Bibhatsa, īٲ, īٲ: 25 definitions
Introduction:
Bibhatsa means something in Buddhism, Pali, Hinduism, Sanskrit, Jainism, Prakrit, Marathi, Hindi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Vastushastra (architecture)
Source: Wisdom Library: Vstu-śstraīٲ (बीभत्स) is a variant spelling for īٲka, a Sanskrit technical term referring to classification of a temple/buidling (岹), according to ṅgṇaūٰ chapter 60. The temple is mentioned in a list of thirty-six Prsdas having activities of the townsmen entailing Sdhrs. The ṅgṇaūٰ is an 11th-century encyclopedia dealing with various topics from the Vstuśstra.

Vastushastra (वास्तुशास्त्�, vstuśstra) refers to the ancient Indian science (shastra) of architecture (vastu), dealing with topics such architecture, sculpture, town-building, fort building and various other constructions. Vastu also deals with the philosophy of the architectural relation with the cosmic universe.
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: Nṭya-śstra1) īٲ (बीभत्स) is the Sanskrit name of one of Bharata’s sons, mentioned in the Nṭyaśstra 1.26-33. After Brahm created the Nṭyaveda (ṭyśٰ), he ordered Bharata to teach the science to his (one hundred) sons. Bharata thus learned the Nṭyaveda from Brahm, and then made his sons study and learn its proper application. After their study, Bharata assigned his sons (eg., īٲ) various roles suitable to them.
2) īٲ (बीभत्स) refers to the “odious� sentiment (rasa). It is one of the eight rasas mentioned in the Nṭyaśstra 6.15. The color associated with the īٲ is blue (ī), and the presiding deity of of the odious (īٲ) sentiment is Mahkla (Śiva).
According to the Nṭyaśstra, “The Odious (īٲ) Sentiment has as its basis the Durable Psychological State of disgust. It is created by Determinants like hearing of unpleasant, offensive, impure and harmful things or seeing them or discussing them.�.
3) īٲ (बीभत्स, “odious�) refers to a specific “glance� (ṛṣṭi), according to the Nṭyaśstra chapter 8. The Glance in which the cornets of the eyes are nearly covered by eyelids, the eyeballs arc disturbed in disgust and the eyelashes are still and close to each other, is called īٲ (odious).
: Shodhganga: Mankhaka a sanskrit literary genius (natya)īٲ (बीभत्स) or the �sentiment (rasa) of disgust�.—īٲrasa is that where, the ٳ⾱屹 is ܱܲ or aversion. It is alleged by the mythologists to be blue-coloured and to have Mahkla i.e. an awful form of Śiva as its presiding deity. The stinking flesh and fibre and fat are regarded as its Բ屹, while therein, the presence of worms etc. are treated as ܻī貹Բ. Again, spitting, averting of the face, closing of the eyes etc. are its Գܲ屹 and bewilderment, epilepsy, agitation, sickness, death etc. are regarded as ⲹ屹 in connection to īٲ.
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)1) īٲ (बीभत्स) refers to the “odious sentiment� and represents one of the nine kinds of Rasa (“soul of Drama�), according to the Viṣṇudharmottarapurṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—According to the Viṣṇudharmottarapurṇa, the sentiment of īٲ arises from ܱܲ i.e., disgusting sight and it is showed by shaking of nose. The Nṭyaśstra agrees on it and accepts ܱܲ as the ٳ⾱屹 of īٲ-rasa. According to the Viṣṇudharmottarapurṇa, Nīla i.e., blue is the colour and Mahkla is the god of this sentiment. Bharata says that īٲ-rasa is to be represented through some activities such as stopping the movements of the limbs, narrowing down the mouth, vomiting, spitting, shaking of limbs in disgust etc.
2) Bibhats (बिभत्स�) refers to one of the Thirty six kinds of Glances (ṛṣṭi) or “proper accomplishment of glances� (in Indian Dramas).—Dṛṣṭi is very important in a dance form. The appropriate movements of eyes, eyeballs and eyebrows of an artist make the performance more charming. There are thirty six kinds of glances (ṛṣṭi) accepted in the Viṣṇudharmottarapurṇa, for example ٲ, belonging to the rasaṛṣṭi division.

Natyashastra (नाट्यशास्त्र, ṭyśٰ) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Shilpashastra (iconography)
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (shilpa)īٲ (बीभत्स) or “odious sentiment� refers to one of the Nine Sentiments (citrarasa) in ancient Indian Painting (citra), according to the Viṣṇudharmottarapurṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—According to the Viṣṇudharmottarapurṇa nine kinds of sentiments [e.g., īٲ—odious] are reflected through Paintings and these are termed as citrarasas in this work. [...] The īٲ-rasa is reflected through the Painting having places like burial site or having the terrible scene of killing.

Shilpashastra (शिल्पशास्त्र, śilpaśstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
Sports, Arts and Entertainment (wordly enjoyments)
: archive.org: Syainika Sastra of Rudradeva with English Translation (art)īٲ (बीभत्स) refers to a “feeling of loathing�, according to the ŚⲹԾ첹-śٰ: a Sanskrit treatise dealing with the divisions and benefits of Hunting and Hawking, written by Rj Rudradeva (or Candradeva) in possibly the 13th century.—Accordingly, [while discussing the outlines of hawking]: “[...] Caraka, when it seizes a young gazelle and eats its limbs and entrails, produces irresistibly a loathing (īٲ). Kecuka and other birds, afraid of the swiftness of the wings of Ṭo and others, hiding themselves motionless in bushes, produce the emotion of fear�.

This section covers the skills and profiencies of the Kalas (“performing arts�) and Shastras (“sciences�) involving ancient Indian traditions of sports, games, arts, entertainment, love-making and other means of wordly enjoyments. Traditionally these topics were dealt with in Sanskrit treatises explaing the philosophy and the justification of enjoying the pleasures of the senses.
In Buddhism
Tibetan Buddhism (Vajrayana or tantric Buddhism)
: academia.edu: A Critical Study of the Vajraḍkamahtantrarja (II)īٲ (बीभत्स�) refers to one the twenty-four Hor (astronomical) Goddess to be invoked during ū (ritual offering) in Tantric Buddhism, according to the 9th-century Vajraḍkatantra chapter 18.61-74. [...] A Yogin, putting a vessel in the left side of him, offers various things together with raw flesh, fish, immortal nectar (貹ñ峾ṛt). Then the Yogin invites Goddesses to please them with nectar—five Ḍkinīs and twenty-four Goddesses [viz., īٲ] come to the Yogin’s place, forming a ṇḍ.

Tibetan Buddhism includes schools such as Nyingma, Kadampa, Kagyu and Gelug. Their primary canon of literature is divided in two broad categories: The Kangyur, which consists of Buddha’s words, and the Tengyur, which includes commentaries from various sources. Esotericism and tantra techniques (Բ) are collected indepently.
In Jainism
General definition (in Jainism)
: archive.org: Een Kritische Studie Van ⲹūdeva’s Paümacariuīٲ (बीभत्स) participated in the war between 峾 and 屹ṇa, on the side of the latter, as mentioned in ⲹūdeva’s Paumacariu (Padmacarita, Paumacariya or 峾ⲹṇapurṇa) chapter 57ff. ⲹū or ⲹūdeva (8th or 9th century) was a Jain householder who probably lived in Karnataka. His work recounts the popular 峾 story as known from the older work 峾ⲹṇa (written by ī쾱). Various chapters [mentioning īٲ] are dedicated to the humongous battle whose armies (known as ṣaܳṇīs) consisted of millions of soldiers, horses and elephants, etc.
: archive.org: Trisastisalakapurusacaritraīٲ (बीभत्स) refers to one of the warriors in 屹ṇa’s army, according to the Jain Ramayana and chapter 7.7 [The killing of 屹ṇa] of Hemacandra’s 11th century Triṣaṣṭiśalkpuruṣacaritra: an ancient Sanskrit epic poem narrating the history and legends of sixty-three illustrious persons in Jainism.—Accordingly, “[...] When the battle had been going on for a long time, the army of the Rkṣasas was broken by the Vnaras like a forest by winds. [...] From anger at the killing of Hasta and Prahasta, [īٲ, ...] and others in Daśnana’s army advanced. [...] Then the soldiers of 峾 and 屹ṇa returned, purifying their own men, killed and unkilled�.
: JAINpedia: Jainismīٲ (बीभत्स, “disgust�) refers to the “nine sentiments� (navarasa) in poetics and dramaturgy and represents one of the topics dealt with in the Anuyogadvrasūtra : a technical treatise on analytical methods, a kind of guide to applying knowledge.—In Muni Puṇyavijaya’s words, “the Nandi which is of the form of five Jñnas serves as a mangala in the beginning of the study of the Āgamas; and the Anuyogadvra-sūtra serves as a key to the understanding of the Āgamas�.

Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, ‘self-reliance�) and spiritual development through a path of peace for the soul to progess to the ultimate goal.
Languages of India and abroad
Marathi-English dictionary
: DDSA: The Molesworth Marathi and English Dictionaryīٲ (बीभत्स).—a (S) Disgusting, nauseous, loathsome, obscene, that excites disgust--an object gen., speech, a speaker. 2 Laxly. Frightful, hideous, monstrous, shocking, appalling.
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īٲ (बीभत्स).—m S One of the nine sentiments or affections,--Disgust or abhorrence. See navarasa.
: DDSA: The Aryabhusan school dictionary, Marathi-Englishīٲ (बीभत्स).�a Disgusting, obscene. Fright- ful. One of the nine sentiments or rasa.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionaryīٲ (बीभत्स).�a. [badh svrthe san]
1) Disgusting, loathsome. nauseous, hideous, revolting; हन्त बीभत्समेवाग्रे वर्तते (hanta īٲmevgre vartate) Ml. 5 'Oh ! it is indeed a loathsome sight'.
2) Envious, malignant, mischievous.
3) Savage, cruel, ferocious.
4) Estranged in mind.
5) Loathing, detesting; बीभत्स�- रतिबीभत्स� कर्मेदमकरोत् कथम् (bībhatsu- ratiīٲ� karmedamakarot katham) Mahbhrata (Bombay) 11.24.13.
6) Sinful, wicked.
-tsa� 1 Disgust, abhorrence, detestation.
2) The disgusting sentiment, one of the 8 or 9 rasas in poetry; जुगुप्सास्थायिभावस्त� बीभत्स� कथ्यते रस� (ܱܲٳ⾱屹stu īٲ� kathyate rasa�) S. D.236. (e. g. Mlatīmdhava (Bombay) 5.16.).
3) Name of Arjuna.
-ٲ Loathing, abhorrence.
-tsam Anything loathsome.
: Cologne Digital Sanskrit Dictionaries: Edgerton Buddhist Hybrid Sanskrit DictionaryBibhatsa (बिभत्स).�adj. (m.c. for Sanskrit bī°), loathsome: Lalitavistara 206.2 (verse).
: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionaryīٲ (बीभत्स).—mfn. Subst.
(-tsa�-ٲ-tsa�) 1. Disgust, abhorrence. Adj. Detesting, loathing, changed or averted in mind. 2. Cruel, mischievous. 3. Compassionate. 4. Wicked. 5. Envious. E. badh to bind, to hate, &c. aff. ghañ .
: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English Dictionaryīٲ (बीभत्स).—an anomal. desider. probably of , [Ātmanepada.] To be angry, to detest, [Uttara 峾carita, 2. ed. Calc., 1862.] 6, 6 (with abl.).
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īٲ (बीभत्स).—i. e. īٲ + a, I. m. Disgust, abhorrence. Ii. adj. 1. Loathing, detesting. 2. Loathful, [Uttara 峾carita, 2. ed. Calc., 1862.] 99, 9; [ʲñٲԳٰ] iii. [distich] 112. 3. Mischievous, cruel. 4. Envious.
: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionaryīٲ (बीभत्स).—[adjective] loathsome, disgusting, hideous ([abstract] [feminine]); [feminine] (& [neuter]*) disgust, horror.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) īٲ (बीभत्स):—mf()n. ([from] [Desiderative] of �) loathsome, disgusting, revolting, hideous, [Śṅkhyana-brhmaṇa; ???; Mahbhrata] etc.
2) loathing, detesting, [cf. Lexicographers, esp. such as amarasiṃha, halyudha, hemacandra, etc.]
3) envious, cruel, wicked, [cf. Lexicographers, esp. such as amarasiṃha, halyudha, hemacandra, etc.]
4) changed or estranged in mind, [cf. Lexicographers, esp. such as amarasiṃha, halyudha, hemacandra, etc.]
5) m. disgust, abhorrence
6) (with rasa) the sentiment of disgust (one of the 8 Rasas q.v.), [Daśarūpa; Shitya-darpaṇa]
7) Name of Arjuna, [cf. Lexicographers, esp. such as amarasiṃha, halyudha, hemacandra, etc.]
8) īٲ (बीभत्स�):—[from īٲ] f. loathing, abhorrence, [Vjasaneyi-saṃhi] (cf. a-b)
9) īٲ (बीभत्स):�n. anything loathsome or hideous, a h° sight, [Mlatīmdhava]
: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionaryīٲ (बीभत्स):—[(ٲ�-ٲ�-ٲ�)] 1. m. f. n. Disgust. a. Detesting; cruel; wicked.
: DDSA: Paia-sadda-mahannavo; a comprehensive Prakrit Hindi dictionary (S)īٲ (बीभत्स) in the Sanskrit language is related to the Prakrit words: ī, īٳٳ.
[Sanskrit to German]
Sanskrit, also spelled संस्कृतम� (ṃsṛt), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Hindi dictionary
: DDSA: A practical Hindi-English dictionaryīٲ (बीभत्स):�(a) abhorrent, disgusting, loathsome; (nm) one of the nine rasas in poetry—the sentiment of abhorrence or disgust; hence ~[] (nf).
...
Kannada-English dictionary
: Alar: Kannada-English corpusīٲ (ಬೀಭತ್ಸ):�
1) [adjective] causing loathing; highly disgusting, abhorrent; utterly detestable.
2) [adjective] causing destruction; destroying.
3) [adjective] causing intense fear; terrifying.
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īٲ (ಬೀಭತ್ಸ):�
1) [noun] intense dislike or disgust; loathing; detestation.
2) [noun] that which causes dislike, detestation.
3) [noun] (dance) the sentiment of disgust.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
Nepali dictionary
: unoes: Nepali-English Dictionaryīٲ (बीभत्स):—n. 1. disgust; abhorrence; detestation; 2. the disgusting sentiment; one of the nine rasas (रस [rasa] ) in literature; adj. disgusting; loathsome; hideous; foul; detesting;
Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.
See also (Relevant definitions)
Starts with: Bibhatsaka, Bibhatsakarman, Bibhatsana, Bibhatsarasa, Bibhatsata.
Full-text (+34): Atibibhatsa, Bibhatsarasa, Bibhatsu, Bibhatsata, Abibhatsa, Bibhatsakarman, Sabibhatsam, Odious, Subibhatsa, Rasa, Bibhatsaka, Jugupsa, Bibhaccha, Bibhitsa, Vibhitsa, Navarasa, Vibhatsa, Keshakarin, Terrible, Bibhattha.
Relevant text
Search found 53 books and stories containing Bibhatsa, īٲ, īٲ; (plurals include: Bibhatsas, īٲs, īٲs). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Bhakti-rasamrta-sindhu (by Śrīla Rūpa Gosvmī)
Verse 4.8.8 < [Part 8 - Compatible & Incompatible Mellows (maitrī-vaira-sthiti)]
Verse 4.8.13 < [Part 8 - Compatible & Incompatible Mellows (maitrī-vaira-sthiti)]
Verse 4.8.4 < [Part 8 - Compatible & Incompatible Mellows (maitrī-vaira-sthiti)]
The backdrop of the Srikanthacarita and the Mankhakosa (by Dhrubajit Sarma)
Part 2g - Rasa (7): īٲ or the sentiment of disgust < [Chapter III - Literary Assessment Of The Śrīkaṇṭhacarita]
Part 3b - Guṇa (2): Oja� (Ojas) < [Chapter III - Literary Assessment Of The Śrīkaṇṭhacarita]
Part 2 - Rasa or the sentiment < [Chapter III - Literary Assessment Of The Śrīkaṇṭhacarita]
Sahitya-kaumudi by Baladeva Vidyabhushana (by Gaurapada Dsa)
Text 4.35 < [Chapter 4 - First-rate Poetry]
Text 8.9 < [Chapter 8 - Literary Qualities]
Text 7.120 < [Chapter 7 - Literary Faults]
Vishnudharmottara Purana (Art and Architecture) (by Bhagyashree Sarma)
1.3. Elements of Drama (h): Sentiment (Rasa) < [Chapter 3 - Drama and Dance]
3. Vocal Music (Gīta) < [Chapter 2 - Music]
7(h): Connection of Sentiments with the Paintings < [Chapter 5 - Painting and Image Making]
Malatimadhava (study) (by Jintu Moni Dutta)
Part 1.3f - īٲ Rasa (The Odious Sentiment): < [Chapter 2 - Literary Study of the Mlatīmdhava]
Part 1.3 - Delineation of Rasa in the Mlatīmdhava—Introduction < [Chapter 2 - Literary Study of the Mlatīmdhava]
Literary Study (Conclusion) < [Chapter 2 - Literary Study of the Mlatīmdhava]
Varadambika-parinaya Campu (Study) (by Bhagavant. L. Nadoni)
The depiction of Bibhatsa Rasa < [Chapter 7 - Rasa delineation in Varadambika-parinaya Campu]
Introduction to the concept of Rasa in the context of Poetry < [Chapter 7 - Rasa delineation in Varadambika-parinaya Campu]