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IV. It is popularly known that K膩vya is divided into two sections : 艢ravya
and D峁浥泍a. This tree of K膩vya was planted by the ancient poets like
V膩lm墨ki, then sprouted by the poets like Bh膩sa, further blossomed and
became fruitful by K膩lid膩sa. Despite this, Trivikrama Pa峁囜笉ita has
composed this jewel of 艢ravyak膩vya, the U峁Ｄ乭ara峁嘺, with a view to
highlight over-all supremacy of Lord K峁涐梗峁嘺, an incarnation of Lord Vi峁ａ箛u
and to arise devotion to Him in the mind of Sah峁沝ayas too!
This epic-poem U峁Ｄ乭ara峁嘺 stands out as unique in itself; because
like that of K膩lid膩sa it endows Pras膩dagu峁嘺 through the sweetness of
grape-juice, like that of M膩gha, it is beautiful with figures of speech,
Citrabandhas, like that of Bh膩ravi, it inherits profoundity of thought,
and like that of Harsa it carries significant descriptions.
In recognising the U峁Ｄ乭ara峁嘺 as a Mah膩k膩vya, its all characteristics
are found well in tune with its being an epic poem. It consists of nine
cantos which is not very lengthy. It opens with the Mangala 艣loka
invoking Lord Vis峁噓. It describes Lord Vis峁噓's incarnation as K峁涐梗峁嘺, His
destruction of Ka峁僺a and K膩layavana, His marriage with Rukmi峁嚹�, birth
of Pradyumna and Aniruddha, abduction of Aniruddha, fight between
艢iva and K峁涐梗峁嘺, union of Aniruddha and U峁Ｄ�. Lord K峁涐梗峁嘺 being the
Pradh膩na-n膩yaka of the U峁Ｄ乭ara峁嘺 is characterised as compassionate,
noble, clever, valiant etc. the qualities of a Dhirod膩tta type of hero. The
U峁Ｄ乭arana reads the description of the Milk ocean, Dw膩rak膩 city
water-sport, garden-sport, love amusements of U峁Ｄ� and Aniruddha,
battle, Raivataka mountain etc. All cantos end with different metre from
that of preceding ones. All cantos were written in an agreeable metre and
well connected with the contents thereof. Lord K峁涐梗峁嘺 is characterised as
triumphant. And Trivikrama Pandita's purpose of writing this poem is to
gain favour of Lord K峁涐梗峁嘺 and to rouse devotion to Him in the minds
of readers. Thus, the U峁Ｄ乭ara峁嘺-k膩vya admirably satisfies the
requirements of a Mah膩k膩vya.