Preksha meditation: History and Methods
by Samani Pratibha Pragya | 2016 | 111,074 words
This page relates ‘Digambara Meditation: Shubhacandra (11th c. CE)� of study dealing with Preksha-Dhyana: a meditation technique created by Acharya Shri Mahapragya (Acarya Mahaprajna) in the late twentieth century. It synthesizes ancient Jain ascetic methods, ritualistic practices, and modern scientific insights, appealing to a global audience. The thesis explores its historical context, theoretical foundations, and the rise of contemporary Jain meditation systems.
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11.5. Digambara Meditation: ŚܲԻ (11th c. CE)
[Full title: The Two Meditations: Liberating Psychological States (5) Digambara Meditation: ŚܲԻ (11th c. CE)]
The Digambara 峦ⲹ ŚܲԻ (11th c. CE) wrote the ñṇa, which offers a new model of four meditations:[1]
(1) Meditation on the corporeal body (辱ṇḍٳ);
(2) Meditation on mantric syllables (padastha);
(3) Meditation on the forms of the arhat (ū貹ٳ); and
(4) Meditation on the pure formless self (ūīٲ).
This new formulation of meditation is introduced in Jainism under the early category of -Բ. However, ճܱī and Mahāprajña points out that this system of meditation existed previously in Ś tantra cults and that Śubhacandara develops his four-fold scheme of meditation on the pattern of the ś-ٲԳٰ (ճܱī and Mahāprajña, 1969: 75-76). This text explains that “one who knows the right method, the four types of 辱ṇḍٳ, padastha, ū貹ٳ and ūīٲ, is accepted as guru�.[2] Further, they state that “[a] similar verse is present in the ҳܰ-ī, which explains �辱ṇḍ as ṇḍī, pada as ȴ (i.e. the ī or the self), ū貹 as ṅd (energy) and ūīٲ as ԾñᲹԲ (pure soul)�.[3] Ohira also notes in ٳԲ-stava (DhS) that the fourfold meditations discussed in the of ŚܲԻare present in earlier Hindu tantric texts such as Abhinavagupta’s ղԳٰǰ첹 (10.241). She shows that the ñṇa (Ocean of knowledge) is also the name of a scriptural text of the Ś Kaula lineage.[4] This information was communicated to Ohira by A.N. Upādhyāe (Ohira, 1973: 18).
Śubhacandara in his yogic system mentions five concentrations (ṇ�) as a subtype of the 辱ṇḍٳ-Բ, which is one of the four Բ. These ṇās are related to: the earth element (ٳī), the fire element (岵Աī), the air element (ś/ ܳī), the water element (ṇ�) and the fifth related to the non-material self (tattvū貹vatī).[5] However, earlier Rāmasena mentions three ṇ� in ղٳٱԳśԲ (Tattvānuśāsana, 183) but a detailed prosidure is not available. ŚܲԻ presented a complete chapter on these five ṇās (ñṇa 37.3-28).[6]
This new four-fold system of Բ and ṇ� shows the clear influence of the Hindu tantra tradition. Furthermore, the four virtues of ٰī (friendship), pramoda (appreciation), 첹ṇ� (compassion) and ⲹٳ (indifference) are recognized as the sustainers of dharmya-Բ (JĀ, 27.4).[7]
ŚܲԻ emphasises the necessity of various processes of breath control in addition to the development of the power of concentration. He prescribes withdrawal of the mind, along with withdrawal of the sense organs, from external objects and its retention at a place in the body, for instance, the forehead (see, jyoti-kendra in modern ṣ�-Բ). A number of postures are prescribed in ŚܲԻ’s ñṇa. One should select the most suitable posture for one’s concentration. The most important condition of success in concentration, however, is not only a healthy body but also purity of the soul. One can attain the highest state of concentration in any posture provided one has the requisite strength i.e. physical and spiritual health.
ŚܲԻ describes three states of the soul, viz. the exterior-self (ٳ), the interior-self (Գٲٳ) and the transcendental-self (貹ٳ). One should relinquish the exterior-self and concentrate upon the transcendental-self by means of the interior-self. The interior self involves concentration on the pure qualities of the soul and is meditation. ŚܲԻ’s four types of meditation are incorporated and elucidated in the ۴Dz-śٰ (Yoga-śٰ, 7.8) of Hemacandra.
Footnotes and references:
[2]:
[4]:
Ś Kaula lineage is a tantric school, also known as �siddha ٰ徱پDz�. ٳī syāttath岵Աī śvasanā vātha ṇ�. tattvū貹vatī ceti vijñeyāstā yathākramam.
[5]:
ñṇa 37.3.
[6]:
See ղٳٱԳśԲ, chapter 37 for detail description of five ṇ�.