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Kavyamimamsa of Rajasekhara (Study)

by Debabrata Barai | 2014 | 105,667 words

This page relates ‘Rajashekhara’s later work’s on Kavi-shiksha� of the English study on the Kavyamimamsa of Rajasekhara: a poetical encyclopedia from the 9th century dealing with the ancient Indian science of poetics and rhetoric (also know as alankara-shastra). The Kavya-mimamsa is written in eighteen chapters representing an educational framework for the poet (kavi) and instructs him in the science of applied poetics for the sake of making literature and poetry (kavya).

Go directly to: Footnotes.

Part 21 - Ჹś󲹰’s later work’s on -śṣ�

Kavikaṇthāvaraṇa and Aucityvicāracarcā of ṣeԻ:

ṣeԻ’s Kavikaṇthāvaraṇa is a valuable work from many aspects of -śṣ�. It is divided into five chapters or �Sandhis�. In the beginning of first chapter he describes the contrivance of poetic genius which is divided into two parts: Divya (pleasant) and ʲܰṣa (masculinity). Chapter I deal with earning the poetic talent. Chapter II discusses the detail account of apprenticeship of a poet (kavi). The next chapter III describes the astonishment of 屹ⲹ and the chapter IV goes to the ҳṇa and ٴṣa elements of poetry. The last chapter V, highlights the adore view of Śٰ.

In the work ܳٲⲹ ṣeԻ discusses the theory of Auchitya or propriety, which is the same treatment of ĀԲԻ岹󲹲Բ’s. It is also demonstrated into śṣ� works.

屹ⲹnuśāsana of Hemachandra:

In the Kāvyānuśāsana (of Hemacandra), Hemacandra basically discusses about the general topic of Sanskrit poetics but certain things of first chapters� are importantly connected with applied poetics. In this part he discusses the attainment of perfection on word power; the instruction for poetic sensibility is too easy. There he also describe like other ṃk첹 as the poetry is the sprouts from the imagination of a poet for pleasure, fame and advice like of a wife. Then he says about پ as the main cause of poetic faculty, with this vyutpatti and can enrich the imagination of a poet.

Kavitārahasya of ṃh:

ṣeԻ’s subsequent ṃh composed the -rahasya, an unprecedented Kavi-śṣ� work, his father 屹Բⲹ Simha[1] and guru Jindutta lived in Gurjar prodesa. His friend ղٳܱ was the minister (councilor) of ٳDZǰᲹ during 13th Century A. D. So it may be possible that, -rahasya was composed in this period.

屹ⲹ첹貹屹ṛtپ of Amarachandra

It is a famous -śṣ� work, written by Amaracandra [Amarachandra]. Though his parents name could not be recovered but his Guru was Jindutta. Its composition was based on the ṃhs -rahasya with its own ṛtپ. Probably �ܰ첹ṃkٲ� is also another work of Amarchandra.[2] According to Shyam Sundar Das, Amarachandra composed other thirteen -śṣ� works.[3]

屹ⲹ-첹貹-ṛtپ is divided into four dzԲ

  1. Chanda-siddhi,
  2. Ś岹-,
  3. Śṣa-siddhi and
  4. Arthasiddhi, which is very adequate for poetic creation.

-śṣ� works of ṅg and Vinay Chandra:

󲹲Ի’s preceding ṅg composed a -śṣ� work and 󲹲Ի’s same times Vinay Chandra composed a -śṣ� work. But it is very painful that those works are not available in the present time, we can get only those names.[4] A large part of Ჹś󲹰’s 屹ⲹmīmāṃsā is concerned with similar topic.

Kavi첹貹 of Deveśvara

Devesvara’s Kavi-첹貹 is a recognized and charming -śṣ� work. It is the specimen or general arrangement of -śṣ� work. The author cited many �paricchedas� of -rahasya in this work and it is not difficult to show that he also copies wholesale from the text of his predecessors.[5] In this way it is highly probable that he was the follower of -rahasya.

ChandañᲹī of Gangādasa

ҲԲ’sChanda-ñᲹī� is a mentionable work on -śṣ�. It is written by ideal pursued of 岹ٳٲ’s ṛtٲٲ첹. There we have seen a brief discussion about Joti, Vṛtti, Mitra and Ҳṇa etc. in the various Chandas and their parts.

Kavi첹貹 of Raghava Caitanya:

It is another work of -śṣ� written by Raghav Caitanya.

󾱳ٲⲹ of Aucitya Raigi Morak:

󾱳ٲⲹ is a suitable work on -śṣ�, composed by Auchutya Raigi Morak, son of ⲹṇa and ԲԲܰ. He was Maharastriya Brāhmana. It may be composed in 1837 A. D.[6] this work is divided into twelve �Ratnas�.

Footnotes and references:

[back to top]

[1]:

S. K. De–History of Sanskrit Poetics. Vol.–I, Pp. 258

[2]:

屹ⲹ-첹貹-ṛtپ ed. by Dadan Upadhyaya. Intro–Pp. 12.

[3]:

Ibid.

[4]:

S.K.De–History of Sanskrit Poetics. Vol.–I, Pp. 260, 280.

[5]:

Ibid, Pp. 260, 259.

[6]:

Kavi-kaṇṭhāvaraṇa of Kṣmendra ed. Vaman Kesav Lale. Introduction, Pp. 31.

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