Ardhamatra, ٰ, Ardha-matra: 7 definitions
Introduction:
Ardhamatra means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Vyakarana (Sanskrit grammar)
: Wikisource: A dictionary of Sanskrit grammarٰ (अर्धमात्रा).—Half of a ٰ or 'mora'., cf. अर्धमात्रालाघवेन पुत्रोत्सव� मन्यन्ते वैयाकरणा� (ardhaٰlāghavena putrotsava� manyante vaiyākaraṇāḥ) Par. Śekh. Pari. 122, signifying that not a single element of utterance in Pāṇini's grammar is superfluous. In other words, the wording of the Sūtras of Pāṇini is the briefest possible, not being capable of reduction by even half a mora.

Vyakarana (व्याकर�, vyākaraṇa) refers to Sanskrit grammar and represents one of the six additional sciences (vedanga) to be studied along with the Vedas. Vyakarana concerns itself with the rules of Sanskrit grammar and linguistic analysis in order to establish the correct context of words and sentences.
Shaktism (Shakta philosophy)
: Google Books: Manthanabhairavatantram1) ٰ (अर्धमात्�) (Cf. ٰ) refers to a “half-measure�, symbolizing the fourth state, according to the Atharvaśiropaniṣad.—The analysis of the audible sound of the syllable O� in the principle Upaniṣads is always triplicate. It consists of three basic measures (ٰ), namely A, U and the concluding substantive element Ma. [...] The fourth state in which the true, absolute nature of the Self is realised is ‘without measure� (aٰ). [...] Later Upaniṣads preferred to think of this fourth, most subtle and elevated part of O� in positive terms as a ‘half-measure� (ardhaٰ). Thus according to the Atharvaśiropaniṣad, the first three measures of O� are the deities Brahma, Viṣṇu and Īśāna. But, “the three and a half-measure has all these as its deities, is unmanifest, goes out into the wide (expanse) is pure and resembles a mountain-crystal in colour; he who meditates on it continuously goes to the abode of bliss�.
2) ٰ (अर्धमात्रा) refers to one of the six Goddesses (貹-ṣaṭk) associated with Avyaktapīṭha (i.e., ‘the unmanifest seat� representing the act of churning�ԳٳԲ), according to the Manthānabhairavatantra, a vast sprawling work that belongs to a corpus of Tantric texts concerned with the worship of the goddess Kubjikā.—[...] The six Goddesses (貹ṣaṭk): Sākārā, Nirākārā, Ekaٰ, Dviٰ, Triٰ, ٰ

Shakta (शाक्�, śākta) or Shaktism (śāktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.
Natyashastra (theatrics and dramaturgy)
: Shodhganga: Kohala in the Sanskrit textual tradition (ns)ٰ (अर्धमात्�) is associated with Druta which represents one of the five Aṅgas or “limbs� (of a —time-measure), according to the Tālalakṣaṇam, a work ascribed to Kohala—a celebrated authority of the ancient period along with others such as Bharata, Yāṣṭika, Śārdūla, Kāśyapa etc.—The Tālalakṣaṇa begins by mentioning the four types of ṅg (druta, laghu, guru, pluta) according to the views found in ṅgīٲūḍaṇi. ĀñᲹԱⲹٲ also gives the same four ṅg. Tālakalāvilāsam gives a more detailed account of the ṅg and gives specific names for each of the five ṅg. Druta is associated with ٰ, Vyoma, Bindu, Valaya

Natyashastra (नाट्यशास्त्र, ṭyśٰ) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Languages of India and abroad
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionaryٰ (अर्धमात्रा).�
1) half a (short) syllable. अर्धमात्रालाघवेन पुत्रोत्सव� मन्यन्ते वैयाकरणा� (ardhaٰlāghavena putrotsava� manyante vaiyākaraṇāḥ) Pari Sik.
2) a term for a consonant (vyañjana� cārdhaٰkam).
ٰ is a Sanskrit compound consisting of the terms ardha and ٰ (मात्रा).
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) ٰ (अर्धमात्�):—[=ardha-ٰ] n. the half. middle, [Vājasaneyi-saṃhitā-prātiśākhya] etc.
2) ٰ (अर्धमात्रा):—[=ardha-ٰ] [from ardha-ٰ] f. half a short syllable
3) ٰ (अर्धमात्�):—[=ardha-ٰ] mfn. having the quantity of half a short syllable, [Taittirīya-prātiśākhya]
4) [v.s. ...] m. hence, a Name of the peculiar sound called yama (q.v.), [Rāmatāpanīya-upaniṣad]
[Sanskrit to German]
Sanskrit, also spelled संस्कृतम� (ṃsṛt), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Partial matches: Ardha, Matra.
Starts with: Ardhamatraka.
Full-text: Matrardha, Parardhamatra, Sardhamatra, Ardhamatrika, Anudruta, Laghava, Shakara, Bindu, Vyoman, Vyomatmaka, Turiyasthana, Nirakara, Ekamatra, Dvimatra, Ravabija, Druta, Valaya, Trimatra.
Relevant text
Search found 20 books and stories containing Ardhamatra, ٰ, Ardha-matra, Ardha-ٰ, ٰ, Ardha-ٰ; (plurals include: Ardhamatras, ٰs, matras, ٰs, ٰs, ٰs). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Cidgaganacandrika (study) (by S. Mahalakshmi)
Verse 96 [Praṇava produced by Cakrapañcaka in Kuṇḍalinī] < [Chapter 3 - Third Vimarśa]
Forms of Praṇava < [Chapter 4 - Fourth Vimarśa]
Shiva Gita (study and summary) (by K. V. Anantharaman)
Chapter 15 - Yoga of Devotion (bhakti-yoga)
Appendix 4 - Esoteric Significance of OM enunciated in Śiva Gītā
Shat-cakra-nirupana (the six bodily centres) (by Arthur Avalon)
Verse 40 < [Section 7]
Thirty minor Upanishads (by K. Narayanasvami Aiyar)
Narada Parivrajaka Upanishad of Atharvaveda, Chapter VIII
Nada Bindu Upanishad of Rigveda
Notices of Sanskrit Manuscripts (by Rajendralala Mitra)
Page 65 < [Volume 1 (1871)]
Shaiva Upanishads (A Critical Study) (by Arpita Chakraborty)
17. Śāṇḍilya Upaniṣad on OM < [Chapter 2 - “Om� and its Esoteric Significance]
1. Meditation on Praṇava < [Chapter 2 - “Om� and its Esoteric Significance]