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In Hinduism

Kavyashastra (science of poetry)

: Shodhganga: The Kavyavilasa of Ciranjiva Bhattacarya (kavyashastra)

笔谤补迟墨辫辞辫补尘腻 (啶�啷嵿ぐ啶む��啶�啷嬥お啶�啶�) refers to one of the 93 补濒补峁僰腻谤补蝉 (鈥渇igures of speech鈥�) mentioned by Cira帽j墨va Bha峁�峁�膩c膩rya (fl. 17th century) in his K膩vyavil膩sa and is listed as one of the 89 补谤迟丑腻濒补峁僰腻谤补蝉 (figure of speech determined by the sense, as opposed to sound).鈥� Traditional 膧la峁僰膩rikas like Bh膩maha, Udbha峁璦, V膩mana, Mamma峁璦 and Vi艣van膩tha etc. have not admitted 辫谤补迟颈辫辞辫补尘腻. It is Jayadeva who speaks of 辫谤补迟颈辫辞辫补尘腻 in his 颁补苍诲谤腻濒辞办补.

Cira帽j墨va has admitted 辫谤补迟颈辫辞辫补尘腻 in the line of Jayadeva. According to this definition when an 耻辫补尘腻苍补 becomes upameya it is called 辫谤补迟颈辫辞辫补尘腻. In fact when an object which is usually known as 耻辫补尘腻苍补 becomes upameya, the figure is 辫谤补迟颈辫辞辫补尘腻.

Example of the 辫谤补迟墨辫辞辫补尘腻-补濒补峁僰腻谤补:鈥�

tod膩syasad峁浥沘峁� d峁涐梗峁璦峁� saras墨峁�u saroruham |
ki帽ca tatpuline khelat办丑补帽箩补苍腻 nayanopam膩岣� ||

鈥淚n the lakes the lotuses are seen like your face and even the 办丑补帽箩补苍腻 bird which is playing in the bank of that lake is compared with your eyes鈥�.

Notes: It is traditional that the lotus is 耻辫补尘腻苍补 and the face is upameya. But in this particular instance the traditional concept has been left. Here the lotus has been treated as upameya and the face has been described as 耻辫补尘腻苍补. The same is the case with lotus and the 办丑补帽箩补苍腻 bird. So it is a good example of 辫谤补迟颈辫辞辫补尘腻.

context information

Kavyashastra (啶曕ぞ啶掂�嵿く啶多ぞ啶膏�嵿い啷嵿ぐ, 办腻惫测补艣腻蝉迟谤补) refers to the ancient Indian tradition of poetry (kavya). Canonical literature (shastra) of the includes encyclopedic manuals dealing with prosody, rhetoric and various other guidelines serving to teach the poet how to compose literature.

See also (Relevant definitions)

Partial matches: Pratipa, Upama.

Full-text: Pratipa, Alamkara.

Relevant text

No search results for Pratipopama, 笔谤补迟墨辫辞辫补尘腻, Pratipa-upama, Prat墨pa-upam膩; (plurals include: Pratipopamas, 笔谤补迟墨辫辞辫补尘腻s, upamas, upam膩s) in any book or story.