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The Sanskrit terms 艢谤墨惫补迟蝉补 and 艢谤墨惫补迟蝉腻 can be transliterated into English as Srivatsa or Shrivatsa, using the IAST transliteration scheme (?).

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In Hinduism

Purana and Itihasa (epic history)

: Google Books: Cultural History from the V膩yu Pur膩na

艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ)鈥擮ne of the Heavenly ornaments according to the V膩yu Pur膩峁嘺. 艢谤墨惫补迟蝉补 is called the 濒补办峁�a峁嘺 (distinguishing ornament?) of Vi峁ａ箛u.

: archive.org: Puranic Encyclopedia

艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ).鈥擜 mole on Mah膩惫颈峁ａ箛耻鈥檚 chest. (For more details see under Bh峁沢u).

: archive.org: Shiva Purana - English Translation

艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ) refers to a particular mark, worn on the chest by Vi峁ａ箛u, according to the 艢ivapur膩峁嘺 2.3.43 (鈥淒escription of 艢iva鈥檚 wonderful sport鈥�).鈥擜ccordingly, after 艢iva spoke to Vi峁ａ箛u and Brahm膩: 鈥淸...] In the meantime lord Vi峁ａ箛u came that way. He looked glorious and splendid, dark-blue like the fresh cloud and having four arms. He had the handsome features of numberless cupids. He wore yellow garments. He was the king of heaven with eyes resembling the petals of a lotus, and looked very calm. He had Garu岣峚 as his vehicle. He possessed all the characteristic signs conch etc. He was bedecked in crown and other ornaments. He wore 艢谤墨惫补迟蝉补 on his chest (艣谤墨惫补迟蝉补-惫补办峁�a蝉). He had an uncommon splendour that was incomprehensible. [...]鈥�.

: Cologne Digital Sanskrit Dictionaries: The Purana Index

艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ).鈥擳丑别 jewel of K峁涐梗峁嘺;¹ of Pau峁囜笉ar墨ka V膩sudeva.²

• 1) V膩yu-pur膩峁嘺 96. 204.
• 2) Vi峁ａ箛u-pur膩峁嘺 V. 34. 17.

context information

The Purana (啶�啷佮ぐ啶距��, 辫耻谤腻峁嘺蝉) refers to Sanskrit literature preserving ancient India鈥檚 vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.

Pancaratra (worship of N膩r膩ya峁嘺)

Source: Wisdom Library: P膩帽car膩tra

艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ):鈥擮ne of the nine symbols representing the cosmic principles of the universe, according to the P膩帽car膩tra literature. These nine weapons and ornaments symbolize the principles which they represent as the presiding deity. The 艢谤墨惫补迟蝉补 symbol represent Prak峁泃i (鈥榤aterial world鈥�).

: archive.org: Isvara Samhita Vol 5

艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ) or 艢谤墨惫补迟蝉补尘耻诲谤腻 is the name of a 尘耻诲谤腻 described in the 莫艣varasa峁僪it膩 24.23-24.鈥擜ccordingly, 鈥溑毎�墨惫补迟蝉补尘耻诲谤�� is only padma尘耻诲谤腻鈥�. M奴dra (e.g., 艢r墨vats-a尘耻诲谤腻) is so called as it gives joy to the tattvas in the form of karman for those who offer spotless worship, drive out the defects which move about within and without and sealing up of what is done.

: archive.org: Catalogue of Pancaratra Agama Texts

1a) 艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ) refers to the 鈥渃hestmole鈥濃�攐ne of Vi峁ａ箛u鈥檚 ornaments, as discussed in chapter 31 (Cary膩p膩da) of the 笔补诲尘补蝉补峁僪颈迟腻: the most widely followed of Sa峁僪it膩 covering the entire range of concerns of P膩帽car膩tra doctrine and practice (i.e., the four-fold formulation of subject matter鈥�箩帽腻苍补, yoga, 办谤颈测腻 and 肠补谤测腻) consisting of roughly 9000 verses.鈥擠escription of the chapter [惫颈驳丑苍补谤腻箩辞迟辫补迟迟颈-办颈谤墨峁�膩d颈-尘补苍迟谤辞诲诲丑腻谤补]: Brahm膩 asks to know the origin of Vighnar膩ja, and Bhagav膩n tells him the story of Pradyumna鈥檚 anger which gave rise to the elephant-headed Ga峁嘺pati whose purpose was always to fight on the side of the gods (1-10a). Then He (Bhagav膩n) turns to answer the questions put to Him about the mantras to Vi峁ａ箛u鈥檚 ornaments, etc., [e.g., to the 艣谤墨惫补迟蝉补-chestmole (25-34)] [...]

1b) 艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ) or 鈥渕ole on the chest鈥� refers to one of the various ornaments and weapons of Vi峁ａ箛u to be contemplated upon, as discussed in chapter 13 of the 厂腻迟迟惫补迟补蝉补峁僪颈迟腻: one of the most ancient of P膩帽car膩tra 膧gamas consisting of roughly 3500 verses which stresses the theological standpoint of the oneness of God despite his various 惫测奴丑补蝉 (modes of existence), vibhavas (manifestations) and 补惫补迟腻谤补蝉 (incarnations).鈥擠escription of the chapter [补蝉迟谤补-产丑奴峁�a峁嘺-诲别惫补迟腻-诲丑测腻苍补-惫颈诲丑颈]: Although generally speaking the gods have four arms, four faces, many ornaments, yet when they are worshipped they are to be imagined with only two arms, one head, etc. (1-2). Bhagav膩n says Vi峁ａ箛u has the following ornaments, and the descriptions are given as if the items are personified: [e.g., 艣谤墨惫补迟蝉补-mole on the chest (7a)] [...] It is said that they are to be contemplated standing beside the Lord, with one hand on the hip, the other hand by some in waving a fly-whisk and by others in brandishing a warning finger. Some of the above are also identified with cosmic entities鈥攕un, moon, death, etc. (26-34).

2) 艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ) is the name of a Brahmin sage who lived in the former age, as discussed in chapters 2-3 of the (first section of the) 叠峁沨补诲产谤补丑尘补蝉补峁僪颈迟腻: a P膩帽car膩tra text containing over 4600 Sanskrit verses dealing primarily with Vai峁ａ箛ava theology and practical matters concerning the 艢r墨-Vai峁ａ箛ava community but also discussing aspects of Vi艣i峁ａ弓膩dvaita philosophy.鈥擠escription of the chapter [蝉耻诲补谤艣补苍补驳墨迟腻]: [...] At the request of 艢r墨, Lord N膩r膩ya峁嘺 tells the story of the Brahmin sage 艢谤墨惫补迟蝉补 who lived in the former age. He had studied the S膩峁僰hya, but he still longed to know about God, whereupon God as Puru峁�a appeared to him (39-49) telling him to try yoga as a technique. 艢谤墨惫补迟蝉补 did so, and just like God Himself鈥攂ut on a smaller scale-succeeded in creating a region wherein he lived happily. But all of a sudden for no apparent reason this region was destroyed (50-88). Then a heavenly voice came to him telling him to go to Dr膩vi岣峚 country and there seek God by devotion [bhakti] (89-96). In this Dr膩vi岣峚 country there was a king, Vi峁ａ箛udharma, who had won widespread fame as a devotee performing penance to Vi峁ａ箛u; 艢谤墨惫补迟蝉补 went to him (1-35).

3a) 艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ) or 艢谤墨惫补迟蝉补尘耻诲谤腻 is the name of a Mudr膩 (鈥渞itual hand-gestures鈥�), discussed in the twenty-fourth chapter of the 莫艣varasa峁僪it膩 (printed edition), a P膩帽car膩tra work in 8200 verses and 24 chapters dealing with topics such as routines of temple worship, major and minor festivals, temple-building and initiation.鈥擠escription of the chapter [尘耻诲谤腻-濒补办峁�a峁嘺-bhagavaddhy膩na-膩di-prak膩ra]: N膩rada tells how one prepares himself for the practice of 尘耻诲谤腻-gestures鈥攚ashing the hands with sandal-paste, doing certain exercises with the fingers, ritually touching the chest with the thumbs and forefingers of both hands, executing certain motions with the palms joined, etc. (3-11). Different 尘耻诲谤腻-gestures are named and described (12-72): [e.g., 艣谤墨惫补迟蝉补, padma (24b)] [...]

3b) 艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ) or 艢谤墨惫补迟蝉补尘耻诲谤腻 refers to one of the 37 Mudr膩s (hand-gestures) described in chapter 7 of the 痴颈峁ａ箛耻蝉补峁僪颈迟腻: a Sanskrit text written in 2600 verses which covers typical P膩帽car膩tra topics through a narrative dialogue between Aupag膩yana and Siddha Sumati.鈥擺Cf. the chapter 尘耻诲谤腻-濒补办峁�a峁嘺].

: SriMatham: Vai峁ａ箛ava Iconology based on Pa帽car膩tra 膧gama

艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ):鈥擮n Vishnu鈥檚 chest there is a small spiral mark (sometimes a small triangle) called 艢谤墨惫补迟蝉补 which means beloved-of-Fortune (Laksmi). This represents Primordial Nature (prakrti)鈥攖he First Principle of Manifestation or the material energy which is the source of the natural world. This is the symbol of all that is enjoyed; the multifold beings and forms of the manifested world. The three leaves represent the three gunas or qualiti es of matter鈥攁ctive (rajas), passive (tamas) or balanced (sattva)

context information

Pancaratra (啶�啶距�炧�嵿�氞ぐ啶距い啷嵿ぐ, p膩帽car膩tra) represents a tradition of Hinduism where Narayana is revered and worshipped. Closeley related to Vaishnavism, the Pancaratra literature includes various Agamas and tantras incorporating many Vaishnava philosophies.

Shilpashastra (iconography)

: Google Books: Elements of Hindu iconography

艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ) is a mark, a sort of mole, which is conceived to adorn the chest of Vi峁ａ箛u in association with the kaustubhama峁噄 which is a jewel. In sculpture this mole is represented by a flower of four petals arranged in the form of a rhombus, or by a simple equilateral triangle, and is invariably placed on the right side of the chest.

The 艢谤墨惫补迟蝉补 is peculiar to Vi峁ａ箛u. On the chest of Buddha there is the mark known as 艣谤墨惫补迟蝉补; it is perhaps introduced here in the belief that Buddha is an incarnation of Vi峁ａ箛u.

: Red Zambala: Hindu Icons and Symbols | Introduction

艢谤墨惫补迟蝉补 (endless knot) - symbolises the way things are = endless and complex 鈥� without beginning and end.

: Shodhganga: The significance of the m奴la-beras (艣颈濒辫补)

艢谤墨惫补迟蝉补 (mole on the chest of Vi峁ａ箛u) refers to one of the several 鈥渁ttributes鈥� (腻测耻诲丑补) or 鈥渁ccessories鈥� of a detiy commonly seen depicted in Hindu iconography, defined according to texts dealing with 艣颈濒辫补 (arts and crafs), known as 艣颈濒辫补艣膩stras.鈥擳丑别 艣颈濒辫补 texts have classified the various accessories under the broad heading of 腻测耻诲丑补 or karuvi (implement), including even flowers, animals, and musical instruments. The other miscellaneous articles found as attributes in the hands of the deities are, for example, 艢谤墨惫补迟蝉补.

: Shodhganga: Vaisnava Agamas And Visnu Images

艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ) refers to a type of special decorative symbol, as defined in treatises such as the P膩帽car膩tra, P膩dmasa峁僪it膩 and Vaikh膩nasa-膩gamas, extensively dealing with the technical features of temple art, iconography and architecture in Vaishnavism.鈥擜nother important feature of Vi峁ａ箛u is 艢谤墨惫补迟蝉补, special decorative symbol worn on the chest of Vi峁ａ箛u, representing 艢r墨 remaining in the name of Yogalak峁�m墨. According to Prak墨r峁嚹乨hik膩ra (17.56b-59a), he remains in the form of 艢谤墨惫补迟蝉补 on the upper part of the right breast of Vi峁ａ箛u who, therefore, known as 艢谤墨惫补迟蝉补vak峁�as and 艢r墨niv膩sa. This is the one of the feature differentiates Vi峁ａ箛u from the icons of other divinities particularly that of Vi艣vaksena.

context information

Shilpashastra (啶多た啶侧�嵿お啶多ぞ啶膏�嵿い啷嵿ぐ, 艣颈濒辫补艣膩stra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.

Vastushastra (architecture)

Source: Wisdom Library: V膩stu-艣膩stra

艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ) refers to a type of temple (辫谤腻蝉腻诲补) classified under the group named Lalita, according to 厂补尘补谤腻峁単补峁嘺蝉奴迟谤补诲丑腻谤补 chapter 56. The Lalita group contains twenty-five out of a sixty-four total 辫谤腻蝉腻诲补s (temples) classified under four groups in this chapter. The 厂补尘补谤腻峁単补峁嘺蝉奴迟谤补诲丑腻谤补 is an 11th-century encyclopedia dealing with various topics from the V膩stu艣膩stra.

艢谤墨惫补迟蝉补 is also listed in the 础驳苍颈辫耻谤腻峁嘺 which features a list of 45 temple types. It is listed under the group named Vair膩ja, featuring square-shaped temples. This list represents a classification of temples in Nort-India.

Source: Wisdom Library: V膩stu-艣膩stra

艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ) refers to a variety of 尘补峁囜笉补辫补 (halls attached to the temple), according to the Matsya-pur膩峁嘺 (verses 270.1-30). The 艣谤墨惫补迟蝉补-尘补峁囜笉补辫补 is to be built with 48 pillars (stambha). The Matsyapur膩峁嘺 is one of the eighteen major 辫耻谤腻峁嘺蝉 dating from the 1st-millennium BCE.

Accordingly (verse 270.15-17), 鈥淭hese 尘补峁囜笉补辫补s (e.g., 艣谤墨惫补迟蝉补) should be either made triangular, circular, octagonal or with 16 sides or they are square. They promote kingdoms, victory, longevity, sons, wife and nourishment respecitvely. Temples of other shape than these are inauspicious.鈥�

context information

Vastushastra (啶掂ぞ啶膏�嵿い啷佮ざ啶距じ啷嵿い啷嵿��, v膩stu艣膩stra) refers to the ancient Indian science (shastra) of architecture (vastu), dealing with topics such architecture, sculpture, town-building, fort building and various other constructions. Vastu also deals with the philosophy of the architectural relation with the cosmic universe.

Shaivism (Shaiva philosophy)

Source: Wisdom Library: 艢aivism

艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ) refers to one of the 鈥渆ight lords of divisions鈥� (惫颈驳谤补丑别艣惫补谤补) associated with the so-called eight divisions (vigraha) according to the Mata峁単ap膩rame艣vara (1.8.83鈥�5). These 鈥渆ight lords of divisions鈥� are also mentioned in a copper-plate inscription found in Malhar, Chhattisgarh, written around 650 CE. The eight divisions (vigraha) represent the uppermost part of the L膩kulas鈥� impure universe.

All these manifestations of 艢iva (e.g., 艢谤墨惫补迟蝉补) appear at the borders of various divisions of the universe according to the L膩kula system.

: Shodhganga: Temple management in the 膧gamas

艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ) refers to one of the eight 补峁ａ弓补尘补峁単补濒补 and represents a type of 鈥渢emple implement (instrument)鈥� as described in the Kara峁嘺濒补办峁�a峁嘺vidhi-pa峁璦la section of the Uttara-K膩mik膩gama.鈥擳丑别 instruments should be according to the particular 艣膩stra followed at the temple. Some of the instruments mentioned are 艢aiva 补峁ａ弓补尘补峁単补濒补 including [viz., 艣谤墨惫补迟蝉补].

context information

Shaiva (啶多�堗��, 艣aiva) or Shaivism (艣aivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.

Vaishnavism (Vaishava dharma)

: Pure Bhakti: Arcana-dipika - 3rd Edition

艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ) refers to:鈥擜 curl of fine golden hair on the upper portion of the right side of lord Vi峁ａ箛u鈥檚 or k峁涐梗峁嘺鈥檚 chest. (cf. Glossary page from Arcana-d墨pik膩).

: Pure Bhakti: Brhad Bhagavatamrtam

艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ) refers to:鈥擳he emblem of the goddess of fortune, is usually described as a distinct, white hair, on the chest of 艢r墨 Bh膩gavan. (cf. Glossary page from 艢r墨 B峁沨ad-bh膩gavat膩m峁泃a).

context information

Vaishnava (啶掂�堗し啷嵿ぃ啶�, vai峁ａ箛ava) or vaishnavism (vai峁ａ箛avism) represents a tradition of Hinduism worshipping Vishnu as the supreme Lord. Similar to the Shaktism and Shaivism traditions, Vaishnavism also developed as an individual movement, famous for its exposition of the dashavatara (鈥榯en avatars of Vishnu鈥�).

Ayurveda (science of life)

Veterinary Medicine (The study and treatment of Animals)

: archive.org: The Elephant Lore of the Hindus

艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ) refers to a particular mark (whose shape resembles certain spots on the body of elephants), according to the 15th century 惭腻迟补峁単补濒墨濒腻 composed by N墨laka峁囜弓ha in 263 Sanskrit verses, dealing with elephantology in ancient India, focusing on the science of management and treatment of elephants.鈥擺Cf. chapter 2, 鈥渙n favorable marks鈥漖: 鈥�4. Whose body is smooth and swarthy, colored (dark) like a sword, or else ruddy with the sheen of gleaming spots in the shape of the svastika, the 艣谤墨惫补迟蝉补-sign, the wheel, the conch, and the lotus [svastika艣谤墨惫补迟蝉补-aridar膩bja-l膩帽chana-lasadbinduprak膩艣膩ru峁嘺岣�]; whose buttocks stand out like breasts, and who has a good penis depending from a firm belly ; whose 办补濒腻-part is broad, very fleshy, and elevated : such an elephant is worthy of a king鈥�.

context information

膧yurveda (啶嗋く啷佮ぐ啷嵿さ啷囙う, ayurveda) is a branch of Indian science dealing with medicine, herbalism, taxology, anatomy, surgery, alchemy and related topics. Traditional practice of 膧yurveda in ancient India dates back to at least the first millenium BC. Literature is commonly written in Sanskrit using various poetic metres.

General definition (in Hinduism)

: WikiPedia: Hinduism

The Shrivatsa is an ancient symbol, considered auspicious in India. Srivatsa means "beloved of Sri", the goddess Lakshmi. It is a mark on the chest of Vishnu where his consort Sri Lakshmi resides. It is said that the tenth avatar of Vishnu, Kalki, will bear the Shrivatsa mark on his chest.

In Buddhism, the Srivatsa is said to be a feature of the tutelary deity (Tibetan: yidam) Manjusri the Youth (Skt: Manjusrikumarabhuta).

Tibetan Buddhists depict the shrivatsa as a triangular swirl or an endless knot.

In Jainism, it often marks the chest of the Tirthankara image. It is one of the ashtamangala (auspicious symbol). It can look somewhat like a fleur-de-lis, an endless knot, a flower or diamond-shaped symbol.

In Buddhism

General definition (in Buddhism)

: WikiPedia: Buddhism

One of the Eight Auspicious Symbols

The endless knot (Sanskrit: Shrivatsa); Tibetan: Dpal beu), representing the inter twining of wisdom and compassion; represents the mutual dependence of religious doctrine and secular affairs; represents the union of wisdom and method; the inseparability of emptinesss (Sanskrit: Sunyata) and Dependent Co arrising (Sanskrit: Pratitya samutpada at the time of the path); at the time of enlightenment the union of wisdom (Sanskrit: Prajna) and great compassion (Sanskrit: Karuna); also symbolic of knot symbolism in linking ancestors and omnipresence and the magical ritual and meta process of binding (refer etymology of Tantra, Yoga and religion) (see Namkha), the knot, net and the web metaphor also conveys the Buddhist teaching of the Doctrine of Interpenetration;

In Jainism

General definition (in Jainism)

: archive.org: The Jaina Iconography

1) 艢谤墨惫补迟蝉腻 (啶多�嵿ぐ啷�啶掂い啷嵿じ啶�) refers to a diagram resembling a flower of four petals arranged at right angles one to another or a curl of hair.

2) 艢谤墨惫补迟蝉腻 (啶多�嵿ぐ啷�啶掂い啷嵿じ啶�) (or M膩nav墨, Gaur墨) is the name of the Yak峁�i峁嚹� accompanying 艢谤别测腻峁兣沘苍腻迟丑补: the eleventh of twenty-four T墨rtha峁僰aras or Jinas, commonly depicted in Jaina iconography.鈥擺...] This eleventh Yak峁�i峁嚹� belongs to the eleventh T墨rtha峁僰ara 艢谤别测腻峁兣沘苍腻迟丑补. The Digambara representation of the Yak峁�i峁嚹� known therein as Gaur墨 rides, according to their accounts, anantelope and bears a club, lotus, urn and Varada in her hands. The 艢vet膩mbara variant of the same Yak峁�i in the name of M膩nav墨 or 艢谤墨惫补迟蝉腻 Dev墨 has been described as riding a lion and holding a Varada club, urn and goad.

The name Gaur墨 originates evidently from the Brahmanic Gaur墨, the wife of 艢iva. Here, in this instance, the Yak峁�a, of whom Gaur墨 is the consort is called 莫艣vara. Her other aspect is represented by a Vidy膩dev墨, known by the same name. Now, the 艢vet膩mbaras give her the name of 艢谤墨惫补迟蝉腻 or M膩nav墨. This name, however, presents an anomaly due to the identity of M膩nav墨 with the Digambara Yak峁�i峁嚹�, of 艢墨talan膩tha bearing the same name. Thus, it is possible to explain the name 艢谤墨惫补迟蝉腻 as originating from the 艢谤墨惫补迟蝉腻 figure, the canonical symbol of 艢墨talan膩tha. As regards the attributes, which adorn the hands of the Dev墨 some of them are war-like, as worthy of a Yak峁�i峁嚹�, and others are benign, as symbolic of a goddess of learning.

: archive.org: Trisastisalakapurusacaritra

1) 艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ) is the name of Mahendra鈥檚 惫颈尘腻苍补 (celestial car), according to chapter 1.2 [腻诲墨艣惫补谤补-肠补谤颈迟谤补] of Hemacandra鈥檚 11th century Tri峁�a峁ａ弓i艣al膩k膩puru峁�acaritra: an ancient Sanskrit epic poem narrating the history and legends of sixty-three illustrious persons in Jainism. Accordingly, 鈥淸...] Mahendra, accompanied by gods of eight lacs of palaces, came quick as thought in the car 艢谤墨惫补迟蝉补鈥�.

2) 艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ) refers to one of the 鈥渢hree auspicious signs鈥� as well as one of the 鈥渆ight auspicious things鈥� in Jainism, according to the same chapter. Accordingly:

鈥淸...] Then, after circumambulating it, he ascended his aerial car, like his own lofty pride, by the east steps. [...] Then 艢akra鈥檚 艢膩m膩nikas, like other forms of 艢akra, ascended by the north steps and took their proper seats. [...] In front of the Lord of Paulom墨 (艢akra) seated on the lion-throne shone eight groups of the eight auspicious things, [viz., 艣谤墨惫补迟蝉补], etc. [...]鈥�.

Note: 艢谤墨惫补迟蝉补, originally a curl of hair, came to be a mark with the general shape of 4 petals, frequently represented enclosed in a rectangular background.

: Shodhganga: A cultural study on the jain western Indian illustrated manuscripts

艢rivatsa (啶多�嵿ぐ啶苦さ啶む�嵿じ, 鈥渏ewel鈥�).鈥擮ne of the eight providential symbols, or, 补峁ａ弓补尘补峁単补濒补.鈥斉歳ivatsa represents the enlightened knowledge that resides in Jine艣vara鈥檚 heart.

context information

Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, 鈥榮elf-reliance鈥�) and spiritual development through a path of peace for the soul to progess to the ultimate goal.

India history and geography

: Cologne Digital Sanskrit Dictionaries: Indian Epigraphical Glossary

艢谤墨惫补迟蝉补.鈥�(SII 2), mole on Vi峁ａ箛u's chest; sometimes represented in the shape of a crown as found in the Hathingumpha inscription of Kh膩ravela. Note: 艣谤墨惫补迟蝉补 is defined in the 鈥淚ndian epigraphical glossary鈥� as it can be found on ancient inscriptions commonly written in Sanskrit, Prakrit or Dravidian languages.

context information

The history of India traces the identification of countries, villages, towns and other regions of India, as well as mythology, zoology, royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.

Languages of India and abroad

Marathi-English dictionary

: DDSA: The Molesworth Marathi and English Dictionary

艣谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ).鈥攎 S A name of 惫颈峁ａ箛耻. 2 m n also 艣谤墨惫补迟蝉补- l膩帽cchana n S 艣谤墨惫补迟蝉腻峁卥补 m S The mark (a cross-form curl of hair) on the breast of 惫颈峁ａ箛耻 (made by the foot of a Brahman). See ex. under 产丑谤补尘补谤补辫补岣峚岣纺�.

context information

Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.

Sanskrit dictionary

: DDSA: The practical Sanskrit-English dictionary

艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ).鈥�

1) an epithet of Vi峁ａ箛u.

2) a mark or curl of hair on the breast of Vi峁ａ箛u; 啶�啷嵿ぐ啶�啶距え啷佮げ啶苦お啷嵿い- 啶多�嵿ぐ啷�啶掂い啷嵿じ啶� 啶侧�曕�嵿し啷嵿ぎ啷�啶掂た啶�啷嵿ぐ啶�啶︵ぐ啷嵿お啶｀ぎ啷� (prabh膩nulipta- 艣谤墨惫补迟蝉补峁� lak峁�m墨vibhramadarpa峁嘺m) R.1.1.

3) a hole in a wall made by a house-breaker. 掳啶呧�權�嵿�曕��, 掳啶оぞ啶班た啶ㄠ��, 掳啶�啷冟い啷�, 掳啶侧�曕�嵿し啷嵿ぎ啶ㄠ��, 掳啶侧ぞ啶炧�嵿�涏え (a峁卥a岣�, 掳dh膩rin, 掳m峁泃, 掳lak峁�man, 掳l膩帽chana) m. epithets of Vi峁ａ箛u; 啶むぎ啶�啷嵿く啶椸�氞�嵿�涏い啷� 啶�啷嵿ぐ啶ムぎ啷� 啶掂た啶оぞ啶むぞ 啶多�嵿ぐ啷�啶掂い啷嵿じ啶侧�曕�嵿し啷嵿ぎ啶� 啶�啷佮ぐ啷佮し啶多�嵿�� 啶膏ぞ啶曕�嵿し啶距い啷� (tamabhyagacchat prathamo vidh膩t膩 艣谤墨惫补迟蝉补lak峁�m膩 puru峁�a艣ca s膩k峁Ｄ乼) Kum膩rasambhava 7.43.

Derivable forms: 艣谤墨惫补迟蝉补岣� (啶多�嵿ぐ啷�啶掂い啷嵿じ啶�).

艢谤墨惫补迟蝉补 is a Sanskrit compound consisting of the terms 艣谤墨 and vatsa (啶掂い啷嵿じ).

: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary

艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ).鈥攎.

(-迟蝉补岣�) 1. Vishnu. 2. A particular mark, usually said to be a curl of hair, on the breast of Vishnu or Krishna. 3. A hole in a wall made for felonious purposes. 4. The emblem of the tenth Jina, or the mark above ascribed to Vishnu or Krishna. E. 艣谤墨 Lakshmi, and vatsa dear to.

: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English Dictionary

艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ).鈥攎. 1. Vi峁ａ箛u. 2. a mark, usually said to be a curl of hair on the breast of Vi峁ａ箛u or K峁涐梗峁嘺, represented by , [Johnson's Selections from the Mah膩bh膩rata.] 96, 74. 3. a hole in a wall for felonious purposes.

鈥� Cf. vatsatara.

艢谤墨惫补迟蝉补 is a Sanskrit compound consisting of the terms 艣谤墨 and vatsa (啶掂い啷嵿じ).

: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionary

艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ).鈥擺masculine] a curl of hair of a cert. form on the breast of Vi峁ａ箛u.

: Cologne Digital Sanskrit Dictionaries: Aufrecht Catalogus Catalogorum

1) 艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ) as mentioned in Aufrecht鈥檚 Catalogus Catalogorum:鈥攁 poet, contemporary of Ma峁卥ha. 艢r墨ka峁囜弓hacarita 25, 82.

2) 艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ):鈥攕on of Narasi峁僪a: Nai峁�adh墨yacarita峁�墨k膩.

: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary

1) 艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ):鈥擺=艣谤墨-vatsa] [from 艣谤墨] m. 鈥榝avourite of 艢r墨鈥� Name of Vi峁ａ箛u, [cf. Lexicographers, esp. such as amarasi峁僪a, hal腻测耻诲丑补, hemacandra, etc.]

2) [v.s. ...] a [particular] mark or curl of hair on the breast of Vi峁ａ箛u or K峁涐梗峁嘺 (and of other divine beings; said to be white and represented in pictures by a symbol resembling a cruciform flower), [Mah膩bh膩rata; K膩vya literature] etc.

3) [v.s. ...] the emblem of the tenth Jina (or Vi峁ａ箛u鈥檚 mark so used), [cf. Lexicographers, esp. such as amarasi峁僪a, hal腻测耻诲丑补, hemacandra, etc.]

4) [v.s. ...] a hole of a [particular] form made through a wall by a housebreaker, [cf. Lexicographers, esp. such as amarasi峁僪a, hal腻测耻诲丑补, hemacandra, etc.]

5) [v.s. ...] (in [astronomy]) one of the lunar asterisms, [Colebrooke]

6) [v.s. ...] Name of the eighth Yoga, [Monier-Williams鈥� Sanskrit-English Dictionary]

7) [v.s. ...] Name of various authors (also with 腻肠腻谤测补 and 艣补谤尘补苍), [Catalogue(s)]

: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionary

艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ):鈥擺艣谤墨-vatsa] (迟蝉补岣�) 1. m. Vishnu or his mark (said to be a curl of hair peculiarly shaped;) hole for stealing.

[Sanskrit to German]

context information

Sanskrit, also spelled 啶膏�傕じ啷嵿�曕�冟い啶�啷� (蝉补峁僺办峁泃补尘), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.

Kannada-English dictionary

: Alar: Kannada-English corpus

艢谤墨惫补迟蝉补 (嗖多硩嗖班硛嗖掂菠喑嵿哺):鈥�

1) [noun] Vi峁ａ箛u.

2) [noun] a particular mark or curl of hair on the breast of Vi峁ａ箛u.

context information

Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.

Nepali dictionary

: unoes: Nepali-English Dictionary

艢谤墨惫补迟蝉补 (啶多�嵿ぐ啷�啶掂い啷嵿じ):鈥攏. a particular mark or curl of hair on the breast of Vishnu or Krishna;

context information

Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.

See also (Relevant definitions)

Partial matches: Shri, Vatsa.

Starts with (+1): Shrivatsa acarya, Shrivatsa sharman, Shrivatsa shrinivasa acarya, Shrivatsa vyasa, Shrivatsabhrit, Shrivatsadharin, Shrivatsaki, Shrivatsakin, Shrivatsalakshman, Shrivatsalanchana, Shrivatsam, Shrivatsamantra, Shrivatsamudra, Shrivatsamuktikanandyavartalakshitapanipadatala, Shrivatsamuktikanandyavartalakshitapanipadatalata, Shrivatsanka, Shrivatsanka mishra, Shrivatsapinyaka, Shrivatsasvastikanandyavartalalitapanipada, Shrivatsavakshas.

Full-text (+281): Shrivatsalanchana, Shrivatsanka, Shrivatsabhrit, Shrivatsamuktikanandyavartalakshitapanipadatalata, Shrivatsalakshman, Shrivatsadharin, Shrivatsapinyaka, Shrivatsam, Shrivatsa sharman, Shrivatsa vyasa, Shrivatsa acarya, Shrivatsa shrinivasa acarya, Shrivatsakin, Shrivatsamudra, Shrivatsavihara, Shrivatsamuktikanandyavartalakshitapanipadatala, Hridayashrivatsa, Shrivatsavakshas, Shrivatsamantra, Shrivaccha.

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Search found 110 books and stories containing Shrivatsa, 艢r墨-vatsa, 艢谤墨惫补迟蝉补, Sri-vatsa, 艢谤墨惫补迟蝉腻, Shri-vatsa, Srivatsa, 艢r墨-vats膩; (plurals include: Shrivatsas, vatsas, 艢谤墨惫补迟蝉补s, 艢谤墨惫补迟蝉腻s, Srivatsas, vats膩s). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:

Garga Samhita (English) (by Danavir Goswami)

Verse 2.7.26 < [Chapter 7 - Kidnapping of the Calves and Cowherd Boys]

Verse 1.2.56 < [Chapter 2 - Description of the Abode of 艢r墨 Goloka]

Verse 6.2.24 < [Chapter 2 - Residence in 艢r墨 Dv膩rak膩]

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Tiruvaymoli (Thiruvaimozhi): English translation (by S. Satyamurthi Ayyangar)

Pasuram 3.4.3 < [Section 4 - Fourth Tiruvaymoli (Pukalum nal oruvan)]

Pasuram 5.2.8 < [Section 2 - Second Tiruvaymoli (Polika Polika)]

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Sanskrit Inscriptions of Thailand (by Satischandra Chatterjee)

Inscription of Srivatsa Consercrating Devarupa

Muang Sema Inscription (Side-2)

Prasat Inscription

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Shat-cakra-nirupana (the six bodily centres) (by Arthur Avalon)

Verse 16 < [Section 2]

Summary (of verses 14-18) < [Section 2]

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Cidgaganacandrika (study) (by S. Mahalakshmi)

Verse 312 [K膩lidasa鈥檚 Cidgaganacandrik膩 benefits entire mankind] < [Chapter 4 - Fourth Vimar艣a]

Preface

Introduction to the Cidgaganacandrik膩

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艢r墨 K峁涐梗峁嚹佱梗峁璦kam

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