365betÓéÀÖ

Essay name: Bhasa (critical and historical study)

Author: A. D. Pusalker

This book studies Bhasa, the author of thirteen plays ascribed found in the Trivandrum Sanskrit Series. These works largely adhere to the rules of traditional Indian theatrics known as Natya-Shastra.

Page 97 of: Bhasa (critical and historical study)

Page:

97 (of 564)


External source: Shodhganga (Repository of Indian theses)


Download the PDF file of the original publication


Warning! Page nr. 97 has not been proofread.

77
Dr. Bhandarkar, Dr. Jayaswal, Dr. N. N. Law, Dr.
Ganapati Sastri, Dr. Jacobi and a number of other
scholars in identifying Kautilya with the Brahmir. minister
of Candragupta Maurya of the fourth century B. C. It
is interesting to note in this connection that those of the
pro-BhÄsaites who assign a late date for Kautilya regard
BhÄsa's verse as the original source; while Kautilya is
credited with originality by those who place him in the
fourth century B. C. The passage:
अपीà¤� शà¥à¤²à¥‹à¤•ौ भवतः ---
�
यानॠयजà¥à¤žà¤¸à¤™à¥à¤˜à¥ˆà¤¸à¥à¤¤à¤ªà¤¸à¤� à¤� विपà¥à¤°à¤¾à¤� सà¥à¤µà¤°à¥à¤—ैषिणà¤� पातà¥à¤°à¤šà¤¯à¥ˆà¤¶à¥à¤� यानà¥à¤¤à¤¿ à¥�
कà¥à¤·à¤£à¥‡à¤¨ तानपà¥à¤¯à¤¤à¤¿à¤¯à¤¾à¤¨à¥à¤¤à¤¿ शूराà¤� पà¥à¤°à¤¾à¤£à¤¾à¤¨à¥ सà¥à¤¯à¥à¤¦à¥à¤§à¥‡à¤·à¥ परितà¥à¤¯à¤œà¤¨à¥à¤¤à¤� à¥�
नवà¤� शरावà¤� सलिलसà¥à¤� पूरà¥à¤� सà¥à¤¸à¤‚सà¥à¤•ृतं दरà¥à¤­à¤•ृतोतà¥à¤¤à¤°à¥€à¤¯à¤®à¥� à¥�
ततà¥à¤¤à¤¸à¥à¤� मा भूनà¥à¤¨à¤°à¤•ं à¤� गचà¥à¤›à¥‡à¤¦à¥� यो भरà¥à¤¤à¥ƒà¤ªà¤¿à¤£à¥à¤¡à¤¸à¥à¤� कृते à¤� यà¥à¤§à¥à¤¯à¥‡à¤¤à¥ à¥�
�
( [apīha ślokau bhavata� ---
|
yÄn yajñasaá¹…ghaistapasÄ ca viprÄá¸� svargaiá¹£iṇaá¸� pÄtracayaiÅ›ca yÄnti |
ká¹£aṇena tÄnapyatiyÄnti śūrÄá¸� prÄṇÄn suyuddheá¹£u parityajantaá¸� ||
navaá¹� Å›arÄvaá¹� salilasya pÅ«rṇa susaṃská¹›taá¹� darbhaká¹›tottarÄ«yam |
tattasya mÄ bhÅ«nnarakaá¹� ca gacched yo bhartá¹›piṇá¸asya ká¹›te na yudhyet ||
|
(
]
Arthasastra, X. 3, pp. 367-368)
occurs as a quotation in the ArthaÅ›Ästra, but the source
is not mentioned. It is presumed by some that the
quotation may be from a Smrti now lost." The second
verse occurs in the PratijÃ±Ä (IV. 2) in the same connection
as a war-song to encourage the soldiers. It would seem
fairly unlikely at first sight that CÄṇakya should quote from
a piece of dramatic literature. But at times we meet with
proverbial sayings from dramas in non-secular scientific
works given as pramÄnas; eg सतां हि सनà¥à¤¦à¥‡à¤¹à¤ªà¤¦à¥‡à¤·à¥� वसà¥à¤¤à¥à¤·à¥� [satÄá¹� hi sandehapadeá¹£u vastuá¹£u ] etc. in the
TantravÄrtika of KumÄrila. Kautilya found the quota-
tion quite appropriate and hence incorporated it in his
book. Had the quotation been from a Smrti, the author
would certainly have mentioned the name of the Smrti
or at least in general terms fat. The inference as to
Manuniti being the source of Kautilya arose out of the
suggestion of a commentator on the ArthaÅ›Ästra; but
the commentator seems to be venturing a guess "which
is not based on any authority". The evidence of the
9 1 Kane, ABI, 7, pp. 85-100; Bhandarkar, ABI, 7, pp. 65-84; Jayaswal,
Hindu Folity, App. I; Ganapati Sastri Critical Study, p. 25; Dikshitar, Mauryan
Polity, p. 19; Sama Sastri, ArthasÄstra, Intr., and preface to the translation, pp.
VII-XXXIII; Fleet, ArthasÄstra, Eng. trans,, 1929, pp. V-VI; Thomas, CHI,
1, pp. 467-ff. R. Mukerjee, Studies in Indian Polity, preface. 2 Sarup, Kautilya
(2nd century A. D.) the borrower, Vision, Intr., p. 41; Keith, Kautilya (4th
century A. D.) the borrower, SD, p. 102; Banerji Sastri, Kautilya (4th century
B. C.) the original, JBORS, 1923, p, 65; Sankar. Kautilya (4th century B. C,) the
original, AMV, 2, p. 52. 3 R. Kavi, OC, III. p. 82; Kuppuswami Sastri, Ascarya,
Intr., pp. 22-23. 4 ÅšÄbarabhÄá¹£ya, Vol. I., AnandaÅ›rama S. S., Poona, No. 97, p.
207.1. सतां हि सनà¥à¤¦à¥‡à¤¹à¤ªà¤¦à¥‡à¤·à¥� वसà¥à¤¤à¥à¤·à¥� [satÄá¹� hi sandehapadeá¹£u vastuá¹£u ] occurs in SÄlcuntala, I. 19. 5 Dikshitar, Hindu Adm.
Ins, p. 126 n.2. It is interesting to note that Dr. Jayaswal also approved this

Let's grow together!

I humbly request your help to keep doing what I do best: provide the world with unbiased sources, definitions and images. Your donation direclty influences the quality and quantity of knowledge, wisdom and spiritual insight the world is exposed to.

Let's make the world a better place together!

Like what you read? Help to become even better: