鲍迟蝉峁涐梗峁璱办腻峁卥补 (critical study) [Chapter 8]

Dasarupaka (critical study)

by Anuru Ranjan Mishra | 2015 | 106,293 words

This page relates 鈥楿tsrishtikanka (critical study)鈥� of the English study of the Dasarupaka of Dhananjaya: an important work on Hindu dramaturgy (Natya-shastra) from the tenth century dealing with the ten divisions of Sanskrit drama (nata), describing their technical aspects and essential dramaturgical principals. These ten types of drama are categorised based on the plot (vastu), hero (neta) and sentiment (rasa)

Chapter 8 - 鲍迟蝉峁涐梗峁璱办腻峁卥补 (critical study)

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Introduction to the 鲍迟蝉峁涐梗峁璱办腻峁卥补 type of Drama

Part 1 - 叠丑腻蝉补鈥擳he author and the date of the play (弄rubha峁単a)

Part 2 - Summary of the 弄rubha峁単a

Part 3-6 - 鲍迟蝉峁涐梗峁璱办腻峁卥补 rules

Part 7 - Characters in the 弄rubha峁単a

Part 8 - Styles (v峁泃ti) of the 鲍迟蝉峁涐梗峁璱办腻峁卥补

Part 9 - Sentiments (rasa) used in a 鲍迟蝉峁涐梗峁璱办腻峁卥补

Part 10 - Application of the Junctures (sandhi) in a 鲍迟蝉峁涐梗峁璱办腻峁卥补

Part 11 - Technical Aspects of a 鲍迟蝉峁涐梗峁璱办腻峁卥补

Part 12 - Society in the 弄rubha峁単a

Part 13 - Status of Women in the 弄rubha峁単a

Part 14 - Conclusion

The present article on the 鲍迟蝉峁涐梗峁璱办腻峁卥补 with special reference to the 弄rubha峁単a, by 叠丑腻蝉补, is meant to explain as to how it follows the rules of Bharata and 顿丑补苍补帽箩补测补. Further, the article shall justify as to how the 弄rubha峁単a is an 鲍迟蝉峁涐梗峁璱办腻峁卥补.

Last Updated: 06 July, 2021

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Dasarupaka (critical study)

Chapter 8 - 鲍迟蝉峁涐梗峁璱办腻峁卥补 (critical study)

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