Essay name: Minerals and Metals in Sanskrit literature
Author:
Sulekha Biswas
Affiliation: Chhatrapati Sahuji Maharaj University / Department of Sanskrit
This essay studies the presence of Minerals and Metals in Sanskrit literature over three millennia, from the Rigveda to Rasaratna-Samuccaya. It establishes that ancient Indians were knowledgeable about various minerals and metallurgy prior to the Harappan era, with literary references starting in the Rgveda.
Chapter 6 - Minerals and Metals in the Indian Epics
13 (of 17)
External source: Shodhganga (Repository of Indian theses)
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VI-13
in yellow, was likened to a mani encased in gold (5.92.52; 12.45.14)
अतसीपुष्� संकाशः पीतवास� जनार्द�
व्यम्राज� सभामध्ये हेम्नीवोपहित� मणिः
( [atasīpuṣpa saṃkāśa� pītavāsā janārdana
vyamrājata sabhāmadhye hemnīvopahito maṇi�
(] 5.92.52)
King Drupada presented to the Pandavas vessels or bhajanas ornamented
with beryl and diamond:
शयनासन यानानि विविधानि महान्त� �
वैदूर्यवज्� चित्राणि शतशो भाजनानिच
( [śayanāsana yānāni vividhāni mahānti ca
vaidūryavajra citrāṇi śataśo bhājanānica
(] 1.191.15)
A few gold patras ear-marked as gifts for Brahmins were likewise
incrusted with vajra (12.165.14). Similar silver dishes with gem
incrustations were introduced at Taxila by the Greeks around 100 A.D.
for the first time; these were known as paterae. The drinking horn
or rhyton of the Graeco-Romans was also imitated. In one solitary
instance, the Mahabharata (8.6.37) describes some elephant tusks
and rhino and cattle horns, ornamented with pearls and precious
stones, which were used as water-sprinklers during the consecration
of Karna as the commander of the Kauravas.
The references to the Chinese silk (2.47.22), Bharukaccha
and Roma (Rome):
अन्ताखी� चै� रोमांच यवनाना� पुरं
मरुकच्छं गत�
( [antākhī� caiva romāṃca yavanānā� pura�
marukaccha� gato
(] 2.28.49-50
clearly prove that insertions were made in the epic long after the
onset of the Christian era. The description of the gold-decorated
ornamental armour-coats in the Virataparva is very significant on
account of their close affinity with Sassanian metal works of the
5th - 6th Century A.D. (Lad, 1983).
