Vishvakarma, Vishva-karman, Vishvakarman, Vishwakarma, ³Õ¾±Å›±¹²¹°ì²¹°ù³¾Äå, ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹, ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n: 31 definitions
Introduction:
Vishvakarma means something in Buddhism, Pali, Hinduism, Sanskrit, the history of ancient India, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit terms ³Õ¾±Å›±¹²¹°ì²¹°ù³¾Äå and ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹ and ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n can be transliterated into English as Visvakarma or Vishvakarma or Visvakarman or Vishvakarman, using the IAST transliteration scheme (?).
Images (photo gallery)
In Hinduism
Vaishnavism (Vaishava dharma)
: humindian: 108 names of Lord KrishnaOne of the 108 names of Krishna; Meaning: "Creator Of The Universe"
: ISKCON Press: Glossary³Õ¾±Å›±¹²¹°ì²¹°ù³¾Äå (विशà¥à¤µà¤•रà¥à¤®à¤¾).—The architect of the devas or demigods. He built the city of Indraprastha for the PÄṇá¸avas at the request of Lord ÅšrÄ« Kṛṣṇa.

Vaishnava (वैषà¥à¤£à¤µ, vaiṣṇava) or vaishnavism (vaiṣṇavism) represents a tradition of Hinduism worshipping Vishnu as the supreme Lord. Similar to the Shaktism and Shaivism traditions, Vaishnavism also developed as an individual movement, famous for its exposition of the dashavatara (‘ten avatars of Vishnuâ€�).
Purana and Itihasa (epic history)
: archive.org: Puranic Encyclopedia³Õ¾±Å›±¹²¹°ì²¹°ù³¾Äå (विशà¥à¤µà¤•रà¥à¤®à¤¾).—The architect of the Devas. Birth. ³Õ¾±Å›±¹²¹°ì²¹°ù³¾Äå is the son of ±Ê°ù²¹²ú³óÄå²õ²¹, the eighth of the Eight Vasus. VarastrÄ«, the sister of Bá¹›haspati, a celibate woman who had attained Yogasiddhi (union with the Universal Soul) and travelled all over the world was the wife of ±Ê°ù²¹²ú³óÄå²õ²¹. PrajÄpati ³Õ¾±Å›±¹²¹°ì²¹°ù³¾Äå was born to ±Ê°ù²¹²ú³óÄå²õ²¹ by VarastrÄ«. This ³Õ¾±Å›±¹²¹°ì²¹°ù³¾Äå was the inventor of innumerable kinds of handicrafts, the architect of the gods, maker of all kinds of ornaments, and the most famous sculptor. He was the maker of all the aerial chariots of the Devas. (Viṣṇu PurÄṇa, Aṃśa 1, Chapter 15). (See full article at Story of ³Õ¾±Å›±¹²¹°ì²¹°ù³¾Äå from the Puranic encyclopaedia by Vettam Mani)
: archive.org: Shiva Purana - English Translation³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n (विशà¥à¤µà¤•रà¥à¤®à¤¨à¥�) refers to the “great architectâ€�, according to the ÅšivapurÄṇa 2.2.25. Accordingly as RÄma narrated to SatÄ«:—“[...] O Goddess, formerly once, Åšiva, the creator supreme, called ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n to His highest region. He made him erect a large hall of great beauty in His cowshed, and an exquisite throne there. Åšiva, caused ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n to make an excellent, divine, wonderful umbrella for warding off obstacles. He invited Indra and other gods, the Siddhas, Gandharvas, NÄgas, UpadeÅ›as and Ä€gamas, BrahmÄ with his sons, the sages and the celestial goddesses and nymphs who came there with various articlesâ€�.
Note: In the PurÄṇas ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n is invested with the powers and offices of the Vedic Tvaá¹£á¹á¹�. He is the great architect, executor of handicrafts, the builder of great cities He is the son of ±Ê°ù²¹²ú³óÄå²õ²¹, the eighth Vasu, by his wife YogasiddhÄ.
: Cologne Digital Sanskrit Dictionaries: The Purana Index1a) ³Õ¾±Å›±¹²¹°ì²¹°ù³¾Äå (विशà¥à¤µà¤•रà¥à¤®à¤¾).—A PrajÄpati. His daughter Barhiá¹£matÄ« was the wife of Priyavrata.1 A son of VÄstu and ĀṅgirasÄ«; wife was Ká¹›ti (Aká¹›ti, BhÄgavata-purÄṇa). Father of Manu CÄká¹£uá¹£a.2 The divine architect skilled in making weapons. Made vajra of DadhÄ«ci's body and built Indra's abode and erected Sutalam.3 Fought with Maya in DevÄsura war. Two more daughters of his were SamjÃ±Ä and ChÄyÄ who were married to the Sun god.4 Was ordered by Kṛṣṇa to build a city for the PÄṇá¸avas;5 built Garuá¸a's abode;6 an author on architecture;7 father of four sons; originator of all Å›ilpas, arts and crafts;8 presented ÅšrÄ« with jewels.9
- 1) BhÄgavata-purÄṇa V. 1. 24.
- 2) Ib. VI. 6. 15.
- 3) Ib. VI. 9. 54: 10. 13. VII. 4. 8; VIII. 15. 15; 22. 32. Matsya-purÄṇa 5. 27-8; 58. 33.
- 4) BhÄgavata-purÄṇa VIII. 10. 29; 13. 8. Viṣṇu-purÄṇa III. 2. 2, 8, 10-12.
- 5) BhÄgavata-purÄṇa X. 58. 24.
- 6) Matsya-purÄṇa 163. 68: 203. 7.
- 7) Ib. 252. 2; BrahmÄṇá¸a-purÄṇa IV. 31. 6-7.
- 8) Viṣṇu-purÄṇa I. 15. 119-20; III. 2. 11.
- 9) Ib. I. 9. 104; BrahmÄṇá¸a-purÄṇa IV. 9. 81; 14. 4; 15. 20; 20. 46; 29. 84.
1b) A son of Tvaá¹£á¹Ä and YaÅ›odharÄ; father of Maya, and his daughter was Sureṇu; originator of arts and crafts.*
- * BrahmÄṇá¸a-purÄṇa I. 2. 19; 5. 27. III. 1. 87. 7. 195; 32. 7: 59. 17-21: VÄyu-purÄṇa 65. 85.
1c) Divided the earth into seven islands, oceans and hills, ²ú³óÅ«á¸� and other worlds; created the people as in the previous kalpas; but the whole was clouded in smoke, in five forms like a light enveloped by a pot; finding no light and all in their place (NyÄsa) was pondering over when a cross current passed that way and resulted in a second universe.*
- * VÄyu-purÄṇa 6. 33-45. 109. 4.
1d) One of the seven important rays of the sun on the south; helps the growth of the Budha planet.*
- * BrahmÄṇá¸a-purÄṇa II. 24. 66-69.
1e) A ³Õ²¹á¹ƒÅ›avartin god; a son of PrabhÄta and BhuvanÄ; Lord of PrajÄpatis.*
- * BrahmÄṇá¸a-purÄṇa II. 36. 29; III. 3. 29.
³Õ¾±Å›±¹²¹°ì²¹°ù³¾Äå (विशà¥à¤µà¤•रà¥à¤®à¤¾) is a name mentioned in the ²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ (cf. III.114.17) and represents one of the many proper names used for people and places. Note: The ²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ (mentioning ³Õ¾±Å›±¹²¹°ì²¹°ù³¾Äå) is a Sanskrit epic poem consisting of 100,000 Å›±ô´Ç°ì²¹²õ (metrical verses) and is over 2000 years old.
: Shodhganga: The saurapurana - a critical study³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n (विशà¥à¤µà¤•रà¥à¤®à¤¨à¥�) refers to the son of ±Ê°ù²¹²ú³óÄå²õ²¹: one of the eight Vasus who are the sons of Vasu, according to one account of ³Õ²¹á¹ƒÅ›a (‘genealogical descriptionâ€�) of the 10th century ³§²¹³Ü°ù²¹±è³Ü°ùÄåṇa: one of the various UpapurÄṇas depicting Åšaivism.—Accordingly, the ten wives of Dharma are [viz., Vasu]. The Vasus were born from Vasu. The eight Vasus are Ä€pa, Nala, Soma, Dhruva, Anila, Anala, Pratyuá¹£a and ±Ê°ù²¹²ú³óÄå²õ²¹. ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n is the Son of ±Ê°ù²¹²ú³óÄå²õ²¹.

The Purana (पà¥à¤°à¤¾à¤�, purÄṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Vastushastra (architecture)
: archive.org: Bharatiya vastu-sastra³Õ¾±Å›±¹²¹°ì²¹°ù³¾Äå (विशà¥à¤µà¤•रà¥à¤®à¤¾) refers to the “Heavenly Architectâ€�.—±Ê°ù²¹²ú³óÄå²õ²� (eminently shining) Vasu had married the sister of Bhá¹›gu and through her a son named ³Õ¾±Å›±¹²¹°ì²¹°ù³¾Äå was born to him. This ³Õ¾±Å›±¹²¹°ì²¹°ù³¾Äå was endowed with consummate skill in fine arts, architecture, sculpture, painting, including both their constructive as well as decorative aspects. He was an excellent craftsman as he had constructed conveyances moving on land, sea and air. He was an expert in designing weapons of various kinds to minister to the comforts, convenience and safety of men. These and other qualities have rightly won for him the epithet commonly attributed to him-viz. the architect of gods. [...]
: McGill: The architectural theory of the MÄnasÄra³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n (विशà¥à¤µà¤•रà¥à¤®à¤¨à¥�) refers to the “forger of the universeâ€�, according to the MÄnasÄra II.2-4 [of which ±ô´Ç°ì²¹°ìá¹›t, meaning “world-maker,â€� is a synonym].—There is great respect reserved in the text for this deity, evident from the adjective mahat, “great,â€� that is prefixed to this name. [...] ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n is said to he born with four faces. Each face has a name that signifies a particular role which seems to be an attempt ta further delineate the different aspects of the grand process of cosmic generation. [...] From the eastern face of ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n was born (also) ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n; from the southern face, Maya; from the northern face, Tvaá¹£á¹á¹�; and from the western face, Manu. The four members of the builder’s guild, namely sthapati, “master-builderâ€�, ²õÅ«³Ù°ù²¹²µ°ùÄå³ó¾±²Ô, “cord-bearerâ€�, vardhaki, “stone-cutterâ€�, and ³Ù²¹°ìá¹£a°ì²¹, “carpenterâ€�, are said to he sons of ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n, Maya, Tvaá¹£á¹á¹� and Manu respectively.
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (vastu)³Õ¾±Å›±¹²¹°ì²¹°ù³¾Äå (विशà¥à¤µà¤•रà¥à¤®à¤¾) refers to one of the hundred types of Temples (in ancient Indian architecture), according to the ViṣṇudharmottarapurÄṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—It is quite difficult to say about a definite number of varieties of Hindu temples but in the ViṣṇudharmottarapurÄṇa hundred varieties of temples have been enumerated. For example, ³Õ¾±Å›±¹²¹°ì²¹°ù³¾Äå. These temples are classified according to the particular shape, amount of storeys and other common elements, such as the number of pavilions, doors and roofs.

Vastushastra (वासà¥à¤¤à¥à¤¶à¤¾à¤¸à¥à¤¤à¥à¤�, vÄstuÅ›Ästra) refers to the ancient Indian science (shastra) of architecture (vastu), dealing with topics such architecture, sculpture, town-building, fort building and various other constructions. Vastu also deals with the philosophy of the architectural relation with the cosmic universe.
Shaivism (Shaiva philosophy)
: SOAS University of London: Protective Rites in the Netra Tantra³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n (विशà¥à¤µà¤•रà¥à¤®à¤¨à¥�) is the name of a deity described in the Netratantra of Ká¹£emarÄja: a Åšaiva text from the 9th century in which Åšiva (Bhairava) teaches PÄrvatÄ« topics such as metaphysics, cosmology, and soteriology.—Accordingly, [verse 13.17-25ab, while describing the appearance and worship of ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n]—“Furthermore, [I shall describe] ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n, the Lord of the world. [He] is bright as a ray of light, risen alone [i.e., from itself]. [³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n] has [either] two or four arms. [When he has four hands he] bears a stone cutter’s chisel and a book with [his] beautiful right hand. [In the left he holds] a clamp and a cord. [...]â€�.

Shaiva (शै�, śaiva) or Shaivism (śaivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.
Shaktism (Shakta philosophy)
: Google Books: Manthanabhairavatantram³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n (विशà¥à¤µà¤•रà¥à¤®à¤¨à¥�) is the birth-name of ´³³ó¾±á¹‡á¹³óīś²¹: one of the Nine NÄthas according to the KulakaulinÄ«mata.—The Nine NÄthas propagated the Western Transmission noted in the KubjikÄ Tantras. Although each Siddha has a consort with which he shares some part of his spiritual discipline, she is not considered to be his wife. Thus, from the perspective of his identity as an initiate, he is not a householder.—´³³ó¾±á¹‡á¹³óīś²¹â€™s birth-name is ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n and his father is Jayadeva. Alternatively, according to the KubjikÄnityÄhnikatilaka, Sehila is the name at birth (i.e., the original names of the Siddhas)

Shakta (शाकà¥à¤�, Å›Äkta) or Shaktism (Å›Äktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.
General definition (in Hinduism)
: Apam Napat: Indian MythologyVishwakarma is the architect of the Devas. His chief rival in architectural prowess is Maya the architect of the Asuras. He has a daughter named Sangya, who is married to Surya.
: WikiPedia: Hinduism1) Viśwákarma is the personified Omnipotence and the abstract form of the creator God according to the Rigveda. He is the presiding deity of all craftsmen and architects. He is believed to be the "Principal Architect of the Universe ", and the root concept of the later Upanishadic Brahman / Purusha.
2) Viśvákarma is the Hindu presiding deity of all craftsmen and architects. He is believed by Hindus to be the "Principal Universal Architect", the architect who fabricated and designed the divine architecture of the Universe, the Lord of Creation. Vishwakarma is known as the divine engineer of the world. As a mark of reverence he is not only worshipped by the engineering and architectural community but also by all professionals. It is customary for craftsmen to worship their tools in his name.
Through the four yugas (aeons of Hindu mythology), he had built several towns and palaces for the gods. Among them were, in chronological order,
- Svarga (Heaven) in the Satya Yuga,
- Lanka in the Treta Yuga,
- and Dwarka (Krishna's capital) in the Dwapara Yuga.
Viswakarma is also supposed to have built Dwarka, the capital of Lord Krishna. During the time of the Mahabharata, Lord Krishna is said to have lived in Dwarka, and made it his "Karma Bhoomi" or center of operation. That is why this place in western India (today's Gujarat) has become a well known pilgrimage for the Hindus.
etymology: ViÅ›wákarma (Sanskrit: विशà¥à¤µà¤•रà¥à¤®à¤¾ "all-accomplishing, maker of all," "all doer"; Tamil: (விசà¯à®µà®•à®°à¯à®®à®©à¯�) Vicuvakaruman; Thai: Witsawakam ;Telugu: విశà±à°µà°•à°°à±à°� ; Kannada: ವಿಶà³à²µà²•ರà³à²� )
In Buddhism
Mahayana (major branch of Buddhism)
Source: Wisdom Library: Maha Prajnaparamita Sastra³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n (विशà¥à¤µà¤•रà¥à¤®à¤¨à¥�) is the name of a ²â²¹°ìá¹£a of olden times subdued by the Buddha mentioned in order to demonstrate the fearlessness of the Buddha according to the 2nd century MahÄprajñÄpÄramitÄÅ›Ästra chapter XL.1.4. Accordingly, “Great ²â²¹°ìá¹£as such as Pi-cho-kia (³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n?), etc., submitted and took refuge in himâ€�.
If this transcription is correct, this would be ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n, in PÄli Vissakamma, the architect apponted by the Devas: cf. Akanuma, p. 774.
³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹ (विशà¥à¤µà¤•रà¥à¤�) is the name of a Devaputra appointed as one of the Divine protector deities of °äÄ«²Ô²¹²õ³Ù³óÄå²Ô²¹, according to chapter 17 of the Candragarbha: the 55th section of the MahÄsaṃnipÄta-sÅ«tra, a large compilation of SÅ«tras (texts) in MahÄyÄna Buddhism partly available in Sanskrit, Tibetan and Chinese.—In the CandragarbhasÅ«tra, the Bhagavat invites all classes of Gods and Deities to protect the Law [dharma?] and the faithful in their respective kingdoms of JambudvÄ«pa [e.g., the Devaputra ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹ in °äÄ«²Ô²¹²õ³Ù³óÄå²Ô²¹], resembling the time of the past Buddhas.

Mahayana (महायान, mahÄyÄna) is a major branch of Buddhism focusing on the path of a Bodhisattva (spiritual aspirants/ enlightened beings). Extant literature is vast and primarely composed in the Sanskrit language. There are many ²õÅ«³Ù°ù²¹²õ of which some of the earliest are the various PrajñÄpÄramitÄ ²õÅ«³Ù°ù²¹²õ.
India history and geography
: academia.edu: The Chronological History of Ancient Sri LankaVishvakarma of Pulastya gotra was the earliest civil engineer of Rig Vedic period. His descendants were also known as Vishvakarma. They were also great scientists. Vishvakarma, the contemporary of Vaishravana and Ravana made a flying chariot named as Pushpaka Vimana. In all probability, Pushpaka Vimana was like a hot air balloon carrying a specially designed chariot. Rama along with Sita, Lakshmana and Hanuman boarded the Pushpaka Vimana and returned to Ayodhya from Sri Lanka.
: Cologne Digital Sanskrit Dictionaries: Indian Epigraphical Glossary³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n.â€�(LL), an architect. Note: ±¹¾±Å›±¹²¹°ì²¹°ù³¾²¹²Ô is defined in the “Indian epigraphical glossaryâ€� as it can be found on ancient inscriptions commonly written in Sanskrit, Prakrit or Dravidian languages.

The history of India traces the identification of countries, villages, towns and other regions of India, as well as mythology, zoology, royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.
Languages of India and abroad
Marathi-English dictionary
: DDSA: The Molesworth Marathi and English Dictionary±¹¾±Å›±¹²¹karmÄ (विशà¥à¤µà¤•रà¥à¤®à¤¾).—m (S) The son of Brahma and the artist of the gods. 2 Applied, appellatively, to an ingenious mechanic or artist.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionary³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n (विशà¥à¤µà¤•रà¥à¤®à¤¨à¥�).â€�m.
1) Name of the architect of gods; cf. तà¥à¤µà¤·à¥à¤Ÿà¥� (³Ù±¹²¹á¹£á¹á¹�).
2) an epithet of the sun.
3) one of the seven principal rays of the sun.
4) a great saint.
5) the Supreme Being. °जा, °सà¥à¤¤à¤¾ (jÄ, °sutÄ) an epithet of संजà¥à¤žà¤¾ (²õ²¹á¹ƒjñÄå), one of the wives of the sun.
³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n is a Sanskrit compound consisting of the terms ±¹¾±Å›±¹²¹ and karman (करà¥à¤®à¤¨à¥).
: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English Dictionary³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n (विशà¥à¤µà¤•रà¥à¤®à¤¨à¥�).—m. 1. the sun. 2. a son of Brahman, the artist of the gods. 3. a saint. á¹¢aá¹kº, i. e.
³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n is a Sanskrit compound consisting of the terms ±¹¾±Å›±¹²¹ and karman (करà¥à¤®à¤¨à¥).
: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionary³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n (विशà¥à¤µà¤•रà¥à¤®à¤¨à¥�).—[adjective] all-doing, all-creating; [masculine] [Name] of a world-creating genius (similar to & often identified with PrajÄpati), in [later language] the architect or artist of the gods.
: Cologne Digital Sanskrit Dictionaries: Aufrecht Catalogus Catalogorum1) ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n (विशà¥à¤µà¤•रà¥à¤®à¤¨à¥�) as mentioned in Aufrecht’s Catalogus Catalogorum:—[+±¹¾±Å›±¹²¹°ì²¹°ù³¾²¹²Ô] VÄstuprakÄÅ›a, VÄstuvidhi, VÄstuÅ›Ästra, VÄstusamuccaya, AparÄjitavÄstuÅ›Ästra, Ä€yatattva. See ViÅ›vakarmÄ«ya.
2) ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n (विशà¥à¤µà¤•रà¥à¤®à¤¨à¥�):—MÄ«mÄṃsÄsÄra.
3) ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n (विशà¥à¤µà¤•रà¥à¤®à¤¨à¥�):—son of DÄmodara, grandson of BhÄ«ma: Dharmaviveka.
4) ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n (विशà¥à¤µà¤•रà¥à¤®à¤¨à¥�):—KṣīrÄrṇava Å›ilpa.
5) ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n (विशà¥à¤µà¤•रà¥à¤®à¤¨à¥�):—YativallabhÄ. VidhÄnamÄlÄ.
6) ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n (विशà¥à¤µà¤•रà¥à¤®à¤¨à¥�):—Dharmaviveka.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹ (विशà¥à¤µà¤•रà¥à¤�):—[=±¹¾±Å›±¹²¹-karma] [from ±¹¾±Å›±¹²¹] a See p. 994, col. 2.
2) [=±¹¾±Å›±¹²¹-karma] [from ±¹¾±Å›±¹²¹] 1. ±¹¾±Å›±¹²¹-karma mfn. accomplishing everything, all-working, [Ṛg-veda x, 166, 4.]
3) [v.s. ...] 2. ±¹¾±Å›±¹²¹-karma in [compound] for ±¹¾±Å›±¹²¹-karman
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n (विशà¥à¤µà¤•रà¥à¤®à¤¨à¥�):—[=±¹¾±Å›±¹²¹-karman] [from ±¹¾±Å›±¹²¹] a See p. 994, col. 2.
2) [=±¹¾±Å›±¹²¹-karman] [from ±¹¾±Å›±¹²¹] b n. (only [in the beginning of a compound]) every action, [MaitrÄ«-upaniá¹£ad; VÄsavadattÄ]
3) [v.s. ...] mfn. accomplishing or creating everything, [Ṛg-veda; Atharva-veda; BrÄhmaṇa; ²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹; Harivaṃśa]
4) [v.s. ...] m. ‘all-doer, all-creator, all-makerâ€�, Name of the divine creative architect or artist (said to be son of µþ°ù²¹³ó³¾Äå, and in the later mythology sometimes identified with Tvaá¹£á¹á¹� q.v., he is said to have revealed the SthÄpatyaveda q.v., or fourth Upa-veda, and to preside over all manual labours as well as the sixty-four mechanical arts [whence he is worshipped by KÄrus or artisans]; in the Vedic mythology, however, the office of Indian Vulcan is assigned to Tvaá¹£á¹á¹� as a distinct deity, ViÅ›va-karman being rather identified with PrajÄ-pati [BrahmÄ] himself as the creator of all things and architect of the universe; in the hymns, [Ṛg-veda x, 81; 82] he is represented as the universal Father and Generator, the one all-seeing God, who has on every side eyes, faces, arms, and feet; in [Nirukta, by YÄska x, 26] and elsewhere in the BrÄhmaṇas he is called a son of Bhuvana, and ViÅ›va-karman Bhauvana is described as the author of the two hymns mentioned above; in the [²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹] and, [Harivaṃśa] he is a son of the Vasu ±Ê°ù²¹²ú³óÄå²õ²¹ and Yoga-siddhÄ; in the PurÄṇas a son of VÄstu, and the father of Barhiá¹£matÄ« and SaṃjñÄ; [according to] to other authorities he is the husband of Ghá¹›tÄcÄ«; moreover, a doubtful legend is told of his having offered up all beings, including himself, in sacrifice; the RÄmÄyaṇa represents him as having built the city of Laá¹…kÄ for the RÄká¹£asas, and as having generated the ape Nala, who made RÄma’s bridge from the continent to the island; the name ViÅ›va-karman, meaning ‘doing all actsâ€�, appears to be sometimes applicable as an epithet to any great divinity), [Ṛg-veda] etc. etc.
5) [v.s. ...] Name of SÅ«rya or the Sun, [VÄsavadattÄ; MÄrkaṇá¸eya-purÄṇa]
6) [v.s. ...] of one of the seven principal rays of the sun (supposed to supply heat to the planet Mercury), [Viṣṇu-purÄṇa]
7) [v.s. ...] of the wind, [VÄjasaneyi-saṃhitÄ xv, 16] ([MahÄ«dhara])
8) [v.s. ...] Name of a Muni, [cf. Lexicographers, esp. such as amarasiṃha, halÄyudha, hemacandra, etc.]
9) [v.s. ...] (also with Å›Äå²õ³Ù°ù¾±²Ô) Name of various authors, [Catalogue(s)]
: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionary³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n (विशà¥à¤µà¤•रà¥à¤®à¤¨à¥�):—[±¹¾±Å›±¹²¹-karman] (°ù³¾³¾Äå) 5. m. The sun; son of µþ°ù²¹³ó³¾Äå, artist of the gods; a sage.
[Sanskrit to German]
Sanskrit, also spelled संसà¥à¤•ृतमà¥� (²õ²¹á¹ƒs°ìá¹›t²¹³¾), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionary
: Alar: Kannada-English corpus³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹ (ವಿಶà³à²µà²•ರà³à²�):â€�
1) [noun] = ವಿಶà³à²µà²•ರà³à²¤à³ƒ [vishvakartri].
2) [noun] the celestial architect or the artist of the gods.
3) [noun] Brahma.
4) [noun] Åšiva.
5) [noun] aminister; a counsellor; an advisor.
6) [noun] the Sun-God.
7) [noun] Yama, the God of Dharma (Righteousness).
8) [noun] the three vital airs, prÄṇa, apÄna and samÄna.
9) [noun] a cluster of stars.
10) [noun] a man belonging to the caste of goldsmiths.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
Nepali dictionary
: unoes: Nepali-English Dictionary³Õ¾±Å›±¹²¹°ì²¹°ù³¾Äå (विशà¥à¤µà¤•रà¥à¤®à¤¾):—n. 1. Mythol. title of the creative architect and artist of the gods; 2. an architect; 3. a blacksmith;
: unoes: Nepali-English DictionaryVishwakarma is another spelling for विशà¥à¤µà¤•रà¥à¤®à¤¾ [±¹¾±Å›±¹²¹karmÄ].—n. 1. Mythol. title of the creative architect and artist of the gods; 2. an architect; 3. a blacksmith;
Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.
See also (Relevant definitions)
Partial matches: Karma, Vishva.
Starts with: Vishvakarmaja, Vishvakarmakrita, Vishvakarmamahatmya, Vishvakarmamata, Vishvakarman shastrin, Vishvakarmaprakasha, Vishvakarmapurana, Vishvakarmapuranasamgraha, Vishvakarmaratna, Vishvakarmasamhita, Vishvakarmashastri, Vishvakarmashastrin, Vishvakarmasiddhanta, Vishvakarmasuta, Vishvakarmasvarupa, Vishvakarmavatare jnanaprakashadiparnava.
Full-text (+567): Vishvakarmaprakasha, Vishvakarmasuta, Vishvakarmapurana, Vishvakarmasiddhanta, Vishvakarmamahatmya, Bhaumana, Vishvakarmaja, Devavardhaki, Vishvakarmashastrin, Vishvakarmaratna, Vishvakarman shastrin, Shilpaprajapati, Vishvakarmakrita, Vishvakrit, Takshaka, Ashunyashayana, Vishvakaru, Tashtri, Vaishvakarmana, Tvashtri.
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Search found 132 books and stories containing Vishvakarma, Vishva-karma, Vishva-karman, Vishvakarman, Vishwakarma, ViÅ›va-karma, Visva-karma, Visva-karman, ViÅ›va-karman, ³Õ¾±Å›±¹²¹°ì²¹°ù³¾Äå, ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹, Visvakarman, ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹n; (plurals include: Vishvakarmas, karmas, karmans, Vishvakarmans, Vishwakarmas, ³Õ¾±Å›±¹²¹°ì²¹°ù³¾Äås, ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹s, Visvakarmans, ³Õ¾±Å›±¹²¹°ì²¹°ù³¾²¹ns). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Vastu-shastra (Introduction to Indian architecture) (by D. N. Shukla)
(iv) Other Ä€cÄryas (chief preceptors) of VastuÅ›Ästra < [Chapter 4 - An outline History of Hindu Architecture]
(ii) Rise of the ÅšÄstra and the place of ³Õ¾±Å›±¹²¹°ì²¹°ù³¾Äå < [Chapter 4 - An outline History of Hindu Architecture]
(v,11) VÄstu in the Åšilpa-texts < [Chapter 4 - An outline History of Hindu Architecture]
Rig Veda (translation and commentary) (by H. H. Wilson)
Mayamata and Building Construction (study) (by Ripan Ghosh)
Part 3 - Tradition of VÄstu and VÄstukÄras < [Chapter 1 - Introduction, Aim and Objective]
Part 3 - Independent VÄstu texts < [Chapter 2 - VÄstuvidyÄ in Sanskrit Literature: a Survey]
Part 5 - Instructions for constructing the Socle (UpapÄ«á¹ha-vidhÄna) < [Chapter 5 - Core Construction of the Building]
Kashyapa Shilpa-shastra (study) (by K. Vidyuta)
2 (b). VÄstuÅ›Ästra texts < [Chapter 1 - Introduction]
2 (a). Literary Evidence to Art-Activity < [Chapter 1 - Introduction]
4.4. MÄna (proportionate measurements) < [Chapter 1 - Introduction]
Garga Samhita (English) (by Danavir Goswami)
Verse 6.3.21 < [Chapter 3 - Lord BalarÄma’s Wedding]
Verse 6.2.9 < [Chapter 2 - Residence in ÅšrÄ« DvÄrakÄ]
Verse 5.7.9 < [Chapter 7 - The Killing of KuvalayÄpÄ«á¸a]
The Structural Temples of Gujarat (by Kantilal F. Sompura)
2.6. Vishwakarma-prakash (Vishvakarma-prakasha) < [Chapter 1 - Sources of architectural canons]
2.2. Vishwakarma and his works on Architecture < [Chapter 1 - Sources of architectural canons]
3. Architecture of Nagara, Dravida and Vesara < [Chapter 4 - The Architectural forms of Temples]