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The tanm膩tr膩s are said to be the subtle essence of the tattvas. The five tanm膩tr膩s are: (i) 艢abda or sound, the subtle essence of 膩k膩艣a tattva: (ii) sparsa or touch, the subtle essence of v膩yu tattva: (iii) r奴pa or form, the subtle essence of Agni tattva: (iv)rasa or taste, the subtle essence of 膩pas tattwa, and (v) gandh or smell, the subtle essence of p峁泃h墨v墨 tattva. These five tanm膩tr膩 are perceived by the five j帽膩nendriya, organs of knowledge, which are: (i) srota or ears, the auditory sense, perception of sound: (ii) tvac or skin, the tactile sense, perception of touch or feeling: (iii) cak峁�u or eyes, the optic sense, perception of from: (iv) jihv膩 or tongue, the gustatory sense, perception of taste, and (v) ghr膩峁嘺 or nose, the olfactory sense, perception of smell. It is actually from the five tanm膩tr膩 that the five tattvas have evolved. The tanm膩tr膩 and the tattvas are also associated with the cakras. Thus in m奴l膩dh膩ra we find the yellow square representing the earth element and the tanm膩tr膩 of smell. Similarly, in sw膩di峁ａ弓h膩na there is the white crescent moon of the water element and the tanm膩tr膩 of taste. In ma峁嚹玴奴ra there is the fiery red triangle and the tanm膩tr膩 of form. In tanm膩tr膩 there is the blue hexagon of the air element and the tanm膩tr膩 of touch. In visuddhi there is the circle of avoid or ether element and the tanm膩tr膩 of sound. This practice leads one progressively through the conscious, subconscious and unconscious dimension of the tattvas. First, the everyday sensory objects are experienced internally by the j帽膩nendriyas. This correlates the tattvas with the conscious level of perception. Second, certain feelings, symbols and scenes are evoked which correspond to the tattvas at the subconscious level. Third, certain devat膩 or aspects of 229