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Vishnudharmottara Purana (Art and Architecture)

by Bhagyashree Sarma | 2021 | 59,457 words

This page relates ‘Characteristic Features of Sarvatobhadra Temple� of the study on the elements of Art and Architecture according to the Vishnudharmottara Purana: an ancient text whose third book deals with various artisan themes such as Architecture, Painting, Dance, Grammar, etc. Many chapters are devoted to Hindu Temple architecture and the iconography of Deities and their installation rites and ceremonies.

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8. Characteristic Features of Sarvatobhadra Temple

The վṣṇܻ󲹰dzٳٲܰṇa narrates Sarvatobhadra type of temple very elaborately. The word sarvatobhadra is derived from two words viz., sarvata i.e., from every side[1] and bhadra means auspicious.[2] So it can be said that the temple characterized by all good qualities and auspiciousness can be called sarvatobhadra temple. The վṣṇܻ󲹰dzٳٲܰṇa gives a special importance on this particular type of temple and does not include this temple in the classification of hundred temples. Rather, it is described in a separate chapter i.e., in 87th chapter of the third part of the վṣṇܻ󲹰dzٳٲܰṇa which shows its uniqueness. The Ѳٲⲹܰṇa also states about the sarvatobhadra type of temple in its 269th chapter and suggests that the sarvatobhadra type of temple should bear many ś󲹰.[3]

According to the ṛhٲṃh, the sarvatobhadra temples should have four doors, many domes, many beautiful Իś, five storeys and they should be twenty six cubits in breadth.[4] According to the վṣṇܻ󲹰dzٳٲܰṇa, the sarvatobhadra temple bears four sided Ჹī and twenty four 󲹲ṛh on the Ჹī.[5] There would remain twenty four small temples around the main temple.[6] Again there stay three temples in the both sides of every staircase on the platform.[7]

Moreover, two other beautiful temples should be made at the bottom of every staircase.[8] Another kind of temple called devakula should be built in the corner against the platform as notified in the վṣṇܻ󲹰dzٳٲܰṇa.[9] A i.e., an enclosure[10] should be made behind the temple and the size of that enclosure should be higher than Ჹī.[11] Four flights of stairs should be placed in the four directions of the temple.[12] The stairs of the temple should be one third of the length of the 󲹱.[13] The Ѳṇḍ貹 seems to be the most integral part of a temple. The sarvatobhadra type of temple should have four ṇḍ貹[14] and each ṇḍ貹 should have three doors.[15] There should be pillars in the entrance of those ṇḍ貹.[16] The existence of ś󲹰 on the top of a temple makes it more charming and attractive. According to the վṣṇܻ󲹰dzٳٲܰṇa, the sarvatobhadra type of temple should have nine ś󲹰 on the top.[17] All the ś󲹰 should be in same size except one which should be quite higher than others.[18] Obviously it refers the principal dome. The ś󲹰 should be designed on the basis of various figures and those should not be like skull-shaped or pointed as it has already been incorporated.[19] The ś󲹰 should be decorated with 峾첹, cakras, and dvajas.[20] Moreover, kuharas i.e., interior windows[21] /[22] should be placed to adorn the ś󲹰 and those kuharas are attached with ṣa i.e., latticed windows[23] and a i.e., a lattice[24] over those.[25]

Thus it can be said that the sarvatobhadra type is a special kind of temple which is a great one and appears to be very sophisticated. Moreover, the sarvatobhadra temple belongs to the group having lots of chambers which obviously means temple with different porticos. The variety from the list of hundred temples stated by the վṣṇܻ󲹰dzٳٲܰṇa is noticed to have some qualities of sarvatobhadra temple. Thus the վṣṇܻ󲹰dzٳٲܰṇa has offered a vast discussion on various points connected to temples. It narrates many subtle features of Hindu temple and thus the work justifies its importance in this regard.

Footnotes and references:

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[1]:

V.S Apte, The Student’s Sanskrit English Dictionary, p.593

[2]:

Ibid., p.399

[3]:

ṣoḍaśāstrasamāyukto nānārūpasamanvita�/ anekaś󲹰tadvat sarvatobhadra ucyate// Ѳٲⲹܰṇa, 269.34

[4]:

屹ܳٲśٳܰ󾱰ś󲹰 bhavati ٴDz󲹻�/ bahuruciracandraśāla� ṣaḍviṃśa� pañcabhaumaśca// ṛhٲṃh, 56.27

[5]:

ekatra Ჹī ٳٰܰ Դǰ/ tasyā� garbhagṛhā� viṃṣatiścaturuttarā�/ վṣṇܻ󲹰dzٳٲܰṇa, 3.87.2.

[6]:

prāsādakā mahārājaścaturviṃśatireva ca/ Ibid., 3.87.4

[7]:

sopānobhayato rājanprāsādāste trayastraya�/ Ibid., 3.87.5

[8]:

sopānamūle prāsāde dvedve kārye manorame/ Ibid., 3.87.7

[9]:

tathaiva Ჹīpṛṣṭhe koṇe 𱹲ܱ� nyaset// Ibid., 3.87.8

[10]:

P.K Acharya, A Dictionary of Hindu Architecture, Vol 1, p.388

[11]:

pṛṣṭhe jagatyurdha� Ծś/ վṣṇܻ󲹰dzٳٲܰṇa, 3.87.3

[12]:

caturṣu dikṣu DZԲ� 󲹱yā� niveśayet/ Ibid., 3.87.4

[13]:

sopānastryaṃśvistāro 󲹱yā� īپٲ�/ Ibid., 3.87.5

[14]:

catvāro maṇḍapāścātra�../ Ibid., 3.87.9

[15]:

첹첹� ṇḍ貹� cātra dvāratritayabhūṣita�/ վṣṇܻ󲹰dzٳٲܰṇa, 3.87.11

[16]:

ṇḍ貹ya ca ye 屹� ste stambhabhūṣitā�/ Ibid., 3.87.12

[17]:

岹ⲹ ś󲹰 bhavantyeva navaiva tu/ Ibid., 3.87.12

[18]:

ܳٲ� Բ� śṛṅ� ٳܱⲹ� 峦󾱰󲹰ṣṭ첹�/ Ibid., 3.87.13

[19]:

rūpakairvividhairyukta� na ṇḍ� na ca śūlavat/ Ibid., 3.87.14

[20]:

sarvatra ś󲹰� śubhāmalakasārakā�/ sacakrā� sapatākāśca sadhvajāśca……�.// Ibid., 3.87.15-16

[21]:

P.K Acharya, A Dictionary of Hindu Architecture, Vol 1, p.144

[22]:

ܳ󲹰� ⲹԳٲṣāḥ�./ ṭṭdzٱ貹 commentary on ṛhٲṃh, 56.20

[23]:

P.K Acharya, A Dictionary of Hindu Architecture, Vol 1, p.167

[24]:

V.S Apte, The Student’s Sanskrit English Dictionary, p.220

[25]:

ś󲹰statra kartavyā� kuharānvitā�/ jālāgavākṣakopetai� kuharairnṛpa bhūṣitā�// վṣṇܻ󲹰dzٳٲܰṇa, 3.87.14-15

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