Essay name: Bhasa (critical and historical study)
Author: A. D. Pusalker
This book studies Bhasa, the author of thirteen plays ascribed found in the Trivandrum Sanskrit Series. These works largely adhere to the rules of traditional Indian theatrics known as Natya-Shastra.
Page 96 of: Bhasa (critical and historical study)
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76
in the prologue to the MalavikÄgnimitra pays a tribute
to BhÄsa of 'established renown'. His use of वरà¥à¤¤à¤®à¤¾à¤� कवà¤�
[vartamÄna kavi
] in describing himself in contradistinction to BhÄsa and
other famous poets indicates the lapse of a considerable
period between the two. Further, there are to be seen
many faint BhÄsa echoes in the works of KÄlidÄsa."
Court life of the kings in BhÄsa is much simpler than in
the plays of KÄlidÄsa. These tend to show that BhÄsa
was quite well known by the first century B. C. and hence
was considerably earlier.
2 Then comes Śū»å°ù²¹°ì²¹,³
Śū»å°ù²¹°ì²¹,
the author of the
Mrcchakatika. There occur various similarities,
conceptual and verbal, between the Car and the Mrcch,
and in a later chapter we have attempted to prove the
priority of the Car to the Má¹›cch.
Finally, we come to Kautilya's ArthaÅ›Ästra, which,
according to us, places us in possession of the later limit
for the date of BhÄsa. We prefer to follow Prof. Kane,
all dates subsequent to the 5th century A. D. Prof. Shembavanekar's articles on the
subject (JUB, 1, pp. 232-246) sets many doubts at rest, and clearly shows the
existence of a Vikramaditya, son of MahendrÄditya, in the 1st century B. C.,
confirming the traditional date. Cowell's theory as to the indebtedness of KÄlÄ«dÄsa,
was vitiated by the presumption of the priority of Asvaghosa and the comparisons by
Prof. Chattopadhyaya (All. Univ. Studies, 2, pp.80-114) and Prof. Ray (Sakuntala,
Intr., pp. 19-28) conclusively proves KÄlidÄsa to be the model and fountain of
inspiration for Asvaghosa. Dr. Pathak's theory about the Hunas based on a wrong
variant, and again, it is shown that the Hūnas were known to the Indians from pretty
early times (JUB, 1, p. 245: All. Univ. Studies, pp. 126-133; JIH, 15, pp.93-102
Sakuntala, Intr., p.81. It is not necessary to take the Meghaduta as the work of
another Kalidasa as Prof. Dhruva argues (Parakramani Prasadi, Intr., pp.26�27;
Thakkar Lecture, pp. 229�236). Dinnaga theory is also untenable on various grounds
(Chattopadhyaya, All, Univ, Studies, pp. 164-167). Kaumudi Mahotsava (Dasaratha
Sarma, IHQ, 10, pp. 763-766; 11, pp. 147-148; OC, VIII, Summaries, pp. 25-26;
Mankad, ABI, 16, pp. 155-157) and Padyacuá¸Ämani (Intr. by K. Sastri) also confirm
the first century B. C. theory. The religious, social, political, astronomical etc..
conditions, as well as the language and Prakrit evidence (Ray, Sakuntala, Intr.,.
pp. 1-19; 28-30; Vaidya, Lokasiká¹£ana, 7, pp. 9-17; K. Ray, Evolution of Gita, I
201-222, Dhruva, Thakkar Lectures, pp. 207-213; and Apte, Kane, Paranjape, etc. )
point to the same period. Prof. Shembavanekar's article further brings out the
hollowness of the Gupta theory in that the Guptas were avowed Vaisnavas (JUB, 1,
p: 238); Candragupta II was not the first Vikramaditya (Ib. p. 280); all the Å›Ästras
that Kalidasa was acquainted with belong to the pre-Gupta, even the pre-Christian
period (Ib. p. 241); beyond a few isolated inscriptions there is no literary composition
that can authoritatively be ascribed to the Gupta period, 'the Augustan period of
Sanskrit literature' (Ib. p. 242). Thus the first century B. C. theory must be
accepted, as stated by Prof. Shembavanekar, "until some historical evidence of an
unimpeachable character is brought to light" (Ib. p. 245).
pp.
1 G. Sastri, Critical Study, pp. 35-36, 40-47; Paranjape, Sahityasaṃgraha,
1, pp. 157-160. 2 Winternitz, Problems, p. 122. 3 Many orientalists seem to
hold the opinion that SÅ«draka preceded KÄlidÄsa: cf. Belvalkar, OC, I, p. 204;
Konow, ID, p. 57; Winternitz, CR, Dec. 1924, p. 334; V. Smith, ERI. p. 324n;
Kavi, Avantisundarikatha, Intr, pp. 8-10; CaturbhÄni, Intr., pp. i-iii; etc. The
view of some European orientalists that the Mroch was the earliest Sanskrit drama
also tells the same story.
