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Essay name: Vaishnava Myths in the Puranas

Author: Kum. Geeta P. Kurandwad
Affiliation: Karnatak University / Department of Sanskrit

The essay studies the Vaishnava Myths in the Puranas by exploring the significance of the ten principal incarnations of Lord Vishnu as depicted in various ancient Indian texts like the Vedas, Upanishads, and Puranas. The research also investigates the social, political, philosophical, and religious impact.

Chapter 4 - Significance of Vaishnava Myths

Page:

11 (of 234)


External source: Shodhganga (Repository of Indian theses)


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times as the ancestor of the Ṛsis. The vedic seers call him as “our
father, na� pitā." This belief has been well preserved in the purāṇic
account of the Matsyavatāra where he is said to have create
everything when the deluge subsided.
In the Yajurveda the word Matsya occurs twice in association
with other water animals like Śiśumāra (porpoise), Maṇḍūka (frogs),
Kulipayas (breath cocks), Nakra, (crocodiles). XXIV:21:34.
In the Atharvaveda there is an interesting passage, regarding
numerous creatures, which include fish, acquantic birds and others.
The Satapatha Brāhmaṇa also connects deluge with Manu.
According to the Satapatha Brāhmaṇa, a warning by a fish against
the impending disasterous flood, is given to Manu. Manu being urged
by fish, constructs a ship. The prediction comes true and the world
is submerged with flood. Only Manu is saved and is carried to the
lofty peak of the Himalayas. He then, performs a sacrifice out of
which a woman arises. The two then create the mankind a fresh.
These features of the Fish Incarnation seem to have been
fundamental basis for further ideas developed. In the Satapatha
Brāhmaṇa there is no explicit identification of the fish either with
Viṣṇu or Prajāpati. But on the account recorded therein, the concept
of Matsyāvatāra appears to have been based. The details given in the
Satapatha Brāhmaṇa, are not inconsistent with those connected to
the Matsya-avatāra in the Purāṇas.
This myth as described in the Satapatha Brāhmaṇa, runs in
terms of the parable of Manu and Ida as below :

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