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Another form of 笔腻谤惫补迟墨.

General.

Lord 艢颈惫补, on hearing about the selfimmolation in fire of his wife, 厂补迟墨 at the famous 测补箩帽补 conducted by 顿补办峁�a rushed in all anger to the spot, and beat the earth with his matted hair, and there ensued two forces called 痴墨谤补产丑补诲谤补 and 叠丑补诲谤补办腻濒墨. This 叠丑补诲谤补办腻濒墨 was really 厂补迟墨 or 笔腻谤惫补迟墨 in another form.

叠丑补诲谤补办腻濒墨 and 碍补峁僺补.

There is a story in the Da艣ama-Skandha of 叠丑腻驳补惫补迟补 that 碍补峁僺补 took away from the room in which 顿别惫补办墨 had delivered 艢r墨 碍峁涐梗峁嘺 the child of 驰补艣辞诲腻 by whom 碍峁涐梗峁嘺 had been replaced, and dashed the child against a rock, and that the child then escaped from his clutches and rose up to the sky. That child was 叠丑补诲谤补办腻濒墨 in another form. (Agni Pur膩峁嘺, Chapter 12).

Kampa, 尝补峁卥腻lak峁�m墨 and 叠丑补诲谤补办腻濒墨.

尝补峁卥腻lak峁�m墨, who was guarding the city of 尝补峁卥腻, was the first to prevent 贬补苍耻尘腻苍 from entering the city. Tamil 笔耻谤腻峁嘺蝉 aver that this 尝补峁卥腻lak峁�m墨 was an incarnation of 叠丑补诲谤补办腻濒墨. 贬补苍耻尘腻苍 thrashed 尝补峁卥腻lak峁�m墨 with his left hand at which she vomitted blood and fell down unconscious. On regaining consciousness remembrance of the past occurred to her, and after thanking 贬补苍耻尘腻苍, who restored her to her former form, she returned to 碍补颈濒腻蝉补. She complained to 艢颈惫补 that she could not witness the 搁腻尘补-搁腻惫补峁嘺 war. Then 艢颈惫补 told her thus:

"You go to the 顿谤腻惫颈岣峚 country and be put up in the 'Svayambh奴li峁単a' temple there. I shall be born there as Kampa, compose the 搁腻尘腻测补峁嘺 in Tamil and get conducted the dolls-play. Then you would be able to enjoy the story of 艢r墨 搁腻尘补, especially the 搁腻尘补-搁腻惫补峁嘺 war, both by hearing and seeing the same in better manner than by actually seeing the war.

叠丑补诲谤补办腻濒墨 acted according to this bidding of 艢颈惫补. There lived a great scholar named Sa峁卥aran膩r膩ya峁嘺 close to the temple. His wife was Ci峁卥膩ravall墨. Lord 艢颈惫补, as decided upon previously was born as the son of Ci峁卥膩ravall墨, who had become a widow while she was worshipping 'Svayambh奴deva' for the gift of a child. But, Ci峁卥膩ravall墨, who feared scandal in her, a widow, becoming a mother, forsook the child in the temple precincts and left the place. One Ga峁噀艣akaunta sighted the orphan child, and took it to Jayappavallan, the Kaunta chief. The Kaunta chief, who was without children brought up the orphan child as though it had been his own child. Since the child was recovered from the foot of the flagstaff it was named Kampa. Kampa, who was very intelligent even in his infancy, but lazy by nature turned out to be a great scholar and good poet in Tamil by the time he grew up to be a youth, and he became, consequently a prominent member in the 'poets' assembly' of King Cola. When to his name was added the plural suffix 'r' as a token of great respect he came to be known as Kampar.

Once King Cola asked Kampar and O峁�峁璦kk奴tta another member of the poets' assembly to compose in Tamil poetry the story of 艢r墨 搁腻尘补. The King鈥檚 direction was that. O峁�峁璦kk奴tta should compose his poem upto the incident, Setubandhana (building a bridge in the sea up to 尝补峁卥腻) and Kampar should write the story of the war in his poem. O峁�峁璦kk奴tta completed the task allotted to him within six months. But Kampar had not attempted to write even a single line. Having been informed about the matter the King ordered that the poem, 搁腻尘腻测补峁嘺 should be recited in the assembly the very next day itself. Kampar, who began writing his poem the same day with the object of completing it in the night itself fell asleep without writing anything at all. When Kampar awoke early in the morning he saw a divine form disappearing from his room, and exclaimed, "Oh! mother! you have slipped away". To this the divine form replies, "Oh Kampar! I have finished writing". And, then the divine form vanished completely.

When Kampar got completely out of sleep and looked about he found the 搁腻尘腻测补峁嘺 story fully written in verse on his desk. Kampar inferred that the poem was composed by 艢膩rad膩bhagavat墨, the presiding deity of learning and literature, and he was wonder-struck. He recited the poem in the royal assembly, and the King and others too were wonder-struck. And, afterwards, according to the orders of the King the story of the war (Yuddhak膩峁囜笉a 碍补迟丑腻) began to be exhibited as dollsplay in the presence of the idol of the 顿别惫墨 in the temple. Thus 艢颈惫补 incarnated himself as Kampar, recited the story of the 搁腻尘补-搁腻惫补峁嘺 war in the temple, and hearing it 叠丑补诲谤补办腻濒墨 danced.

The above is the chief legend about Kampar.