Trigata, Tri-gata: 11 definitions
Introduction:
Trigata means something in Hinduism, Sanskrit, the history of ancient India. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: N膩峁瓂a-艣膩stra1) Trigata (啶む啶班た啶椸い) refers to one of the ten practices performed after the removal of the stage curtain, according to the N膩峁瓂a艣膩stra chapter 5.
1) Trigata (啶む啶班た啶椸い, 鈥渢hree men鈥檚 talk鈥�) refers to one of the thirteen types of 惫墨迟丑颈, according to the N膩峁瓂a艣膩stra chapter 20. Trigata can also be translated as 鈥渢riple explanation鈥�. V墨thi represents one of the 诲补艣补谤奴辫补 or, 鈥渢en kinds of dramatic plays鈥�, which are said to have originated from the various styles (惫峁泃迟颈), discussed in chapter 22 of the same work.
: archive.org: Natya Shastra1) Trigata (啶む啶班た啶椸い).鈥擳he conversation of the Director (蝉奴迟谤补诲丑腻谤补), the Assistant (辫腻谤颈辫腻谤艣惫补办补) and the Jester (惫颈诲奴峁办补) is called the Three Men鈥檚 Talk (trigata).
2) Trigata (啶む啶班た啶椸い).鈥擮ne of the thirteen types of 惫墨迟丑颈;鈥擶hen exalted words with the Comic Sentiment are shared by three characters it should be known as Three Men鈥檚 Talk (trigata).
Natyashastra (啶ㄠぞ啶熰啶ざ啶距じ啷嵿い啷嵿ぐ, 苍腻峁瓂补艣腻蝉迟谤补) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Ganitashastra (Mathematics and Algebra)
: archive.org: Hindu MathematicsTrigata (啶む啶班た啶椸い) represents the number 3 (three) in the 鈥渨ord-numeral system鈥� (产丑奴迟补蝉补峁僰丑测腻), which was used in Sanskrit texts dealing with astronomy, mathematics, metrics, as well as in the dates of inscriptions and manuscripts in ancient Indian literature.鈥擜 system of expressing numbers by means of words arranged as in the place-value notation was developed and perfected in India in the early centuries of the Christian era. In this system the numerals [e.g., 3鈥�trigata] are expressed by names of things, beings or concepts, which, naturally or in accordance with the teaching of the 艢膩stras, connote numbers.
Ganita (啶椸ぃ啶苦い) or Ganitashastra refers to the ancient Indian science of mathematics, algebra, number theory, arithmetic, etc. Closely allied with astronomy, both were commonly taught and studied in universities, even since the 1st millennium BCE. Ganita-shastra also includes ritualistic math-books such as the Shulba-sutras.
Gitashastra (science of music)
: Shodhganga: Kohala in the Sanskrit textual tradition (gita)Trigat膩 (啶む啶班た啶椸い啶�) refers to one of the twelve T膩las classified as 叠丑补峁単补迟腻濒补, which are associated with the 顿丑谤耻惫腻-驳腻苍补.鈥擺...] Though belonged to the 尘腻谤驳补 tradition, Dhr奴v膩-g膩na included some 迟腻濒补蝉 which were employed in 苍腻峁瓂补 and yet not described in N膩峁瓂a艣膩stra. These 迟腻濒补蝉 were classified as 产丑补峁単补 [e.g., 迟谤颈驳补迟腻-迟腻濒补], upa产丑补峁単补 and vi产丑补峁単补-迟腻濒补蝉. These have not been mentioned by Bharata, but they are still considered to be a part of 尘腻谤驳补. They do not belong to the 诲别艣墨 tradition. M. R. Kavi also gives a list of 迟腻濒补蝉 associated with Dhruv膩g膩na.
Gitashastra (啶椸啶むざ啶距じ啷嵿い啷嵿ぐ, 驳墨迟补艣腻蝉迟谤补) refers to the ancient Indian science of Music (gita or samgita), which is traditionally divided in Vocal music, Instrumental music and Dance (under the jurisdiction of music). The different elements and technical terms are explained in a wide range of (often Sanskrit) literature.
India history and geography
: Cologne Digital Sanskrit Dictionaries: Indian Epigraphical GlossaryTri-gata.鈥�(IE 7-1-2), 鈥榯hree鈥�. Note: tri-gata is defined in the 鈥淚ndian epigraphical glossary鈥� as it can be found on ancient inscriptions commonly written in Sanskrit, Prakrit or Dravidian languages.
The history of India traces the identification of countries, villages, towns and other regions of India, as well as mythology, zoology, royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.
Languages of India and abroad
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionaryTrigata (啶む啶班た啶椸い).鈥�a.
1) tripled.
2) done in three days.
Trigata is a Sanskrit compound consisting of the terms tri and gata (啶椸い).
: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English DictionaryTrigata (啶む啶班た啶椸い).鈥攎fn.
(-迟补岣�-迟腻-迟补峁�) 1. Tripled. 2. Gone or done in three ways. n.
(-迟补峁�) The expression of different senses by the same word. E. tri, and gata gone.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English DictionaryTrigata (啶む啶班た啶椸い):鈥擺=tri-gata] [from tri] n. 鈥榯ripled鈥�, (in [dramatic language]) triple meaning given to the same word, [Bharata-苍腻峁瓂补-艣膩stra xviii, 115; Da艣ar奴pa iii, 16; Prat膩parudr墨ya; S膩hitya-darpa峁嘺 vi.]
: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English DictionaryTrigata (啶む啶班た啶椸い):鈥擺(ta岣�-t膩-迟补峁�) a.] Tripled; having three senses; gone three ways.
[Sanskrit to German]
Sanskrit, also spelled 啶膏啶膏啶曕啶むぎ啷� (蝉补峁僺办峁泃补尘), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Full-text: Bahiryavanika, Vitti.
Relevant text
Search found 8 books and stories containing Trigata, Tri-gata; (plurals include: Trigatas, gatas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Amarakoshodghatana of Kshirasvamin (study) (by A. Yamuna Devi)
Laya (tempo) < [Chapter 4 - Cultural Aspects]
Dasarupaka (critical study) (by Anuru Ranjan Mishra)
Part 8 - Styles (惫峁泃迟颈) of the Prakara峁嘺 < [Chapter 10 - Prakara峁嘺 (critical study)]
Part 3-6 - Samavak膩ra rules < [Chapter 6 - Samavak膩ra (critical study)]
Part 8 - Styles (惫峁泃迟颈s) of the N膩峁璦ka < [Chapter 1 - N膩峁璦ka (critical study)]
Musical Instruments in Sanskrit Literature (by S. Karthick Raj KMoundinya)
Musical Instruments鈥擠rum making < [Chapter 2 - Origin and evolution of Music and Musical instruments]
Ganitatilaka (Sanskrit text and English introduction) (by H. R. Kapadia)
Page 188 < [Sanskrit Text of the Ganitatilaka]
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Gati performed in P奴rvara峁単a < [Chapter 3 - Application of gati in D峁浥泍a-k膩vyas]
Kohala in the Sanskrit textual tradition (Study) (by Padma Sugavanam)
Kohala and N膩峁瓂a (4): The concept of Da艣ar奴paka < [Chapter 2 - Kohala as seen in citations]