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叠丑腻蝉补 has written the plays for the sake of people, in which he has depicted the sentiments and characters of the people very naturally. The 弄rubha峁単a is one of his works, which is an 鲍迟蝉峁涐梗峁璱办腻峁卥补 type of drama. It has followed almost all the rules of the 狈腻峁瓂补艣腻蝉迟谤补. The summary of the 弄rubha峁単a has been given below.

The story of the drama is the smashing of the thighs of Duryodhana in the club fight. Three warriors enter the stage after the stage-manager finishes his preliminaries and they, between themselves, give a detailed description of the battlefield on the eighteenth day of the great Kuru-笔腻峁囜笉补惫补 war. According to them, whole battleground was full of corpses, jackals and vultures gathered to eat flesh from the dead bodies. In the mean time, some noise is heard behind the curtain which is identified later on as that produced by the terrible mace-fight between 叠丑墨尘补 and Duryodhana. The warriors turn their faces to the place where the club fight was going on in the presence of 痴测腻蝉补, Vidura, 叠补濒补谤腻尘补 and 碍峁涐梗峁嘺. They then describe the fight very realistically. In the opinion of the second warrior, 叠丑墨尘补 was physically stronger while Duryodhana was more adept in the club fight. In the fight, later on 叠丑墨尘补 gets a terrible blow on his head and falls down which plunges the 笔腻峁囜笉补惫补 supporters into anxieties and gladdens 叠补濒补谤腻尘补 at the victory of his disciple. Duryodhana then taunts 叠丑墨尘补, by telling him not to be afraid as he was not going to kill him, though his life was at his (Duryodhana鈥檚) mercy. Seeing this, 碍峁涐梗峁嘺 makes a secret sign to 叠丑墨尘补 by striking on his own thighs. This infuses a new spirit in 叠丑墨尘补 and he rises up energetically quite fresh for fighting again after a loud thundering shout. After fighting for some time, 叠丑墨尘补 hurls his mace with both hands on the thighs of Duryodhana violating the rules of club-fight assuggested by 碍峁涐梗峁嘺. Duryodhana鈥檚 thighs are broken and bleed profusely and he falls to the ground. At his fall, 痴测腻蝉补 sets out to fly to the heaven and 叠补濒补谤腻尘补 becomes enraged at the unjust treatment accorded to Duryodhana but on 痴测腻蝉补鈥檚 advice, 叠丑墨尘补 is led elsewhere by the 笔腻峁囜笉补惫补s with the help of 碍峁涐梗峁嘺. 叠补濒补谤腻尘补 opens the next scene, shouting loudly that he is going to kill 叠丑墨尘补and asking Duryodhana to hold on a little longer. Hearing this, Duryodhana crawled with great effort, as his thighs are brokenand tries to pacify 叠补濒补谤腻尘补 by saying, 鈥淟et who offer of funeral oblations live and let strife and enmities end.鈥�

However, instead 叠补濒补谤腻尘补 becomes even more enraged and talks of killing all the 笔腻峁囜笉补惫补s. Duryodhana, however, shows saintly resignation saying that it was no use fighting in the then circumstances and that it was not 叠丑墨尘补 but the great lord 碍峁涐梗峁嘺 who had entered, as it were, 叠丑墨尘补鈥檚 mace and made present of his (Duryodhana鈥檚) life to the god of death.

Then enter 顿丑峁泃补谤腻峁ａ弓谤补, 骋腻苍诲丑腻谤墨, the queens of Duryodhana and his son Durjaya, all bewailing his sad end and searching for him on the battlefield. All this pains Duryodhana to the most, more poignant than his physical injuries. The sight of his queens crying aloud, walking on bare foot and bare-headed, without their usual veils, strikes a serious blow to Duryodhana.

More is yet to come. At the approach of his parents and at the express desire of his father to salute him, Duryodhana tries to get up to fall at the feet of his father but falls down again.

The scene between Duryodhana and Durjaya is the most patheticand the most touching, in the whole range of Sanskrit literature and no apology is needed to quote the whole scene extensively owing to its bringing out the inner traits of Duryodhana, which is really heart-rending. His inability to offer his lap as a resting place for his beloved son is the unkindest cut of all to Duryodhana. The sorry plight of Duryodhana reminds 顿丑峁泃补谤腻峁ａ弓谤补 of the deaths of his hundred sonsand the old man falls down unconscious. Duryodhana requests him to console his mother by telling her that her son died in the war without showing his back and that he is dying in the same dignity in which he was born. His love for his mother is brilliantly shown by his prayer to be her son in all his future lives if there were any slight merit to his credit.

His message to his queens also is not to lament for him as he is meeting with the hero鈥檚 death, having performed in all earnest his duties of the kingly office and he is dying heroically. His parting advice to his son also is worthy of the great hero; he preaches reconciliations, his enmity with the 笔腻峁囜笉补惫补s constitutes a sort of representation and purification of the soul; also 础艣惫补迟迟丑腻尘腻 then enters the stage, making a big sound with his bow, all wrathful at the news of the condition of Duryodhana. To his query, Duryodhana replies that his condition is due to his discontent but 础艣惫补迟迟丑腻尘腻 declares his intention of slaying the 笔腻峁囜笉补惫补s and 碍峁涐梗峁嘺and Duryodhana tries to dissuade him saying that it is now of no use after the loss of his brothers, 碍补谤峁嘺 and others, in his present condition to revive enmity. 础艣惫补迟迟丑腻尘腻 however, tells him that it appears as if his dignity has been killed along with his thighs; but Duryodhana silences him by saying that honour (尘腻苍补) is the life of the king and it was for 尘腻苍补 alone that he fought. The evils wrought by the 笔腻峁囜笉补惫补s are nothing as compared to his treatment of the 笔腻峁囜笉补惫补s. All this fails to convince and satisfy 础艣惫补迟迟丑腻尘腻 who takes a vow, with 叠补濒补谤腻尘补 as a witness, to fight with the 笔腻峁囜笉补惫补s and crown Durjaya as the emperor. Duryodhana feels satisfied at this and then gets a vision of his ancestors at his death. His body is covered with a piece of cloth after his death. Then 顿丑峁泃补谤腻峁ａ弓谤补 in his grief declares his intention of going to the forest for the penance and 础艣惫补迟迟丑腻尘腻 starts to kill the 笔腻峁囜笉补惫补s in their sleep with upraised weapon. The general praise by all for the protection of the earth by 鈥渙ur king鈥� after destroying his enemies ends the drama.

(The summary has been taken from 鈥湹�丑腻蝉�� A Study鈥� of A. D. Pusalkar, 1940, pp.195-99).