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After discussing ancient 膧肠腻谤测补鈥檚 views about 碍腻惫测补-辫腻办补, 搁腻箩补艣别办丑补谤补 clearly discusses different kinds of 碍腻惫测补-辫腻办补 with their characteristics. In the 碍腻惫测补m墨m膩峁僺膩 搁腻箩补艣别办丑补谤补 recognizes the nine type of 笔腻办补.

C. f.

鈥榮a ca kavigr膩masya 办腻惫测补mabhyasyato 苍补惫补诲丑腻 bhavati |鈥�

- 碍腻惫测补m墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-V, Pp- 20

Means:

鈥�碍腻惫测补-辫腻办补 is nine types or varieties for the poets i.e. Pichumanda-辫腻办补 (nimba), Badar-辫腻办补 (jujube), M峁沝vika-辫腻办补 (诲谤腻办峁�a, grapes), 痴腻谤迟迟腻办补-辫腻办补, Tinti岣嵞玨a-辫腻办补 [罢颈苍迟颈岣峣办腻?] (tamarind), 厂补丑补办腻谤补-辫腻办补 (腻尘谤补, mango), Kramuka-辫腻办补 (betel-nut), Trapus-辫腻办补 (cucumber), and 狈腻谤颈办别濒补-辫腻办补 (coconut) etc.鈥�

Then 搁腻箩补艣别办丑补谤补 gives the characteristics of these nine types of 碍腻惫测补-辫腻办补 one by one as:

鈥�tatr膩dyantayora蝉惫腻诲耻 picumanda辫腻办补m 触鈥�

- 碍腻惫测补m墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-V, Pp- 20

Picumanda-辫腻办补 (nimba) is which poetic compositions are insipid and dry in the beginning and the end. Under the Badar-辫腻办补 (jujube) which is the poetic composition are insipid and dry in the beginning but gradually become a little interesting till the end.

C.f.

鈥�膩d膩va蝉惫腻诲耻 pari峁嚹乵e 尘补诲丑测补尘补峁� badara辫腻办补m || 鈥�

- 碍腻惫测补m墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-V, Pp- 20

Which poetic compositions are uninteresting in the beginning but rapidly gain interest in the end known under the M峁沝vika-辫腻办补m (诲谤补办峁�a, grapes).

C.f.

鈥�膩d膩va蝉惫腻诲耻 pari峁嚹乵e 蝉惫腻诲耻啷僲adv墨k膩辫腻办补m 触鈥�

- 碍腻惫测补m墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-V, Pp- 20

Which poetics compositions are moderately pleasing in the beginning but absolutely disinteresting in the end are 痴腻谤迟迟腻办补-辫腻办补. And Tinti岣嵞玨a-辫腻办补 [罢颈苍迟颈岣峣办腻?] (tamarind) is which poetic compositions are sweet and pleasing both in the beginning and the end.

C.f.

鈥�膩dau madhyamamante c膩蝉惫腻诲耻 v膩rt膩ka辫腻办补m,
膩dyantayor尘补诲丑测补尘补峁� tinti岣嵞玨a辫腻办补m 触鈥�

- 碍腻惫测补m墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-V, Pp- 20

Then, the 厂补丑补办腻谤补-辫腻办补 (腻尘谤补, mango) is that poetic composition which is moderately pleasing in the beginning but very interesting in the end. And the kramuka-辫腻办补 (batel-nut) are the poetic composition which interesting in the beginning but insipid in the end fall under it.

C.f.

鈥�膩dyau madhyamamante 蝉惫腻诲耻 sahak膩ra辫腻办补m,
膩d膩vuttamamante c膩蝉惫腻诲耻 kramuka辫腻办补m 触鈥�

- 碍腻惫测补m墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-V, Pp- 20-21

There, Trapus-辫腻办补 (cucumber) is interesting in the beginning but moderately pleasant in the end and the 狈腻谤颈办别濒补-辫腻办补 (coconut) is which poetic composition pleasing from the beginning till the end.

C.f.

鈥�膩d膩vuttamamante 尘补诲丑测补尘补峁� trapusa辫腻办补m,
膩dyantayo岣� 蝉惫腻诲耻 n膩rike la辫腻办补miti 触鈥�

- 碍腻惫测补m墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-V, Pp- 21

Among the nine-types of 辫腻办补 recognizes by 搁腻箩补艣别办丑补谤补 these may be divided into three major heads. i.e

1. Highest types of 辫腻办补 (M峁沝vika-辫腻办补),
2. Middle types of 辫腻办补 (厂补丑补办腻谤补-辫腻办补),
3. Low types of 辫腻办补 (狈腻谤颈办别濒补-辫腻办补).

However, out of these nine 辫腻办补s 搁腻箩补艣别办丑补谤补 advises for an aspirant poets to shun the following three 办腻惫测补-辫腻办补s i.e. picumanda, vartaka and krmuka-辫腻办补.

C.f.

鈥�te峁Ｄ佱箖 tri峁�vapi trike 峁�u p膩k膩岣� prathame ty膩jy膩岣� |
varamakavirna puna岣� ku 办补惫颈岣� 蝉测腻迟 触鈥�

- 碍腻惫测补m墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-V, Pp- 21

Because, it is not better for a poet than a bad poet. The another three 辫腻办补s i.e. M峁沝ika, Sahk膩ra and 狈腻谤颈办别濒补-辫腻办补 are to be grasped in poetic composition to a poet. Because, these three 办腻惫测补-辫腻办补鈥檚 have with a pure natural disposition, it do not need improvement. A bead does not become more lustrous on refinement.

C.f.

鈥�svabh膩va艣uddha峁� hi na sa峁僺k膩ramapek峁�ate |
na mukt膩ma峁噀岣� 艣膩峁嘺st膩rat膩啷坹aprabhavati 触鈥�

- 碍腻惫测补m墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-V, Pp- 21

In poetic composition, there have an irregular distribution. The Kapitha-辫腻办补 (apple tree) is interestingly of places while at others are moderately so and prosaic in still other parts.

C.f.

鈥�anavasthita辫腻办补峁� puna岣� kapittha辫腻办补m膩mananti 触鈥�

- 碍腻惫测补m墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-V, Pp- 21

It is just like as on beating the husk, one gets only a grain or two similarly, and in a poetic composition on Kapitha-辫腻办补 one can find a 蝉奴办迟颈 here and there. So 搁腻箩补艣别办丑补谤补 says: it is better not to be a poet than a bad poet. Because to write bad types of 办腻惫测补 (poetry) is a matter of unhappiness and it would be like a death.

C.f.

鈥�varamakavirna puna岣� ku 办补惫颈岣� 蝉测腻迟 |
ku kavit膩 hi 蝉辞肠肠丑惫腻蝉补峁� 尘补谤补峁嘺尘 || 鈥�

- 碍腻惫测补m墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-V, Pp- 21

In this way an aspirant and intelligent poet should be first distinguish between the kinds of 办腻惫测补-辫腻办补 to be grasped and the one鈥檚 to be forsaken. So an aspirant poet must be practicing property with Kavi-辫腻办补 of his poetic composition is of nine kinds.

Thus we see the voice of 搁腻箩补艣别办丑补谤补 as:

鈥�蝉补尘测补驳补产丑测补蝉测补迟补岣� 办腻惫测补峁� 苍补惫补诲丑腻 paripacyate |
h膩nop膩d膩nas奴tre峁嘺 vibhajettaddhi vuddhim膩n || 鈥�

- 碍腻惫测补m墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-V, Pp- 21

However 搁腻箩补艣别办丑补谤补鈥檚 concepts on 碍腻惫测补-辫腻办补 are differ from his ancestor and rhetoricians. Among the earlier erotic of 搁腻箩补艣别办丑补谤补, 膧肠腻谤测补 叠丑腻尘补丑补 in his 碍腻惫测补lamkara mentions a 辫腻办补, called Amakapittha-辫腻办补:

鈥�a啷僪adyamasunirbheda峁� rasavattve'pyape艣alam |
办腻惫测补峁� kapittham膩ma峁� yatke 峁Ｄ伱眂itsad峁浥沘峁� yath膩 || 鈥�

- 碍腻惫测腻濒补峁僰腻谤补 (of 叠丑腻尘补丑补) of 叠丑腻尘补丑补: Ch-V/62

Means:

鈥淚n the type of 碍腻惫测补 (poetry) which is unpleasing and difficult to analyses is ugly though it may possess Rasa. The composition of some people is like the unripe wood apple.鈥�

And 痴腻尘补苍补 in his 碍腻惫测腻濒补峁僰腻谤补s奴峁璻a-惫峁泃迟颈 speaks two types of 碍腻惫测补-辫腻办补 i.e. (i) Cuta (amra, sahakara)鈥�辫腻办补 and (ii) Vrntaka-辫腻办补 by saying:

鈥�gu峁嘺sphu 峁璦tvas膩kalye 办腻惫测补辫腻办补峁� pracak峁�ate |
c奴tasya pari峁嚹乵ena sa c膩yamupam墨yate || 鈥�

- 碍腻惫测腻濒补峁僰腻谤补s奴峁璻a-惫峁泃迟颈 of 痴腻尘补苍补: Ch-III/2/15

The follower rhetoricians of 搁腻箩补艣别办丑补谤补 also recognize only two P膩kas i.e. M峁沝vika-辫腻办补 (诲谤腻办峁�a, graps) and 狈腻谤颈办别濒补鈥摫枘灏觳� (coconut) is the best. Which are the most famous or familiar ones. Again, between the two 碍腻惫测补-辫腻办补s, the former-辫腻办补 is superior to the later-辫腻办补.

In the sixth-chapter entitled as Pada-痴腻办测补-Viveka deals with the matter of utility of pada (word) as well as 痴腻办测补 (sentences) in composing 办腻惫测补 (poetry). These both topics also related with the subject matter of Pada-痴腻办测补-Viveka. 痴补颈测腻办补谤补峁嘺蝉 (grammarians) also justifies a pada (艣补产诲补) grammatically viable construct by the 痴测腻办补谤补峁嘺-蝉尘峁泃颈. They think that the proper uses of a pada (艣补产诲补) get blessing to in this world and heavenly word. There is the composer of 厂尘峁泃颈 艢腻蝉迟谤补 also believes that, 厂尘峁泃颈-艢腻蝉迟谤补 (Science of Dharma) can blessing these two worlds. 搁腻箩补艣别办丑补谤补 think that the 痴测腻办补谤补峁嘺艣膩stra also posits in same place as 厂尘峁泃颈 艣膩stra.