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112 Beginning. (trtiyapatalaparyyantam nasti | caturthapatalat ) End. visayah | sriparvvatyuvaca | ito'dhikam mahadeva sanksepacchrnu yatnatah | jativicaranam vaca sadhavam vidhavam vina || vrddham va yauvananmattam kutsitam nasti vatsala (?) | sakterddarsanamatrena saktanantu mahotsavam || ityato vidyate || kavacam va tadarddha ' va tadarddha va mahesvara | janati ma guruh saksan matsamastatsamo'pi va || (2) iti nigamalatayam parvatisvarasamvade pancavimsatitamah patalah | samaptascayam granthah | atra sarvatra nayikasadhanavyavastha, tanmantrani ca vidyante | No. 700 advaitamrtam | Substance, country yellow paper. Folia, 22. Lines, 14 - 15 on a page. Extent, 776 slokas. Character, Nagara. Dated S. 1807. Place of deposit, Manakara, Bardhamana, Babu Hitalala Misra. Appearance, old. Verse. Correct. Advaitamrita. The preeminence of the Vidanta as a means of salvation. By Jagannatha Sarasvati, disciple of Harihara Sarasvati. The subject of the work is treated in the form of a dialogue. Vivekasrama Yati, or the saint of the hermitage of dispassion, in course of his search for a peaceful hermitage, encounters Chittavritti, ( mind), who calls herself his elder sister, and enters into conversation on the subject of salvation. The work is divided into five kavala or mouthfuls of nectar. Contents : I introduction. II Atma defined, its character. The power of the Godavari, and other rivers to afford salvation; the story of Andhaka. III Proofs of the felicitous character of the soul. IV. Impermanence of worldly pleasures, and nonduality of the soul. V. The difference between spirit, and matter; a quotation on the subject from the Chhandogya Upanishad. Dr. Hall states (Contributions, p. 14) that the work "purports to have been written for the use of one Vivekasrama;" that personage, however, is entirely imaginary, and plays the part of the tutor and not the taught.