Vihrita, 痴颈丑峁泃补: 11 definitions
Introduction:
Vihrita means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit term 痴颈丑峁泃补 can be transliterated into English as Vihrta or Vihrita, using the IAST transliteration scheme (?).
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: N膩峁瓂a-艣膩stra1) 痴颈丑峁泃补 (啶掂た啶灌啶�) refers to a one of the twenty 尘补峁囜笉补濒补蝉, according to the N膩峁瓂a艣膩stra chapter 12. The 痴颈丑峁泃补-尘补峁囜笉补濒补 is classified as a 腻办腻艣补, or 鈥渁erial鈥�, of which there are ten in total. A 尘补峁囜笉补濒补 is a combination of 肠腻谤墨蝉 (鈥渄补苍肠别-蝉迟别辫蝉鈥�), which refers refers to the simultaneous movement of the feet (辫腻诲补), shanks (箩补峁単丑腻) and the hip (奴谤耻). From these 肠腻谤墨蝉 proceed dance as well as movements in general.
2) 痴颈丑峁泃补 (啶掂た啶灌啶�, 鈥渨ant of response鈥�) refers to one of the ten 鈥渘atural graces鈥� of women (蝉惫腻产丑腻惫颈办腻), according to the N膩峁瓂a艣膩stra chapter 24. These natural graces, also known as 蝉惫补产丑腻惫补箩补 or sahaja, represent one of the three aspects of graces (补濒补峁僰腻谤补) which forms which forms the support of sentiments (rasa) in drama. The natural graces (such as 惫颈丑峁泃补) are defined according to the science of 蝉腻尘腻苍测腻产丑颈苍补测补, or 鈥渉armonious representation鈥�.
According to the N膩峁瓂a艣膩stra, 鈥渢hat due to bashfulness, pretence and nature, women do not make any reply to her lover even when they have heard his words, is called 鈥榳ant of response鈥� (惫颈丑峁泃补)鈥�.
: archive.org: Natya Shastra痴颈丑峁泃补 (啶掂た啶灌啶�).鈥擜 type of 尘补峁囜笉补濒补 (series of 肠腻谤墨蝉) classified as aerial (腻办腻艣补);鈥擨苍蝉迟谤耻肠迟颈辞苍蝉:
1) The right foot [to be moved] in the 箩补苍颈迟腻-肠腻谤墨 (then) its 苍颈办耻峁弓补苍补,
2) The left foot in the 蝉测补苍诲颈迟腻-肠腻谤墨 and the right foot in the 奴谤奴诲惫峁泃迟补-肠腻谤墨,
3) The left foot in the 补濒腻迟腻-肠腻谤墨 and the right foot in the 蝉奴肠墨-肠腻谤墨,
4) The left foot in the 辫腻谤艣惫补办谤腻苍迟腻-肠腻谤墨 and the right foot in the 腻办峁辫迟腻 and the 产丑谤补尘补谤墨 (this by turning the trika) and the 诲补峁囜笉补辫腻诲腻-肠补谤墨蝉,
5) the left foot in the 蝉奴肠墨 and the 产丑谤补尘补谤墨-肠腻谤墨蝉 (the latter by turning the trika),
6) The right foot in the 产丑耻箩补峁単补迟谤补蝉颈迟腻-肠腻谤墨 and the left foot in the 补迟颈办谤腻苍迟腻-肠腻谤墨.
Natyashastra (啶ㄠぞ啶熰啶ざ啶距じ啷嵿い啷嵿ぐ, 苍腻峁瓂补艣腻蝉迟谤补) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Languages of India and abroad
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionary痴颈丑峁泃补 (啶掂た啶灌啶�).鈥�p. p.
1) Sported, played.
2) Expanded.
3) Transposed, varied.
4) Distributed, diposed.
-tam 1 One of the ten modes of indicating love used by women; see S. D.125,146; (written 惫颈办峁泃补 also in this sense).
2) Sport, play; Da艣akum膩racarita 2.6.
3) A walk.
4) Hesitation.
: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary痴颈丑峁泃补 (啶掂た啶灌啶�).鈥攎fn.
(-迟补岣�-迟腻-迟补峁�) 1. Sported, played. 2. Expanded. n.
(-迟补峁�) One of the ten feminine acts or properties indicating love, hesitation, relutance, (in a female,) to avow her feelings to her lover. E. vi before 丑峁� to take, aff. kta .
: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionary痴颈丑峁泃补 (啶掂た啶灌啶�).鈥擺neuter] walk, excursion.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) 痴颈丑峁泃补 (啶掂た啶灌啶�):鈥擺=vi-丑峁泃a] [from vi-丑峁�] mfn. set or put asunder, distributed, disposed etc.
2) [v.s. ...] transposed, varied (as words or P膩das), [???]
3) [v.s. ...] n. a walk, [R膩m膩ya峁嘺]
4) [v.s. ...] hesitation, reluctance, bashful silence (one of the 10 H膩vas or feminine modes of indicating love), [Da艣ar奴pa; S膩hitya-darpa峁嘺]
: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionary痴颈丑峁泃补 (啶掂た啶灌啶�):鈥擺vi-丑峁泃a] (ta岣�-t膩-迟补峁�) n. Coquetry, feminine dalliance.
: DDSA: Paia-sadda-mahannavo; a comprehensive Prakrit Hindi dictionary (S)痴颈丑峁泃补 (啶掂た啶灌啶�) in the Sanskrit language is related to the Prakrit word: Viharia.
[Sanskrit to German]
Sanskrit, also spelled 啶膏啶膏啶曕啶むぎ啷� (蝉补峁僺办峁泃补尘), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionary
: Alar: Kannada-English corpus痴颈丑峁泃补 (嗖掂部嗖灌硟嗖�):鈥�
1) [adjective] that is lost.
2) [adjective] removed; prevented; warded off.
--- OR ---
痴颈丑峁泃补 (嗖掂部嗖灌硟嗖�):鈥�
1) [noun] (dance.) a particular manner of moving in a circle keeping one foot after another in different ways.
2) [noun] (rhet.) a kind of natural, sportive manner of women.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
Nepali dictionary
: unoes: Nepali-English Dictionary痴颈丑峁泃补 (啶掂た啶灌啶�):鈥攁dj. excluded; banished; n. 1. the state of inability of heroine to confess her love to the hero; 2. one of the ten modes of indicating love by women;
Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.
See also (Relevant definitions)
Starts with: Vihritadosha, Vihritashodashi, Vihritayati.
Full-text: Vihritashodashi, Vihritadosha, Viharia, Vihriti, Vihrut, Pratisahri, Vikrita, Hava, Svabhavika, Mandala.
Relevant text
Search found 17 books and stories containing Vihrita, 痴颈丑峁泃补, Vihrta, Vi-hrita, Vi-丑峁泃a, Vi-hrta; (plurals include: Vihritas, 痴颈丑峁泃补s, Vihrtas, hritas, 丑峁泃as, hrtas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Ashta Nayikas and Dance Forms (study) (by V. Dwaritha)
Part 7 - Ala峁卥膩ra鈥擡mbellishments of Heroines < [Chapter 1 - Introduction]
Notices of Sanskrit Manuscripts (by Rajendralala Mitra)
Ganitatilaka (Sanskrit text and English introduction) (by H. R. Kapadia)
A Descriptive Catalogue of the Sanskrit Manuscripts, Madras (by M. Seshagiri Sastri)
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Performance of Gati through Ma峁囜笉alas < [Chapter 2 - Concept and technique of Gati]
Gita-govinda of Jayadeva (comparative study) (by Manisha Misra)
19. A comparison of Nayika-alamkara鈥檚 in both of the poems < [Chapter 6 - A comparative analysis of literary merits of both the works]