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CHAPTER - VI
ALANK膧RAS IN THE USAHARA峁咥K膧VYA
Introduction: A close reading of the U峁Ｄ乭ara峁嘺 poem makes it
clear that Trivikrama Pandita was one of the extra-ordinary poets.
Undoubtedly, Trivikrama's poetic writings are highly polished and richly
adorned with 艢补产诲腻濒补苍办腻谤补蝉 and Arth膩la峁僰膩ras. Poet's unique skill in
giving pictorial descriptions is found really commendable. In the epic
poem the language enriched with Alank膩ras is found throughout very
prominently.
Unlike others, Trivikrama Pa峁囜笉ita makes his poem enjoyable to the
readers by means of various poetic aspects. An intutive poetic vision of
Trivikrama Pandita produces aesthetic delight in the hearts of
厂补丑峁沝补测补蝉.
The Alank膩ras used by the poet in the Mah膩k膩vya may be grouped
into two sections, one is Sabd膩lank膩ra and the other being Arth膩lank膩ra.
Sabd膩lank膩ra or Sabdacitra constitutes verbal figures namely
Anupr膩sa (Alliteration), Yamaka (chime), Chhek膩nupr膩sa (dexterous
alliteration) V峁泃tyanupr膩sa (repetitive alliteration) etc.
Thus, in
in
Sabdalankara, strikingness lies with word. In
Arth膩lank膩ra, the sense of the word visualises production of image from
reflection of the matter in hand by means of the standard of similitude.
In the background of this short introduction, a detail study of different
types of Alank膩ras follows as below:
艢补产诲腻濒补苍办腻谤补蝉
As is said already before, 艢abd膩lank膩ra is of various types investing
the strength in the words forming the poetic organism.