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. 6. As regards completeness and incompleteness it is also divided in two ways as p奴r峁嘺 and ap奴r峁嘺. These can be further sub-divided into two varieties like samadhruva and visamadhruva, Kallin膩tha further opines that since cary膩prabandha mainly depends on two limbs like pada and t膩la, it is called t盲r膩val墨 and it has three dh膩tu to its credit, viz. Udgr膩ha, Dhruva and 膧bhoga. Not only SR but other works on music proved that the songs of Gg come under the category of caryaprabandha. But with the passage of time these songs which were being sung as cary膩 songs had to be put under classification of other modes and systems of music. According to the musical trend in the 12th and 13th centuries most of the songs of Gg may be attributed to the category of cary膩 songs. 111 Like the Buddhist cary膩 songs the songs of Jayadeva has also an internal spiritual appeal beyond their outward erotic connotations 112. 2.7.5 The Raga-s (Tunes) used in the Gg. The word r膩ga has its origin in the Sanskrit root ra帽j in the sense of colouring. Science has already established that affinity exists between sound waves and colour-waves and that a note of a particular frequency can produce a particular colour. So no better name than r膩ga could have been given to a melodic pattern composed of notes or svara-s which undoubtedly colour at least the mind of the listener 113. A r膩ga is a psycho material object or an object or an objective expression of the subjective feelings of the human mind. A r膩ga is first 111. R. N. Panda, Odisha's Contribution to Sanskrit lyrics, pp.119-120 112. Ibid, 117 113. Rath, B.M., A Study on Srikrishna l墨l膩mritam, p.171 70