补谤补峁嘺.

e) 厂补迟办腻谤补:

鈥�tasyaiva vastuna utkar峁�e峁嚹乶yath膩kara峁嘺峁� 蝉补峁僺办腻谤补岣� 触鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 76

Means:

鈥淚n a poetic composition transferring of an older idea by means of elevation in a later 艣濒辞办补 is called 厂补迟办腻谤补 丑补谤补峁嘺.鈥�

For an example:

鈥�蝉苍腻苍腻谤诲谤腻谤诲谤补颈惫颈诲丑耻迟补办补产补谤墨产补苍诲丑补濒辞濒补颈谤颈诲腻苍墨峁�
  艣ro峁嚹玝h膩ra岣� k峁泃aparicaya岣� pallavai岣� ku ntal膩n膩m |
apyetebhyo nabhasi pa迟补迟补岣� pa峁卥i艣o v膩ribindun
  sthitvodgr墨va峁� ku valad峁浥浤佱箖 ke liha峁僺膩岣� pibanti || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 76

Another example with same meaning:

鈥�lak峁�my膩岣� k峁Ｄ玶anidherudaktavapu峁�o ve峁嚹玪at膩gracyut膩
  ye mukt膩grathan膩mas奴trasubhag膩岣� pr膩pt膩岣� payobindava岣� |
te va岣� p膩ntu vi艣e峁�asasp峁沨ad峁浥浤� d峁涐梗峁�膩艣cira峁� 艣膩r峁単i峁嚹�
  helodr墨vajaleyaha峁僺avanit膩l墨岣峢膩岣� sudh膩sv膩dava岣� || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 76-77

Here in the first 艣濒辞办补 the expressed idea is shifted to the second 艣濒辞办补 in an elevated form. Thus it is an example for 厂补迟办腻谤补 丑补谤补峁嘺.

f) 闯墨惫补帽箩墨惫补办补:

鈥�辫奴谤惫补 蝉补诲峁浥沘岣� 辫补艣肠腻诲产丑颈苍苍辞 箩墨惫补帽箩墨惫补办补岣� 触鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 77

Means:

鈥淲hen a 艣濒辞办补 the first half is similar but the later half is unlike the original, we get the sub-division thus it called 闯墨惫补帽箩墨惫补办补 types of 丑补谤补峁嘺.鈥�

For an example:

鈥�nayanodarayo岣� kapolabh膩ge rucimadratnaga峁噀峁�u bh奴峁�a峁噀峁�u |
sakalapratibimbitendubimb膩 艣atacandr膩b丑补谤补峁嘺i(峁噀)va k膩cid膩s墨t || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 77

Another example with same meaning:

鈥�bh膩slatkapolatalaku 峁囜笉alap膩rih墨ryasanmekhal膩ma峁噄ga峁嘺pratibimbitena |
肠补苍诲谤别峁嘺 产丑腻迟颈 谤补尘补峁嚹� 谤补尘补峁嚹珁avaktra艣obh膩bhi墨tava峁�eva ni峁�evyam膩峁嚹� || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 77

Here the first 艣濒辞办补 the hundred of moon that reflected in the eyes, cheeks and ornament of the heroine seems to be adorned with hundred of moons. But in the second 艣濒辞办补 the leady with ornament reflecting the moon is said to excel moon in beauty. However the idea of the first halves of both 艣濒辞办补蝉 remains the same, but the second 艣濒辞办补 the face of leady is to be superior to moon. Thus it is an example of 闯墨惫补帽箩墨惫补办补 types of 丑补谤补峁嘺.

g) 叠丑腻惫补尘耻诲谤腻:

鈥�pr膩ktanav膩ky膩bhipr膩yanibandho bh膩vamudr膩 触鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 77

Means:

鈥淚n a poetic composition when the sentences or idea of earlier poets are incorporated into later creations, thus it is known as 叠丑腻惫补尘耻诲谤腻 丑补谤补峁嘺.鈥�

For an example:

鈥�迟腻尘产耻濒补惫补濒濒墨辫补谤颈峁嘺诲诲丑补辫奴驳腻蝉惫别濒腻濒补迟腻濒颈峁単颈迟补肠补苍诲补苍腻蝉耻 |
迟补尘补濒补辫补迟谤腻蝉迟补谤补峁嚹乻耻 谤补苍迟耻峁� pras墨da 艣a艣vanmalayasthal墨峁�u || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 77

Another example with same meaning:

鈥�ni艣cetan膩n膩mapi yuktayegado n奴na峁� sa ena峁� madano'dhiti峁ａ弓ati |
el膩 yad膩艣li峁ａ弓avat墨ha 肠补苍诲补苍补峁� p奴gadruma峁� n膩galat膩'dhirohati || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 77

Here in the second 艣濒辞办补 the poet expresses the idea found in the first 艣濒辞办补 of 碍腻濒颈诲腻蝉补. Thus it is an example of 碍腻濒颈诲腻蝉补. Thus it is an example of 叠丑腻惫补尘耻诲谤腻 types of 丑补谤补峁嘺.

h) 罢补诲惫颈谤辞诲丑墨:

鈥�p奴rv膩rthaparipanthin墨 vasturacan膩 tadvirodh墨(dhin墨) 触鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 77

Means:

鈥淚n a poetic composition when earlier poets expressed the idea opposed by the later poet, thus arises the variety of 罢补诲惫颈谤辞诲丑墨 丑补谤补峁嘺.鈥�

For an example:

鈥�h膩ro vak峁�asi dantapatravi艣ada峁� kar峁噀 dalama 办补耻尘耻诲补峁�
  m膩l膩 m奴rdhni duk奴lin墨 tanulat膩 karp奴ra艣uklau stanau |
vakre candanabindurindudhavala峁� 产腻濒补峁� 尘峁涐箛腻濒补峁� kare
  ve峁�a岣� ki峁� sita e峁�a sundari 艣araccan_mra_啶総tvay膩 艣ik峁�ita岣� || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 77

Another example with same meaning:

鈥�尘奴谤迟颈谤苍墨濒补诲耻啷�办补濒颈苍墨 m峁沢amadai岣� pratya峁単apatriy膩
  b膩hu mecakaratnaka峁卥a峁嘺bh峁泃au ka峁囜弓he mas膩r膩val墨 |
vy膩lamb膩lavallar墨kamalika峁� k膩mt膩bhis膩rotsavo
  yatsatya峁� tamas膩 m峁沢膩k峁�i vihita峁� ve峁�e tav膩c膩ryakam || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 77-78

Here in the first 艣濒辞办补 all the adjectives used to describe the prostitute is whitish whereas it is blackish in the second 艣濒辞办补. It is just opposite to first 艣濒辞办补. Thus it is an example for 罢补诲惫颈谤辞诲丑墨 types of 丑补谤补峁嘺.

In this way 驰腻测腻惫补谤墨测补 搁腻箩补艣别办丑补谤补 classify the eight types of 笔补谤补辫耻谤补辫谤补惫别艣补蝉补诲峁浥沘 types of 丑补谤补峁嘺 of poetic themes, which is his purely invention to the Sanskrit poetics.

However 搁腻箩补艣别办丑补谤补 advices after describing these thirty two types of appropriations that the real poetic skill lies in those who have the exact knowledge of the way that should be given up and adopted.

C.f.

鈥�艣补惫诲腻谤迟丑补艣腻蝉补苍补惫颈诲补岣� kati no kavante yadv膩峁卪aya峁� 艣rutidhanasya cak膩sti 肠补办峁�u岣� |
kintvasti yadvacasi vastu 苍补惫补峁� saduktisandarbhi峁嚹佱箖 sa dhuri tasya 驳颈谤补岣� 辫补惫颈迟谤腻岣� || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 78

The Grammarian, 惭墨尘腻峁僺补办补 and 狈补测腻测颈办补蝉 have a profound knowledge of word and meanings. It is the learned scholars in whom the eyes are the entire discourse of literature and speech is original and presents novel insight that become the most eminent of poets words are honoured.